c. 1750 as a baroque garden of Frogner Manor Early 20th century as a large public park
Frogner Park (Norwegian: Frognerparken) is a public park in the central West End borough of Frogner in Oslo, Norway.[1] The park is historically part of Frogner Manor and is Oslo's largest park, open to the public at all times. It includes the manor house which is the seat of Oslo Museum, the nearby Henriette Wegner Pavilion, the Vigeland installation of sculptures (Norwegian: Vigelandsanlegget) created by sculptor Gustav Vigeland, Frogner Baths, Frogner stadion, Frognerparken Café, the restaurant Herregårdskroen and the largest collection of roses in the country with 14,000 plants of 150 species. Frogner Park is the most visited tourist attraction in Norway.
Frogner Manor was historically one of the largest estates in the modern Oslo area. Both the park, the entire borough of Frogner as well as Frognerseteren derive their names from Frogner Manor. The manor house is located in the south of the park, and houses Oslo Museum, which opened there in 1909. The nearby Henriette Wegner Pavilion was moved from Blaafarveværket in the 1830s. Frogner Park was gradually opened as a public park from 1904 and the 1914 Jubilee Exhibition was held there. From 1924, Gustav Vigeland's sculpture installation was built in parts of Frogner Park.[2] It consists of sculptures as well as larger structures such as bridges and fountains. The installation is not a separate park, but the name of the sculptures within the larger Frogner Park. Informally the Vigeland installation is sometimes called "Vigeland Park" or "Vigeland Sculpture Park"; the director of Oslo Museum Lars Roede said "Vigeland Park" "doesn't really exist" and is "the name of the tourists," as opposed to "Oslo natives' more down-to-earth name, Frogner Park."[3]
The park of Frogner Manor was historically smaller and centered on the manor house, and was landscaped as a baroque park in the 18th century by its owner, the later general Hans Jacob Scheel. It was landscaped as a romantic park in the 19th century by then-owner, industrialist Benjamin Wegner. Large parts of the estate were sold to give room for city expansion in the 19th century, and the remaining estate was bought by Christiania municipality in 1896 and made into a public park.
Frogner Park is the largest park in the city and covers 45 hectares;[4] the sculpture installation is the world's largest sculpture park made by a single artist. Frogner Park is the most popular tourist attraction in Norway, with between 1 and 2 million visitors each year,[5] and is open to the public at all times. Frogner Park and the Vigeland installation (Norwegian: Frognerparken og Vigelandsanlegget) was protected under the Heritage Act on 13 February 2009 as the first park in Norway.[6][7]
In the middle of the 18th century Hans Jacob Scheel, then owner of the Frogner Manor, laid out a Baroque garden adjacent to his new manor house. It was expanded by the people who followed him, starting with Bernt Anker (1746–1805) who bought Frogner in 1790 and expanded the main building. Benjamin Wegner bought the manor in 1836 and he transformed the garden into a romantic park around 1840. Later, most of the arable land was sold to private developers.
Around one square kilometer remained when the City of Oslo bought the property in 1896 to secure space for further urban development. The municipal government decided around 1900 to make a park for recreation and sports. Frogner Stadium was opened near the road and the area near the buildings was opened to the public in 1904. Norwegian architect Henrik Bull designed the grounds and some of the buildings erected in Frogner Park for the 1914 Jubilee Exhibition. [8][9]
The municipal government subsequently decided that Gustav Vigeland's fountain and all his monuments and statues should be placed in the park. The area was ready for Gustav Vigeland fountain in 1924 and the final plan was released in 1932 by the city-council. Most of the statues depict people engaging in various typically human pursuits, such as running, wrestling, dancing, hugging, holding hands and so on. However, Vigeland occasionally included some statues that are more abstract, including one statue, which shows an adult male, fighting off a horde of babies.[10]
Would-be General and Chamberlain Hans Jacob Scheel (owner of Frogner from 1747) laid out a baroque garden around 1750
Industrialist Benjamin Wegner (owner of Frogner from 1836) transformed the garden into a romantic park around 1840
Landscape architect and city gardener Marius Røhne was a central person in the development of the park from the early 1900s
Sculptor Gustav Vigeland created the sculpture arrangement in the centre of the present enlarged park from the 1920s until his death in 1943
The manor buildings are located in the southern part of the park. The buildings in Danishcountry house style were built in the 1750s when Hans Jacob Scheel took over the property. After Bernt Anker, who was Norway's richest man, took over the estate in 1790, the buildings were further extended, and the manor house became one of the most important meeting places of Norwegian high society. They were rebuilt again by the industrialist Benjamin Wegner, who became owner in 1836 and who moved the tower to the main building.
