This Hour Has Seven Days was a CBC Television news magazine that ran from 1964 to 1966, offering viewers in-depth analysis of the major social and political stories of the previous week.
Ingrid Veninger is a Canadian actress, writer, director, producer, and film professor at York University. Veninger began her career in show business as a child actor in commercials and on television; as a teen, she was featured in the CBC series Airwaves (1986–1987) and the CBS series Friday the 13th: The Series (1987–1990). In the 1990s, she branched out into producing, and, in 2003, she founded her own production company, pUNK Films, through which she began to work on her own projects as a writer and director.
The Top of His Head is a 1989 Canadian comedy-drama film written and directed by Peter Mettler. The film stars starring Stephen Ouimette as Gus, a satellite dish salesman whose life is turned upside down when he meets Lucy, a politically radical performance artist who is on the run from mysterious people pursuing her.
Fred Frith appears on over 400 recordings. This is a selection from bands he was/is a member of, collaborations with other bands and musicians, and his solo recordings. The year indicates when the album was first released. For a comprehensive discography, see the Discography of Fred Frith by Michel Ramond, Patrice Roussel and Stephane Vuilleumier.
Donigan Cumming is an American-born Canadian multimedia artist who uses photography, video, drawing, sound, and text in experimental documentary films, collages, installations, and books based in Montreal, Quebec. Since 1983, Cumming's work has contributed to Canadian and international festivals and exhibitions dealing with themes of the body, truth/fiction, taboos of representation, and social engagement.
Jubal Brown is a video producer and multi-media artist based in Toronto, Ontario, Canada. He gained notoriety in 1996 when he deliberately vomited primary colours on paintings in the Art Gallery of Ontario in Toronto, and the Museum of Modern Art in New York.
Step Across the Border is a 1990 avant-garde documentary film on English guitarist, composer and improviser Fred Frith. It was written and directed by Nicolas Humbert and Werner Penzel and released in Germany and Switzerland. The film was screened in cinemas in North America, South America, Europe and Japan, and on television in the United States, Germany, Switzerland, Austria and France. It was also released on VHS by RecRec Music (Switzerland) in 1990, and was later released on DVD by Winter & Winter Records (Germany) in 2003.
Eye to Ear II is a studio album by English guitarist, composer and improvisor Fred Frith. It is a collection of film music composed and performed by Frith, and is the second of three Eye to Ear albums dedicated to his work for short films. It was recorded in Germany and the United States between 1997 and 2003.
The Art of Woo is a 2001 Canadian romantic comedy film written and directed by Helen Lee and starring Sook-Yin Lee and Adam Beach.
The 27th Toronto International Film Festival ran from September 5 to September 17 and screened 343 films from 50 countries. Of these 263 were feature films, of which 141 were in a language other than English. The ten-day festival opened with Atom Egoyan's Ararat and closed with Brian De Palma's Femme Fatale.
Peter Mettler is a Swiss-Canadian film director and cinematographer. He is best known for his unique, intuitive approach to documentary, evinced by such films as Picture of Light (1994), Gambling, Gods and LSD (2002), and The End of Time (2012). "His peripatetic lens is ever gravitating toward outsiders in search of ecstatic states," writes José Teodoro in Brick, "strange spectacles that defy straightforward documentation, and sacred places that promise some metaphysical deliverance. There are precedents for his methodologies—the films of Chris Marker and Werner Herzog come to mind—but Mettler’s gifts as an open and unobtrusive interviewer and his capacity to discover shared sensibilities between people of vastly diverse cultures and creeds feels singular."
Helen Lee is a Korean-Canadian film director. Born in Seoul, South Korea, she emigrated to Canada at the age of four and grew up in Scarborough, Ontario. Interested in film at a young age, she took film studies at the University of Toronto and, later, New York University. While in university she was influenced by gender and minority theories, as reflected in her first film, the short Sally's Beauty Spot (1990). While continuing her studies she produced two more films before taking a five-year hiatus to live in Korea beginning in 1995. After her return, she released another short film and her feature film debut, The Art of Woo (2001). She continues to produce films, although at a reduced rate. Lee's films often deal with gender and racial issues, reflecting the state of East Asians in modern society; a common theme in her work is sexuality, with several films featuring interracial relationships.
Michael Hoolboom is a Canadian independent, experimental filmmaker. Having begun filmmaking at an early age, Hoolboom released his first major work, a "film that's not quite a film" entitled White Museum, in 1986. Although he continued to produce films, his rate of production improved drastically after he was diagnosed with HIV in 1988 or 1989; this gave a "new urgency" to his works. Since then he has made dozens of films, two of which have won Best Short Film at the Toronto International Film Festival. His films have also featured in more than 200 film festivals worldwide.
Frank's Cock is a 1993 Canadian short film written and directed by Mike Hoolboom. The eight-minute production stars Callum Keith Rennie as an unnamed narrator who discusses his relationship with his partner, Frank. The two met while the narrator was a teenager and spent nearly ten years together. Frank has since been diagnosed with AIDS, and the narrator fears his death. The story was based on the experience of one of Hoolboom's friends at People With AIDS, which Hoolboom adapted after receiving a commission to create a short film about breaking up.
Letters from Home is a 15-minute-long short film by Canadian director Mike Hoolboom. It follows a multitude of figures from the Toronto art community who deliver messages about living with AIDS, which are spliced with home videos, found and archive footage, and other film techniques. Letters from Home was generally well received and won several awards, including Best Canadian Short Film at the 1996 Toronto International Film Festival.
The End of Time is a 2012 Swiss-Canadian documentary film written and directed by Peter Mettler on the loose subject of time.
Picture of Light is a 1994 Canada-Switzerland poetic documentary film by Peter Mettler. It was filmed in Churchill, Manitoba on two trips in 1991 and again in 1992. It is one of the key films of the Toronto New Wave.
Metronome is a 2002 Canadian short experimental film which mixes appropriated film clips and video by video artist Daniel Cockburn to express ideas about rhythm and order, the self and other minds, and the digital age. Densely philosophical, the work is acknowledged as his international "breakout hit" after several locally successful short works, winning praise from critics, a mention, and an award.
The Other Shoe is a 2001 Canadian short experimental film by video artist Daniel Cockburn, his third, which, along with Metronome (2002), earned a mention for the Homebrew Award when shown at the Images Festival and thereby broadened his reputation beyond Toronto.
Judy Versus Capitalism is a Canadian documentary film, directed by Mike Hoolboom and released in 2020. The film is an experimentally structured documentary portrait of the life of influential Canadian activist Judy Rebick, based in part on her memoir Heroes in My Head.
