Cheap at Half the Price | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1983 | |||
Recorded | August 1983, United States | |||
Genre | ||||
Length | 38:29 | |||
Label | Ralph (US) | |||
Producer | Fred Frith | |||
Fred Frith chronology | ||||
|
Cheap at Half the Price is a 1983 solo album by English guitarist, composer and improviser Fred Frith. It was Frith's fifth solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the third of three solo albums Frith made for the label.
Cheap at Half the Price was recorded by Frith at his home in New York City on a 4-track machine. He played all the instruments himself, with the exception of bass guitar on two tracks, and drums, for which he used tapes and samples previously recorded by other drummers. The record differed from Frith's previous experimental albums in that it consisted largely of pop-like songs, and he sang for the first time.
The LP's release in 1983 caused a stir in progressive circles because of its "apparent simplicity" and its departure from the experimental music Frith had become known for. [1] A remastered version of the album released on CD in 2004 was better received by critics, who admitted that they had overlooked what Frith had been doing at the time.
Cheap at Half the Price was the third in a series of three solo albums Frith made for the Residents' record label, Ralph Records, [2] the first being Gravity (1980), an avant-garde "dance" record that drew on rhythm and dance from folk music across the world, [3] [4] and the second being Speechless (1981), a mixture of folk music, free improvisation, avant-rock and noise. [5] He had recorded with the Residents in the late 1970s and early 1980s, and appeared on several of their albums. [6] Both Gravity and Speechless were well received by critics. [7] [8]
Frith recorded Cheap at Half the Price at his home in New York City on a 4-track machine. [9] [10] Unlike his two previous albums for Ralph Records, where he used backing bands, [5] on this album Frith played all the instruments himself, with the exception of bass guitar on two tracks, and drums. [10] Bill Laswell from Frith's band Massacre played bass on "Same Old Me", and Tina Curran played bass on "Too Much, Too Little". For the drumming Frith used samples that had been previously recorded of drummers he had worked with, namely Frank Wuyts of Aksak Maboul, Fred Maher from Massacre, Paul Sears of the Muffins, and Hans Bruniusson from Samla Mammas Manna. [11]
Cheap at Half the Price differed from Frith's previous experimental albums in that it featured a collection of short songs and instrumentals in a "tongue-in-cheek pop vein". [12] He also played a "cheap" Casio-101 on all the tracks and sang for the first time. [1] AllMusic described Frith's singing on the album as "strange[ly] high-pitched", and the songs as "pop-like ditties" with a "simple and repetitive" structure. [9] Leonardo Digital Reviews said most of the tracks had a "happy-go-lucky" feel to them. [1]
The lyrics on Cheap at Half the Price are politically oriented, set during US President Ronald Reagan's first term of office, with socialist commentaries on, amongst other things, dogs and insects. [9] [13] Despite Frith's apparent departure from his previous progressive albums, some of the tracks on this album have ties to his earlier work. "Some Clouds Do" has a similar "driving rhythm" to Paul Sears' drumming on "What a Dilemma" on Gravity. [1] "Absent Friends", a traditional Swedish melody arranged by Frith, has the same "fun and dance" feel that occurs at the end of "Don't Cry for Me", also on Gravity. [1] "Absent Friends" is also the only track on Cheap at Half the Price that departs from the album's "pop vein". [9]
In contrast to the high-pitched singing on most of the songs, "Same Old Me", one of the few "dark" tracks on the album, is a "gloomily introspective" song featuring some "rough lyrics" that have been slowed to a drawl over "angry riffing" and "relentless bass and percussion". [1] [14] Leonardo Digital Reviews said that this and many of the other songs on the album had a complex structure beneath the apparent "carefree and beaming surface". [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Babyblaue Seiten | [10] |
Leonardo Digital Reviews | favorable [1] |
