The Compass, Log and Lead | ||||
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Studio album by | ||||
Released | 2006 | |||
Recorded | October 2003 | |||
Studio | New Improvised Recording, Oakland, California | |||
Genre | Experimental music, free improvisation | |||
Length | 43:25 | |||
Label | Intakt (Switzerland) | |||
Producer | Intakt Records, Fredi Bosshard, Patrik Landolt | |||
Fred Frith chronology | ||||
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The Compass, Log and Lead is a 2006 studio album of improvised acoustic experimental music by Fred Frith, Carla Kihlstedt and Stevie Wishart. It was recorded in October 2003 in Oakland, California, and released by Intakt Records in 2006. [1] [2] [3]
In the CD liner notes, Frith described the collaboration on this album:
The music on this record is improvised. What we bring to each performance is who we are and all that we have learned so far ... For us, improvising is the sum of our personal musical histories intertwined, a place where we can meet on equal terms and discover things we never knew, or hear what we thought we knew in a new light. It's a conversation, an exchange. There are no rules, other than to listen well and act accordingly. [1]
Review scores | |
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Source | Rating |
AllMusic | [4] |
All About Jazz | [5] |
DownBeat | [6] |
In a review at AllMusic, arwulf called The Compass, Log and Lead "an absorbing album of collectively improvised rituals" by Frith and the "exceptionally brilliant" Kihlstedt and Wishart. He lauded it for its "strikingly inspired subtlety, delicacy, and intimacy", and said it is one of the "most intriguing entries in [Frith's] entire discography". [4]
Reviewing the album in the jazz and improvised music online magazine One Final Note, Daniel Spicer said Frith, Kihlstedt and Wishart's performances here are restrained as they test the limits of their acoustic stringed instruments, but he noted that the result is a "bewitching, lo-fi combination of folk and improv". [7] Writing in All About Jazz Glenn Astarita described the trio's "homespun ... avant-garde stylizations" as "an organic gala with a bevy of abstracts and roots-derived melodies". He called the album's twelve pieces "mesmerizing" and said it is "recommended listening". [5]
In a review of the album in DownBeat , Bill Shoemaker wrote that "[d]espite the absence of regional or ethnic markers", the album's free improvised music has "an oddly folkloric feel" about it and "the elemental power of traditional music". [6] He called the drones from Wishart's "post-modernized" hurdy-gurdy "a stunning sound source". [6] Clive Bell wrote in The Wire that "the communication between the [three improvisers] is so good it works like a dream." [8] He said that the tracks "are wide open to folk music, in the way that Bartok integrated Hungarian traditions". [8] Bell called the album "a modest record … but an important one, for its warmth and openmindedness". [8] He added that if you are after "showboating and shock tactics you'll have to look elsewhere." [8]
All music by Fred Frith, Carla Kihlstedt and Stevie Wishart.
No. | Title | Length |
---|---|---|
1. | "Time Comes Presto" | 3:14 |
2. | "A Beautiful Thing to Forget / Får Ej Tåckas" | 4:50 |
3. | "Look at Sky Go" | 3:39 |
4. | "Dog-Eared" | 2:04 |
5. | "I Am Buffalo Bill Today" | 4:12 |
6. | "Initially This" | 2:38 |
7. | "Postcard from the Back" | 3:55 |
8. | "I Am Map" | 3:31 |
9. | "Abstract Expressionism" | 5:16 |
10. | "Dream as a Means" | 3:15 |
11. | "Aller Retour" | 4:13 |
12. | "Time Goes Largo" | 2:45 |
Sources: Liner notes, [1] Discogs. [3]
Sources: Liner notes, [1] Discogs. [3]
Carla Kihlstedt is an American composer, violinist, vocalist, and multi-instrumentalist, originally from Lancaster, Pennsylvania and currently working from a home studio on Cape Cod.
Fred Frith appears on over 400 recordings. This is a selection from bands he was/is a member of, collaborations with other bands and musicians, and his solo recordings. The year indicates when the album was first released. For a comprehensive discography, see the Discography of Fred Frith by Michel Ramond, Patrice Roussel and Stephane Vuilleumier.
The Happy End Problem is a studio album by English guitarist, composer and improvisor Fred Frith, and is the fifth of a series of Music for Dance albums he made. It comprises two suites composed in 2003 by Frith "for flute, bassoon, gu zheng, percussion, violin and electronics" and was recorded in 2003 and 2004.
Maybe Monday is an American experimental electroacoustic improvisation music ensemble comprising guitarist Fred Frith, koto player Miya Masaoka and saxophonist Larry Ochs. The trio was formed in San Francisco in March 1997 when they performed in a concert at the Great American Music Hall. They have since toured the United States, Canada and Europe, and released three albums between 1999 and 2008.
Cosa Brava is an experimental rock and free improvisation group formed in March 2008 in Oakland, California, by multi-instrumentalist and composer Fred Frith. The band comprises Frith on guitar, Zeena Parkins on keyboards and accordion, Carla Kihlstedt on violin, Matthias Bossi on drums, and The Norman Conquest on sound manipulation. All About Jazz described their music as "somewhere between folk, Celtic, modern chamber, Latin, funk, Eastern, and prog-rock".
