![]() Fujifilm X-mount on Fujinon XF18mm lens | |
Type | Internal bayonet |
---|---|
Inner diameter | 44 mm |
Tabs | 3 |
Flange | 17.7 mm |
Connectors | 10 |
Introduced | 2012 |
The Fujifilm X-mount is a lens mount for Fujifilm interchangeable lens mirrorless cameras in its X-series, designed for 23.6mm x 15.6mm APS-C sensors.
Various lens manufacturers use this mount, such as Fujifilm's own XF and XC lenses, Carl Zeiss AG (Touit lenses), Samyang Optics, Handevision, SLR Magic, Viltrox and Zhongyi Optics. Additionally, a host of adapters for a range of SLR lenses are available, allowing the mounting of lenses (without autofocus or auto aperture) from Canon, Nikon, Pentax, Minolta, Contax/Yashica, Konica and more. This mount type should not be confused with the discontinued Fujica X-mount, which is not compatible with the newer X-mount without an adapter. [1]
Fujifilm has released the following cameras that use the X-mount:
Fujifilm's "XF" and "XC" lenses bear Fujifilm's moniker "Fujinon", which is used for optics within the company. The "XF" lenses are of higher quality and more robust than the "XC" lenses. The housing and lens mount of the "XF" lenses are made of metal, while the housing and lens mount of the "XC" lenses are mainly made of plastic. In addition, only the "XF" lenses have an aperture ring. [2]
The following lenses are natively operational on the Fujifilm X-mount cameras.
These are entry level zoom lenses with smaller maximum aperture and plastic bodies.
These lenses are those with maximum apertures of f/2 or larger.
Model | Min focal length (mm ) | Max focal length (mm ) | Max aperture | Min aperture | Aperture ring (R) | Nb AP. Blades | Focus Range (CM) | Max mag. | Linear motor (LM) | Optical image stabilization (OIS) | Weather resistant (WR) | Filter thread (mm ) | Weight (g) | Date introduced | Made in | Note |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
XF8-16mm F2.8 R LM WR | 8 | 16 | 2.8 | 22 | R | 9 | 25-∞ | 0.1x | LM | - | WR | - | 805 | 2018-07-20 | Japan | Red Badge |
XF8mm f/3.5 R WR | 8 | - | 3.5 | 22 | R | 9 | 18-∞ | 0.07x | - | - | WR | 62 | 215 | 2023-05-24 | Japan | |
XF10-24mm F4 R OIS | 10 | 24 | 4.0 | 22 | R | 7 | 24-∞ | 0.16x | - | OIS | - | 72 | 410 | 2013-12-18 | Japan | superseded by WR version |
XF10-24mm F4 R OIS WR | 10 | 24 | 4.0 | 22 | R | 7 | 24-∞ | 0.16x | - | OIS | WR | 72 | 385 | 2020-10-15 | Philippines | |
XF14mm F2.8 R | 14 | - | 2.8 | 22 | R | 7 | Normal:30-∞ Macro:18-∞ | 0.12x | - | - | - | 58 | 235 | 2012-09-06 | Japan | |
XC15-45mm F3.5-5.6 OIS PZ | 15 | 45 | 3.5-5.6 | 22 | - | 7 | [Wide]:13-∞ [Tele]:35-∞ | 0.24x | - | OIS | - | 52 | 136 | 2018-02-08 | Philippines | |
XF16mm F1.4 R WR | 16 | - | 1.4 | 16 | R | 9 | 15-∞ | 0.21x | - | - | WR | 67 | 375 | 2015-04-16 | Japan or Philippines | |
XF16mm F2.8 R WR | 16 | - | 2.8 | 22 | R | 9 | 17-∞ | 0.13x | - | - | WR | 49 | 155 | 2019-02-14 | Philippines | |
XC16-50mm F3.5-5.6 OIS I | 16 | 50 | 3.5-5.6 | 22 | - | ? | ? | ? | - | OIS | - | 58 | 195 | 2013-06-24 | China | superseded by OIS II version |
XC16-50mm F3.5-5.6 OIS II | 16 | 50 | 3.5-5.6 | 22 | - | 7 | Normal:60-∞ Macro:[wide]15 -100[Tele]35-100 | 0.2x | - | OIS | - | 58 | 195 | 2015-01-15 | China | superseded by XC15-45mm F3.5-5.6 OIS PZ |
XF16-50mm F2.8-4.8 R LM WR | 16 | 50 | 2.8-4.8 | 22 | R | 9 | 24-∞ | 0.3x | LM | - | WR | 58 | 240 | 2024-05-16 | Philippines | |
XF16-55mm F2.8 R LM WR | 16 | 55 | 2.8 | 22 | R | 9 | Normal:60-∞ Macro:[Wide]30 -100 [Tele]40-100 | 0.16x | LM | - | WR | 77 | 655 | 2015-01-06 | Japan or Philippines | Red Badge superseded by II version |
XF16-55mm F2.8 R LM WR II | 16 | 55 | 2.8 | 22 | R | 11 | 30-∞ | 0.21x | LM | - | WR | 72 | 410 | 2024-10-14 | - | Red Badge |
XF16-80mm F4 R OIS WR | 16 | 80 | 4 | 22 | R | 9 | 35-∞ | 0.25x | OIS | WR | 72 | 440 | 2019-07-17 | Philippines | ||
XF18mm F1.4 R LM WR | 18 | - | 1.4 | 18 | R | 9 | 20-∞ | 0.15x | LM | - | WR | 62 | 370 | 2021-04-15 | Philippines | |
XF18mm F2 R | 18 | - | 2.0 | 22 | R | 7 | Normal:80-∞ Macro:18-200 | 0.14x | - | - | - | 52 | 116 | 2012-01-09 | Japan | |
XF18-55mm F2.8-4 R LM OIS | 18 | 55 | 2.8-4 | 22 | R | 7 | Normal:60-∞ Macro:[wide]30-100 [Tele]40-100 | 0.15x | LM | OIS | - | 58 | 310 | 2012-09-06 | Japan or China or Philippines | |
XF18-120mm F4 LM PZ WR | 18 | 120 | 4.0 | 22 | - | 7 | 60-∞ | 0.2x | LM | - | WR | 72 | 460 | 2022-05-31 | Japan | |
XF18-135mm F3.5-5.6 R LM OIS WR | 18 | 135 | 3.5-5.6 | 22 | R | 7 | Normal:60-∞ Macro:45-∞ | 0.27x | LM | OIS | WR | 67 | 490 | 2014-06-16 | China | |
XF23mm F1.4 R | 23 | - | 1.4 | 16 | R | 7 | Normal:60-∞ Macro:28-∞ | 0.1x | - | - | - | 62 | 300 | 2013-09-05 | Japan | |
XF23mm F1.4 R LM WR | 23 | - | 1.4 | 16 | R | 9 | 19-∞ | 0.2x | LM | - | WR | 58 | 375 | 2021-09-02 | Japan | |
XF23mm F2 R WR | 23 | - | 2.0 | 16 | R | 9 | 22-∞ | 0.13x | - | - | WR | 43 | 180 | 2016-08-25 | Japan or Philippines | |
XF27mm F2.8 | 27 | - | 2.8 | 16 | - | 7 | Normal:60-∞ Macro:34-∞ | 0.1x | - | - | - | 39 | 78 | 2013-06-24 | China | superseded by WR version |