Followers of Fred Frith's music generally had trouble coming to terms with Cheap at Half the Price. To them Frith was "progressive, genre-bending music's last great hope", and on this album he appeared to have abandoned this role. [12] When the album was released on LP in 1983, Recommended Records, founded and run by Chris Cutler (Frith's band-mate from Henry Cow), elected not to stock it because Cutler felt it was not "terribly good". [15] Trouser Press said that the quality of the record suffered from the lo-fi experiment of recording "at home on a 4-track". [14]
In 1985 Michael Bloom of The Boston Phoenix wrote that Cheap at Half the Price "will never get the hearing it deserves". [12] He said that Frith was trying to shake off this "progressive" mould he had been cast in, and believed that the songs on the album should be judged on their own merit and not as "rarefied art rock". [12] One 1984 reviewer found the album "a very enjoyable recording", and stated that Frith's music "is changing the way many musicians look at the sounds that they take so seriously". [16] The New Gibraltar Encyclopedia of Progressive Rock described Cheap at Half the Price as Frith's response to punk, a low-tech approach to performing songs. It called the album a "twisted pop" record, saying that it is "as uncompromising as everything else Frith recorded". [13] François Couture in a review of Frith's 2002 album, Prints called Cheap at Half the Price "the best tongue-in-cheek take at the New Wave". [17]
Despite the criticism the LP received at the time of its release, the remastered CD issued 21 years later was generally well received. In the 2004 Recommended Records catalogue, Cutler wrote that the album had "raised eyebrows at the time (from, as Fred calls them 'progressive music snobs'—of which I guess I was one) for its apparent simplicity and departure from what was then thought of as Fred Style." [1] René van Peer of Leonardo Digital Reviews admitted in 2005 that he was "one of those snobs" and wrote "I am astonished and embarrassed to find how little I grasped back then of what Frith had put into it." [1] Looking at Frith's projects after Cheap at Half the Price made it clear that what he did on the album was not a departure from his musical experiments, as people saw it at the time, but rather a part of it. Van Peer said (in retrospect) that Cheap at Half the Price "bursts with inventiveness, and eradiates [ sic ] the irrepressible joy of playful creativity". [1]
Frith's exploration of song forms on this album was later developed further with Tom Cora in Skeleton Crew, [10] where Frith and Cora played "deceptively simple catchy songs", often using melodies derived from Scandinavian and Eastern European traditional music. [1] Songs from Cheap at Half the Price appeared in several of Frith's later projects. Step Across the Border (1990), a film on Frith, and its accompanying soundtrack, featured three such songs, "Same Old Me", "Evolution" and "Too Much Too Little". [6] Keep the Dog, a 1989–1991 Fred Frith review band, played a number of arrangements of songs from this album, including "Walking Song", "Some Clouds Do" and "Instant Party". [6]
All tracks by Fred Frith, except where noted.
No. | Title | Length |
---|---|---|
1. | "Some Clouds Don't" | 3:12 |
2. | "Cap the Knife" | 2:47 |
3. | "Evolution" | 3:21 |
4. | "Too Much, Too Little" (Frith, Tina Curran) | 2:09 |
5. | "The Welcome" | 2:28 |
6. | "Same Old Me" | 2:58 |
7. | "Some Clouds Do" | 2:49 |
No. | Title | Length |
---|---|---|
8. | "Instant Party" | 1:53 |
9. | "Walking Song" | 3:13 |
10. | "Flying in the Face of Facts" | 2:38 |
11. | "Heart Bares" | 4:56 |
12. | "Absent Friends" (Frith/trad. Swedish) | 3:58 |
13. | "The Great Healer" | 2:07 |
No. | Title | Length |
---|---|---|
1. | "Some Clouds Don't" | 3:12 |
2. | "Cap the Knife" | 2:47 |
3. | "Evolution" | 3:21 |
4. | "Too Much, Too Little" (Frith, Tina Curran) | 2:09 |
5. | "True Love" (♯) | 2:58 |
6. | "The Welcome" | 2:28 |
7. | "Same Old Me" | 2:58 |
8. | "Some Clouds Do" | 2:49 |
9. | "Instant Party" | 1:53 |
10. | "Person To Person" (♯) | 2:20 |
11. | "Walking Song" | 3:13 |
12. | "Flying in the Face of Facts" | 2:38 |
13. | "Heart Bares" | 4:56 |
14. | "Absent Friends" (Frith/trad. Swedish) | 3:58 |
