Eye to Ear II | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 2004 | |||
Recorded | 1997, 2001, Germany 2002–2003, United States | |||
Genre | Experimental rock | |||
Length | 47:24 | |||
Label | Tzadik (US) | |||
Producer | Fred Frith | |||
Fred Frith chronology | ||||
| ||||
Music for Film series chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Eye to Ear II is a studio album by English guitarist, composer and improvisor Fred Frith. It is a collection of film music composed and performed by Frith, and is the second of three Eye to Ear albums dedicated to his work for short films. It was recorded in Germany and the United States between 1997 and 2003.
The music on Eye to Ear II appeared in the following films:
A modified version of the track "Gambling, Gods and LSD" also appeared on the soundtrack of the film of the same name, Gambling, Gods and LSD (2003) by various artists.
All tracks by Fred Frith except where noted.
Skeleton Crew was an American experimental rock and jazz group from 1982 to 1986, comprising core members Fred Frith and Tom Cora, with Zeena Parkins joining later. Best known for their live improvisation performances where they played various instruments simultaneously, they also recorded two studio albums Learn to Talk (1984) and The Country of Blinds (1986). The group drew on music and themes from a number of sources, including world music, left-wing politics and pre-recorded tapes.
Carla Kihlstedt is an American composer, violinist, vocalist, and multi-instrumentalist, originally from Lancaster, Pennsylvania and currently working from a home studio on Cape Cod.
Gravity is a 1980 solo album by English guitarist, composer and improviser Fred Frith from Henry Cow and Art Bears. It was Frith's second solo album and his first since the demise of Henry Cow in 1978. It was originally released in the United States on LP record on the Residents's Ralph record label and was the first of three solo albums Frith made for the label.
Cheap at Half the Price is a 1983 solo album by English guitarist, composer and improviser Fred Frith. It was Frith's fifth solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the third of three solo albums Frith made for the label.
Fred Frith appears on over 400 recordings. This is a selection from bands he was/is a member of, collaborations with other bands and musicians, and his solo recordings. The year indicates when the album was first released. For a comprehensive discography, see the Discography of Fred Frith by Michel Ramond, Patrice Roussel and Stephane Vuilleumier.
The Top of His Head is a soundtrack by English guitarist, composer and improvisor Fred Frith, of the 1989 Canadian comedy-drama film, The Top of His Head. Frith wrote and composed all the music, with the exception of "This Old Earth", which was written and sung by Jane Siberry, and a cover of "The Way You Look Tonight". The music was recorded at l'Office National du Film, Montreal, Quebec, Canada in August and September 1988, and was released on LP and CD in 1989 by the Belgian independent label, Crammed Discs. The CD release contained two extra tracks, "Driving to the Train" and "The Long Drive".
Rivers and Tides: Working with Time is a soundtrack by English guitarist, composer and improvisor Fred Frith, of the 2001 Anglo-German documentary film, Rivers and Tides by Thomas Riedelsheimer about the British landscape sculptor Andy Goldsworthy.
Eye to Ear is a studio album by English guitarist, composer and improvisor Fred Frith. It is a collection of film and theatre music composed and performed by Frith, and was recorded in Germany and the United States between 1992 and 1995. Eye to Ear was Frith's first solo album to be released on John Zorn's Tzadik label.
The Happy End Problem is a studio album by English guitarist, composer and improvisor Fred Frith, and is the fifth of a series of Music for Dance albums he made. It comprises two suites composed in 2003 by Frith "for flute, bassoon, gu zheng, percussion, violin and electronics" and was recorded in 2003 and 2004.
Peter Mettler is a Swiss-Canadian film director and cinematographer. He is best known for his unique, intuitive approach to documentary, evinced by such films as Picture of Light (1994), Gambling, Gods and LSD (2002), and The End of Time (2012). "His peripatetic lens is ever gravitating toward outsiders in search of ecstatic states," writes José Teodoro in Brick, "strange spectacles that defy straightforward documentation, and sacred places that promise some metaphysical deliverance. There are precedents for his methodologies—the films of Chris Marker and Werner Herzog come to mind—but Mettler’s gifts as an open and unobtrusive interviewer and his capacity to discover shared sensibilities between people of vastly diverse cultures and creeds feels singular."
Wu Fei is a virtuoso Chinese American composer, performer, and improviser from Beijing, China. She performs on the Chinese guzheng, an ancient zither with twenty-one strings, as well as sings. She currently resides in Nashville. Wu Fei has composed for a variety of musical genres, including choir, string quartet, chamber ensemble, Balinese gamelan, orchestral, film, and modern dance.
Nowhere, Sideshow, Thin Air is a studio album by English guitarist, composer and improvisor Fred Frith, and is the sixth of a series of Music for Dance albums he made.
Ragged Atlas is a studio album by Fred Frith's United States experimental rock group Cosa Brava. It was recorded in San Francisco in December 2008 and was released by Intakt Records in Switzerland on March 5, 2010. Ragged Atlas was the band's first album, and is largely instrumental with a little singing on five of the thirteen the tracks. Frith composed all the music, with lyric contributions on "Lucky Thirteen" by Rebby Sharp, a singer/guitarist Frith had worked with in Orthotonics.
Eye to Ear III is a studio album by English guitarist, composer, and improvisor Fred Frith. The album is a collection of film music composed and performed by Frith, and is the third of three Eye to Ear albums dedicated to his work for short films. It was recorded in Germany and the United States in 2003 and 2004.
Clearing Customs is a studio album by English guitarist, composer and improvisor Fred Frith. It is based on a week of recordings and performances in November and December 2007 at a New Jazz Meeting at SWR, a radio station in southwest Germany. Two hour-long national broadcasts were made. The album was released by Intakt Records in February 2011.
Gambling, Gods and LSD is a 2002 Canadian/Swiss experimental documentary film by Canadian film director Peter Mettler. It was shot between 1997 and 1999 in Canada, the United States, Switzerland and India, and is a "fragmented narrative" that shows what people do to discover themselves and find happiness.
Lonely Heart is a live album by avant-rock, experimental power trio Massacre, featuring guitarist Fred Frith, bassist Bill Laswell and drummer Charles Hayward. It was recorded at the Festival Sons d'Hiver in Paris, France on January 25, 2003, and at the Roskilde Festival in Denmark on June 26, 2003.
Who Needs Enemies? is a 1983 studio album of improvised experimental music by Henry Kaiser and Fred Frith. It was recorded in October 1983, and was released on LP by Metalanguage Records later that year. It was Kaiser and Frith's second collaborative album, following on from their first, With Friends Like These in 1979.
Friends & Enemies is a 1999 double-CD compilation album of studio and live material by Fred Frith and Henry Kaiser. It contains the complete collaborative recordings of Frith and Kaiser from 1979 to 1999, namely their two studio albums With Friends Like These (1979) and Who Needs Enemies? (1983), an unreleased live album recorded in 1984, and new studio tracks recorded in 1999. The album was released by Cuneiform Records in June 1999.
All Is Always Now – Live at The Stone is a 2019 three-CD box set of live improvised music performed by English guitarist Fred Frith with other musicians, including Theresa Wong, Ikue Mori, Pauline Oliveros and Laurie Anderson. It was recorded between 2007 and 2016 at The Stone in New York City, and was released in March 2019 by Intakt Records in Switzerland.