"Forget About Tomorrow" | ||||
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Single by Feeder | ||||
from the album Comfort in Sound | ||||
B-side |
| |||
Released | 5 May 2003 [1] | |||
Length | 3:51 | |||
Label | Echo | |||
Songwriter(s) | Grant Nicholas | |||
Producer(s) | Gil Norton | |||
Feeder singles chronology | ||||
|
"Forget About Tomorrow" is the third single to be taken from Welsh rock band Feeder's fourth studio album, Comfort in Sound (2002). The single charted at number 12 on the UK Singles Chart. It became the second-biggest hit off the album, after "Just the Way I'm Feeling".
UK CD1 [2]
UK CD2 [3]
UK DVD single [4]
Australian CD single [5]
Chart (2003) | Peak position |
---|---|
Europe (Eurochart Hot 100) [6] | 52 |
Scotland (OCC) [7] | 13 |
UK Singles (OCC) [8] | 12 |
UK Indie (OCC) [9] | 2 |
"Let There Be Love" is a song by English rock band Oasis from their sixth studio album, Don't Believe the Truth (2005). Written by Noel Gallagher, it is the third and the last Oasis song to feature Liam and Noel on lead vocals, the first being "Acquiesce" and the second being "Put Yer Money Where Yer Mouth Is". It was released on 28 November 2005 as the third and final single from the album in the United Kingdom and as the second single in the United States.
"Where Is the Feeling?" is a song by Australian singer-songwriter Kylie Minogue from her fifth studio album, Kylie Minogue (1994). The song was written by Wilf Smarties and Jayn Hanna, while production was handled by Brothers in Rhythm. It was released on 10 July 1995 as the third and final single from the album, by Deconstruction and Mushroom Records, seven months after the release of the second single. A new version was recorded for the single release, featuring spoken vocals by Minogue.
"Misunderstood" is a song by British pop singer Robbie Williams. Williams co-wrote and co-produced the song with Stephen Duffy from English band Duran Duran, who also plays the acoustic guitars, bass, and harmonica on the track. The song was released as the second single from Williams' hits compilation Greatest Hits in December 2004, peaking at number eight on the UK Singles Chart and reaching the top 10 in Denmark, Italy, and the Netherlands. The song was featured on the Bridget Jones: The Edge of Reason soundtrack.
"Buck Rogers" is a song by Welsh rock band Feeder. It was the first single to be taken from their third studio album, Echo Park (2001), and was released on The Echo Label. The track reached number five on the UK Singles Chart after its release on 8 January 2001. The group had originally not intended the track to be one of theirs, as frontman and main songwriter of the band Grant Nicholas originally wrote "Buck Rogers" for SR-71, only for producer Gil Norton and A&R staff of Echo to convince the band they could have a hit with it themselves, after hearing a demo recorded by Feeder. It continues to be played on UK alternative radio stations as a classic hit of its genre. The single has been certified gold in the United Kingdom for sales and streaming figures exceeding 400,000 units.
"Not Me, Not I" is a song written by Delta Goodrem, Kara DioGuardi, Gary Barlow, Eliot Kennedy, and Jarrad Rogers, produced by Barlow and Kennedy for Goodrem's first studio album, Innocent Eyes (2003). It was released as the album's fourth single in Australia on 15 September 2003. The song peaked at number one on the Australian Singles Chart, giving Goodrem her fourth number-one single and breaking Kylie Minogue's record of having the most songs released from an album to reach number one.
"Seven Days in the Sun" is a song by Welsh rock band Feeder, released as the second single from their Echo Park album. It was released on 2 April 2001 and reached number 14 on the UK Singles Chart the same month. CD1 of the single features "Just a Day", which was later released as a single.
"High" is a song by Feeder, released as the fourth and final single from their 1997 debut album, Polythene. This track was not included on the album until its re-issue in October of the same year and is seen as a fan anthem.
"We Are" is a song by the Swedish rock singer Ana Johnsson from her worldwide debut album, The Way I Am. The song was released as her first worldwide single and the first from the album in June 2004. It was also included on the soundtrack for Spider-Man 2. "We Are" remains Johnsson's highest-charting hit, becoming a top-10 hit in Austria, Denmark, Italy, Norway, Sweden, and the United Kingdom.