XF27mm F2.8 R WR | 27 | - | 2.8 | 16 | R | 7 | Normal:60-∞ Macro:34-∞ | 0.1x | - | - | WR | 39 | 78 | 2021-01-27 | Philippines | |
XF30mm F2.8 R LM WR Macro | 30 | - | 2.8 | 22 | R | 9 | 10-∞ | 1.0x | LM | - | WR | 43 | 195 | 2022-11-02 | Thailand | |
XF33mm F1.4 R LM WR | 33 | - | 1.4 | 16 | R | 9 | 30-∞ | 0.15x | LM | - | WR | 58 | 360 | 2021-09-02 | Philippines | - |
XF35mm F1.4 R | 35 | - | 1.4 | 16 | R | 7 | Normal:80-∞ Macro:28-200 | 0.17x | - | - | - | 52 | 187 | 2012-01-09 | Japan | |
XF35mm F2 R WR | 35 | - | 2.0 | 16 | R | 9 | 35-∞ | 0.135x | - | - | WR | 43 | 170 | 2015-11-01 | Japan | |
XC35mm F2 | 35 | - | 2.0 | 16 | - | 9 | 35-∞ | 0.135x | - | - | - | 43 | 130 | 2020-01-23 | TBA | |
XF50mm F1.0 R WR | 50 | - | 1.0 | 16 | R | 9 | 70-∞ | 0.08x | - | - | WR | 77 | 845 | 2020-09-03 | Japan | Fastest auto-focus lens |
XF50mm F2 R WR | 50 | - | 2.0 | 16 | R | 9 | 38-∞ | 0.15x | - | - | WR | 46 | 200 | 2017-02-23 | Japan | |
XF50-140mm F2.8 R LM OIS WR | 50 | 140 | 2.8 | 22 | R | 7 | Normal:100-∞ Macro:100-300 | 0.12x | LM | OIS | WR | 72 | 995 | 2014-09-10 | Japan | Red Badge |
XC50-230mm F4.5-6.7 OIS I | 50 | 230 | 4.5-6.7 | 22 | - | 7 | ? | ? | - | OIS | - | 58 | 375 | 2013-09-17 | China | superseded by II version [38] |
XC50-230mm F4.5-6.7 OIS II | 50 | 230 | 4.5-6.7 | 22 | - | 7 | Normal:110-∞ Macro:110-300 | 0.2x | - | OIS | - | 58 | 375 | - | China | OIS II |
XF55-200mm F3.5-4.8 R LM OIS | 55 | 200 | 3.5-4.8 | 22 | R | 7 | Normal:110-∞ Macro:110 -300 | 0.18x | LM | OIS | - | 62 | 580 | 2013-04-17 | Japan | |
XF56mm F1.2 R | 56 | - | 1.2 | 16 | R | 9 | Normal:70-∞ Macro:70-300 | 0.09x | - | - | - | 62 | 405 | 2014-01-06 | Japan | |
XF56mm F1.2 R APD | 56 | - | 1.2 | 16 | R | 9 | Normal:70-∞ Macro:70-300 | 0.09x | - | - | - | 62 | 405 | 2014-09-10 | Japan | Apodization Filter |
XF60mm F2.4 R Macro | 60 | - | 2.4 | 22 | R | 9 | Normal:60-∞ Macro:26.7-200 | 0.5x | - | - | - | 39 | 215 | 2012-01-09 | Japan | 1:2 Macro |
XF70-300mm F4-5.6 R LM OIS WR | 70 | 300 | 4–5.6 | 22 | R | 9 | 0.83-∞ | 0.33x | LM | OIS | WR | 67 | 580 | 2021-01-27 | Philippines | |
XF80mm F2.8 R LM OIS WR Macro | 80 | - | 2.8 | 22 | R | 9 | 25-∞ | 1x | LM | OIS | WR | 62 | 750 | 2017-10-?? | Japan | 1:1 Macro |
XF90mm F2 R LM WR | 90 | - | 2.0 | 16 | R | 7 | 60-∞ | 0.2x | LM | - | WR | 62 | 540 | 2015-05-18 | Japan | |
XF100-400mm F4.5-5.6 R LM OIS WR | 100 | 400 | 4.5-5.6 | 22 | R | 9 | 175-∞ | 0.19x | LM | OIS | WR | 77 | 1375 | 2016-01-15 | Japan | Red Badge |
XF150-600 F5.6-8.0 R LM OIS WR | 150 | 600 | 5.6-8.0 | 22 | R | 9 | 240-∞ | 0.24x | LM | OIS | WR | 82 | 1605 | 2022-05-31 | Japan | Red Badge |
XF200mm F2 R LM OIS WR | 200 | - | 2.0 | 22 | R | 9 | 180-∞ | 0.12x | LM | OIS | WR | 105 | 2,265 | 2018-07-20 | Japan | Red Badge |
XF500mm F/5.6 R LM OIS WR | 500 | - | 5.6 | 22 | R | - | - | 0.2x | LM | OIS | WR | 95 | - | 2024 | Japan |
By reducing the distance between the rear lens element and the sensor, a more compact construction is possible.
A teleconverter is an optical accessory that extends the focal length of compatible lenses, effectively increasing magnification without altering the minimum focus distance. Fujifilm offers 1.4x and 2.0x teleconverters. These extenders maintain electronic communication between the lens and camera, enabling autofocus, image stabilization, and EXIF data transmission. A teleconverter multiplies the apparent focal length of a given lens but also decrease the intensity of the light that reaches the sensor by the square of its magnification.
Until 2018, all third party lenses were manual except from the three Zeiss Touit lenses. In 2019, Viltrox introduced a 85 mm f/1.8 AF lens lacking an aperture ring. [39] In April 2020, the same company introduced a 33 mm f/1.4 lens with an aperture ring. Two more Viltrox lenses, 23 mm f/1.4 and 56 mm f/1.4, are announced for 2020. [40] On March 6, 2020, Tokina announced three atx-m autofocus lenses for Fujifilm X-mount to be introduced in autumn 2020. [41] [42] Toshihisa Iida, the General Manager of Fujifilm's Optical Device and Electronic Imaging Products Division, explained on April 14, 2020, that Fuji followed plans on opening the X-mount up to third-party lens manufacturers. The manufacturer Kenko Tokina was mentioned in this interview. [43]
Carl Zeiss lenses The Touit line of compact lenses from Carl Zeiss AG is purposely designed for APS-C like camera bodies. The optics of these lenses are designed by Carl Zeiss, but the design for manufacturing is done by the Japanese manufacturer Cosina. The Touit lenses are produced for a Fujifilm X-mount and Sony E-mount. [44] Because Fujifilm did not share the specifications of the X-mount, Carl Zeiss never received officially the license for releasing X-mount lenses. The Touit lenses are therefore non-certified. [45]
Samyang lenses Lenses are sold under the interchangeable Samyang, Rokinon, Walimex, and Bower brand names.
