Voice of America (Frith, Ostertag and Minton album)

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Voice of America
FrithOstertagMinton VoiceofAmerica.jpg
Live album by
Fred Frith, Bob Ostertag and Phil Minton
Released1982 (1982)
Recorded
  • January 1981
  • August 1981
Venue
Genre
Length38:39
Label Rift (US)
Bob Ostertag chronology
Getting a Head
(1980)		Voice of America
(1982)		 Attention Span
(1990)
Fred Frith chronology
Live in Japan
(1982)		Voice of America
(1982)		 Cheap at Half the Price
(1983)

Voice of America is a 1982 live collaborative album of improvised experimental music by Fred Frith, Bob Ostertag and Phil Minton. It was recorded live at PASS (Public Access Synthesizer Studio), New York City in January 1981, and the Actual Festival at the ICA (Institute of Contemporary Arts), London in August 1981. The album was released on LP by Rift Records in 1982. RecRec Music reissued the album on CD in 1994. [1]

Contents

The PASS concert featured Frith and Ostertag, while the ICA concert featured Frith, Ostertag and Minton. Tape recordings made by Ostertag in Nicaragua in 1980 were played in both performances; other recordings from radio and TV shows were also used. The LP release included an insert with transcriptions and song lyrics, in Spanish and English, of the recordings used. [2]

Background

In 1980 Ostertag spent time in Nicaragua recording songs and raising money for El Salvador guerrillas fighting the Sandinista National Liberation Front, who had seized power the year before. [3] [4] He used these tapes, plus additional recordings of radio and TV shows, in both Voice of America concerts. Ostertag's equipment was a keyboard-less, modular Serge synthesizer, telephone answering machine cassette loops, and cassette players, modified to malfunction unpredictably. [3] [5] None of the musicians knew which tape would play next. [6]

At the ICA concert, vocalist Minton was recruited from the audience to replace Ostertag's synthesizer, which had been "destroyed in a technical mishap". [5] Minton sang, Ostertag used his broken cassette players and a contact microphone, and Frith played a "guitar" he had made from "a piece of scrap wood with some guitar strings stretched over a pickup". [5] Ostertag's later referred to the event as "magical". [5]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [7]
DownBeat Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [8]

A reviewer at Music and Sound Output described Voice of America as "the oddest 'music' I've ever heard"—it has no traditional melody, harmony or rhythm, but is rather "composed noise ... the sound of lives lived, and lives lost". [9] The reviewer said while it is ambient, "it sure isn't soothing" like Eno's Music for Airports . [9]

Howard Mandel wrote in a review in DownBeat that the "metallic electronics" on the album paints an alarming picture of events in South America. [8] He said in contrast, the Super Bowl and Let's Make a Deal tapes bluntly dismiss North American culture. Mandel concluded that "[p]rogrammatic, perhaps dogmatic, Voice of America would seem too obvious for critical comment, were new music lovers more committed to political study than they seem to be." [8]

In a review at Babyblaue Seiten, Ralf J. Günther wrote that to appreciate Voice of America, the listener needs to understand the political climate in the United States and Nicaragua in the early 1980s. He described the album as having "no music in the conventional sense", but rather a collage of tapes played at random, accompanied by noise and free instrumentation. [6] Günther said the use of prepared tapes contrasts with, and complements the improvisations. He added that Frith and Ostertag's use of radios reminded him of the way Holger Czukay used the radio as a musical instrument. [6]

Track listing

Side A
No.TitleWriter(s)Venue / dateLength
1."Voice of America (Part 1)" Fred Frith, Bob Ostertag PASS, New York City
January 1981		17:04
Side B
No.TitleWriter(s)Venue / dateLength
1."Voice of America (Part 2)"Frith, Ostertag, Phil Minton Actual Festival, ICA, London
August 1981		21:35

Sources: Liner notes, [2] Discogs. [1]

Personnel

Sources: Liner notes, [2] Discogs. [1]

Sound and artwork

Sources: Liner notes, [2] Discogs. [1]

Tape recording sources

Sources: Liner notes. [2]

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References

  1. 1 2 3 4 "Fred Frith / Bob Ostertag / Phil Minton – Voice Of America". Discogs . Retrieved May 7, 2019.
  2. 1 2 3 4 5 Frith, Fred; Ostertag, Bob; Minton, Phil (1982). Voice of America (LP liner notes). Fred Frith, Bob Ostertag and Phil Minton. Rift Records.
  3. 1 2 Grella, George J. (January 20, 2016). "Ostertag, Bob [Robert]" . Oxford University Press . Retrieved May 9, 2019– via Grove Music Online.
  4. ↑ Ostertag 2009, p. 178.
  5. 1 2 3 4 Ostertag 2009, p. 179.
  6. 1 2 3 Günther, Ralf J. (May 1, 2012). "Fred Frith, Bob Ostertag, Phil Minton: Voice of America". Babyblaue Seiten (in German). Retrieved May 8, 2019.
  7. ↑ "Voice of America". AllMusic . Retrieved May 7, 2019.
  8. 1 2 3 Mandel, Howard (February 1984). "Waxing On Recondite Records". DownBeat . Vol. 51, no. 2. Maher Publications. pp. 36–38.
  9. 1 2 "Voice of America". Music and Sound Output. July 1983. ISSN   0273-8902.

Works cited

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