15. | "The Great Healer" | 2:07 |
Recorded in August 1983 at Fred Frith's home in New York City by Frith on a 4-track recorder, except for "True Love" (recorded at Noise in New York City) and "Person To Person" (recorded at BC Studio in New York City). [11]
In 1991 East Side Digital Records and RecRec Music re-issued Cheap at Half the Price on CD with two additional tracks by Frith: "True Love", from The 20th Anniversary of the Summer of Love (1987) by various artists; and "Person to Person", from North America (1985) by Curlew. [11] [18] In 2004 Fred Records, Frith's own record label and an imprint of Recommended Records, issued a remastered version on CD of the original Cheap at Half the Price LP with no extra tracks. [6]
Skeleton Crew was an American experimental rock and jazz group from 1982 to 1986, comprising core members Fred Frith and Tom Cora, with Zeena Parkins joining later. Best known for their live improvisation performances where they played various instruments simultaneously, they also recorded two studio albums Learn to Talk (1984) and The Country of Blinds (1986). The group drew on music and themes from a number of sources, including world music, left-wing politics and pre-recorded tapes.
Chris Cutler is an English percussionist, composer, lyricist and music theorist. Best known for his work with English avant-rock group Henry Cow, Cutler was also a member and drummer of other bands, including Art Bears, News from Babel, Pere Ubu and (briefly) Gong/Mothergong. He has collaborated with many musicians and groups, including Fred Frith, Lindsay Cooper, Zeena Parkins, Peter Blegvad, Telectu and The Residents, and has appeared on over 100 recordings. Cutler's career spans over four decades and he still performs actively throughout the world.
Unrest is an album by British avant-rock group Henry Cow, recorded at Virgin Records' Manor studios in February and March 1974. It was their second album and was released in May 1974. It was their first album including oboe and bassoon player Lindsay Cooper, who replaced saxophonist Geoff Leigh. American critic Glenn Kenny said Cooper's presence on the album grounded the band in European art music.
Aksak Maboul are a Belgian avant-rock band founded in 1977 by Marc Hollander with Vincent Kenis, and now revolving around Hollander and Véronique Vincent. Aksak Maboul hasn't stopped changing shape and form throughout its existence, exploring diverse musical styles with their own aesthetic approach.
Massacre was founded in 1980 in New York City by guitarist Fred Frith, bassist Bill Laswell and drummer Fred Maher as an improvising and experimental rock band. They performed live for just over a year and recorded a studio album, Killing Time (1981). Frith and Laswell reformed Massacre in 1998 with drummer Charles Hayward, and released four more albums, Funny Valentine (1998), Meltdown (2001), Lonely Heart (2007) and Love Me Tender (2013). The last three albums were recorded live, the first in London, and the others at European festivals between 1999 and 2008.
Guitar Solos is the debut solo album of English guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released in the United Kingdom on LP record by Caroline Records in October 1974. The album comprises eight tracks of unaccompanied and improvised music played on prepared guitars by Frith without any overdubbing.
That House We Lived In is a double live album by American experimental rock band Keep the Dog. It comprises material from their final European tour in 1991 and was released by Fred Frith on his own Fred Records in 2003.
Gravity is a 1980 solo album by English guitarist and composer Fred Frith. It was Frith's second solo album, and his first since Henry Cow disbanded in 1978. It was originally released in the United States on the Residents' Ralph Records, as the first of three solo albums Frith would record for the label. Gravity has been described as an avant-garde "dance" record that draws on rhythm and dance from folk music across the world.
Speechless is a 1981 solo album by English guitarist, composer and improviser Fred Frith of the group Henry Cow. It was Frith's third solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the second of three solo albums Frith made for the label.