Frogner Manor, located in the south of Frogner ParkCircle
Under Wegner, some surrounding buildings were also built, the Henriette Wegner Pavilion on the nearby hill "Utsikten" (The View) and the coachman house at the main gate in front of the manor house. The pavilion was a wedding gift from Wegner to his wife Henriette Wegner (née Seyler), and was moved from Blaafarveværket in the 1830s. It is a classicaloctagonal round temple with colonnade. The ceiling is a painted replica in miniature of the dome of the Pantheon, Rome. In front of the main buildings is also a sundial built for Wegner.
Outside the manor buildings, there is also a café opened in 1918 (Frogner Park Café) and a restaurant opened in 1960 (Herregårdskroen, "the Manor House Restaurant").
Vigeland installation – the sculptures in Frogner Park
The Vigeland installation (Norwegian: Vigelandsanlegget), originally called the Tørtberg installation, is located in the present centre of Frogner Park. It is the name of the arrangement of sculptures and not of an area as such, as the entire park is called Frogner Park.[3] The Vigeland installation in Frogner Park is sometimes referred to as "Vigeland Park," but this name has no official status, is not commonly used in Oslo and is considered inaccurate; the director of Oslo Museum Lars Roede said "Vigeland Park" "doesn't really exist" and is "the name of the tourists," as opposed to "Oslo natives' more down-to-earth name, Frogner Park."[3] The legal name of the entire park in accordance with the Place Name Act (stadnamnlova) is Frognerparken (Frogner Park).[11] The sculpture installation was, as part of Frogner Park, protected under the Heritage Act on 13 February 2009 under the name Frogner Park and the Vigeland installation (Norwegian: Frognerparken og Vigelandsanlegget), enshrining its name Vigelandsanlegget in law.[6]
The Angry Boy
The sculpture area in Frogner Park covers 80 acres (320,000 m2) and features 212 bronze and granite sculptures, all designed by Gustav Vigeland. The Bridge was the first part to be opened to the public, in 1940. The Bridge forms a 100 metre (328ft)-long, 15 metre (49ft)-wide connection between the Main Gate and the Fountain, lined with 58 sculptures, including one of the park's more popular statues, Angry Boy (Sinnataggen). Visitors could enjoy the sculptures while most of the park was still under construction. At the end of the bridge lies the Children’s Playground, a collection of eight bronze statues showing children at play.
Originally designed to stand in Eidsvolls plass in front of the Parliament of Norway, the bronze Fountain (Fontenen) is adorned with 60 individual bronze reliefs, and is surrounded by an 1800 square metre black and white granite mosaic.
The Vigeland installation's granite and wrought iron Main Gate also serves as the eastern entrance to Frogner Park from Kirkeveien. From there an 850m (2,790ft) long axis leads west through the Bridge to the Fountain and the Monolith, and ends with the Wheel of Life. The Main Gate consists of five large gates, two small pedestrian gates and two copper-roofed gate houses, both adorned with weather vanes. It was designed in 1926, redesigned in the 1930s and erected in 1942. It was financed by a Norwegian bank.
The Monolith Plateau is a platform in the north of Frogner Park made of steps that houses the Monolith totem itself. 36 figure groups reside on the elevation, representing a “circle of life” theme. Access to the Plateau is via eight wrought iron gates depicting human figures. The gates were designed between 1933 and 1937 and erected shortly after Vigeland died in 1943.
At the highest point in Frogner Park lies the park's most popular attraction, the Monolith (Monolitten). The name derives from the Latin word monolithus, from the Greek μονόλιθος (monolithos), μόνος meaning "one" or "single" and λίθος "stone", and in this case is a genuine monolith, being fabricated from one piece of solid stone. Construction of the massive monument began in 1924 when Gustav Vigeland modelled it in clay in his studio in Frogner. The design process took ten months, and it is supposed that Vigeland used sketches drafted in 1919. A model was then cast in plaster.[13]
In the autumn of 1927 a block of granite weighing several hundred tons was delivered to the park from a quarry in Halden. It was erected a year later and a wooden shed was built around it to keep out the elements. Vigeland’s plaster model was erected next to it for reference. Transferring the design began in 1929 and took three masons 14 years to accomplish. The Monolith was first shown to the public at Christmas 1944, and 180,000 people crowded into the wooden shed to get a close look at the creation. The shed was demolished shortly afterwards. The Monolith towers 14.12 metres (46.32ft) high and is composed of 121 human figures rising towards the sky.
