F.L.M. | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 13 April 1987 | |||
Recorded | 1986–1987 | |||
Studio | PWL Studios 1 and 2 (London) | |||
Genre | ||||
Length | 38:49 | |||
Label | Supreme | |||
Producer | Stock Aitken Waterman | |||
Mel and Kim chronology | ||||
| ||||
Singles from F.L.M. | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Record Mirror | [2] |
Smash Hits | 8/10 [3] |
F.L.M. is the only studio album by English pop duo Mel and Kim, released on 13 April 1987 by Supreme Records. [4] [5] The album peaked at number three on the UK Albums Chart and has been certified platinum by the British Phonographic Industry (BPI). [5] [6] It also reached the top five in Australia, Finland and Switzerland, the 10 in Norway and the top 20 in Germany, the Netherlands and Sweden. Three successful singles are included on the album: "Showing Out" (number three on the UK Singles Chart), "Respectable" (number one) and "F.L.M." (number seven). [6]
The album was predominantly written and produced by Stock Aitken Waterman (SAW) and contained a mixture of house-infused productions and downtempo, soulful songs. Supreme Records head Nick East said the original plan was to release "every track" from the album as a single, "like [Michael Jackson's] Thriller ", but Mel's cancer diagnosis forced the abandonment of the plan. [7] One track, "I'm the One Who Really Loves You", was originally recorded in 1986 by Austin Howard and was considered for release as the fourth single; however, it was only released in South Africa and North America where it was issued with remixes by Clivillés & Cole. Two other songs from F.L.M. would go on to be recorded by other Stock Aitken Waterman-produced artists; "More Than Words Can Say", which was only released as a single in Scandinavia, was also recorded by Carol Hitchcock and Hazell Dean, while Sinitta and Pepsi and Shirlie both recorded reworked versions of album closer, "Who's Gonna Catch You".
In the United Kingdom, the vinyl LP was issued with either a full colour or monochrome sleeve. US, Canadian, and Japanese pressings had a different sleeve design and track running order to other international releases. In addition, "Feel a Whole Lot Better" was retitled "Whatever It Is" for these territories. A two-disc deluxe edition of the album was released in 2010, including the duo's 1988 single "That's the Way It Is", and its B-side, "You Changed My Life", which were not included on the original release of the album, as well as 7" mixes and extended versions of singles and album tracks.
When reviewing the album, Karen Faux of British magazine Music Week praised "Showing Out (Get Fresh at the Week-end)" and "Respectable" as they "undoubtedly shine brighest, with dancefloor bounce and exuberance", as well as the slower tracks which she deemed not vacuous at all, but criticized "weak and ultimately forgettable vocals". [8] Chris Heath of Smash Hits stated that if "you like wonderfully tacky, totally unpretentious dance music where little catchy snippets of tunes and electronic drums a-clinking and a-clattering are more important than anything else in the world, then you'll simply recognise F.L.M.... as a "masterpiece" of sorts". [3] By contrast, Jonathan Lewis of AllMusic was highly critical of F.L.M., deeming it "one of the more insipid examples of '80s dance-pop" and a "completely forgettable album", which shows in his point of view SAW's "weakest" songwriting and Mel & Kim's "limited vocal ability", a duo he considered "the least talented" artists who collaborated with the SAW team. [1] Retrospectively, in 2018, Mark Elliot of Classic Pop considered F.L.M. as the fifth best album ever produced by SAW. [9]
In the United Kingdom, F.L.M. started at a peak of number three on 25 April 1987, a position it held for consecutive two weeks, and spent 11 weeks in the top ten and a total of 25 weeks in the top 100. [10] It was the 35th best-selling album of 1987 in the country, [11] and earned a platinum disc awarded by the British Phonographic Industry. [5] In Continental Europe, it also reached the top five in Finland and Switzerland, where it peaked at number two and four, respectively; in the latter country, it appeared for nine weeks in the top 30. [12] [13] In Norway, it also attained the top ten, culminating at number seven for two weeks, and charted for ten weeks in the top 20. [14] In addition, it was a top-20 albums in the Netherlands, West Germany and Sweden, with 18 and 11 weeks of charting in the first two nations. [15] [16] [17] On the Pan-European Top 100 Albums chart compiled by Music & Media , it peaked at number ten, [18] and eventually ranked at number 44 on the European year-end chart of 1987. [19] Regarding the Oceanian markets, F.L.M. barely missed the first position in both Australia and New Zealand where it rose until number two. It spent 19 weeks in the NZ Albums Chart, with two weeks at number two in August 1987, behind U2's The Joshua Tree , and nine weeks in the top ten. In this country, it reached the gold status given by the Recorded Music NZ, [20] and featured at number 18 on the year-end chart. [21]
Side one
Side two
CD bonus tracks
All songs written by Stock Aitken Waterman, except "Who's Gonna Catch You" written by Matt Aitken / Mike Stock / Pete Waterman / Stevie Wonder / Yvonne Wright, [22] and "From a Whisper to a Scream" lyrics by A & A.