Sigma lenses Sigma has announced on Feb. 2022 the release of three new F1.4 prime lenses for Fujifilm X-mount camera systems. They are nearly identical to their predecessors, which were previously released for Canon EF-M mount, L-mount, Micro Four Thirds and Sony E-mount cameras. [46]
Brand | Model name | Min focal length (mm) | Max focal length (mm) | Max aperture | Min aperture | Aperture ring (R) | Nb AP. Blades | Focus Range (cm) | Max mag. | Optical image stabilization (OIS) | Weather resistant (WR) | Filter thread (mm) | Weight (g) | Date introduced | Made in | Note |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Sigma | 10-18mm f/2.8 DC DN Contemporary | 10 | 18 | 2.8 | 22 | No | 7 | 11.6-19.1 | - | No | - | 67 | 260 | 2023 | Japan | - |
Sigma | 16-300mm f3.5-6.7 DC OS Contemporary | 16 | 300 | 3.5 | 22 | - | - | - | - | Yes | No | 67 | - | - | Japan | - |
Sigma | 18-50mm f/2.8 DC DN Contemporary | 18 | 50 | 2.8 | 22 | No | 7 | 12.1-30 | - | No | - | 55 | 290 | 01/11/2022 | Japan | - |
Sigma | 100-400mm f/5-6.3DG DN OS Contemporary | 100 | 400 | 5 | 29 | No | 9 | - | - | Yes | No | 67 | 1135 | - | Japan | - |
Tamron | 11-20mm f/2.8 Di III-A RXD | 11 | 20 | 2.8 | 16 | No | 9 | (Wide) 15-∞; (Tele) 24-∞ | - | No | No | 67 | 335 | 01/05/2023 | - | [47] |
Tamron | 17-70mm F/2.8 Di III-A VC RXD | 17 | 70 | 2.8 | 16 | No | 9 | (Wide) 19-∞; (Tele) 39-∞ | 0.2x (Wide) | Yes | Yes | 67 | 530 | 01/07/2022 | - | [48] |
Tamron | 18-300 MM F/3.5-6.3 DI III-A VC VXD | 18 | 300 | 3.5 | 40 | No | 7 | (Wide) 15-∞; (Tele) 99-∞ | 0.5x (Wide) | Yes | ? | 67 | 620 | end of 2021 | - | [49] |
Tamron | 150-500mm f/5-6.7 Di III VC VXD | 150 | 500 | 5 | 32 | No | 7 | - | - | Yes | - | 82 | - | - | - | - |
Tokina | atx-m 11-18mm F2.8 | 11 | 18 | 2.8 | 22 | No | 9 | - | - | - | 67 | 320 | March 14, 2025 | [41] | ||
Brand | Model name | Focal length (mm) | Max aperture | Min aperture | Aperture ring (R) | Nb AP. Blades | Focus Range (cm) | Max mag. | Optical image stabilization (OIS) | Weather resistant (WR) | Filter thread (mm) | Weight (g) | Date introduced | Made in | Note |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
7Artisans | AF 27mm F2.8 | 27 | 2.8 | 16 | No | 6 | 30-∞ | - | No | No | 39 | 144 | - | China | - |
7Artisans | AF 35mm f/1.4 | 35 | 1.4 | 16 | No | 7 | 35~∞ | - | No | No | 62 | 184 | 2025 | China | - |
Brightin Star | AF50mm F1.4 | 50 | 1.4 | 16 | No | 9 | 50-∞ | - | No | No | 58 | 450 | - | - | - |
Meike | AF 33mm F1.4 | 33 | 1.4 | 16 | Yes | - | 40-∞ | - | No | No | 55 | 314 | - | - | - |
Meike | AF 55mm F1.4 | 55 | 1.4 | 16 | No | 9 | 61-∞ | - | No | No | 52 | 286 | - | - | - |
Meike | AF 85mm F1.8 | 85 | 1.8 | 22 | No | 9 | 85-∞ | - | No | No | 67 | 386 | - | - | Full Frame Design |
Samyang | AF 12mm F2.0 | 12 | 2.0 | 22 | No | 7 | 19-∞ | 0.09x | No | Yes | 62 | 213 | - | - | Also Rokinon branded |
Samyang | AF 75mm F1.8 | 75 | 1.8 | 22 | No | 9 | 69-∞ | 0.13x | No | Yes | 62 | 257 | - | - | Also Rokinon branded |
Sigma | 16mm f/1.4 DC DN Contemporary | 16 | 1.4 | 16 | No | 9 | 25-∞ | - | No | - | 67 | 415 | - | Japan | - |
Sigma | 23mm f1.4 DC DN Contemporary | 23 | 1.4 | - | - | - | - | - | - | - | - | - | - | Japan | - |
Sigma | 30mm f/1.4 DC DN Contemporary | 30 | 1.4 | 16 | No | 9 | 30-∞ | - | No | - | 52 | 280 | - | Japan | - |
Sigma | 56mm f/1.4 DC DN Contemporary | 56 | 1.4 | 16 | No | 9 | 50-∞ | - | No | - | 55 | 285 | - | Japan | - |
SIRUI | Sniper 16mm F1.2 | 16 | 1.2 | 16 | No | 13 | 0.3-∞ | - | No | No | 58 | 384 | - | - | Planned |
SIRUI | Sniper 23mm F1.2 | 23 | 1.2 | - | No | - | - | - | - | - | - | - | - | - | - |
SIRUI | Sniper 33mm F1.2 | 33 | 1.2 | - | No | - | - | - | - | - | - | - | - | - | - |
SIRUI | Sniper 56mm F1.2 | 56 | 1.2 | - | No | - | - | - | - | - | - | - | - | - | - |
SIRUI | Sniper 75mm F1.2 | 75 | 1.2 | 16 | No | 15 | 0.7-∞ | - | No | No | 67 | 466 | - | - | Planned |
Tokina | atx-m 23 1.4 XF | 23 | 1.4 | 16 | Yes | 9 | 30-∞ | 0.1x | No | No | 52 | 276 | autumn 2020 | China | |
Tokina | atx-m 33/1.4 XF | 33 | 1.4 | 16 | Yes | 9 | 40-∞ | 0.1x | No | No | 52 | 285 | autumn 2020 | China | |
Tokina | atx-m 56/1.4 XF | 56 | 1.4 | 16 | Yes | 9 | 60-∞ | 0.1x | No | No | 52 | 315 | autumn 2020 | China | |
TTArtisan | AF 23mm F1.8 | 23 | 1.8 | 16 | No | 9 | 30-∞ | - | No | No | 52 | 210 | - | China | - |
TTArtisan | AF 27mm F2.8 | 27 | 2.8 | 16 | Yes | 7 | 35-∞ | - | No | No | 39 | - | - | China | - |
