Fatou | ||||
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Studio album by | ||||
Released | September 19, 2011 | |||
Studio | Livingston Studios, London and Popcorn Lab, Paris | |||
Genre | World music, Wassoulou, desert blues | |||
Length | 43:58 | |||
Label | World Circuit | |||
Fatoumata Diawara chronology | ||||
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Review scores | |
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Source | Rating |
The Guardian | [1] |
MusicOMH | [2] |
The Observer | [3] |
Pitchfork | 7.6/10 [4] |
PopMatters | 8/10 [5] |
Uncut | [6] |
Fatou is the debut album from Malian musician Fatoumata Diawara. Uncut placed the album at number 34 on its list of "Top 50 albums of 2011", [7] The Sunday Times named it number 1 world music album in the 2011 end of year polls [8] and WMCE voted it 2011 album of the year. [9]
The album was recorded following a successful acting career and tours as a backing singer with Diawara's mentor Oumou Sangaré, who brought her to the attention of World Circuit Records and to whom the song, "Makoun Oumou" is dedicated. Sung in the Malian language Wassoulou and backing herself on guitar, Diawara explores themes of war, abandonment of children and female circumcision (Boloko) supported by contributions from West African virtuosi Tony Allen (drums) and Toumani Diabaté (kora) as well as Led Zeppelin bassist John Paul Jones.
All tracks are written by Fatoumata Diawara.
No. | Title | Length |
---|---|---|
1. | "Kanou" | 3:53 |
2. | "Sowa" | 3:07 |
3. | "Bakonoba" | 3:15 |
4. | "Kèlè" | 3:08 |
5. | "Makoun Oumou" | 4:36 |
6. | "Sonkolon" | 3:31 |
7. | "Alama" | 3:35 |
8. | "Bissa" | 3:05 |
9. | "Mousso" | 3:18 |
10. | "Wililé" | 4:50 |
11. | "Boloko" | 3:34 |
12. | "Clandestin" | 3:59 |
Total length: | 43:58 |
Other credits
Technical
The kora is a stringed instrument used extensively in West Africa. A kora typically has 21 strings, which are played by plucking with the fingers. It combines features of the lute and harp.
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Bwaba Bobo, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea, Burkina Faso, Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name ߓߟߊ bala with the word ߝߐ߲ fôn 'to speak' or the Greek root phono.
The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).
Kandia Kouyaté is a Malian jelimuso and kora player; she has earned the prestigious title of ngara, and is sometimes called La dangereuse and La grande vedette malienne. Kouyaté's dense, emotional, hypnotic manner of singing and her lyrical talents have earned huge acclaim in Mali, though she remained relatively little known outside Africa, due to extremely limited availability of her recordings. Her home town of Kita is known for love songs, which form a large part of Kouyaté's repertoire. She also sings praise songs.
Habib Koité is a Senegalian born Malian musician, singer, songwriter and griot based in Mali. His band, Bamada, was a supergroup of West African musicians, which included Kélétigui Diabaté on balafon.
World Circuit is a British world-music record label, established in London in the mid-1980s, that specializes in Cuban and West African recording artists, among other international music stars. The label's founding principle was to be an artist-led company with all aspects of each release tailored to the artist. This continues to be the label's way of working. World Circuit celebrated its 20th anniversary in 2006 by releasing World Circuit Presents..., a 2-disc retrospective compilation album. In 2018, World Circuit was acquired by BMG Rights Management.
Songhai is a fusion flamenco album by Spanish band Ketama, working in collaboration with Malian kora player Toumani Diabaté and other musicians.
Sona Jobarteh is a Gambian multi-instrumentalist, singer and composer. She is from one of the five principal kora-playing griot families of West Africa, and is the first female professional kora player to come from a griot family. She is the cousin of the celebrated kora player Toumani Diabaté, and is the sister of the diaspora kora player Tunde Jegede.
Savane is the final solo album by Malian musician Ali Farka Touré. It is the third and final part of the Hôtel Mandé Sessions, featuring Touré and Toumani Diabaté, recorded by World Circuit head Nick Gold. The album was released posthumously by World Circuit on 17 July 2006, more than four months after Touré's death.
The ngoni is a traditional West African string instrument. Its body is made of wood or calabash with dried animal skin head stretched over it. The ngoni, which can produce fast melodies, appears to be closely related to the akonting and the xalam. This is called a jeli ngoni as it is played by griots at celebrations and special occasions in traditional songs called fasas in Mandingo. Another larger type, believed to have originated among the donso is called the donso ngoni. This is still largely reserved for ceremonial purposes. The donso ngoni, or "hunter's harp," has six strings. It is often accompanies singing along with the karagnan, a serrated metal tube scraped with a metal stick. The donso ngoni was mentioned by Richard Jobson in the 1620s, describing it as the most commonly used instrument in the Gambia. He described it as an instrument with a great gourd for a belly at the bottom of a long neck with six strings.
Songhai was a world music collaboration between the Spanish flamenco group Ketama, Malian kora player Toumani Diabaté, and English bass player Danny Thompson. They released two albums, Songhai (1988) and Songhai 2 (1994), both co-produced by Joe Boyd.
Ballaké Sissoko is a Malian player of the kora. He has worked with Toumani Diabaté and Taj Mahal, and is a member of the group 3MA with Driss El Maloumi and Rajery.
Maestro is an album by American blues artist Taj Mahal. It was nominated for Best Contemporary Blues Album at the 2009 Grammy Awards.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
Ali and Toumani is a 2010 record by Malian musicians Ali Farka Touré on the guitar and providing vocals and Toumani Diabaté on the kora. It is the second album featuring the two musicians; it is a follow-up to In the Heart of the Moon which was released in 2005. The album was recorded in 2005 in London prior to concert dates in Europe following the release of In the Heart of the Moon. The album was released after Touré's death in 2006.
Fatoumata Diawara is a Malian singer-songwriter currently living in France.
AfroCubism is a Grammy-nominated album featuring musical collaborations between musicians from Mali and Cuba. It was released in 2010.
Red Earth is a 2007 studio album by Dee Dee Bridgewater. It carries the subtitle "A Malian Journey" to celebrate and explore her African and Malian ancestry. The album brought her the seventh nomination for Best Jazz Vocal Album at the 2008 Grammy Awards. On Billboard's Top Jazz Album chart it reached Number 16.
New Ancient Strings is a studio album by the Malian musicians Toumani Diabaté and Ballaké Sissoko, released on 22 June 1999 by the British label Hannibal Records. The album comprises eight instrumental duets composed by Diabaté for kora, a stringed instrument of West African music. Diabaté and Sissoko are esteemed as the best and the second-best kora players of their generation, respectively. Their duets were recorded in a single live take within a marble hallway of Bamako's conference centre on the night of 22 September 1997, coinciding with Mali's Independence Day.
Malicool is an album by American trombonist Roswell Rudd and Malian kora player Toumani Diabaté. It was recorded in January 2001 at Studio Bogolan in Bamako, Mali, and was released by Sunnyside Records in 2002. On the album Rudd and Diabaté are joined by balaphone player Lassana Diabate, ngone player Bassekou Kouyate, guitarist Sayon Sissoko, bassist Henry Schroy, djembe player Sekou Diabate, and vocalists Mamadou Kouyate and Dala Diabate.