Live in Japan | ||||
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Live album by | ||||
Released | 1982 | |||
Recorded | July 1981 | |||
Venue | Tokyo, Osaka, Fukuoka, Maebashi | |||
Genre | ||||
Length | 68:34 | |||
Label | Recommended (Japan) | |||
Producer | Fred Frith | |||
Fred Frith chronology | ||||
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Live in Japan, subtitled "The Guitars on the Table Approach", is a 1982 double live album by English guitarist, composer and improvisor Fred Frith. It was recorded during an improvised solo performance tour of Japan in July 1981. The double album was a limited edition release of 1,000 [1] by Recommended Records Japan [2] on two LP records in a black corrugated box containing posters, artwork and booklets in English and Japanese. It was also released as two single LPs, entitled Live in Japan, Vol. 1 and Live in Japan, Vol. 2. The single LP cover art was taken from the inner double LP gatefold cover.
On Live in Japan Frith continued his pioneering guitar work he began on his landmark [3] 1974 album Guitar Solos . [4] Comprising eight improvised pieces taken from four concerts in Tokyo, Osaka, Fukuoka and Maebashi in 1981, Frith used an old 1961 solid body Burns guitar, a homemade six- and eight-string double-neck guitar created by a friend Charles Fletcher, and a battered violin. The guitars were laid flat on a table and "played" by plucking, scraping and beating the strings with a variety of found objects. [5] Frith also wore a WW II pilot's throat microphone to amplify his periodic vocal utterances. The same microphone had been used by Frith during some of the Massacre concerts held earlier in 1981.
On "Fukuoka 1" Frith scrubs his guitar strings with brushes, while on "Fukuoka 2" he wedges chopsticks between the strings and hits them so they oscillate back and forth, producing sounds that slowly decay. In "Maebashi 1" Frith pulls a chain through the strings; he also loops a wire through several strings, then, holding the wire upright, he plays it with a violin bow. [6]
Review scores | |
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Source | Rating |
AllMusic | [7] [8] |
Clouds and Clocks | mixed [1] |
Reviewing the Fred Records remastered edition, Beppe Colli wrote in Clouds and Clocks that he was pleased to see Live in Japan, long out-of-print, reissued on CD, and sounding just as "great" and "fresh" as the original LPs. [1] He said that here Frith sounds "quite orchestral and polyphonic, with strong contrasts in both timbre and volume". [1] Colli did complain, however, that while the digitizing process worked well, the resulting CD sounds "a bit too 'modern', and in a way, 'false'". He felt that his Live in Japan LP records "sounded more 'alive'". [1]
Nicole V. Gagné wrote in her 1990 book, Sonic Transports: New Frontiers in Our Music that Frith "unearthes extraordinary vistas of sound" on Live in Japan. [5] She called his solos "spectacular", [4] but added that his "guitars on the table approach" can be "rough sledding for newcomers, because they can't readily identify what it is they're hearing". [5]
All tracks by Fred Frith.
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Recorded live in Japan at:
Live in Japan was reissued on CD on Fred Records in October 2010. None of the original booklets, posters or artwork from the two LP box were included. It was remastered and restored from a virgin vinyl copy by Tom Dimuzio. [2] The original master tapes were unobtainable. [1] [9]
Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as a founding member of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including Traffic Continues and Freedom in Fragments. Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics.
Skeleton Crew was an American experimental rock and jazz group from 1982 to 1986, comprising core members Fred Frith and Tom Cora, with Zeena Parkins joining later. Best known for their live improvisation performances where they played various instruments simultaneously, they also recorded two studio albums Learn to Talk (1984) and The Country of Blinds (1986). The group drew on music and themes from a number of sources, including world music, left-wing politics and pre-recorded tapes.
Chris Cutler is an English percussionist, composer, lyricist and music theorist. Best known for his work with English avant-rock group Henry Cow, Cutler was also a member and drummer of other bands, including Art Bears, News from Babel, Pere Ubu and (briefly) Gong/Mothergong. He has collaborated with many musicians and groups, including Fred Frith, Lindsay Cooper, Zeena Parkins, Peter Blegvad, Telectu and The Residents, and has appeared on over 100 recordings. Cutler's career spans over four decades and he still performs actively throughout the world.
Timothy "Tim" George Hodgkinson is an English experimental music composer and performer, principally on reeds, lap steel guitar, and keyboards. He first became known as one of the core members of the British avant-rock group Henry Cow, which he formed with Fred Frith in 1968. After the demise of Henry Cow, he participated in numerous bands and projects, eventually concentrating on composing contemporary music and performing as an improviser.
Massacre was founded in 1980 in New York City by guitarist Fred Frith, bassist Bill Laswell and drummer Fred Maher as an improvising and experimental rock band. They performed live for just over a year and recorded a studio album, Killing Time (1981). Frith and Laswell reformed Massacre in 1998 with drummer Charles Hayward, and released four more albums, Funny Valentine (1998), Meltdown (2001), Lonely Heart (2007) and Love Me Tender (2013). The last three albums were recorded live, the first in London, and the others at European festivals between 1999 and 2008.
