The Singles | ||||
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Greatest hits album by | ||||
Released | 15 May 2006 | |||
Recorded | 1997-2006 | |||
Length | 76:00 | |||
Label | Echo, EMI | |||
Producer | Gil Norton, Grant Nicholas, Chris Sheldon, Brian Sperber | |||
Feeder chronology | ||||
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Singles from The Singles | ||||
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The Singles is Feeder's second UK compilation album, following the limited release b-sides album Picture of Perfect Youth .
The album has 18 of their UK top 40 hit single tracks (if "Shatter" and "Tender" are separately counted), with the exception of "Day In Day Out" and "Find The Colour", and includes the limited edition Arena Tour single "Comfort In Sound" and three new tracks, "Lost And Found", "Burn The Bridges" and "Save Us". "Lost and Found" and "Save Us" were released as singles to promote the compilation shortly before and after its release, charting at #12 and #34 in the UK respectively, [1] while "Shatter" was released to promote the compilation, shortly after the band announced its release plans in October 2005. "Burn The Bridges" is the only song on the compilation which was not released as a single.
It was the first time the singles "Suffocate" (a re-recorded version) and "Shatter" had a parent album connected to them while "Just a Day" (the edited version) had its first commercial album appearance (its unedited version also appears on Picture of Perfect Youth).
Limited Edition copies of the album are packaged with a DVD containing all of their promotional videos filmed to that point, bar an alternate "Piece By Piece" film used to promote the song's release as a single in mainland Europe. It is essentially an edit of the video for previous single "Suffocate". The DVD version of the album was actually for three weeks the UK's best-selling music DVD, but the DVD charts do not account for such releases and only DVDs that are packaged with no audio discs. This in turn made it album chart eligible instead. Artists before and since have done a similar theme, but sold the DVD separately so both releases appeared in their own respective charts.
Feeder's singles compilation made #2 in the UK charts after entering at #3 the week before. [1] [2] It went Platinum in August shipping over 300,000 copies. [3] The album also seen an increase in publicity for the band, with a commercial on terrestrial TV which promoted the release. [4]
At the end of 2006, the album's UK shipment increased to 500,000, and went Gold in the Republic of Ireland with sales over 7,500. [5] [6] Combined paid for sales and streaming sales equivalent units for the album, currently stand at 528,299 as of August 2019, making it one of the most popular artist compilation albums of all-time, in terms of sales within the United Kingdom. [7] It is also Feeder's first of three albums to gain a certification internationally.
The cover artwork for the album was a frame from the Music Video for ‘Come Back Around’ which was also featured on the DVD Edition of ‘Comfort In Sound’
Review scores | |
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Source | Rating |
AllMusic | link |
BBC Collective | Positive link |
Daily Record | |
Kerrang! | |
Planet Sound | |
Q |
The album is currently Feeder's longest-running release on the album top 5, top 10, top 20, top 30, and top 40 respectively. It has to date spent 30 weeks on the top 75, six behind Comfort in Sound , but charted on the 2006 year-end chart at #48, beating the #66 of the latter in 2003. It is also Feeder's first release to date to climb up the charts on its second week, in which it moved from #3 to #2 behind the Red Hot Chili Peppers's Stadium Arcadium ; the following week it then dropped back down to its starting position of #3 when Orson's Bright Idea entered at the top. The album then dropped to #8 the week after, giving them their first album to spend more than a week in the top 10. It also spent the same number of weeks in those positions as all their four previous studio albums combined.
It was the UK's best-selling album by a British artist for its first three weeks, outselling the year's eventual biggest-seller, Eyes Open by Snow Patrol, for each of those weeks during that time. The album gained a UK platinum certification and was eventually more successful than Orson's Bright Idea.
The album also became the first ever Feeder release to gain a non-UK sales certification, with 7,500 copies qualifying it for gold status in Ireland, despite never charting a top 20 single there. Although the album was not as well received in the mainland of Europe as Pushing the Senses , it became Feeder's first ever top 10 breakthrough on the European Top 100 Albums, with a 16-week stay on the top 100, mainly due to its UK chart peak, making the top 20 in Ireland, and top 100 in Flanders. In Japan, the album became Feeder's first top 40 album chart entry anywhere outside of the UK and Ireland, by charting at #37 ("Feeling a Moment" made the top 40 singles chart in Australia).
The album also holds the domestic record as the fastest-selling release on the Echo Label, in terms of time taken to go platinum. The compilation shipped its 300,000th copy just under three months after its release date, beating the previous record held by the Moloko studio album Things to Make and Do , which had taken six months. The album is seen by many corners of the British music press as a large commercial success.
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Feeder are a British rock band formed in Newport in 1994. They have released 11 studio albums, 12 compilations, four EPs and 43 singles, spending a combined total of 184 weeks on the singles and albums charts as of 2019, while accumulating 25 top 75 singles between 1997 and 2012. At the peak of their commercial success, Feeder won two Kerrang! Awards in 2001 and 2003; they were inducted into their Hall of Fame in August 2019.
Grantley Jonathan Nicholas is a Welsh musician and the lead singer and guitarist of the rock band Feeder.
Yesterday Went Too Soon is the second studio album by Welsh rock band Feeder. It was released on 30 August 1999 on The Echo Label.
Echo Park is the third studio album by Welsh rock band Feeder. It was their first album since 1999's Yesterday Went Too Soon. The album was recorded at Great Linford Manor in Milton Keynes during most of 2000 and was produced by Gil Norton.