The album was reissued as a double CD in the United Kingdom through Cherry Red Records on 18 October 2010. Notably, the first three tracks are the 7" mixes, not the album versions contained on the original release.
Disc one
Disc two
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Netherlands (NVPI) [26] | Gold | 50,000^ |
New Zealand (RMNZ) [20] | Gold | 7,500^ |
United Kingdom (BPI) [5] | Platinum | 300,000^ |
^ Shipments figures based on certification alone. |
Stock Aitken Waterman are an English songwriting and record production trio consisting of Mike Stock, Matt Aitken, and Pete Waterman. The trio had great success from the mid-1980s through to the early-1990s. SAW is considered one of the most successful songwriting and producing partnerships of all time by the Guinness World Records,, scoring more than 100 UK Top 40 hits and earning an estimated £60 million in royalties. The trio had 13 UK No. 1 singles including three consecutive UK No. 1's and three US No. 1 singles. They also had at least one record in the UK Top 100 Singles Chart every week between March 1986 and October 1990.
Mel and Kim were an English pop duo, consisting of sisters Melanie and Kim Appleby. Originally managed by Alan Whitehead, they achieved success between 1986 and 1988, before Melanie died of cancer in January 1990 at the age of 23.
"You Spin Me Round (Like a Record)" is a song by the English pop band Dead or Alive, featured on their second studio album, Youthquake (1985). Released as a single in November 1984, it reached No. 1 in the UK in March 1985, taking 17 weeks to get there. It was the first UK No. 1 hit by the Stock Aitken Waterman production trio.
Lonnie Gordon is an American female dance, pop and R&B singer and songwriter. She scored several chart hits during the 1990s, most notably for her 1990 UK top 10 single "Happenin' All Over Again".
Wow! is the fourth studio album by English group Bananarama, released on 4 September 1987 by London Records. The album was entirely produced and co-written with the Stock Aitken Waterman production trio. Tensions between group member Siobhan Fahey and Stock, Aitken and Waterman regarding songwriting input and lyrical content prompted Fahey's departure from Bananarama five months after its release. The album reached number 26 on the UK Albums Chart and number 44 on the US Billboard 200, while peaking at number one in Australia. The album was certified gold by the British Phonographic Industry (BPI) on 3 February 1988.
Carol Hitchcock is an Australian singer and actress. She had a top 20 hit on the Kent Music Report Singles Chart with her cover version of "Get Ready" in mid-1987. It also peaked in the top 60 in the United Kingdom and top 50 in New Zealand. In 1985 Hitchcock had acted in the TV series, Prisoner.
Another Place and Time is the fourteenth studio album by American singer-songwriter Donna Summer, released on March 13, 1989 by Atlantic Records and Warner Records. The album was produced by Stock Aitken Waterman and featured Summer's top-10 hit "This Time I Know It's for Real", which reached number 7 on the Billboard Hot 100 and was her last top 40 hit on the chart.
"Never Gonna Give You Up" is a song by English singer Rick Astley, released on 27 July 1987. Written and produced by Stock Aitken Waterman, it was released by RCA Records as the first single from Astley's debut studio album, Whenever You Need Somebody (1987). The song became a worldwide hit, initially in the United Kingdom in 1987, where it stayed at the top of the chart for five weeks and was the best-selling single of that year. It eventually topped charts in 25 different countries, including the United States and West Germany, and winning Best British Single at the 1988 Brit Awards. The song is widely regarded as Astley's most popular, as well as his signature song, and it is often played at the end of his live concerts.