At the end of the installation's axis there is a sundial, forged in 1930 (there is also an 1830s sundial outside the manor house in the south of the park), and finally the Wheel of Life stone sculpture, carved 1933–1934. The wheel depicts four adults, a child and a baby (the baby and child are on opposite sides).
The latest addition to the park is a statue titled Surprised (Overrasket), originally completed in plaster in 1942 only months before one of the models for the work, Austrian refugee Ruth Maier, was sent to Auschwitz and murdered. A bronze cast made in 2002 is now installed in the park.[14][15][16]
Frogner Park with the Vigeland installation seen in the centre
On the outskirts of Frogner Park is Frognerbadet (Frogner Baths), which opened in 1956. Old Frogner Stadium opened in 1901 and was the city's main arena for skating. In 1914 the current Frogner Stadium was built right next to the old stadium. At the site of the old Frogner Stadium, there are now tennis courts.
In popular culture
The book The Doomsday Key written by author James Rollins has scenes in Frogner Park
The Norwegian movie Elling features a scene in which the sex-obsessed Kjell-Bjarne admires the sculptures of the park with Elling.
The science fiction novel Mockymen by Ian Watson utilizes the park as a plot point.
The song "Vigeland's Dream"' on Eleanor McEvoy's album Out There describes a walk in the park.
The science fiction novella The State of the Art by Iain M Banks includes a walk in the park by the main characters.
In the detective thriller The Leopard, part of the Harry Hole series, Frogner Park is the scene of a sensational murder case.
In the TV series The Love Boat, some of the crew visited and saw the Vigeland sculptures in Frogner Park in a two-episode special.[17]
The 2017 film The Snowman features scenes in the park.
Transport
Frogner Park can be accessed by different means of public transport.
Line 12 of the Oslo Tramway and Bus Route 20 both have several stops to the east of Frogner Park; including the tramway stops "Frogner plass", "Frogner stadion" and the controversially named "Vigelandsparken" outside a large gate that is incorrectly believed by many tourists to be the "main gate"; despite the name "Vigelandsparken" is not an official name of the park and was according to the Friends of Frogner Park association chosen because tourists mistakenly believe it to be the name of the park, despite not being used locally.[18]
Several lines of Oslo Metro have stops near Frogner Park (Majorstuen, Borgen).
Related Research Articles
Gustav Vigeland, born as Adolf Gustav Thorsen, was a Norwegian sculptor. Gustav Vigeland occupies a special position among Norwegian sculptors, both in the power of his creative imagination and in his productivity. He is most associated with the Vigeland installation (Vigelandsanlegget) in Frogner Park, Oslo. He was also the designer of the Nobel Peace Prize medal.
Frogner is a residential and retail borough in the West End of Oslo, Norway, with a population of 59,269 as of 2020. In addition to the original Frogner, the borough incorporates Bygdøy, Uranienborg and Majorstuen. The borough is named after Frogner Manor, and includes Frogner Park. The borough has the highest real estate prices in Norway.
Frogner Manor is a manor house and former estate in today's borough of Frogner in Oslo, Norway. The estate comprised most of the modern borough of Frogner, which has been named after the estate, and Frognerseteren with parts of the Nordmarka forest (Frognerseterskogen). The remaining part of the estate is now the site of the Frogner Park, with the manor house found in the south of the park and the Vigeland installation in the park's centre. The 18th century buildings on the grounds now house the Oslo City Museum.
Oslo City Museum is a department of Oslo Museum in Oslo, Norway since 2006. The museum is located at Frogner Manor in Frogner Park (Frognerparken).
Vigeland may refer to:
Lilla Georgine Hansen was Norway's first female architect.
Ruth Maier was an Austrian woman whose diaries describing her experiences of the Holocaust in Austria and Norway were published in 2007; reviews described her as "Norway's Anne Frank."
Parks and open spaces are an integral part of the landscape of Oslo, the capital and largest city of Norway. The various parks and open spaces are interconnected by paths so that the city's inhabitants can walk between them.
Out There is Eleanor McEvoy's sixth studio album. McEvoy, a multi-instrumentalist, produced and arranged Out There, and played all instruments on the album and supplied all vocals. The album includes ten new compositions by McEvoy plus two co-writes with the Beautiful South's Dave Rotheray. On track 5, Vigeland's Dream, McEvoy eloquently describes a walk she once took in Vigeland Sculpture Park which is a part of Frogner Park (Frognerparken), a public park located in the borough of Frogner, in Oslo, Norway. The album also includes an updated version of Marvin Gaye's classic "Mercy Mercy Me " as well as a new version of Lowell George's "Roll Um Easy."
