The Happy End Problem | ||||
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Studio album by | ||||
Released | 2006 | |||
Recorded | 2003 and 2004 | |||
Studio | Guerrilla Recordings, Oakland, California | |||
Genre | Experimental rock | |||
Length | 51:13 | |||
Label | Fred (UK) | |||
Producer | Fred Frith | |||
Fred Frith chronology | ||||
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Music for Dance series chronology | ||||
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The Happy End Problem (Music for Dance Volume 5) is a studio album by English guitarist, composer and improvisor Fred Frith, and is the fifth of a series of Music for Dance albums he made. It comprises two suites composed in 2003 by Frith "for flute, bassoon, gu zheng, percussion, violin and electronics" [1] and was recorded in 2003 and 2004.
The two suites on the album, "Imitation" and "The Happy End Problem" were composed by Frith for small ensembles of six and seven musicians. They were originally commissioned in 2003 by choreographer Amanda Miller for two dances for her The Pretty Ugly Dance Company. Both suites premiered at the Stadttheater in Freiburg, Germany, "The Happy End Problem" in May 2003 and "Imitation" in April 2004.
In "The Happy End Problem" Frith drew on elements from Igor Stravinsky's 1910 ballet, Firebird Suite . "Imitation" focused on Oriental elements and played on the Western world's perception of Japan. At the time, the shakuhachi player, Kikutsubo Day was a student of Frith's at Mills College in the United States, and he constructed "Imitation" around her playing.
Review scores | |
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Source | Rating |
All About Jazz | [2] |
AllMusic | favorable [3] |
A reviewer at Sea of Tranquility summed up the album with the following comment: [4]
In a review for AllMusic, François Couture wrote: "Whether you prefer the calm of 'Imitation' or the more disquieting overtones of 'The Happy End Problem,' both pieces fare very well without their choreographed component." [3]
John Kelman of All About Jazz commented: "The Happy End Problem... is a fine summation of Frith's career to date: enigmatic beauty juxtaposed with near-minimalist tendencies; occasional passages of jagged but strangely appealing edges and unapologetic free play blending with cued compositional sections; and a confluence of cultural references that are unmistakable, even as they join together for a new, unified whole." [2]
Writing for Paris Transatlantic, Massimo Ricci stated that "the music benefits enormously from the stunning performances of all the players involved," and, regarding the final track, remarked: "My soul undergoes a meltdown about 15 minutes into the track, when Wu Fei's delicate gu zheng figures remind us of the frailty of purpose amidst the often overwhelming forces of life... one of the most touching sections of... an instant classic." [5]
Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improviser.
Henry Cow were an English experimental rock group, founded at the University of Cambridge in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Henry Cow's personnel fluctuated over their decade together, but drummer Chris Cutler, bassist John Greaves, and bassoonist/oboist Lindsay Cooper were important long-term members alongside Frith and Hodgkinson.
Toshi Ichiyanagi is a Japanese avant-garde composer and pianist. One of the leading composers in Japan during the postwar era, Ichiyanagi has worked in a range of genres, composing Western-style operas and orchestral and chamber works, as well as compositions using traditional Japanese instruments. Ichiyanagi is known for incorporating avant-garde techniques into his works, such as chance music, extended technique, and nontraditional scoring. Ichiyanagi was married to artist Yoko Ono from 1956 to 1962.
Chen Yi is a Chinese-American violinist and composer of contemporary classical music. She was the first Chinese woman to receive a Master of Arts (M.A.) in music composition from the Central Conservatory of Music in Beijing. Chen was a finalist for the 2006 Pulitzer Prize for Music for her composition Si Ji, and has received awards from the Koussevistky Music Foundation and American Academy of Arts and Letters, as well as fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2010, she was awarded an Honorary Doctorate from The New School and in 2012, she was awarded the Brock Commission from the American Choral Directors Association. She was elected to the American Academy of Arts and Letters in 2019.
That House We Lived In is a double live album by American experimental rock band Keep the Dog. It comprises material from their final European tour in 1991 and was released by Fred Frith on his own Fred Records in 2003.
Allies is a studio album by English guitarist, composer and improvisor Fred Frith. It is the second of a series of Music for Dance albums Frith made.