TTArtisan | AF 35mm f/1.4 Mark I | 35 | 1.4 | 16 | No | 9 | 60~∞ | - | No | ? | 52 | 199 | 2023 | China | - |
TTArtisan | AF 35mm f/1.4 Mark II | 35 | 1.4 | 16 | No | 9 | 40~∞ | - | No | ? | 62 | 176 | 2025 | China | - |
TTArtisan | AF 56mm F1.8 | 56 | 1.8 | 16 | No | 9 | 50-∞ | - | No | No | 52 | - | - | China | - |
Viltrox | AF13/1.4 STM | 13 | 1.4 | 16 | Yes | 9 | 22-∞ | 0.1x | No | No | 67 | 420 | 2022 | China | - |
Viltrox | AF23/1.4 XF | 23 | 1.4 | 16 | Yes | 9 | 30-∞ | 0.1x | No | No | 52 | 260 | 15/04/2020 | China | [50] [51] |
Viltrox | AF25/1.7 XF | 25 | 1.7 | - | No | 9 | - | - | No | No | 52 | 170 | - | - | - |
Viltrox | AF27/1.2 XF Pro | 27 | 1.2 | 16 | Yes | 11 | 28-∞ | 0.15x | No | No | 67 | 560 | 01/08/2023 | China | - |
Viltrox | AF28mm/4.5 XF | 28 | 4.5 | 4.5 | No | N/A | - | 0.11x | No | No | N/A | 60 | - | - | Pancake |
Viltrox | AF33/1.4 XF | 33 | 1.4 | 16 | Yes | 9 | 40-∞ | 0.1x | No | No | 52 | 270 | 15/04/2020 | China | [40] |
Viltrox | AF 35mm F1.7 Air | 35 | 1.7 | - | - | - | - | - | - | - | - | 170 | - | - | - |
Viltrox | AF 56mm F1.7 Air | 56 | 1.7 | - | - | - | - | - | - | - | - | - | - | - | [50] |
Viltrox | AF56/1.4 XF | 56 | 1.4 | 16 | Yes | 9 | 60-∞ | 0.1x | No | No | 52 | 290 | autumn 2020 | China | - |
Viltrox | AF75/1.2 XF Pro | 75 | 1.2 | 16 | Yes | 11 | 90-∞ | - | No | No | 77 | 670 | 28/12/2022 | China | [52] |
Viltrox | AF85/1.8 II XF | 85 | 1.8 | 16 | No | 9 | 80-∞ | 0.125x | No | No | 52 | 492 | 01/07/2020 | China | [53] [39] |
Yongnuo | YN50mm F1.8X DA DSM | 50 | 1.8 | 16 | No | 7 | 45-∞ | - | No | No | 49 | 134 | - | - | - |
Yongnuo | YN50mm F1.8X DA DSM Pro | 50 | 1.8 | 16 | No | 9 | 45-∞ | 0.15x | No | No | 58 | 387 | - | - | - |
Zeiss | Touit 2.8/12 | 12 | 2.8 | 22 | Yes | 9 | 18-∞ | 0.11x | No | No | 67 | 270 | 2012 | Japan | - |
Zeiss | Touit 1.8/32 | 32 | 1.8 | 22 | Yes | 9 | 37-∞ | 0.11x | No | No | 52 | 210 | 2012 | Japan | - |
Zeiss | Touit 2.8/50M | 50 | 2.8 | 22 | Yes | - | 15-∞ | 1x | No | No | 52 | 290 | 2014 | Japan | 1:1 Macro |
Manual lenses usually provide no Exif data transfer, no autofocus, no automatic aperture control, and no lens-based image stabilizer.
KamLan lenses
Lensbaby lenses
Samyang lenses
Lenses are sold under the interchangeable Samyang, Rokinon, Walimex, and Bower brand names.
Voigtländer lenses
Voigtländer lenses provide Exif data transfer, automatic focus magnification, distance scale and image stabilization information, and parallax compensation for supported X-mount cameras.
Voking by Bilora lenses
BILORA GmbH Archived 2019-08-19 at the Wayback Machine
William Optics lens
Brand | Model name | Min focal length (mm) | Max focal length (mm) | Max aperture | Min aperture | Aperture ring (R) | Nb AP. Blades | Focus Range (cm) | Max mag. | Weather resistant (WR) | Filter thread (mm) | Weight (g) | Date introduced | Made in | Note |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Laowa | 8-16mm f/3.5-5 Zoom CF | 8 | 16 | 3.5 | 16 | Yes | 5 | 20-∞ | 0.125x | - | 86 | 463 | 01/10/2023 | China | - |
Meike | MK-6-11mm f/3.5 Fisheye | 6 | 11 | 3.5 | 16 | Yes | - | - | - | - | - | - | - | - | Fisheye |
Brand | Model name | Focal length (mm) | Max aperture | Min aperture | Aperture ring (R) | Nb AP. Blades | Focus Range (cm) | Max mag. | Weather resistant (WR) | Filter thread (mm) | Weight (g) | Date introduced | Made in | Note |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
7artisans | Photoelectric 4mm f/2.8 Circular Fisheye | 4 | 2.8 | 16 | Yes | 7 | 8.5-∞ | - | No | N/A | 201 | - | China | Fisheye |
7artisans | 7.5mm f/2.8 II Fisheye | 7.5 | 2.8 | 16 | Yes | 7 | 15-∞ | - | No | N/A | 265 | - | China | Fisheye |
7artisans | 12mm f/2.8 II | 12 | 2.8 | 16 | Yes | 5 | 15-∞ | - | No | 62 | 301 | - | China | - |
7artisans | 18mm f/6.3 II | 18 | 6.3 | 6.3 | No | N/A | 30-∞ | - | No | N/A | 58 | - | China | Pancake |
7artisans | 24mm f/1.4 | 24 | 1.4 | 16 | Yes | 9 | 30-∞ | - | No | 49 | 344 | - | China | - |
7artisans | Photoelectric 25mm f/0.95 | 25 | 0.95 | 16 | Yes | - | - | - | No | - | - | - | - | - |
7artisans | 25mm f/1.8 | 25 | 1.8 | 22 | Yes | 12 | 18-∞ | - | No | 46 | 143 | - | China | |
7artisans | Photoelectric 35mm f/0.95 | 35 | 0.95 | 16 | Yes | - | - | - | No | - | - | - | - | - |
7artisans | 35mm f/1.2 II | 35 | 1.8 | 16 | Yes | 10 | 28-∞ | - | No | 46 | 218 | - | China | - |
7artisans | 35mm f/1.4 | 35 | 1.4 | 16 | Yes | 9 | 37-∞ | - | No | 49 | 228 | - | China | - |