The Frogner Line is a section of the Oslo Tramway which runs between Solli and Majorstuen, serving the neighborhood of Frogner. The line is served by tram number 12, and the Frogner section makes up the westernmost part of this line. From Solli to Frogner, the line runs northwestwards to Frognerveien, then turns northeast along Kirkeveien, along the Frogner Park, including a stop at the main gate to the Vigeland sculpture installation, before ending at Majorstuen where it connects with the Homansbyen Line and Briskeby Line.
Uranienborg is a neighborhood in the borough of Frogner in Oslo, Norway.
The Vigeland Museum is a museum dedicated to Gustav Vigeland in Frogner, Oslo. It is located outside Frogner Park, which includes the Vigeland installation with sculptures by Gustav Vigeland. The museum is part of Oslo municipality's cultural department.
Palace Park is a public park in the center of Oslo, Norway, surrounding the Royal Palace. It is 22 hectares.
Frogner Church is a parish church in the Frogner borough of the city of Oslo, Norway. The congregation is part of the Oslo arch-deanery within the Diocese of Oslo in the Church of Norway.
Jacob Benjamin Wegner was a Norwegian business magnate, estate owner and timber merchant.
The 1914 Jubilee Exhibition took place in Kristiania, Norway, from May 5 to October 11, 1914. It marked the centennial anniversary of the 1814 constitution and focused on industry and agriculture. The main location was the grounds of Frogner Manor, in addition to a subsection on shipping at Skarpsno at Frognerkilen. The exhibition opened on 15 May, and was closed on 11 October 1914. The total number of visitors was more than 1.5 million. On 11 October, the final day, more than 100,000 visitors visited the exhibition.
Wegner is a Norwegian family whose members have been noted as industrialists and as lawyers.
Henriette Wegner, née Henriette Seyler, was a Norwegian businesswoman and philanthropist, a member of the Hanseatic Berenberg banking dynasty of Hamburg and the wife of the Norwegian industrialist Benjamin Wegner. She was briefly a co-owner of Berenberg Bank, and was also noted for her work for the homeless in Norway. During her life she was a citizen of the city-republic of Hamburg, of France during the Napoleonic Wars, and finally of Norway from 1824.
The Henriette Wegner Pavilion or the Wegner Pavilion a classical tea pavilion in Frogner Park, Oslo, built in the 1820s. It is part of the Oslo Museum and is located near the manor house of Frogner Manor. It is located on a small hill on the edge of Frogner Park that is known as Utsikten. The pavilion is listed as a protected cultural heritage site.
The Lincoln Monument (Lincolnmonumentet) in the Frogner Park of Oslo, Norway, was sculpted by Norwegian-American Paul Fjelde. The monument was gifted to Norway by the U.S. State of North Dakota on July 4, 1914. A bronze plaque is inscribed with a passage from the Gettysburg Address: "Government of the people, by the people, for the people, shall not perish from the earth." The plaque on the left bears this inscription: "Presented to Norway by the people of North Dakota, U.S.A. July 4th, 1914."
1 2 3 Einar Solvoll (2008-11-14). "Aften spør for deg". Aftenposten. Vigelandsparken finnes egentlig ikke! Vigelandsanlegget er en del av Frognerparken, som er det store restarealet av Frogner hovedgård [...] turistenes Vigelandsparken [...] Oslo-folkets mer jordnære navn, Frognerparken
↑ Frognerparkens Venner, published by Friends of Frogner Park, 2009, no. 1
Further reading
Roede, Lars (2012). Frogner hovedgård; bondegård, herskapsgård, byens gård, Pax forlag, ISBN8253034962
Sanstøl, Jorunn (ed.) (1996). Frognerparken – fra dyrket mark til byens park. Byminner, No. 1/2–96, Oslo Bymuseum/Frognerparkens venner
Stępnik, Małgorzata. Modernist sculpture parks and their ideological contexts – on the basis of the oeuvres by Gustav Vigeland, Bernhard Hoetger and Einar Jónsson, „The Polish Journal of Aesthetics”, No. 47 (4/2017), pp.143–169. e-ISSN 2353-723X / p-ISSN 1643-1243
Wikborg, Tone (1985). Gustav Vigeland – His Art and Sculpture Park (Oslo: Aschehoug) ISBN82-03-16150-2
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