"Turn" is a song by Welsh rock band Feeder, released as the third single from their third studio album, Echo Park (2001), on 2 July 2001. The song reached number 27 in the UK Singles Chart and led to Echo Park re-entering the top 75 due to the pre-release airplay and stocking of the single on release week. It was also the band's third successive top-30 single, the first time this had happened in their career.
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"Tumble and Fall" is a single released from Welsh rock band Feeder's fifth studio album, Pushing the Senses (2005). It reached number five on the UK Singles Chart, becoming the group's highest-placing single along with "Buck Rogers". It is also their highest-charting song in Ireland, where it reached number 26 to become Feeder's only top-30 hit.
"Just the Way I'm Feeling" is a song by Welsh rock band Feeder, released as the second single from their fourth album, Comfort in Sound (2002). The song reached number 10 on the UK Singles Chart, giving drummer Mark Richardson his first UK top-10 appearance with the band.
"See It in a Boy's Eyes" is a song by English singer Jamelia. It was written by Jamelia and Coldplay frontman Chris Martin for the reissue of Jamelia's second studio album, Thank You (2003). Production was helmed by Cameron McVey and Matt Kent. Released in the United Kingdom on 12 July 2004, the song became Jamelia's third consecutive top-five hit in the UK, peaking at number five and spending 11 weeks on the UK Singles Chart. It also peaked at number 11 on the Irish Singles Chart.
"Mr. Writer" is a song by Welsh rock band Stereophonics, taken from their third album, Just Enough Education to Perform (2001). It was released on 19 March 2001, reaching number five on the UK Singles Chart, number seven in Ireland, and number 53 in Sweden, where it was the band's first and only single to chart.
"Angel" is a song by Irish folk rock band the Corrs, the second single released from their fourth studio album, Borrowed Heaven (2004). The song is a tribute to the band members' mother, Jean, who died in 1999. "Angel" was first released in Australia on 23 August 2004 and was issued in the United Kingdom the following month. The song peaked at number 16 on the UK Singles Chart, number 14 in Hungary, and number 19 in Ireland.
"Love Doesn't Have to Hurt" is a song by English girl group Atomic Kitten. It was written by Susanna Hoffs of the Bangles along with Billy Steinberg, and Tom Kelly and recorded for the band's second studio album, Feels So Good (2002). Production on "Love Doesn't Have to Hurt" was helmed by Bill Padley and Jem Godfrey, with Martin Harrington and Ash Howes credited as additional producers. Initially recorded by Hoffs, it was later given to Atomic Kitten whose rendition of the Bangles' 1988 song "Eternal Flame" had been a number-one success the year before.
"Maybe Tomorrow" is a song from Welsh rock band Stereophonics' fourth studio album, You Gotta Go There to Come Back (2003). Written and produced by Stereophonics frontman Kelly Jones, the song was released as a single on 21 July 2003 and peaked at number three on the UK Singles Chart. It also charted in several other countries, including the United States, where it reached the top five of the Billboard Adult Alternative Songs chart.
"Since I Told You It's Over" is a song by Welsh rock band Stereophonics from their fourth studio album, You Gotta Go There to Come Back (2003). Lead singer Kelly Jones wrote the song on 14 February 2003 and recorded it with Stereophonics at Abbey Road Studios. Released as a single on 10 November 2003, the song reached number 16 in the United Kingdom and number 50 in the Netherlands.
"The Time Is Now" is a song by Irish-English electronica-pop duo Moloko, released as the lead single from their third album, Things to Make and Do (2000). Members Mark Brydon and Róisín Murphy conceived the song as an acoustic dance recording, not wanting to turn it into a loud, drum-heavy track, unlike much of their earlier work. Characterised as a "disco anthem", "The Time Is Now" has been described as one of Moloko's least electronic efforts and a musical standout of the 3rd millennium's outset, receiving positive reviews from music critics. The song's multiple cover artworks were designed by Lizzie Finn and photographed by Barnaby & Scott.
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