This article reads like a press release or a news article and may be largely based on routine coverage .(June 2022) |
Fashion Film Festival Milano is an international fashion film festival and cultural event that takes place annually during Milan Fashion Week in Milan, Italy in collaboration with Camera Nazionale della Moda Italiana. Founded in 2014 by Constanza Cavalli Etro, Fashion Film Festival Milano presents fashion film as a cinematographic product [1] realized by the fashion industry as a communication and marketing tool. Since 2017, Fashion Film Festival Milano takes place as a hybrid event with digital screenings and in-person events that introduce fashion film to a global audience.
The festival is a platform for both established and emerging directors. In line with the festival's philosophy “The Big helps the Small”, FFFMilano provides fertile ground for new talents by showing their works that alongside those of renowned authors. [2] [3] [4]
In recent editions, the festival screened an official selection of about 260 fashion films from more than 60 countries during a six-day event that features an international jury, an award ceremony celebrating winners and nominees of 15 award categories, feature film premieres, conversations with personalities from the creative industry, fashion organizations, activists, film directors, photographers, celebrities and special projects. [5]
In its conversations and feature films premieres, the festival has encouraged the discussion of social values and the awareness of issues such as women's empowerment, sustainability, [6] diversity and the support of young talent. [7] [8]
There are no fees for the submission of films or the participation in screenings and special events. [9]
The eighth edition of the Fashion Film Festival Milano took place as a hybrid event with a mainly digital format, an in-person film screening and exhibitions, concurrently with Men's Fashion Week in Milan and in collaboration with Camera Nazionale della Moda Italiana. [9] The jury was chaired by Valentino's creative director Pierpaolo Piccioli and included the fashion designers Stella Jean and Harris Reed, actress Alba Rohrwacher, Chiara Sbarigia, president of Istituto Luce-Cinecittà, photographer Nadia Lee Cohen, model and activist Lea T and Laura Brown, editor in chief of InStyle Magazine. [9]
The program of the eighth edition was curated by 260 fashion films in competition, selected from more than 1.000 entries from 60 countries. It included three conversations: one with the fashion designers and founders of WAMI ("We Are Made in Italy") Stella Jean, Edward Buchanan and Michelle Ngonomo about the inclusivity of African culture in the Italian fashion Industry. There was also a conversation “Women In Film” between the president of Cinecittà Chiara Sbarigia, the writer and director Lisa Immordino Vreeland, director Alessandra Cardone and the journalist and writer Marta Stella. [10] [11] The "FFFMilanoForGreen" initiative featured a talk between Fanny Moizant, founder of the vintage and designer clothing platform Vestiaire Collective; Sara Maino, Head of Vogue Talents; and sustainable fashion designer Matteo Ward about building a better industry and reducing fashion's environmental impact and waste. [12]
The nominated and winning films were presented in a digital awards ceremony and were announced on the occasion of two contemporary exhibitions open to the public at Triennale di Milano and MIAC – Museo dell’Audiovisivo e del Cinema of Cinecittà in Rome, Italy. The eighth edition closed with a screening of the documentary “Elio Fiorucci: Free Spirit” at Triennale di Milano.
The seventh edition went online during five days of Men's Fashion Week and in collaboration with Camera della Moda Nazionale Italiana with a completely digital program. [13] 200 fashion films, selected from 1000 entries from sixty countries, were presented in streaming on the festival's page on the CNMI's the website and the festival's official homepage.
