"Everybody Gonfi-Gon" | ||||
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Single by Two Cowboys | ||||
Released | 27 June 1994 [1] | |||
Genre | House [2] | |||
Length |
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Label | Ffrr | |||
Songwriter(s) |
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Producer(s) |
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Two Cowboys singles chronology | ||||
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Music video | ||||
"Everybody Gonfi-Gon" on YouTube |
"Everybody Gonfi-Gon" is a song by Italian Eurodance project Two Cowboys. It was released in June 1994 as the project's debut single. Drawing comparisons to other string-driven country-dance hits at the time, including The Grid's "Swamp Thing" and "Cotton Eye Joe" by Rednex, [2] "Everybody Gonfi-Gon" became a hit single as well, reaching number two in Finland and Iceland and peaking within the top 10 in Austria, Denmark, Ireland, the Netherlands, and the United Kingdom.
Andy Beevers from Music Week gave the song four out of five. He wrote, "This irritating house hoe-down from Italy is threatening to be the next Doop. It has a Western flavour similar to The Grid's Banjo and Bravado's Harmonica Man but is far more cheesy. It was initially snapped up for UK releases by 3-Beat, although it has been sub-licensed to ffrr to make the most of its chart potential." [3] James Hamilton from the Record Mirror Dance Update deemed it a "madly happy fiddle and banjo prodded galloping square dance/disco hybrid". [4]
Weekly charts
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"No Good (Start the Dance)" is a song by English electronic music group the Prodigy. Written and produced by group member Liam Howlett, it was released on 16 May 1994 as the second single from their second studio album, Music for the Jilted Generation (1994). It is built around a repeated vocal sample from "You're No Good for Me" by Kelly Charles (1987). Howlett initially had doubts whether to use the sample because he thought it was too pop for his taste. The song also contains samples from "Funky Nassau" by Bahamian funk group the Beginning of the End. It was certified Gold in Germany for 250,000 sold copies. Its music video was directed by Walter Stern.
"Hymn" is a song by American electronica musician Moby. It was released on May 16, 1994, as the first single from his third studio album, Everything Is Wrong (1995). The single version, which was radically remixed from the album original and retitled "Hymn ", peaked at number 31 on the UK Singles Chart and number three in Finland. A 33-minute ambient remix was released as "Hymn.Alt.Quiet.Version".
"Two Can Play That Game" is a song by American R&B singer-songwriter Bobby Brown from his third album, Bobby (1992). The single release was remixed by K-Klass and originally reached No. 38 on the UK Singles Chart in June 1994. In April 1995, it re-entered the chart, peaking at No. 3. It received positive reviews from music critics and also reached No. 3 in the Netherlands. Additionally, it became a top-20 hit in Belgium, Denmark, Finland, Ireland, and Italy. On the Eurochart Hot 100, "Two Can Play That Game" peaked at No. 10. This version of the song appeared on Brown's remix album of the same name, released later in 1995.
"Turn On, Tune In, Cop Out" is a song by Norman Cook's acid jazz group, Freak Power, released in October 1993 as the debut single from their first album, Drive-Thru Booty (1994). The song features a smooth jazz sound and the baritone vocals of lead singer Ashley Slater. The single originally charted at number 29 in the United Kingdom. However, two years later, the song was used in the popular Levi's advertisement "Taxi", and it was re-released on 6 March 1995. This time, the single was a success, reaching number three on the UK Singles Chart and becoming the group's only top-20 hit. The song was also a moderate hit in western Europe and New Zealand.
"Find Me (Odyssey to Anyoona)" is a song by German electronic music duo Jam & Spoon featuring American singer Plavka, released in July 1994 as the third single from their second album, Tripomatic Fairytales 2001 (1993). The song reached number one in Finland and number six in Italy, while in the United Kingdom and Australia, it peaked at number 22 in both countries. The song also entered the Eurochart Hot 100 on 30 July 1994, peaking at number 19 on 27 August. Its accompanying music video was A-listed on Germany's VIVA in August 1994.
"Love Sees No Colour" is a song recorded by German act U96. It was released in May 1993 as the first single off its second album, Replugged (1993), on which it appears as second track. It added sung male vocals, which was also going to be one of the distinctive marks of the project. The words contained in the title are the only lyrics of the song. It achieved success in many countries, including Austria, Denmark, Finland, Germany, Spain, Sweden and Switzerland where it reached the top 10. On the Eurochart Hot 100, "Love Sees No Colour" peaked at number 10. German band Bass Bumpers participated in several remixes of the song.
"Why" is a song by British music producer and remixer D Mob featuring singer-songwriter Cathy Dennis. It was released as the fourth single from Dennis's second album, Into the Skyline (1992), a full year after her previous single from the album. In the UK, it reached number 23 on the UK Singles Chart, number seven on the UK Dance Singles Chart and number one on the UK Club Chart, making it the most successful single from the album. "Why" was dedicated in memory of Philip Hall, who died in December 1993.
"Son of a Gun" is the debut single of British dance music DJ Jake Williams, released under the name JX. It was released in March 1994, reaching number six in the United Kingdom and Australia and number 35 in the Netherlands. The song contains samples from the 1976 song "Touch and Go" by Ecstasy, Passion & Pain featuring Barbara Roy.
"Beautiful People" is a song recorded by American singer-songwriter Barbara Tucker, who co-wrote it with India, Lem Springsteen and "Little" Louie Vega, who along with partner Kenny "Dope" Gonzalez, co-produced the track. It was released on March 2, 1994, as her first single by Strictly Rhythm Records, and was also Tucker's first of seven number-one singles on the US Billboard Hot Dance Club Play chart, reaching the top spot on April 16, 1994. On the UK Singles Chart, it peaked at number 23, while it topped both the UK Dance Singles Chart and the UK Club Chart.