Fred Frith appears on over 400 recordings. This is a selection from bands he was/is a member of, collaborations with other bands and musicians, and his solo recordings. The year indicates when the album was first released. For a comprehensive discography, see the Discography of Fred Frith by Michel Ramond, Patrice Roussel and Stephane Vuilleumier.
Step Across the Border is a soundtrack double album by English guitarist, composer and improvisor Fred Frith, of the 1990 avant-garde documentary film on Frith, Step Across the Border. The album features music from the film performed by Frith and other musicians, and covers ten years of Frith's musical career from 1979 to 1989.
Hopes and Fears is the debut album by the English avant-rock group Art Bears. It comprises tracks by Henry Cow, Art Bears's predecessor, recorded at Sunrise Studios, Kirchberg in Switzerland in January 1978, and tracks by Art Bears, recorded at Kaleidophon Studios in London in March 1978.
Marc Hollander is a Belgian musician, producer and creator of the independent record label, Crammed Discs.
Prints: Snapshots, Postcards, Messages and Miniatures, 1987–2001 is a 2002 album by English guitarist, composer and improvisor Fred Frith, and his first album of songs since Cheap at Half the Price (1983). It comprises four tracks taken from previously released compilations that Frith had contributed to between 1987 and 1997, seven tracks that were "created spontaneously" in the studio in 1997 and 2001, and one live guitar improvisation in 2001. The album was released on CD in 2002 on Fred Records and was the second release in Frith's archival release program on the record label.
Etron Fou Leloublan, also known as EFL, were a French avant-garde rock band founded in 1973 by actor and saxophonist Chris Chanet. They recorded five studio albums between 1976 and 1985, and released a live album, En Public Aux Etats-Unis d'Amérique recorded during a tour of the United States in 1979. Etron Fou Leloublan were best known as one of the five original Rock in Opposition (RIO) bands that performed at the first RIO festival in London in March 1978.
Un Peu de l'Âme des Bandits is the second album by Belgian avant-rock band Aksak Maboul. It was recorded at Sunrise Studio in Kirchberg, Switzerland in February and August 1979, and released on LP in January 1980 on founding member Marc Hollander's Belgian independent record label, Crammed Discs. At the time the band had changed the spelling of their name to "Aqsak Maboul", and this is reflected on the album's record sleeve. When the album was re-issued on CD in 1995 the spelling of their name reverted to "Aksak Maboul".
Nous Autres is a live album by Fred Frith and René Lussier recorded in October 1986 at the 4th Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, Canada. The live mixes were later enhanced with additional material recorded by Frith and Lussier in December 1986 at a studio in Montreal, Quebec, and the resulting album was released on LP in 1987. The album was released on CD in 1992 with four additional studio tracks recorded by Frith and Lussier in January 1992 in New York City.
Volume 6: Stockholm & Göteborg is a live album by English avant-rock group Henry Cow, and is disc 6 of the 10-disc 40th Anniversary Henry Cow Box Set. It was released in September 2008 by RēR Megacorp as a free-standing album in advance of the box set release in January 2009.
The 40th Anniversary Henry Cow Box Set is a nine-CD plus one-DVD limited edition box set by English avant-rock group Henry Cow, and was released by RēR Megacorp in January 2009. It consists of almost 10 hours of previously unreleased recordings made between 1972 and 1978 from concerts, radio broadcasts, one-off projects, events and the studio. Included are new compositions, over four hours of free improvisation, and live performances of some of Henry Cow's original LP repertoire.
The Muffins were an American Maryland-based progressive rock/avant-jazz group. They were formed in Washington, DC in the early 1970s and recorded four albums before disbanding in 1981. In 1998 the group reformed and recorded a further five albums and a DVD. The Muffins played at Symphony Space on Broadway in NYC with Marion Brown in 1979, and also performed at a number of festivals, starting with the ZU Manifestival in New York City in 1978, The Villa Celimontana festival in Rome, Italy in 2000, two appearances at Progday in 2001 and 2002, NEARfest in 2005, and the "Rock in Opposition" festival in France in 2009. In 2010, the Muffins headlined at Progday, making a third appearance at this long running festival.