The jury was chaired by art director and Oscar-nominated costume designer Tim Yip and included Lachlan Watson, Marcelo Burlon, Anna dello Russo, Milovan Farronato, Margherita Missoni, Paolo Roversi, Eliza von Guttman and Tamu McPherson. The #FFFMilanoForGreen and #FFFMilanoForWomen initiatives set the tone for a total of six conversations centered on sustainability and women's rights, including a discussion with the collective Girls in Film, while two directors’ talk introduced the streaming of the feature films "Halston" by Frederic Cheng and "Martin Margiela; in his own words" by Reiner Holzheimer. [14]
The conversation with Javier Goyeneche and the screening of the three feature films, " Made in Bangladesh [15] ", "Let it be Law [14] " and " I am Greta " put the theme of sustainability at the center of the seventh edition. At the digital awards ceremony "FFFMILANO Digital Awards", the nominated and awarded films were announced in video messages by the jurors, alternating with the messages of the winning directors, who received a digital version of the Fornasetti trophy. [16]
The sixth edition inaugurated with the award ceremony Milan's Teatro dal Verme on November 6, 2019, and kicked off a five-day event from November 6–10. Inclusivity was the leading topic at this edition of the festival; several filmmakers explored the topic by questioning gender, race and disability. [17] The contest featured 200 fashion films as the selection of 1000 entries from 50 countries, including films from Nigeria, China, Mexico, Finland and Iceland. [18]
The jury was presided by fashion designer Giorgio Armani [19] and included top model and human rights activist Waris Dirie, photographer Cass Bird, UNESCO ambassador for peace and sustainability and president of Instituto-E Oskar Mesavaht [19] and curator Vicente Todolì. The edition featured the European and Italian premieres of “Peter Lindbergh: Women's Stories”, with an introduction by Paolo Roversi, Carla Sozzani and Alessia Glaviano and “The Times of Bill Cunningham”, introduced by director Mark Bozek. [17]
The top model and founder of the Desert Flower Foundation Waris Dirie was appointed ambassador for the #FFFMilanoForWomen thematic section. Dirie held a conversation with actress and human rights activist Kiera Chaplin; [20] [21] followed by a talk between Mary Rozzi, founder of The September Issues magazine [22] and Daria Bernardoni, editor-in-chief of the online magazine Freeda on “Independent Female Publishing”. [23] The panel discussion “No Country for Women: How #GenerationEquality is breaking the rules within society” between Giorgia Roversi, Nicola Paòmarini and Francesca Vecchioni was accompanied by the film screening of “Fertility Day” by Sara Scamarcia and Paolo D’Orsogna. [19] [24]
The sixth edition in 2019 also featured the workshop "The Gaze of the Future Fashion Film Contest" in collaboration with Istituto Marangoni and with the participation of Constanza Cavalli Etro, Anna Dello Russo, Angelo Ruggeri and Andrea Pompilio as the jury, judging the 10 best videos produced by the students of Istituto Marangoni in Milan, Florence, London and Paris an awarding the film "In un mondo di etnie-chapter2" by Fabio Princigallo. [25]
With six days, the fifth edition was the longest festival's manifestation. It took place at Anteo Palazzo del Cinema from September 20–24 and organized its program according to two initiatives: "FFFMilanoForWomen" to promote the female universe and "FFFMilanoForGreen" to foster the discussion about environmental pollution caused by the fashion industry and the integration of innovative solutions. [26]
The official selection featured 200 films selected from a total of 800 films received from 50 countries. There was a conversation between the art curator Caroline Corbetta, film director Alina Marazzi and Vicky Lawton, and a talk between Orsola de Castro, Hakan Karaosman, Marina Spadafora and Matteo Ward which tackled the perspectives of sustainable fashion, while the screening of “Riverblue” shed a light on the devastating effects caused by the production of fashion items.
A screening and talk with the special project for Vogue Italia “Through My Eyes Ep. III – Roots” [27] showcased the films of three emergent film directors Andrea Pecora, Papa Omotayo and Eori Wakakuwa. There was a special screening of the film “We Margiela” and 500 VIP guests participated in the premiere of the documentary “McQueen”. [28] The fifth edition closed with an award ceremony at Triennale di Milano. For the first time, the prize “Live the Moment Tribute” by Grey Goose was granted to director Virgilio Villoresi.
The fourth edition took off with Milan's Fashion Week from September 23 to 25 and featured the screening of 160 fashion films in official selection chosen out of more than 800 submitted films from 50 countries. The fourth edition established the initiative "FFFMilanoForWomen" to present a strong and successful female universe and inaugurated with the premiere of the documentary "Franca: Chaos and Creation".