Guitar Solos is the debut solo album of English guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released in the United Kingdom on LP record by Caroline Records in October 1974. The album comprises eight tracks of unaccompanied and improvised music played on prepared guitars by Frith without any overdubbing.
Guitar Solos 3 is the third in a series of three albums of improvised guitar solos by various musicians, and was released in the United States by Rift Records in 1979. Fred Frith coordinated and produced the series, which began with his 1974 debut solo album, Guitar Solos.
Keep the Dog was an American-based experimental rock touring band from New York City formed in 1989 by English multi-instrumentalist, composer and improvisor Fred Frith. The sextet was conceived as a review band for performing selections of Frith's repertoire of compositions from the previous 15 years.
That House We Lived In is a double live album by American experimental rock band Keep the Dog. It comprises material from their final European tour in 1991 and was released by Fred Frith on his own Fred Records in 2003.
Gravity is a 1980 solo album by English guitarist and composer Fred Frith. It was Frith's second solo album, and his first since Henry Cow disbanded in 1978. It was originally released in the United States on the Residents' Ralph Records, as the first of three solo albums Frith would record for the label. Gravity has been described as an avant-garde "dance" record that draws on rhythm and dance from folk music across the world.
Speechless is a 1981 solo album by English guitarist, composer and improviser Fred Frith of the group Henry Cow. It was Frith's third solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the second of three solo albums Frith made for the label.
The Technology of Tears (And Other Music for Dance and Theatre) is a double album by English guitarist, composer and improvisor Fred Frith. It is the first of a series of Music for Dance albums Frith made, and is sometimes subtitled Music for Dance volume 1. It was recorded between June 1986 and April 1987, and released on a double LP and a single CD by RecRec Music (Switzerland), and on a double LP only by SST Records (United States) in 1988. It was re-issued on CD in 2008 by Fred Records (United Kingdom). All the CD releases omit the Propaganda suite (side 4 of the double LP).
Step Across the Border is a soundtrack double album by English guitarist, composer and improvisor Fred Frith, of the 1990 avant-garde documentary film on Frith, Step Across the Border. The album features music from the film performed by Frith and other musicians, and covers ten years of Frith's musical career from 1979 to 1989.
Killing Time is the debut album by American experimental rock trio Massacre. It was released in September 1981, through record label Celluloid. It consists of a compilation of recordings made at Martin Bisi's OAO studio in Brooklyn, New York City in June 1981, and live recordings taken from their April 1981 Paris concerts. The group disbanded shortly after, eventually reforming 17 years later with Charles Hayward replacing Maher on drums. They recorded one more studio album and three live albums for John Zorn’s Tzadik Records. Killing Time was generally well received by critics of the time.
Clearing is a guitar solo album by English guitarist, composer and improvisor Fred Frith. It was Frith's first solo guitar recording since Live in Japan (1982) and his first solo guitar studio recording since his landmark 1974 album Guitar Solos.
Volume 6: Stockholm & Göteborg is a live album by English avant-rock group Henry Cow, and is disc 6 of the 10-disc 40th Anniversary Henry Cow Box Set. It was released in September 2008 by RēR Megacorp as a free-standing album in advance of the box set release in January 2009.
The Muffins were an American Maryland-based progressive rock/avant-jazz group. They were formed in Washington, DC in the early 1970s and recorded four albums before disbanding in 1981. In 1998 the group reformed and recorded a further five albums and a DVD. The Muffins played at Symphony Space on Broadway in NYC with Marion Brown in 1979, and also performed at a number of festivals, starting with the ZU Manifestival in New York City in 1978, The Villa Celimontana festival in Rome, Italy in 2000, two appearances at Progday in 2001 and 2002, NEARfest in 2005, and the "Rock in Opposition" festival in France in 2009. In 2010, the Muffins headlined at Progday, making a third appearance at this long running festival.
Live in Prague and Washington is a live album of improvised experimental music by Chris Cutler and Fred Frith. It was recorded at the 8th Prague "Jazz Days" Festival in Prague in former Czechoslovakia on 25 May 1979, and at the DC Space in Washington, D.C., on 20 December 1979. The album was released by Recommended Records in 1983 on a 45 rpm 12" LP. It was Frith and Cutler's first collaborative duo album.
Voice of America is a 1982 live collaborative album of improvised experimental music by Fred Frith, Bob Ostertag and Phil Minton. It was recorded live at PASS, New York City in January 1981, and the Actual Festival at the ICA, London in August 1981. The album was released on LP by Rift Records in 1982. RecRec Music reissued the album on CD in 1994.
Guitar Solos / Fifty is a 2024 solo double LP by English guitarist, composer and improviser Fred Frith. It was released on vinyl in Germany by Week-End Records to mark the fiftieth anniversary of the release of Frith's 1974 debut solo album, Guitar Solos. The first disc of the double album is a reissue of his original 1974 solo album remastered, and the second disc is a new solo album of 13 guitar tracks Frith recorded in 2023. Just as the original Guitar Solos was recorded without any overdubbing, Fifty also had no overdubs.