7artisans | Photoelectric 50mm f/0.95 | 50 | 0.95 | 16 | Yes | - | - | - | No | - | - | - | - | - |
7artisans | Photoelectric 50mm f/1.4 Tilt-Shift | 50 | 1.4 | 16 | Yes | 12 | 50-∞ | - | No | 46 | 364 | - | - | Tilt-Shift |
7artisans | 50mm f/1.8 | 50 | 1.8 | 16 | Yes | 12 | 50-∞ | - | No | 52 | 167 | - | China | - |
7artisans | 55mm f/1.4 II | 55 | 1.4 | 16 | Yes | 9 | 42-∞ | - | No | 52 | 358 | - | China | - |
7artisans | Photoelectric 60mm f/2.8 Macro Mark II | 60 | 2.8 | 16 | Yes | 9 | 175-∞ | - | No | 49 | - | - | 1:1 Macro | |
Artra Lab | OCULILUMEN 7.5mm F2.8 Fisheye | 7.5 | 2.8 | 22 | Yes | 10 | 12-∞ | - | No | N/A | 320 | - | - | Fisheye |
Artra Lab | OCULILUMEN 10mm F5.6 Fisheye | 10 | 5.6 | 5.6 | No | 10 | 20-∞ | - | No | N/A | 120 | - | - | Fisheye |
Artra Lab | NONIKKOR-MC 11mm F1.8 | 11 | 1.8 | 22 | Yes | 10 | - | - | No | 62 | 350 | - | - | - |
Artra Lab | LATALUMEN 12mm F2 | 12 | 2 | 22 | Yes | 10 | 20-∞ | - | No | 62 | 275 | - | - | - |
Artra Lab | NONIKKOR-MC 24MM F1.7 | 24 | 1.7 | 16 | Yes | 10 | - | - | No | 52 | 210 | - | - | - |
Artra Lab | NONIKKOR-MC 35mm F1.4 1980's | 35 | 1.4 | 16 | Yes | 10 | 35-∞ | - | No | 52 | 285 | - | - | Full Frame Design |
Artra Lab | NOCTY-NONIKKOR 50mm F1.2 | 50 | 1.2 | 16 | Yes | 11 | - | - | No | 52 | 560 | - | - | - |
Artra Lab | Motus 50mm f/1.6 Tilt-Shift | 50 | 1.6 | 16 | Yes | - | - | - | No | - | - | - | - | Tilt-Shift |
Artra Lab | ARTOLUMEN 60mm F2.8 2X Macro | 60 | 2.8 | 16 | Yes | 10 | 18.5-∞ | 2x | No | 62 | 600 | - | - | Full Frame Design 2:1 Macro |
AstrHori | 10mm F8 I Fisheye | 10 | 8 | 8 | No | - | 30-∞ | - | - | - | 80 | - | - | Fisheye |
AstrHori | 10mm F8 II Fisheye | 10 | 8 | 8 | No | - | - | - | - | 58 | 130 | - | - | Fisheye |
AstrHori | 14mm F4.5 | 14 | 4.5 | 4.5 | No | - | 23-∞ | - | - | - | - | - | - | Pancake |
AstrHori | 18mm F8 Macro 2:1 Probe | 18 | 8 | 28 | Yes | 7 | 47.4-∞ | 2x | - | N/A | 704 | - | - | Probe 2:1 Macro Periscope option |
AstrHori | 28mm F13 Macro 2:1 Probe | 28 | 13 | 40 | Yes | - | - | 2x | - | N/A | - | - | Full Frame Design Probe 2:1 Macro Periscope option | |
Brightin Star | 7.5mm F2.8 Fisheye | 7.5 | 2.8 | 22 | Yes | - | - | - | - | - | - | - | - | Fisheye |
Brightin Star | 10mm F5.6 Fisheye | 10 | 5.6 | 5.6 | No | - | - | - | - | - | - | - | - | Fisheye |
Brightin Star | 12mm F2.0 III | 12 | 2.0 | 22 | Yes | - | - | - | - | - | - | - | - | - |
Brightin Star | 35mm F0.95 | 35 | 0.95 | 16 | Yes | 12 | - | - | - | 52 | 370 | - | - | - |
Brightin Star | 35mm F1.7 | 35 | 1.7 | 16 | Yes | - | - | - | - | - | - | - | - | - |
Brightin Star | 50mm F0.95 | 50 | 0.95 | 16 | Yes | - | - | - | - | - | - | - | - | - |
Brightin Star | 50mm F1.4 | 50 | 1.4 | 16 | Yes | - | - | - | - | - | - | - | - | - |
Brightin Star | 50mm F1.8 | 50 | 1.8 | 16 | Yes | - | - | - | - | - | - | - | - | - |
Brightin Star | 60mm f2.8 2x Macro | 60 | 2.8 | 16 | Yes | 10 | - | 2x | - | 62 | 300 | - | - | 2:1 Macro Full Frame Design |
Funleader | CAPLENS 18mm f/8.0 Pro | 18 | 8 | 8 | No | - | 30-∞ | - | No | N/A | 71 | - | - | Pancake |
Funleader | CAPLENS 18mm f/8.0 | 18 | 8 | 8 | No | - | 80-∞ | - | No | N/A | 80 | - | - | Pancake |
KamLan | 32mm f/1.1 | 32 | 1.1 | 11 | Yes | - | - | - | - | 62 | 603 | - | China | - |
KamLan | 50mm f/1.1 MK II | 50 | 1.1 | 16 | Yes | 11 | 40-∞ | - | - | 62 | 563 | 2019 | China | - |
KamLan | 70mm f/1.1 | 70 | 1.1 | 11 | Yes | - | - | - | - | 77 | 776 | - | China | - |
Kase | 200mm f/5.6 MC Reflex | 200 | 5.6 | 5.6 | No | - | - | - | - | 67 | - | - | - | Full Frame Design |
Kipon | ELEGANT 24mm/f2.4 | 24 | 2.4 | 16 | Yes | - | - | - | - | 58 | - | - | - | - |
Kipon | ELEGANT 35mm/f2.4 | 35 | 2.4 | 16 | Yes | - | - | - | - | 58 | - | 2022 | - | - |
Kipon | IBELUX 40mm f0.85 MARK III | 40 | 0.85 | 22 | Yes | 10 | 75-∞ | 0.05x | - | 67 | 1150 | - | - | Also HandeVision branded |
Kipon | ELEGANT 50mm/f2.4 | 50 | 2.4 | 16 | Yes | - | - | - | - | 58 | - | - | - | - |
Kipon | ELEGANT 75mm/f2.4 | 75 | 2.4 | 16 | Yes | - | - | - | - | 58 | - | - | - | - |
Kipon | ELEGANT 90mm/f2.4 | 90 | 2.4 | 16 | Yes | - | - | - | - | 58 | - | - | - | - |
Laowa | 4MM F2.8 210° Circular Fisheye | 4 | 2.8 | 16 | Yes | 8-∞ | 0.111x | - | 135 | - | China | Fisheye | ||
Laowa | 8-16mm f/3.5-5 Zoom CF | 8 | 3.5 | 16 | Yes | 5 | 20-∞ | 0.125x | - | 86 | 463 | 01/10/2023 | China | - |
Laowa | 9MM F2.8 ZERO-D | 9 | 2.8 | 22 | Yes | 7 | - | 0.133x | - | 49 | 215 | - | China | - |