A conversation between Casey Legler, former Olympic swimmer and the first woman to have built a career as a men's clothes model and the president of the David di Donatello prize Piera Detassis. The collaboration with Vogue Italia renewned the project “Through my Eyes Ep. II – Women's View” with a conversation moderated by Alessia Glaviano and Clara Del Nero that explored the experience of female directors in the film industry. The initiative gained momentum with a series of three screenings with films by female directors.
The off-contest included a masterclass “From fashion to cinema and from cinema to fashion” with the costume designer Daniela Ciancio. The festival premiered Spike Jonze's and Natasha Lyonne's fashion films for Kenzo next to films by Spike Lee, Lola Schnabel, Martin Scorsesee and Lisa Immordino Vreeland. The model and actress Elisa Sednaoui presented her debut film “In conversation with Vogue Arabia” for Elie Saab.
The third edition ran from September 24 to 26 at Milan's Anteo Spazio Cinema with the inaugural screening and Italian premiere of the documentary film "Anna Piaggi: A Visionary In Fashion" directed by Alina Marazzi. [29] The edition attracted 750 submissions from 50 countries after a cut down to 180 films was made by the artistic committee. [30] Together with Vogue Italia the festival presented “Through My Eyes”, a special project showing short films made by emergent directors. [31]
The off-contest saw four conversations: "Women in Cinema," a talk between director Alina Marazzi and writer and journalist Marta Stella; "Digital Insiders" a discussion with Simon Bekerman, Riccardo Conti, and Federico Sarica, founding editor of Rivista Studio; the conversation ”Fashion in Radio” between radio DJ La Pina and Nicoletta Morozzi; and a talk between founder of Purple Magazine, Olivier Zahm, and the curator Gloria Maria Cappelletti.
In collaboration with L'Archivio Nazionale Cinema d'Impresa the festival organized “Body&Garment”, a screening of experimental Italian films from the 60s and 70s directed by artists such as Bruno Munari, Ugo Nespolo and Mario Schifano. [32] In collaboration with Discovery Channel the festival set up “FFFMilano Channel”, that ran from 10 September to 10 October 2016 as the first pop-up channel dedicated to fashion film. [32] The third edition closed with an award ceremony at Triennale di Milano.
The second edition opened Milan's Fashion Week with a three-day event from September 20 to 22 in 2015 at Anteo Palazzo del Cinema. The number of films submitted doubled to 600 entries from 45 countries, [33] from which the festival's curator Gloria Maria Cappelletti and the festival's artistic committee selected 180 films for the competition. [34] The jury included Vogue Editor-in-chief Franca Sozzani, British photographer and founder of Hunger Magazine Rankin, French director Bruno Aveillan and U.S. writer and director Lisa Immordino Vreeland, to name a few. [35]
Films were screened across four different theatre rooms inside of Cinema Anteo, showcasing exclusive unreleased content, 15-second short films, films in official selections. [36] The fourth room was reserved for three conversation: A conversation between Modesta Dziautaite, Patrizia Morosa and Lisa Immordino Vreeland; Alessia Glaviano, head of Global PhotoVogue interviewed Bruno Aveillan and the photographer Rankin. It also included a special screening on the occasion of Milano Film Festival that were held open-air at Parco Sempione and Triennale di Milano.
Starting with the second edition, the festival set up an online voting system that reported 3000 viewers who voted for the first time the winner of the “People's Choice Award”. [36] For its second edition, the festival signed a sponsorship with Mercedes-Benz and won Paramount Pictures and MTV Italia as its media partner. [1] Following the event, the festival was included in the exhibition “A-Z. Il nuovo vocabolario della moda italiana” at Triennale di Milano. [37]
The first edition was launched in collaboration with the Italian Fashion Council, Camera Nazionale della Moda Italiana, and anticipated the Fashion Week in Milan with a two-day event from September 14–15, 2014. [38] The jury was presided by Vogue Italia Editor-in-chief Franca Sozzani and included Oscar-winning film director Luca Guadagnino, Claudia Donaldson, Editor-in-chief of the video channel NOWNESS and fashion journalist Tim Blanks. In its first year, the festival awarded 14 categories: Standouts were Wes Andersons’ fashion film “Castello Cavalcanti” for Prada and Paolo Sorrentino's short movies series “Frames of Life” conceived for Armani. [38] The emerging designer Rie Yamagata won three categories. [39] The first edition presented 80 fashion films selected from 350 films submitted from 34 countries. It saw the participation of more than 4000 spectators.