"Respectable" is a song by English pop duo Mel and Kim from their only studio album, F.L.M. (1987). It was released on 18 February 1987 as the album's second single. The song reached number one on the UK Singles Chart for one week in March 1987, becoming the second UK number-one single produced by Stock Aitken Waterman (SAW), following Dead or Alive's "You Spin Me Round " (1985), and the first UK number one that the trio had written themselves. The single also topped the charts in many European countries, as well as in Oceania.
Whenever You Need Somebody is the debut studio album by English singer Rick Astley released on 16 November 1987 by RCA Records. It is his best-selling album, which, according to his own official website, has sold 15.2 million copies worldwide. The album is listed as the 136th best-selling album in Spain and was the seventh best-selling album of 1987 in the United Kingdom. A remastered version, containing rare remixes and extended versions, was released on 12 April 2010.
The Hit Factory: The Best of Stock Aitken Waterman is a compilation album released in 1987 by Stylus Records in association with PWL Records. The collection brought together some the biggest hits by British production team Stock Aitken Waterman. It reached #18 in the UK Top 100 Album Chart and achieved a Gold BPI award.
A Ton of Hits : The Very Best of Stock Aitken Waterman is a compilation album released in the UK in November 1990 bringing together the hits of Stock Aitken Waterman (SAW) in a continuously sequenced mix. It was released by Chrysalis Records on their subsidiary label Dover Records and followed the previous "Best of Stock Aitken Waterman" collections; The Hit Factory: The Best of Stock Aitken Waterman, The Hit Factory Volume 2 and The Hit Factory Volume 3. The album reached #7 in the compilation Top 20. Notably absent from this release are Bananarama and Dead or Alive, presumably due to licensing issues, whilst including nine songs by Jason Donovan, and ten by Kylie Minogue.
Stock Aitken Waterman Gold is a compilation album released in 2005 by Sony BMG, PWL Records and EBUL.
"Showing Out (Get Fresh at the Weekend)" is a song by English pop duo Mel and Kim, released as their debut single in September 1986. The song became a chart hit in the UK, peaking at number three on the UK Singles Chart and reaching number one in four European countries.
Between the Lines is the second studio album by Australian pop singer Jason Donovan. It was released on 29 May 1990 by PWL and Mushroom.
Mandy is the only studio album by Mandy Smith. Smith, who was already well known in the British tabloids due to her relationship with Rolling Stones member Bill Wyman, which started when she was 13, became the very first artist signed to Pete Waterman's PWL Records in September 1986 when she was 16 years old, and began working with producers Stock, Aitken & Waterman for her first single, which was going to be a cover of the 1964 Twinkle hit "Terry". The recording however remained unreleased as a new song, "I Just Can't Wait" was eventually released as her debut single in January 1987. While the single was not a hit in her native UK, it became a sizeable hit around Europe and Japan. The same was true for her second single, "Positive Reaction", released in October 1987.
"Nothing's Gonna Stop Me Now" is a song performed by British singer Samantha Fox and written and produced by Mike Stock, Matt Aitken, and Pete Waterman (SAW). It was released as the first single from Samantha’s eponymous second album, Samantha Fox, in the spring of 1987. The single became Fox's third and final top ten single in the United Kingdom, peaking at number eight in June. In the United States, the single was released in the fall of 1987 and reached only number 80 that October. It was a top 10 hit in continental Europe and also reached number 22 in Australia.
"F.L.M." is a song by English pop duo Mel and Kim, released as their third single in 1987. It was written and produced by Stock Aitken Waterman, and peaked at number seven on the UK Singles Chart. The song is the title track on F.L.M., their debut album, and was remixed for its single release. "F.L.M." would be the penultimate international single released by the duo.
"That's the Way It Is" is a song by British pop duo Mel and Kim that was featured on the soundtrack album of Coming to America, starring Eddie Murphy. The song was written and produced by Stock Aitken Waterman (SAW). The single, released by Supreme Records and PolyGram peaked at number ten in the United Kingdom, becoming their fourth consecutive top ten hit.
Pete Waterman Presents The Hit Factory is a compilation album released in July 2012 collecting 39 hits produced by Pete Waterman. Included are a vast number of tracks that were written and produced by Waterman along with Mike Stock and Matt Aitken during their most successful period working as Stock Aitken Waterman, becoming among the most successful music producers of all-time.