Comfort in Sound is the fourth studio album by Welsh rock band Feeder, released on 21 October 2002 and also the first to be released by the band after the suicide of drummer Jon Lee earlier in the year. The album was recorded at RAK Studios in London during most of 2002, and was produced by Gil Norton.
Jonathan Henry Lee was a Welsh drummer. He was the original drummer of the British rock band Feeder.
Pushing the Senses is the fifth studio album by Welsh rock band Feeder. It was released on Echo, Liberation Music and PIAS on 31 January 2005 in the United Kingdom, Australia, New Zealand and Europe, while being released on Pony Canyon in Japan on 10 February 2005. Despite mixed reviews, the album was a commercial success, in which it was a top five album in Feeder's native United Kingdom, and its lead single "Tumble and Fall" was a top five single. This made the album Feeder's most successful in terms of peak chart position, but did not experience the same chart longevity as presuccessor Comfort in Sound, which spent 36 weeks on the UK top 75 chart in comparison to the 15 weeks spent by Pushing the Senses.
Picture of Perfect Youth is a limited CD and vinyl collection of approximately half of Feeder's B-sides at the time of release. The official website sold out of the CD edition, though the album was re-released in March 2007. The vinyl edition remained available to buy, until the last of the stock sold out in late 2005.
"Just a Day" is a song by Feeder, released as the band's final single of 2001, notable for being their last with drummer Jon Lee. It was first released on the "Seven Days in the Sun" single as a B-side. Despite having already appeared in the top 20 earlier in the year as a B-side, the single A-side release stayed in the UK top 20 for four weeks, peaking at number 12. It also peaked at number 47 in Ireland. It instantly became a regular to end the band's live sets, but has been occasionally rested from this position for a cover of "Breed" by Nirvana, while never used as one of the "Feeder covers" at Renegades gigs. As of November 2023, "Just a Day" has total consumption figures of 400,000, allowing it to be certified Gold.
"Shatter" is a song by the British rock band Feeder. "Shatter" was first released as B-side to "Tumble and Fall" and as a bonus to the Japanese edition of Pushing the Senses; it has since been included on the band's compilation album The Singles.
"Suffocate" is a track by the UK rock band Feeder, re-recorded from their 1997 album Polythene. It was released as an in-between single to bridge the gap between Polythene and its follow-up, Yesterday Went Too Soon. Feeder later repeated this in-between single process building up to a following album, with "Just a Day" in 2001 and "Shatter" / "Tender" in 2005. The single reached the UK Singles Chart, peaking at number 37.
"Lost and Found" is a single from UK rock band Feeder and is one of three new songs featured on their compilation album, The Singles. It was the second single from the compilation after "Shatter" was a double A-side with "Tender".
"Come Back Around" is the first single released from Welsh rock band Feeder's fourth studio album, Comfort in Sound (2002). It was their first release after drummer Jon Lee's death earlier in the year and reached number 14 on the UK Singles Chart, becoming the band's 10th top-40 hit in the process. It also reached number 45 in Ireland. The promo video features four female drummers as a tribute to Jon Lee.
"Tumble and Fall" is a single released from Welsh rock band Feeder's fifth studio album, Pushing the Senses (2005). It reached number five on the UK Singles Chart, becoming the group's highest-placing single along with "Buck Rogers". It is also their highest-charting song in Ireland, where it reached number 26 to become Feeder's only top-30 hit.
"Feeling a Moment" is a song by Welsh rock band Feeder from their fifth studio album, Pushing the Senses (2005). It was released as the second single from the album on 4 April 2005 and reached number 13 on the UK Singles Chart. The song also reached number 32 in Australia, becoming Feeder's only song to chart there. At the end of 2005, it was voted the 98th best song of the year by the readers of Q Magazine.
"Just the Way I'm Feeling" is a song by Welsh rock band Feeder, released as the second single from their fourth album, Comfort in Sound (2002). The song reached number 10 on the UK Singles Chart, giving drummer Mark Richardson his first UK top-10 appearance with the band. One of the B-sides, "The Power of Love", is a Frankie Goes to Hollywood cover and was recorded for the NME's War Child charity album 1 Love.
"Pushing the Senses" was the third single released from Welsh rock band Feeder's fifth studio album, Pushing the Senses (2005). It reached number 30 on the UK Singles Chart, becoming their 20th top-75 hit in the process. It was the lowest they had charted with a single in six years, after "Paperfaces" made number 41 in 1999. As the video features live gig montages, it is only the second time Feeder’s touring guitarist Dean Tidey has featured in any of their videos.
"Forget About Tomorrow" is the third single to be taken from Welsh rock band Feeder's fourth studio album, Comfort in Sound (2002). The single charted at number 12 on the UK Singles Chart. It became the second-biggest hit off the album, after "Just the Way I'm Feeling".
The discography of Feeder, a Welsh-Japanese rock band which formed in 1994, consists of eleven studio albums, twelve compilation albums, four extended plays (EP), and forty singles on The Echo Label, their own label Big Teeth Music, Cooking Vinyl and BMG as well as forty-nine music videos. Alongside charting twelve Top 75 albums domestically, they also have 25 Top 75 singles. In 2022 Feeder became one of the few artists in U.K. chart history, to achieve top 10 albums in at least four different decades, and also one of a very few since the establishment of the Artist Album Chart in 1989, to have at least ten top ten albums.
The following is a list of music releases on The Echo Label. From late 2008, the label ceased trading as a record company and became only a legal entity to maintain copyrights on existing releases, which means the following list can be seen as complete.