For every edition, Italian artist Fornasetti exclusively designs the trophies for Fashion Film Festival Milano. The festival organizes the competition in two categories “New Talents” and “Established Talents”, following the main principle to mutually support renowned and upcoming talents.
The current award categories are:
Members to Fashion Film Festival Milano's international jury [40] have included Oscar-winning film directors, renowned fashion designers, photographers and personalities from cultural industries spanning fashion, cinema, art and culture: [41]
Title | Director(s) | Brand | Award(s) |
---|---|---|---|
A Night at the Museum | Byron Rosero | Moncler, NSS | Best Fashion Film, Best Music |
The Magic of Suits | Virgilio Villoresi | Brunello Cucinelli | Best Italian Fashion Film |
Iara | Florian Joahn | Vogue UK | Best Director |
The Three Building Blocks | Miguel Thomé Oliari, Fernanda Pompermayer | Rocha | Best Editing |
Ostal 24 | Marine Serre, Sacha Barbin, Ryan Doubiago | Marine Serre | Best Photography |
Evolver | Nin Bose, Nathan Collins, David Vigh | Bose Collins | Best Experimental Fashion Film |
The Last Dance of Life | Claire Farin | DIDU | Best Styling |
Back in the Island | Amanda Valle | Best Documentary | |
New World Order | Timur Celikdag | The Travel Almanac Magazine | Best Green Fashion Film, Best New Fashion Film |
La Tassinara | Gregorio Franchett, Ilva Sapeha | Comio | Best New Italian Fashion Film |
Soldaderas | Camila Arroyo | Sabrina OI | Best New Director |
001 THE WALL COLLECTION 2021 | Joyce NG | 022397BLUFF | Best New Italian Designer/Brand |
The Dreamers Room | Stefania Rocca | futuroRemoto | People's Choice Award |
Title | Director(s) | Brand | Award(s) |
---|---|---|---|
Le Mythe Dior | Matteo Garrone | Christian Dior Couture | Best Fashion Film, Best Music |
The Life and Times of Mannequeen Town | Vincenzo Schioppa | Aspesi | Best Italian Fashion Film |
Drag Syndrome | Jess Kohl | Vogue UK | Best Director |
Silent Madness | Jordan Hemingway | Mowalola | Best Editing |
Comfort Zone | Jordan Blady | Best Photography | |
Stories from a Twelfth-Floor Hotel Room | Zheqiang Zhang | Pseudonym | Best Experimental Fashion Film |
WATA | Ronan Mckenzie, Joy Yamusangie | Gucci x GARAGE Magazine | Best Music, Best New Fashion Film, Best New Director |
Gucci x Ssense | Matt Lambert | Gucci | Best Styling |
Pelo Lacio | Diane Russo | Love Want Magazine | Best Documentary |
Preservation Of Hezhen Fish Skin Tradition Through Fashion Higher Education | Zhongjin Zhang | Fishskinlab | Best Green Fashion Film |
Embodiment | Ced Pakusevskiy | Barbara Bologna | Best New Italian Fashion Film, Best New Italian Designer/Brand |
Brainwash | Paolo Forchetti | M1992 | Best New Designer/Brand |
Fur | Masha Butorina | People's Choice Award |
Title | Director(s) | Brand | Award(s) |
---|---|---|---|
72 hours in André Balazs’ Chateau Marmont with Kenneth Anger | Floria Sigismondi | System Magazine & Gucci | Best Fashion Film, Best Editing |
Japan | Mario Sorrenti | Jil Sander | Best Italian Fashion Film |
Nirvana | Jess Kohl | Nowness | Best Director, Best Documentary |
The Twist | Lope Serrano AKA Canada | Miu Miu | Best Production |
The Rite | Adam Csoka Keller | Nowness & The Royal Opera House | Best Photography |
The Unseen | William Farr, Jon Emmony | Nowness | Best Experimental Fashion Film, Best Green Fashion Film |
Captured Motion | Thibaut Grevet | Nike for Nowness | Best Music, Best New Fashion Film, Best New Director |