Laowa | ARGUS 33MM F0.95 CF APO | 33 | 0.95 | 11 | Yes | 9 | 35-∞ | - | - | 590 | - | China | - | |
Laowa | 65MM F2.8 2X ULTRA MACRO APO | 65 | 2.8 | 22 | Yes | 9 | 17-∞ | 2x | - | 52 | 335 | 16/03/2020 | China | 2:1 Macro |
Meyer-Optik Gorlitz | Lydith 30mm f/3.5 II | 30 | 3.5 | 22 | Yes | - | - | - | - | 52 | - | - | - | Full Frame Design |
Meyer-Optik Gorlitz | Biotar 58mm f/1.5 II | 58 | 1.5 | 16 | Yes | 14 | - | - | - | 52 | - | - | - | Full Frame Design |
Meyer-Optik Gorlitz | Primoplan 75mm f/1.9 II | 75 | 1.9 | 16 | Yes | 15 | - | - | - | 52 | - | - | - | Full Frame Design |
Meyer-Optik Gorlitz | Trioplan 100mm f/2.8 II | 100 | 2.8 | 22 | Yes | - | 89.92-∞ | - | - | 52 | - | - | - | Full Frame Design |
Meike | MK-6-11mm f/3.5 Fisheye | 6 | 3.5 | 16 | Yes | - | - | - | - | - | - | - | - | Fisheye |
Meike | MK-6.5mm f/2 Circular Fisheye | 6.5 | 2 | 22 | Yes | - | - | - | - | - | - | - | - | Fisheye |
Meike | 25mm F0.95 | 25 | 0.95 | 16 | Yes | - | - | - | - | 62 | - | - | - | - |
Meike | 35mm F0.95 | 35 | 0.95 | 16 | Yes | 13 | - | - | - | 52 | - | - | - | - |
Meike | 50mm F0.95 | 50 | 0.95 | 16 | Yes | 13 | 45-∞ | - | - | 62 | 420 | - | - | - |
Meike | 60mm F2.8 | 60 | 2.8 | 22 | Yes | 9 | 17.5-∞ | 1x | - | 49 | 300 | - | - | 1:1 Macro |
NiSi | 9mm f/2.8 Sunstar ASPH | 9 | 2.8 | 16 | Yes | ? | ? | ? | ? | 67 | ? | ? | China | |
NiSi | 15mm f/4 Sunstar ASPH | 15 | 4 | 22 | Yes | ? | ? | ? | ? | 72 | ? | ? | China | Full Frame Design |
NiSi | 250mm f/5.6 Reflex | 250 | 5.6 | 5.6 | No | - | 200-∞ | 0.14x | No | 62 | ? | ? | China | Reflex Full Frame Design |
Pergear | 7.5mm F2.8 Fish Eye | 7.5 | 2.8 | 22 | Yes | - | - | - | - | - | - | - | China | Fish Eye |
Pergear | 10mm F5.6 Pancake Fisheye | 10 | 5.6 | 5.6 | No | - | 15-∞ | - | - | - | 120 | - | China | Pancake Fisheye |
Pergear | 12mm F2 II | 12 | 2 | 22 | Yes | - | - | - | - | - | 230 | - | China | - |
Pergear | 25mm F1.7 | 25 | 1.7 | 22 | Yes | 10 | 20-∞ | - | - | 37 | 165 | - | China | - |
Pergear | 25mm F1.8 | 25 | 1.8 | 16 | Yes | - | - | - | - | - | - | - | China | - |
Pergear | 35mm F1.2 | 35 | 1.2 | 22 | Yes | 10 | 25-∞ | - | - | 43 | 210 | - | China | - |
Pergear | 35mm F1.6 | 35 | 1.6 | 16 | Yes | 10 | 28-∞ | - | - | 43 | 193 | - | China | - |
Pergear | 50mm F1.8 | 50 | 1.8 | 16 | Yes | - | - | - | - | - | - | - | China | - |
Pergear | 60mm F2.8 MK2 2X | 60 | 2.8 | 16 | Yes | 10 | 19.1-∞ | 2x | - | 62 | 600 | - | China | Design for Full Frame 2:1 Macro |
Samyang | 8mm f/2.8 Fish-eye II UMC | 8 | 2.8 | 22 | Yes | 30-∞ | - | - | 265 | - | South Korea | Fisheye | ||
Samyang | 8mm f/3.5 UMC Fish-Eye CS II | 8 | 3.5 | 22 | Yes | - | - | - | 400 | 2015 | South Korea | Fisheye | ||
Samyang | 10mm f/2.8 ED AS NCS CS | 10 | 2.8 | 22 | Yes | 6 | 24-∞ | - | - | 590 | 2013 | South Korea | - | |
Samyang | 12mm f/2 NCS CS | 12 | 2 | 22 | Yes | 6 | 20-∞ | - | - | 67 | 245 | - | South Korea | - |
Samyang | 12mm f/2.8 AS NCS | 12 | 2.8 | 22 | Yes | 7 | 20-∞ | - | - | 565 | 2014 | South Korea | - | |
Samyang | 14mm f/2.8 ED AS IF UMC | 14 | 2.8 | Yes | - | - | - | 87 | 500 | - | South Korea | - | ||
Samyang | MF 14mm F2.8 MK2 | 14 | 2.8 | 22 | Yes | 9 | 28-∞ | 0.12x | Yes | 694 | - | - | Design for Full Frame | |
Samyang | 16mm f/2 ED AS UMC CS | 16 | 2 | Yes | - | - | - | 77 | 2013 | South Korea | - | |||
Samyang | 20mm f/1.8 ED AS UMC | 20 | 1.8 | Yes | - | - | - | 77 | - | - | - | |||
Samyang | 21mm f/1.4 ED AS U | 21 | 1.4 | Yes | - | - | - | 58 | - | - | - | |||
Samyang | 24mm f/1.4 ED AS IF UMC | 24 | 1.4 | Yes | - | - | - | 77 | - | South Korea | - | |||
Samyang | 35mm f/1.2 ED AS UMC CS | 35 | 1.2 | Yes | - | - | - | 62 | - | South Korea | - | |||
Samyang | 35mm f/1.4 AS UMC | 35 | 1.4 | Yes | - | - | - | 77 | - | South Korea | - | |||
Samyang | 50mm f/1.2 AS UMC CS | 50 | 1.2 | Yes | - | - | - | 62 | - | - | - | |||
Samyang | 85mm f/1.4 AS IF UMC | 85 | 1.4 | Yes | - | - | - | 72 | - | South Korea | - | |||
Samyang | MF 85mm f/1.4 MK2 | 85 | 1.4 | 22 | Yes | 9 | 110-∞ | 0.135x | Yes | 72 | 592 | - | - | Design for Full Frame |
Samyang | MF 85mm f/1.8 ED UMC CS | 85 | 1.8 | 22 | Yes | 9 | 65-∞ | - | No | 62 | - | South Korea | - | |
Samyang | 100mm f/2.8 Macro ED UMC | 100 | 2.8 | Yes | - | 1x | - | 67 | - | - | 1:1 Macro | |||
Samyang | 135mm f/2 ED UMC | 135 | 2 | Yes | 9 | 80-∞ | - | Yes | 77 | 815 | - | South Korea | Design for Full Frame | |
