Full Moon | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 1973 | |||
Studio | Sunset Sound, Los Angeles, California | |||
Genre | Country | |||
Length | 41:51 | |||
Label | A&M | |||
Producer | David Anderle | |||
Kris Kristofferson chronology | ||||
| ||||
Rita Coolidge chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Full Moon is a duet album by Kris Kristofferson and Rita Coolidge, released in September 1973 on A&M Records. It is the first of three duet albums by the couple, who married weeks before[ citation needed ] the album's release, and arguably [2] the best. Unlike Kristofferson solo albums, it features several covers.
The album was only ever reissued once, on CD in Japan, until an expanded edition was released by Real Gone Music on June 2, 2017.
Only weeks before Full Moon's release, Kristofferson and Coolidge got married. Coolidge had contributed vocals to Kristofferson's previous two albums, including two duets on Jesus Was a Capricorn. At the time Kristofferson was the bigger star, having just topped the country charts with the gospel song "Why Me," and topped the country album charts with its parent album Jesus Was a Capricorn. Coolidge's previous release, 1972's The Lady's Not for Sale, reached number 43 on the U.S. pop charts. (The title track of the album was co-written by Kristofferson.) In 2016 Krisofferson spoke about the album to Uncut's Graeme Thomson:
I think it was probably my idea. I love singing with people anyway, and I loved to sing with Rita together in harmony. I grew up with the Everly Brothers, harmony was always something I loved, and Rita sang backup with people all the time. Harmony came easily for both of us, it was very natural. I haven't listened to this in a long time, but I think the songs were more or less what we felt we wanted to do and what the producer David Anderle felt we could do well. It was a very different thing to what I was used to. We recorded it at Sunset Sound in LA – different city, different producer...We worked well together at first, and it hadn't gotten to where we were fighting – yet.
Since they were on different record labels, Monument and A&M came to an agreement to take turns releasing the album, with Coolidge’s A&M going first with Full Moon.
Full Moon was produced by Coolidge's producer David Anderle. As noted by William Ruhlmann in his AllMusic review of the album, "Despite Kristofferson's greater celebrity, the LP was made with Coolidge's strengths in mind. David Anderle, its producer, was her producer, and it was released on her record label, A&M. The songs were set in her key, with Kristofferson crooning along in an unusually high register. The tempos were mostly slow, emphasizing the dreamy quality of Coolidge's voice." The pair co-wrote two songs for the LP, which was, unsurprisingly, made up of mostly love songs. Although Kristofferson was the hottest writer in country music in the early seventies, Full Moon contains material from other writers, including Kristofferson keyboardist Donnie Fritts, Tony Joe White, Larry Murray, and Tom Jans. The album was a departure musically for Kristofferson, whose albums became more polished since his debut, and this trend continued with Full Moon, as noted by biographer Stephen Miller:
Musically, it moved Kristofferson closer to pop and rock music – with a folksy streak – of easy listening variety. Lyrically there was a marked degree of dumbing down by the standards of his solo albums. Gone were the literary allusions, deep imagery and social conscience. In their place was a collection of mainly laid-back songs about love and relationships, a reflection of the singers' main passions at the time...The jarring contrast between Kristofferson and Coolidge's voices was one of the album's most striking features...Kristofferson croons along, attempting, though not succeeding, to soften his gruff style. It was like a musical mismatch of beauty and the beast. [3]
The couple would release two more duet albums in 1974 and 1978.
Buoyed by the news of their wedding and the Caribbean-flavored single "A Song I'd Like to Sing" reaching the U.S. Top 40 pop chart, as well as the country and easy listening charts, Full Moon became a number one country album. "From the Bottle to the Bottom" won the Grammy Award for Best Country Vocal Performance by a Duo or Group in 1974. [4]
Chart (1973–1974) | Peak position |
---|---|
Australian Albums (Kent Music Report) [5] | 40 |
Canada Top Albums/CDs ( RPM ) [6] | 7 |
US Billboard 200 [7] | 26 |
US Top Country Albums (Billboard) [8] | 1 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [9] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Kristoffer Kristofferson was an American country music singer, songwriter, and actor. He was a pioneering figure in the outlaw country movement of the 1970s, moving away from the polished Nashville sound and toward a more raw, introspective style. During the 1970s, he also embarked on a successful career as a Hollywood actor.
Rita Coolidge is an American recording artist. During the 1970s and 1980s, her songs were on Billboard magazine's pop, country, adult contemporary, and jazz charts, and she won two Grammy Awards with fellow musician and then-husband Kris Kristofferson. Her recordings include "(Your Love Keeps Lifting Me) Higher and Higher," "We're All Alone", "I'd Rather Leave While I'm in Love", and the theme song for the 1983 James Bond film Octopussy: "All Time High".