Accidental is a studio album by English guitarist, composer and improvisor Fred Frith. It is the third of a series of Music for Dance albums Frith made, and was recorded between December 1995 and January 1996 at Studio Jankowski in Stuttgart, Germany. The album was released on CD in March 2002 on Fred Records and was the first release in Frith's archival release program on the record label.
Eye to Ear II is a studio album by English guitarist, composer and improvisor Fred Frith. It is a collection of film music composed and performed by Frith, and is the second of three Eye to Ear albums dedicated to his work for short films. It was recorded in Germany and the United States between 1997 and 2003.
Eleventh Hour is a double album by English guitarist, composer and improvisor Fred Frith. It comprises five long pieces composed by Frith between 1990 and 2001, and was performed by the Arditti Quartet (strings) with Uwe Dierksen (trombone), William Winant and Frith, in Germany and the United States in 2003 and 2004. Frith only plays on the second CD of this album.
Back to Life is a studio album by English guitarist, composer and improvisor Fred Frith. It comprises five classical chamber music pieces composed by Frith between 1993 and 2005, and was performed between 1998 and 2007 by Belgian pianist Daan Vandewalle, United States percussionist William Winant, and the Callithumpian Consort ensemble of the New England Conservatory of Music, conducted by Stephen Drury. The album was released on Tzadik Records' Composer Series in 2008.
The 40th Anniversary Henry Cow Box Set is a nine-CD plus one-DVD limited edition box set by English avant-rock group Henry Cow, and was released by RēR Megacorp in January 2009. It consists of almost 10 hours of previously unreleased recordings made between 1972 and 1978 from concerts, radio broadcasts, one-off projects, events and the studio. Included are new compositions, over four hours of free improvisation, and live performances of some of Henry Cow's original LP repertoire.
Wu Fei is a virtuoso Chinese American composer, performer, and improviser from Beijing, China. She performs on the Chinese guzheng, an ancient zither with twenty-one strings, as well as sings. She currently resides in Nashville. Wu Fei has composed for a variety of musical genres, including choir, string quartet, chamber ensemble, Balinese gamelan, orchestral, film, and modern dance.
Nowhere, Sideshow, Thin Air is a studio album by English guitarist, composer and improvisor Fred Frith, and is the sixth of a series of Music for Dance albums he made.
Eye to Ear III is a studio album by English guitarist, composer, and improvisor Fred Frith. The album is a collection of film music composed and performed by Frith, and is the third of three Eye to Ear albums dedicated to his work for short films. It was recorded in Germany and the United States in 2003 and 2004.
Clearing Customs is a studio album by English guitarist, composer and improvisor Fred Frith. It is based on a week of recordings and performances in November and December 2007 at a New Jazz Meeting at SWR, a radio station in southwest Germany. Two hour-long national broadcasts were made. The album was released by Intakt Records in February 2011.
Theresa Wong is an American cellist, vocalist, composer and improviser in the field of experimental music. In 2013 she lived in the San Francisco Bay Area.
Traffic Continues is an album by composer and guitarist Fred Frith featuring the Ensemble Modern, Zeena Parkins and Ikue Mori, which was released on the Winter & Winter label. The album features a suite dedicated to cellist Tom Cora built around samples of his playing from Etymology.
Angels on the Edge of Time is a 2015 collaborative live album of musical improvisations by Lindsay Cooper, Fred Frith, Gianni Gebbia and Lars Hollmer. It was recorded on 30 May 1992 at the AngelicA Festival Internazionale di Musica in Bologna, Italy, and released by I Dischi di Angelica in January 2015. This is the only album released by the quartet.
Dalaba Frith Glick Rieman Kihlstedt, also stylized as DalabaFrithGlickRiemanKihlstedt, is a 2003 studio album of improvised experimental music by Lesli Dalaba, Fred Frith, Eric Glick Rieman and Carla Kihlstedt. It was recorded at Guerrilla Recording in Oakland, California, and was released by Accretions Records in San Diego, California in 2003.
The Big Picture is a 2009 avant-garde jazz studio album by English guitarist and composer Fred Frith and the Swiss-based ARTE Quartett. It was recorded in January 2008 at Swiss Radio DRS2 in Zürich, Switzerland, and was released in 2009 by Intakt Records, together with Frith and the ARTE Quartett's first collaborative album, Still Urban, which was also recorded in January 2008 at Swiss Radio DRS2.