Nowhere, Sideshow, Thin Air is a studio album by English guitarist, composer and improvisor Fred Frith, and is the sixth of a series of Music for Dance albums he made.
Ragged Atlas is a studio album by Fred Frith's United States experimental rock group Cosa Brava. It was recorded in San Francisco in December 2008 and was released by Intakt Records in Switzerland on March 5, 2010. Ragged Atlas was the band's first album, and is largely instrumental with a little singing on five of the thirteen the tracks. Frith composed all the music, with lyric contributions on "Lucky Thirteen" by Rebby Sharp, a singer/guitarist Frith had worked with in Orthotonics.
Eye to Ear III is a studio album by English guitarist, composer, and improvisor Fred Frith. The album is a collection of film music composed and performed by Frith, and is the third of three Eye to Ear albums dedicated to his work for short films. It was recorded in Germany and the United States in 2003 and 2004.
Stevie Wishart is a composer, improviser, and performer on the hurdy-gurdy and violin. Mainly involved in contemporary music, she has also had a career in early music and has edited and recorded the complete works of Saint Hildegard of Bingen, as well as performing music from the repertoire of the medieval troubadours, trouvères and the Cantigas de Santa Maria, with her ensemble Sinfonye.
The Letter is a studio album by Fred Frith's United States experimental rock group Cosa Brava. It was recorded in France in June 2010 and Oakland, California in August 2011, and was released by Intakt Records in Switzerland on March 21, 2012.
Field Days (The Amanda Loops) is a studio album by English guitarist, composer and improvisor Fred Frith. It comprises 14 pieces for dance written by Frith for choreographer Amanda Miller and the Nederland Dans Theater. The album was released by Fred Records in November 2015.
The Fred Frith Trio is a San Francisco Bay Area based experimental music and free improvising group featuring Fred Frith, Jason Hoopes and Jordan Glenn. They were formed in Oakland, California in 2013, have released two studio albums on Intakt Records in 2016 and 2018, and have toured widely across Europe in 2015, 2017, 2019 2022, and also performed with Susana Santos Silva and visual artist Heike Liss in Sao Paulo, Brazil in 2018.
Another Day in Fucking Paradise is a 2016 studio album by the Fred Frith Trio, a San Francisco Bay Area based experimental music and free improvising group featuring Fred Frith, Jason Hoopes and Jordan Glenn. It is their debut album and was recorded in Oakland, California in January 2016, and released in June 2016 by Intakt Records in Switzerland.
Dalaba Frith Glick Rieman Kihlstedt, also stylized as DalabaFrithGlickRiemanKihlstedt, is a 2003 studio album of improvised experimental music by Lesli Dalaba, Fred Frith, Eric Glick Rieman and Carla Kihlstedt. It was recorded at Guerrilla Recording in Oakland, California, and was released by Accretions Records in San Diego, California in 2003.
Closer to the Ground is a 2018 studio album by the Fred Frith Trio, a San Francisco Bay Area based experimental music and free improvising group featuring Fred Frith, Jason Hoopes and Jordan Glenn. It is their second album and was recorded in Oakland, California in January 2018, and released in September 2018 by Intakt Records in Switzerland. It follows on from their first album, Another Day in Fucking Paradise that was released in June 2016.
The Compass may refer to:
Unsquare is a 2008 studio album by Maybe Monday, a San Francisco based experimental electroacoustic improvisation music ensemble featuring guitarist Fred Frith, koto player Miya Masaoka and saxophonist Larry Ochs. It is their third album and includes guest musicians Gerry Hemingway, Carla Kihlstedt, Ikue Mori and Zeena Parkins. Unsquare was recorded at East Side Sound Studio in New York City on November 18, 2006, and was released by Intakt Records in Switzerland in January 2008.
Still Urban is a 2009 avant-garde jazz studio album by English guitarist and composer Fred Frith and the Swiss-based ARTE Quartett. It was recorded in January 2008 at Swiss Radio DRS2 in Zürich, Switzerland, and was released in 2009 by Intakt Records, together with Frith and the ARTE Quartett's second collaborative album, The Big Picture, which was also recorded in January 2008 at Swiss Radio DRS2.
The Big Picture is a 2009 avant-garde jazz studio album by English guitarist and composer Fred Frith and the Swiss-based ARTE Quartett. It was recorded in January 2008 at Swiss Radio DRS2 in Zürich, Switzerland, and was released in 2009 by Intakt Records, together with Frith and the ARTE Quartett's first collaborative album, Still Urban, which was also recorded in January 2008 at Swiss Radio DRS2.
Road is a 2021 double-CD live album by the Fred Frith Trio, an experimental music and free improvising group featuring Fred Frith (guitar), Jason Hoopes (bass) and Jordan Glenn (drums). It is their third album and their first live release. The album was recorded in Charlottesville, Virginia and Germany in October 2019, and was released in October 2021 by Intakt Records in Switzerland.