Border Lord is the third album by Kris Kristofferson, released in 1972 on Monument Records.
Jesus Was a Capricorn is the fourth album by Kris Kristofferson, released in 1972 on Monument Records. The album cover pictures Kristofferson and his soon-to-be wife Rita Coolidge. "Why Me" reached No. 1 on the Country singles charts.
Live at the Philharmonic is a live album by Kris Kristofferson, released on Monument Records in 1992. Performed at Philharmonic Hall in New York City on December 2, 1972, the concert followed the release of Kristofferson's successful Jesus Was a Capricorn. Aside from several songs from the latter, the singer performed a number of new pieces, as well as a few of his well-known hits such as "Sunday Mornin' Comin' Down" and "Me and Bobby McGee". Guest artists included Willie Nelson, who was a little-known personality in country music at the time, Rita Coolidge, Kristofferson's future wife, and Larry Gatlin, whose career was in its starting phases.
Spooky Lady's Sideshow is the fifth solo album by Kris Kristofferson, released in 1974 on Monument Records. It was preceded and followed by duet albums with his wife, Rita Coolidge. It was recorded shortly after Kristofferson's appearance in the movie Pat Garrett and Billy the Kid. The album mostly consists of songs about decline due to alcohol and drug abuse. That theme of decline proved to be (unintentionally) prophetic as this was Kristofferson's first album that failed to see commercial success on a large scale.
Who's to Bless and Who's to Blame is the sixth solo album by Kris Kristofferson, released in 1975 on Monument Records. Its title track is quoted in the Johnny Cash song "The Man Comes Around" from the 2002 album of the same name. The song "Stranger" was covered as a duet by Johnny Duncan and Janie Fricke, and their version reached #4 on the U.S. country chart in 1976.
Surreal Thing is the seventh solo album by Kris Kristofferson, released in 1976 on Monument Records. "Killing Time" and "The Golden Idol" are re-recordings of songs that were originally released as a single in 1967.
Easter Island is the eighth solo album by Kris Kristofferson, released in 1978 on Monument.
Repossessed is an album by Kris Kristofferson, released on Mercury Records in 1986. It was Kristofferson's first full-length solo album since 1981's To the Bone, although the singer did collaborate with other artists in the meantime, most notably on Highwayman with Johnny Cash, Waylon Jennings and Willie Nelson.
Breakaway is the second duet album by Kris Kristofferson and Rita Coolidge, released in 1974 on Monument Records. It is one of three duet albums by the couple. Unlike Kristofferson solo albums, it features several covers. "I've Got to Have You" and "I'd Rather Be Sorry" had both previously been hits for other artists; they appear here by Kristofferson for the first time.
Natural Act is the third and final duet album by Kris Kristofferson and Rita Coolidge, released in 1978 on A&M Records. The couple would divorce the following year. The album was released while Coolidge's career was at a peak; her recent albums Anytime...Anywhere and Love Me Again had seen much commercial success. Natural Act is Kristofferson's only album to chart in the United Kingdom.
Shake Hands with the Devil is the ninth solo album by Kris Kristofferson, released in 1979 on Monument Records. Several of the songs on the album were written by Kristofferson years before its release.
To the Bone is an album by Kris Kristofferson, released in 1981, his last for Monument Records. It is his first album after his divorce from Rita Coolidge, and many of its songs deal with relationship decline. "Nobody Loves Anybody Anymore" became a minor hit.
The Lady's Not For Sale is a 1972 album by Rita Coolidge, and was released on the A&M Records label, AMLH 64370. It was later reissued on the Music For Pleasure label, MFP-50500. The inner gatefold photo was shot on location by Terry Paul at Stonehenge in the English county of Wiltshire.
Fall into Spring is a 1974 album by Rita Coolidge and was released on the A&M Records label.
It's Only Love is a 1975 album by Rita Coolidge and was released on the A&M Records label.
Donald Ray Fritts was an American session musician and songwriter. A recording artist in his own right, he was Kris Kristofferson's keyboardist for over forty years. In 2008, he was inducted into the Alabama Music Hall of Fame.
A Star Is Born is the soundtrack album to the 1976 musical film of the same name, performed by its stars Barbra Streisand and Kris Kristofferson. The album was very successful, holding the number-one spot on the US Billboard 200 chart for six weeks and eventually was certified 4× Platinum by the RIAA for more than four million units shipped and has sold a total of eight million copies worldwide.
"Loving Arms" is a song written by Tom Jans and first recorded as a duet by Kris Kristofferson and Rita Coolidge for their 1973 album Full Moon.