Samyang | 300mm f/6.3 ED UMC CS | 300 | 6.3 | Yes | - | - | - | 58 | - | South Korea | Reflex lens | |||
SainSonic | Zonlai 22 mm f/1.8 | 22 | 1.8 | 16 | Yes | 11 | 15-∞ | ? | No | 46 | 224 | ? | China | |
SainSonic | Zonlai 35mm F1.6 | 35 | 1.6 | 16 | Yes | 10 | 27-∞ | ? | No | 49 | 190 | ? | ? | |
Thypoch | Simera 28mm f/1.4 Lens | 28 | 1.4 | 16 | Yes | 14 | 40-∞ | ? | No | 49 | 347 | ? | ? | |
Thypoch | Simera 35mm f/1.4 Lens | 35 | 1.4 | 16 | Yes | ? | 45.7-∞ | ? | No | 49 | 297 | ? | ? | |
Tokina | SZ 8mm F2.8 X FISH-EYE | 8 | 2.8 | 22 | Yes | 7 | 10-∞ | - | No | N/A | 280 | - | Japan | Fisheye |
Tokina | SZ 33mm F1.2 | 33 | 1.2 | 16 | Yes | 11 | 50-∞ | - | No | 62 | 605 | - | Japan | - |
Tokina | SZ 300mm PRO Reflex F7.1 MF CF | 300 | 7.1 | 7.1 | No | - | 92-∞ | 0.4x | No | 46; 34 | 235 | - | Japan | - |
Tokina | SZX SUPER TELE 400mm F8 Reflex MF | 400 | 8 | 8 | No | - | 115-∞ | 0.4x | No | 67 | 355 | - | Japan | Full Frame Design 2X Teleconverter option |
Tokina | SZ SUPER TELE 500mm F8 Reflex MF | 500 | 8 | 8 | No | - | 170-∞ | - | No | 72; 30.5 | 310 | - | Japan | Full Frame Design |
Tokina | SZ 600mm PRO Reflex F8 MF CF | 600 | 8 | 8 | No | - | 177-∞ | 0.4x | No | 77; 34 | 545 | - | Japan | - |
Tokina | SZ 900mm PRO Reflex F11 MF CF | 900 | 11 | 11 | No | - | 261-∞ | 0.4x | No | 86; 34 | 725 | - | Japan | - |
TTArtisan | 7.5mm F2 | 7.5 | 2 | 11 | Yes | 7 | 12.5-∞ | ? | No | - | China | Fisheye. Rear element screw in filter | ||
TTArtisan | 10mm F2 ASPH. | 10 | 2 | 16 | Yes | 8 | 25-∞ | ? | No | 72 | ? | - | China | - |
TTArtisan | 17mm F1.4 | 17 | 1.4 | 16 | Yes | 10 | 20-∞ | ? | No | 40.5 | 247 | - | China | - |
TTArtisan | 23mm F1.4 | 23 | 1.4 | 16 | Yes | 10 | 20-∞ | - | No | 43 | ? | - | China | - |
TTArtisan | 25mm F2 | 25 | 2 | 16 | Yes | 7 | 25-∞ | - | No | 43 | ? | - | China | - |
TTArtisan | 35mm F0.95 | 35 | 0.95 | 16 | Yes | 10 | 35-∞ | ? | No | 52 | ? | - | China | - |
TTArtisan | 35mm F1.4 | 35 | 1.4 | 16 | Yes | 10 | 28-∞ | ? | No | 39 | 180 | - | China | - |
TTArtisan | 40mm F2.8 MACRO | 40 | 2.8 | 16 | Yes | 11 | 17-∞ | 1x | No | 52 | ? | - | China | 1:1 Macro |
TTArtisan | 50mm F0.95 | 50 | 0.95 | 16 | Yes | 10 | 50-∞ | ? | No | 58 | 411 | - | China | - |
TTArtisan | 50mm F1.2 | 50 | 1.2 | 16 | Yes | 10 | 50-∞ | ? | No | 52 | 336 | - | China | - |
Voigtländer | Color-Skopar 18mm F2.8 Aspherical | 18 | 2.8 | 22 | Yes | 10 | 17-∞ | - | No | 43 | 115 | - | Japan | Supports data communication |
Voigtländer | Nokton 23mm F1.2 Aspherical | 23 | 1.2 | 16 | Yes | 12 | 18-∞ | - | No | 46 | 214 | - | Japan | Supports data communication |
Voigtländer | Ultron 27mm F2 | 27 | 2 | 22 | Yes | 10 | 25-∞ | - | No | 43 | 120 | - | Japan | Supports data communication |
Voigtländer | Nokton 35mm F0.9 Aspherical | 35 | 0.9 | 22 | Yes | 12 | 35-∞ | - | No | 62 | 492 | - | Japan | Supports data communication |
Voigtländer | Nokton 35mm F1.2 | 35 | 1.2 | 16 | Yes | 12 | 30-∞ | 0.17x | No | 46 | 196 | September 2021 | Japan | Supports data communication |
Voigtländer | Macro APO-Ultron 35mm F2 | 35 | 2 | 22 | Yes | 10 | 16.3-∞ | 0.5x | No | 49 | 265 | - | Japan | Supports data communication 1:2 Macro |
Voigtländer | Nokton 50mm F1.2 | 50 | 1.2 | 16 | Yes | 12 | 39-∞ | - | No | 58 | 290 | - | Japan | Supports data communication |
Zhongyi Optics | Mitakon Speedmaster 20mm f/0.95 | 20 | 0.95 | 16 | Yes | 9 | 0.3-∞ | 0.08x | No | 72 | 635 | 24/01/2024 | China | - |
Zhongyi Optics | Mitakon Speedmaster 35mm f/0.95 | 35 | 0.95 | 16 | Yes | 9 | 35-∞ | 0.13x | - | 55 | 458 | - | China | - |
Zhongyi Optics | Mitakon Creator 85mm f/2.8 1-5x Super Macro | 85 | 2.8 | 32 | Yes | 9 | 22.2-∞ | 5x | No | 58 | 750 | - | China | 5:1 Macro |
A cinema lens or cine lens, is a specialized optical device designed specifically for motion picture production. Cine lenses are often built for the anamorphic format, and are typically calibrated in T-stops instead of f-numbers.
Additionally cine lenses are known for their superior build quality, smooth operation, consistent apertures, minimal focus breathing, and precise manual controls, making them ideal for cinematographers.
Following video centric camera bodies from Fujifilm, multiple lens manufacturers have produced cine lenses for the X mount.
There are two Fujinon cine zoom lenses. The MKX18-55mm T2.9 and the MKX50-135mm T2.9.
Samyang lenses Lenses are made by Samyang have also been sold under the Rokinon, Walimex, and Bower brand names.