JWA TV | Michael McCool | JW Anderson | Best Styling |
Fashion in the Dark I | Emily Ford-Halliday | Best New Fashion Film | |
Where is Sunnei? | Van Khokhlov | Sunnei | Best New Italian Fashion Film |
Udara | Daniel Obasi | Vlisco & Co | Best New Director |
Untitled | Laurent Amiel | Marine Serre | Best New Designer/Brand |
Body.Confy.Dance | Enea Colombi | Best New Italian Designer/Brand |
Title | Director(s) | Brand | Award(s) |
---|---|---|---|
Paused By | Wim Wenders | Jil Sander | Best Fashion Film, Best Director, Best Production, Best Photography |
Prada Nylon Farm | Di-Al | Prada | Best Italian Fashion Film |
Why Can't We Get Along | Benjamin Millepied, Aaron Duffy, Bob Partington | Rag & Bone | Best Editing, Best Experimental Fashion Film |
Yo! My Saint | Ana Lily Amirpour | Kenzo | Best Music |
Runaway Baby | Lola Bessis | Chloé | Best Styling, Best New Fashion Film, Best New Director |
Muxes | Ivan Olita | Nowness | Documentary |
Who Made My Clothes | Mj Delaney | Fashion Revolution | Best Green Fashion Film |
Allegory of Water | Elena Petitti Di Roreto | Vogue Italia | Best New Italian Fashion Film |
Kilon Shele Gan Gan | Dafe Oboro | Mowalola Studio | Best New Designer/Brand |
Identity through Ferré | Federico Cianferoni | Fondazione Gianfranco Ferré | People's Choice Award |
Title | Director(s) | Brand | Award(s) |
---|---|---|---|
My Mutant Brain | Spike Jonze | Kenzo | Best Fashion Film, Best Director, Best Editing, Best Production, Best Photography, Best Music |
Film Infinite Path | Francesco Torricella, Arice | Etro | Best Italian Fashion Film |
Days of Being Mild | Robbie Hillyer Barnett | Ray-Ban | Best Experimental Fashion Film |
Women in Uniform | Barbara Anastacio | Nowness | Documentary |
Asymptote | Adam Csoka Keller, Evelyn Bencicova | Uniform | Best New Director, Best New Fashion Film |
MONO – Y | Enrico Poli | Antonio Labroca | Best New Italian Fashion Film |
Ethetics Episode 2: Mdingi Coutts | Amber Moelter | Lukhanyo Mding, Nicholas Coutts | Best New Designer/ Brand |
Dilemma | Bonasia & Narcisi | People's Choice Award |
Title | Director(s) | Brand | Award(s) |
---|---|---|---|
Snowbird | Sean Baker | Kenzo | Best Fashion Film |
Fragments d'un discours amoreux | Brigitte Niedermair | Best Italian Fashion Film | |
Albert The Dog | Pensacola | Ray-Ban | Best Director |
Couples | Marcus Linner, Daniel de Viciola | Converse | Best Editing |
Take Flight | Daniel Askill | The New York Times | Best Production |
The Coded Body | Luke Clayton Thompson | Best Experimental Fashion Film | |
Migratory | Chantal Anderson | Objects Without Meaning | Best Photography |
Three Women Arrive | Marie Schuller | Vogue Italia | Best Music, Best Styling |
Ebonics | Luke Clayton Thompson | Grace Wales Bonner | Best New Designer/Brand |
Omi Water | Papa Omotayo | Maki Oh | Best New Director |
Valentino Fantastic Animals | Chris Edser | Valentino | Best Animation |
Blue And You | Emma Westenberg | Best New Fashion Film | |
Becco di Rame | Melany | Best New Italian Fashion Film | |
In and Out of Control | Emir Eralp | Nowness | People's Choice Award |
Title | Director(s) | Brand | Award(s) |
---|---|---|---|
Legs are not doors | Harley Weir | Proenza Schouler | Best Fashion Film |
Celia Birtwell | Virgilio Villoresi | Valentino | Best Italian Fashion Film |
Jumper | Justin Anderson | Jonathan Saunders | Best Established Director |
X | Rankin, Vicky Lauton, David Allain, Bronwen Parker-Rhodes, Trisha Ward, Jo Hunt | Coco de Mer | Best Editing |
