From Russia with Love | ||||
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Soundtrack album by | ||||
Released | 1963 | |||
Recorded | March 1963 | |||
Length | 34:20 | |||
Label | United Artists (LP) Liberty (1980's LP Reissue) EMI Manhattan Records (CD) Capitol (2002 CD Re-release) | |||
Producer | Frank Collura (Reissue) | |||
John Barry chronology | ||||
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James Bond soundtrack chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic |
From Russia with Love is the soundtrack for the second James Bond film, From Russia With Love . This is the first series film with John Barry as the primary soundtrack composer.
John Barry, arranger of Monty Norman's "James Bond Theme" for Dr. No , would be the dominant Bond series composer for most of its history and the inspiration for fellow series composer, David Arnold (who uses cues from this soundtrack in his own for Tomorrow Never Dies ). The theme song was composed by Lionel Bart of Oliver! fame and sung by Matt Monro.
Following the decision of the producers not to use Monty Norman, though keeping his "James Bond Theme", Harry Saltzman decided on using the then popular Lionel Bart of Oliver! fame. Bart was unable to read or write music, but he offered to compose the music and lyrics for a title song to the film.
The producers chose John Barry to score the film. Barry had not only arranged and conducted the "James Bond Theme" from the previous film, but had already scored some films such as Beat Girl and Never Let Go . Barry's group also charted at No. 13 in the November 1962 UK charts with a different arrangement of the Bond theme from that heard in the film. [1]
The title song was sung by Matt Monro. Monro's vocal version is played during the film (as source music on a radio) and properly over the film's end titles. The title credit music is a lively instrumental version of the tune preceded by a brief Barry-composed "James Bond Is Back" then segueing into the "James Bond Theme". On the original film soundtrack, Alan Haven played a jazzy organ over the theme but this version was not released on the soundtrack album. The tune also appears in a soft string arrangement as a theme for Tania. In Germany, the original release featured an end title track cover version called Die Wolga ist Weit sung by Ruthe Berlé. [2]
Originally planning to use local Turkish music as Norman had used Jamaican music on Dr. No, Barry accompanied the film crew to Istanbul, however he found nothing suitable for the film. [5]
Recalling his visit to Istanbul, John Barry said, "It was like no place I'd ever been in my life. [The Trip] was supposedly to seep up the music, so Noel Rogers and I used to go 'round to these nightclubs and listen to all this stuff. We had the strangest week, and really came away with nothing, except a lot of ridiculous stories. We went back, talked to Lionel, and then he wrote 'From Russia with Love.'' [6]
The soundtrack's original recordings are thought to be lost and did not appear when the Bond soundtrack albums were issued in remastered form on CD. The album is different from the film with the album's recording of the main titles sounding slower and not featuring the organ played by Alan Haven. Several tracks on the album do not appear in the completed film. The album was the last of the Bond soundtrack albums to feature more than the usual six tracks per record side.
The soundtrack album reached No. 28 on the Variety charts in March 1964 with the title song becoming Unart Music's most recorded song. [7] Other cover versions of the "James Bond Theme" were also released to coincide with the film. Barry also released different cover versions of the title song and "007" on his Ember records for the pop charts. The Roland Shaw Orchestra performed cover versions of most of the music of Barry's soundtrack on several albums.
* Not heard in the film
The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated five times in 1999, 2002, 2008, 2012, and 2021. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
John Barry Prendergast was an English composer and conductor of film music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, he formed a band in 1957, the John Barry Seven. He later developed an interest in composing and arranging music, making his début for television in 1958. He came to the notice of the makers of the first James Bond film Dr. No, who were dissatisfied with a theme for James Bond given to them by Monty Norman. Noel Rogers, the head of music at United Artists, approached Barry. This started a successful association between Barry and the Bond series that lasted for 25 years.
Matt Monro was an English singer. Known as "The Man with the Golden Voice", he performed internationally during his 30-year career. AllMusic has described Monro as "one of the most underrated pop vocalists of the '60s", who "possessed the easiest, most perfect baritone in the business". Frank Sinatra said of Monro after his death: “If I had to choose three of the finest male vocalists in the singing business, Matt would be one of them. His pitch was right on the nose; his word enunciations letter perfect; his understanding of a song thorough.”