Sirui lenses
SLR Magic lenses
Brand | Model name | Min focal length (mm ) | Max focal length (mm ) | Max aperture | Min aperture | Nb AP. Blades | Focus Range (cm) | Max mag. | Filter thread (mm) | Weight (g) | Date introduced | Made in | Note |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Fujinon | MKX18-55mm T2.9 | 18 | 55 | T2.8 | 22 | 9 | Normal 85-∞ Macro 38-∞ | ? | 82 | 1100g | 2018-02-15 | Japan | |
Fujinon | MKX50-135mm T2.9 | 50 | 135 | T2.8 | 22 | 9 | Normal 120-∞ Macro 85-∞ | ? | 85 | 1100g | 2018-02-15 | Japan |
Brand | Model name | Focal length (mm) | Max aperture | Min aperture | Nb AP. Blades | Focus Range (cm) | Max mag. | Filter thread (mm) | Weight (g) | Date introduced | Made in | Note |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Laowa | 9MM T2.9 ZERO-D CINE | 9 | T2.9 | 22 | 7 | 12-∞ | 0.133x | ? | 247 | - | China | |
Samyang | 8mm T3.1 Cine UMC FISH-EYE II | 8 | T3.1 | 22 | ? | 30-∞ | ? | N/A | 280 | - | Korea | |
Samyang | 8mm T3.8 VDSLR UMC Fish-eye CS II | 8 | T3.8 | 22 | ? | 30-∞ | ? | N/A | 530 | - | Korea | |
Samyang | 10mm T3.1 VDSLR ED AS NCS CS II | 10 | T3.1 | 22 | ? | 24-∞ | ? | N/A | 635 | - | Korea | |
Samyang | 12mm T2.2 Cine NCS CS | 12 | T2.2 | 22 | ? | 20-∞ | ? | N/A | 265 | - | Korea | |
Samyang | 12mm T3.1 VDSLR ED AS NCS FISH-EYE | 12 | T3.1 | 22 | 9 | 20-∞ | ? | N/A | 575 | ? | Korea | |
Samyang | VDSLR 14mm T3.1 MK2 | 14 | T3.1 | 22 | 9 | ? | ? | N/A | 697.4 | - | Korea | |
Samyang | 14mm T3.1 VDSLR ED AS IF UMC II | 14 | T3.1 | 22 | 9 | 28-∞ | ? | N/A | ? | ? | Korea | |
Samyang | 16mm T2.2 ED AS UMC CS II | 16 | T2.2 | 22 | ? | 20-∞ | ? | ? | 625 | - | Korea | |
Samyang | 16mm T2.6 ED AS UMC | 16 | T2.6 | 22 | 9 | 30-∞ | ? | 77 | 580 | ? | Korea | |
Samyang | 20mm T1.9 ED AS UMC | 20 | T1.9 | 22 | 9 | 20-∞ | ? | 77 | 586 | ? | Korea | |
Samyang | 21mm T1.5 ED AS UMC CS | 21 | T1.5 | 22 | ? | 28-∞ | ? | ? | 305 | - | Korea | |
Samyang | VDSLR 24mm T1.5 MK2 | 24 | T1.5 | 22 | 9 | ? | ? | 77 | 640 | - | Korea | |
Samyang | 24mm T1.5 VDSLR ED AS IF UMC II | 24 | T1.5 | 22 | 9 | 25-∞ | ? | 77 | 640 | ? | Korea | |
Samyang | 35mm T1.3 AS UMC CS | 35 | T1.3 | 16 | ? | 38-∞ | ? | ? | ? | - | Korea | |
Samyang | VDSLR 35mm T1.5 MK2 | 35 | T1.5 | 22 | 9 | ? | ? | 77 | 776 | - | Korea | |
Samyang | 35mm T1.5 VDSLR AS UMC II | 35 | T1.5 | 22 | 9 | 30-∞ | ? | 77 | 785 | ? | Korea | |
Samyang | 50mm T1.3 AS UMC CS | 50 | T1.3 | 16 | ? | 50-∞ | ? | ? | 390 | - | Korea | |
Samyang | VDSLR 50mm T1.5 MK2 | 50 | T1.5 | 22 | 9 | ? | ? | 72 | 567.4 | - | Korea | |
Samyang | 50mm T1.5 VDSLR AS UMC | 50 | T1.5 | 22 | 9 | 45-∞ | ? | 72 | 640 | ? | Korea | |
Samyang | VDSLR 85mm T1.5 MK2 | 85 | T1.5 | 22 | 9 | ? | ? | 77 | 603 | - | Korea | |
Samyang | 85mm T1.5 VDSLR AS IF UMC II | 85 | T1.5 | 22 | 9 | 110-∞ | ? | 77 | 645 | ? | Korea | |
Samyang | 100mm T3.1 VDSLR ED UMC MACRO | 100 | T3.1 | 22 | 9 | 30.7-∞ | 1x | 77 | 775 | ? | Korea | |
Samyang | VDSLR 135mm T2.2 MK2 | 135 | T2.2 | 22 | 9 | ? | ? | 77 | 912 | - | Korea | |
Samyang | 135mm T2.2 VDSLR ED UMC | 135 | T2.2 | 22 | 9 | 80-∞ | ? | 77 | 885 | ? | Korea | |
SIRUI | 20mm T1.8 1.33X S35 Anamorphic | 20 | T1.8 | 22 | 11 | 40-∞ | ? | 77 | 480 | 2025 | ? | |
SIRUI | 40mm T1.8 1.33X S35 Anamorphic | 40 | T1.8 | 22 | 11 | 60-∞ | ? | 77 | 614 | December 2024 | ? | |
SLR Magic | CINE 12mm F2.8 | 12 | F2.8 | 16 | 9 | ? | ? | 62 | ? | ? | ? | Full Frame Design |
SLR Magic | CINE 18mm F2.8 | 18 | F2.8 | 16 | 9 | ? | ? | 62 | ? | ? | ? | Full Frame Design |
SLR Magic | CINE 35mm F1.2 | 35 | F1.2 | 16 | 13 | ? | ? | 52 | ? | ? | ? | Full Frame Design |
SLR Magic | CINE 50mm F1.1 II | 50 | F1.1 | 16 | 13 | ? | ? | 52 | ? | ? | ? | Full Frame Design |
Full frame Lenses with various bayonets can be mounted to Fuji X-mount bodies with suitable adaptors. A multitude of adaptors are available from brands like K&F Concept, Fringer, Kipon, Mitakon Zhongyi, Novoflex, Viltrox.
Beyond multiple passive adaptors (manual operation only, no EXIF data transfer), there are active ones available to mount Canon EF lens mount lenses to Fuji X-mount.
Pinhole Pro S comes in two varieties: the Pinhole Pro S11, an 11mm lens with a 120 degree FOV, and the Pinhole Pro S37, a 37mm lens with a 60 degree FOV. Both lenses feature a fully aluminum body. The S11 version is designed for mirrorless cameras with Micro Four Thirds, Sony E, and Fuji X mounts; the S37 is designed for SLR/DSLR cameras with Sony A, Nikon F, Canon EF, and Pentax K mounts.