The Driver | Michael Pitt | Rag & Bone | Best Production |
Blowing Riccardo | Marie Vic | Riccardo Tisci | Best Statement Fashion Film |
Memory Imagination Reason | Jonas Lindstroem | Kostas Murkudis | Best Photography, Best Music |
High Tide | Albert Moya | Dries Van Noten | Best Styling |
Pippin and the Pursuits of Life | Femke Huuderman | Maaike Fransen | Best New Designer/Brand, Best New Director, Best New Fashion Film |
Workout | Priscilla Santinelli | Best New Italian Fashion Film | |
Immaculate High | Wiissa | Stoned Immaculate Vintage | People's Choice Award |
Title | Director(s) | Brand | Award(s) |
---|---|---|---|
The Purgatory of Monotony | Ace Norton | Rhié | Best Fashion Film, Best Art Direction, Best New Talent Director |
Leakage | Giulia Achenza | Best Italian Fashion Film | |
The Wall | Dominick Sheldon | several/many | Best Young and Established Director |
Escandalo | Dean Alexander | Karla Colletto Swimwear | Best Editing |
Noir | Marie Schuller | Best Styling | |
Play to Win, a Pingpong Battle | Roberto Delvoi | Andrea Pompilio | Best Music |
Agi & Sam | Edward Housden | Agi & Sam | Best Emerging Designer |
The festival's official program shows the best features films dedicated to honor important figures in the fashion industry and promote awareness of societal topics such as sustainability ("FFFMilanoForGreen"), women empowerment ("FFFMilanoForWomen") [42] and young talents ("FFFMilanoForYoung"). Past editions have screened the Milanese, Italian or European premiere of documentaries.
Title | Year | Director(s) | Production Country |
---|---|---|---|
Elio Fiorucci-Free Spirit | 2017 | Andrea Servi, Swan Bergman | Italy |
A Folk Horror Tale | 2021 | Oliver Dahan | France |
Step into Paradise | 2021 | Amanda Blue | Australia |
Now | 2020 | Jim Rakete | Germany |
Martin Margiela In His Own Words | 2019 | Reiner Holzemer | Germany, Belgium |
Halston | 2019 | Frédéric Tcheng | United States |
I am Greta | 2020 | Nathan Grossman | Sweden |
Made in Bangladesh | 2019 | Rubaiyat Hossain | Bangladesh, France, Denmark, Portugal |
Let It Be Law | 2019 | Juan Solanas | Francia, Argentina, Uruguay |
The Times of Bill Cunnigham | 2018 | Mark Bozek | United States |
Peter Lindbergh: Women's Stories | 2019 | Jean-Michel Vecchiet | Germany |
McQueen | 2018 | Ian Bonhôte, Peter Ettedgui | United Kingdom |
RiverBlue | 2017 | Roger Williams, David McIlvride | Canada |
Franca – Chaos and Creation | 2016 | Francesco Carrozzini | United States, Italy |
Anna Piaggi: una visionaria nella moda | 2016 | Alina Marazzi | Italy, Switzerland, Germany |
The festival is directed by Constanza Cavalli Etro. She is married to the Italian fashion designer Kean Etro, whom she followed to live in Milan, Italy, where she founded Fashion Film Festival Milano. [43] [44] Born in Argentina, she started her professional career in Mexico, where she founded the production and public relations agency CavalliCommunicacion and co-founded Mexico's Fashion Week. [45]
Cavalli Etro was among the organizers of the first film festival in Argentina ("Festival Argentino de Cine) [46] and in 2022 she co-founded "LAFA", the first Fashion Awards in Latin America. [47]
Constanza Cavalli Etro appeared in Sheikha Intisar AlSabah's book "Circle of Love" (2019) as one of the women who are changing the international fashion and cultural scene. Forbes Italy named her as one of the 100 Successful Women of 2020 in Italy. [48]
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