Since its inception in 1962, the James Bond film series from Eon Productions has featured many musical compositions, many of which are now considered classic pieces of British film music. The best known piece is the "James Bond Theme" composed by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "GoldenEye" also become identified with the series.
The "James Bond Theme" is the main signature theme music of the James Bond films and has been used in every Bond film since Dr. No in 1962. Composed in E minor by Monty Norman, the piece has been used as an accompanying fanfare to the gun barrel sequence in every Eon Productions Bond film besides Casino Royale.
Donald Blackstone, known professionally as Don Black, is an English lyricist. His works have included numerous musicals, movie, television themes and hit songs. He has provided lyrics for John Barry, Charles Strouse, Matt Monro, Andrew Lloyd Webber, Quincy Jones, Hoyt Curtin, Lulu, Jule Styne, Henry Mancini, Meat Loaf, Michael Jackson, Elmer Bernstein, Michel Legrand, Hayley Westenra, A. R. Rahman, Marvin Hamlisch and Debbie Wiseman.
From Russia with Love is a 1963 spy film and the second in the James Bond series produced by Eon Productions, as well as Sean Connery's second role as MI6 agent 007 James Bond.
You Only Live Twice is the soundtrack for the fifth James Bond film of the same name. It was composed by Bond veteran John Barry. At the time, this was his fourth credited Bond film. The theme song, "You Only Live Twice", was sung by Nancy Sinatra, the first non-British vocalist of the series, with music by Barry and lyrics by Leslie Bricusse. The soundtrack has previously been available in two versions on CD – the first, a straight reissue of the LP soundtrack, and the second, an expanded reissue including several previously unreleased tracks. The film soundtrack was recorded at CTS Studios, London. It debuted on the top 40 Billboard 200 album chart on August 19, 1967, and went up to 27.
Thunderball is the soundtrack album for the fourth James Bond film Thunderball.
The Spy Who Loved Me is the soundtrack for the tenth James Bond The Spy Who Loved Me. The soundtrack is one of only two Bond soundtracks to be nominated for the Academy Award for Best Original Score. The other score nominated was Skyfall (2012).
Diamonds Are Forever is the soundtrack by John Barry for the seventh James Bond film of the same name.
For Your Eyes Only is the soundtrack for the 12th James Bond film of the same name.
Dr. No is the film score for the 1962 film of the same name composed by Monty Norman.
Goldfinger is the soundtrack of the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI. Two versions were released initially, one in the United States and the United Kingdom, which varied in terms of length and which tracks were within the soundtrack. In 2003, Capitol-EMI records released a remastered version that contained all the tracks within the film.
On Her Majesty's Secret Service ("OHMSS") is the soundtrack for the James Bond film. It was composed, arranged, and conducted by John Barry; his fifth in the series.
Moonraker is the soundtrack for the eleventh James Bond film of the same name.
A View to a Kill is the soundtrack for the film of the same name, the 14th instalment in the James Bond film series.
The Living Daylights is the soundtrack title for the film The Living Daylights and the eleventh and final Bond soundtrack to be scored by composer John Barry. The soundtrack is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra – at the time, a relatively new innovation.
The Bond Collection, a.k.a. Bassey Sings Bond, is a 1987 studio album by Shirley Bassey, notable for having been released without the artist's consent and subsequently withdrawn from sales by court order.
"You Only Live Twice", performed by Nancy Sinatra, is the theme song to the 1967 James Bond film of the same name. The music was by veteran Bond film composer John Barry, with lyrics by Leslie Bricusse. The song is widely recognized for its striking opening bars, featuring a simple 2-bar theme in the high octaves of the violins and lush harmonies from French horns. It is considered by some to be among the best James Bond theme songs, and has become one of Nancy Sinatra's best known hits. Shortly after Barry's production, Sinatra's producer Lee Hazlewood released a more guitar-based single version.
As the first true pop song written for a Bond film, it merits credit for loosely establishing a tone that would follow in many of the tunes...
Matt Monro's "From Russia with Love" marks the first specifically tailored theme for a James Bond film, though with only two efforts under its belt, the franchise was still refining its trademarks in 1963