"Everybody" is a song by Swiss Eurodance artist DJ BoBo, released in May 1994 as the fourth and last single from his debut album, Dance With Me (1993). The song was very successful in Europe, reaching number-one in Finland, number two in Germany, and number three in Switzerland. Additionally, it was a top 10 hit in Iceland and the Netherlands, peaking at number eight and ten, respectively. The female vocals are performed by Jennifer Rüesch. The music video for the song was directed by Giacomo de Simone and filmed in Italy.
"Read My Lips" is a song recorded by Italian dance music act Alex Party. It was first released as "Read My Lips/Saturday Night Party" on 18 December 1993, where it entered at number 49 in the UK Singles Chart. It remained in the top 100 for 6 weeks before it was re-released on 28 May 1994. This time "Read My Lips" peaked at number 29. It spent 5 weeks in the top 100.
"U R the Best Thing" is the debut single of Northern Irish musical group D:Ream, included on their first album, D:Ream On Volume 1 (1993). Originally a club hit released in 1992, the song has been remixed and re-released twice: in 1993 and in 1994. The 1994 version, also known as the Perfecto mix, was most successful peaking at number three in Scotland, number four on the UK Singles Chart and number six in Ireland. It also peaked at number 13 on the Eurochart Hot 100. The 1993 version reached number one on the Billboard Hot Dance Club Play chart in the US. There were made three different music videos to promote the single.
"Rockin' for Myself" is a song by British electronic dance music record producer Motiv8, aka Steve Rodway. Based around a vocal loop originally performed by Anne-Marie Smith on Italian dance act 49ers' 1992 single, "Move Your Feet", it was released in late 1993 and features vocals by British singer Angie Brown. This version reached number 67 on the UK Singles Chart. In the spring of 1994, it was re-mixed and re-released, peaking at number 18 in the UK. But on the UK Dance Singles Chart, it was even more successful, peaking at number-one. On the Eurochart Hot 100, it reached number 63. Outside Europe, it was successful in Australia, peaking at number nine. A music video was produced to promote the single, featuring a model and dancer lip-syncing the song on a red sofa, wearing yellow sweater and beret.
"Carry Me Home" is a song by gospel house/progressive house group Gloworm, fronted by American singer Sedric Johnson. It features vocals by Pauline Taylor and was released as a single in May 1994. It reached number five in Iceland, number eight in Ireland, and number nine in both Norway and the United Kingdom. In the latter, it also peaked at number two on the UK Dance Singles Chart, while on the Eurochart Hot 100, the song reached number 36 in June 1994.
"Unforgiven" is a song by Northern Irish musical group D:Ream, released in July 1993 as the third single from their debut album, D:Ream On Volume 1 (1993). Written by band members Peter Cunnah and Al MacKenzie, it peaked at number 29 in the UK and number ten in Portugal. After the success of the singles "U R the Best Thing" and "Things Can Only Get Better", it was re-released in 1994. A music video was also produced to promote the single.
"Shine On" is a song by American house music project Degrees of Motion, featuring vocals by Biti Strauchn and Kit West. It was originally released in July 1992 as a single from their album, Degrees Of Motion (1991), peaking at number 43 on the UK Singles Chart. Following a re-release in March 1994, it charted higher, peaking at number eight on the same listing. It also reached number one on the UK Dance Singles Chart same year.
"Caught in the Middle" is a song by British singer-songwriter Juliet Roberts, originally released in July 1993. In June 1994, it was re-released as a remix and became a club hit. It was well received among music critics, reaching number-one on both the US Billboard Hot Dance Club Play chart and the UK Dance Singles Chart, where it peaked atop both in 1993 and 1994. Additionally, the song peaked at number 14 in the UK, and number 31 in Scotland, while on the Eurochart Hot 100, it reached number 43. It was co-written by Roberts and included on her debut album, Natural Thing (1994), and it won the Record Mirror Club Cut of the Year honour at the 1994 Music Week Awards.
"Go on Move" is a song by American solo project Reel 2 Real, featuring ragga vocals by Trinidad and Tobago rapper The Mad Stuntman. Originally released in 1993 as a single from their debut album, Move It! (1994), it was re-released in 1994 after the success of "I Like to Move It". It became a top-10 hit in Canada, Finland, Ireland, the Netherlands and the UK. In the latter, it reached number seven on the UK Singles Chart. But on the UK Dance Singles Chart, it was a even bigger hit, peaking at number two. In the US, the song peaked at number six on the Billboard Hot Dance Music/Club Play chart, while it peaked at number one on the Canadian RPM Dance/Urban chart.
"I Want You" is a song by English singer-songwriter Juliet Roberts, released in March 1994 as the second single from her debut album, Natural Thing (1994). Originally released as a double A-side with her song "Again", it was then released as its own single following the success of its predecessor, "Caught in the Middle", in 1994. It peaked at number one on the US Billboard Hot Dance Club Play chart, and also reached number 44 on the Billboard Hot 100. In Europe, it charted in the UK, where it peaked at number 28 on the UK Singles Chart, but was more successful on the UK Dance Singles Chart, reaching number three in October 1994.
"Let the Music (Lift You Up)" is a song by British house music group Loveland featuring singer Rachel McFarlane, released in 1994 as their debut single. It is a cover of a song by American singer Darlene Lewis and some of the single releases also featured both versions. The Loveland version was included on their only album, The Wonder of Love (1995), and peaked at number 16 on the UK Singles Chart. It also reached number-one on both the UK Dance Singles Chart and the UK Club Chart, and won the Best Dance Record of the Year award at the Silver Clef Award.