2 Gentlemen in Verona | ||||
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Live album by | ||||
Released | 4 April 2000 | |||
Recorded | 16 April 1999 | |||
Venue | Interzona, Verona, Italy | |||
Genre | Experimental music, free improvisation | |||
Length | 50:02 | |||
Label | Recommended (UK) | |||
Chris Cutler and Fred Frith chronology | ||||
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Fred Frith chronology | ||||
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2 Gentlemen in Verona is a 2000 live album of improvised experimental music by Chris Cutler and Fred Frith. It was recorded Verona, Italy on 16 April 1999 and released by Recommended Records in April 2000. It was Frith and Cutler's third collaborative album.
The album title was derived from Shakespeare's play The Two Gentlemen of Verona , [1] and the track names were taken from the play's act and scene titles. [2] [lower-alpha 1]
Review scores | |
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Source | Rating |
All About Jazz | [3] |
AllMusic | [4] |
In a review of 2 Gentlemen in Verona at AllMusic, Thom Jurek described Cutler and Frith's performance as "a joyously brash and boisterous cacophony", and labelled the album "one of the greatest live duet improv recordings ever". [4] Writing in All About Jazz , Glenn Astarita called Cutler and Frith's set in Verona a "fascinating live exhibition" of "multi-textured pastiches ... abstract rhythms, otherworldly effects and mind-bending dialogue". Astarita rated the album "Highly recommended". [3]
Reviewing the album in The Wire , Philip Clark described 2 Gentlemen in Verona as a "feral modern classic". [5] He said Frith's "massed sonorities and simple singsong patterns" are accompanied by the "noisy, byzantine complexity" of Cutler's drums that from time to time settle down to "stretchy rock beats and rigid marching patterns". [5]
In The Washington Post Mike Joyce described the album as a "curious and quixotic excursion into freely improvised music", adding that despite the "odd sounds and surprising tangents", the duo remains on a "common wavelength, anticipating each other's moods and moves with quick speed and wit". Joyce wrote that anyone who has followed the career of Cutler and Frith will welcome this recording, but warned that the uninitiated may find it "unendurably indulgent". [6]
David Ashcraft was more critical of the album. In a review in Exposé he wrote that this recording is "strictly for the hardcore fan of improvised exploration". He said that while it "showcases the improvisational talents" of Cutler and Frith, it is not without "hits and misses". Ashcraft felt that between "sublime moments of melody and emotion", there is "plenty of meandering and some dissonant sounds". [7]
All music by Chris Cutler and Fred Frith.
No. | Title | Length |
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1. | "Act 1, Scene I: Enter Valentine and Proteus – Gavest Thou My Letter to Julia?" | 2:45 |
2. | "Act 1, Scene II: Enter Julia and Lucetta – And Yet Methinks I Do Not Like This Tune (The Mean Is Drowned By Your Unruly Bass)" | 2:13 |
3. | "Act 1, Scene III: Enter Antonio and Panthino – This Month I Have Been Hammering" | 3:55 |
4. | "Act 2, Scene I: Enter Valentine and Speed – And Yet, I Was Last Chidden For Being Too Slow" | 1:18 |
5. | "Act 2, Scene II: Enter Proteus and Julia – Have Patience, Gentle Julia" | 2:59 |
6. | "Act 2, Scene III: Enter Launce (With His Dog Crab) – As Light as a Lilly and as Small as a Wand" | 3:55 |
7. | "Act 2, Scene IV: Enter Valentine, Silvia, Thurio and Speed – We Have Conversed, and Spent Our Hours Together" | 2:56 |
8. | "Act 2, Scene VI: Enter Proteus Solus – This Night He Meaneth With a Coded Ladder ..." | 3:36 |
9. | "Act 3, Scene I: Enter Duke, Thurio and Proteus – Fostered, Illumin'd. Cherish'd, Kept Alive" | 3:03 |
10. | "Act 4, Scene I: Enter Certain Outlaws – Fellows, Stand Fast: I See a Passenger" | 2:31 |
11. | "Act 5, Scene I: Enter Eglamour – Fear Not, the Forest Is Not Three Leagues Off" | 3:00 |
12. | "Act 5, Scene II: Enter Thurio, Proteus and Julia – But Well, When I Discourse of Love and Peace" | 3:18 |
13. | "Act 5, Scene III: Enter Silvia and Outlaws – Come, Come, Be Patient" | 2:56 |
14. | "Act 5, Scene IV: Enter Valentine – Forgive Them What They Have Committed Here" | 3:41 |
15. | "Exeunt" | 1:23 |
16. | "Encore" | 6:33 |
Sources: Liner notes, [8] Discogs, [9] Fred Frith discography. [10]
Sources: Liner notes, [8] Discogs, [9] Fred Frith discography. [10]
Sources: Liner notes, [8] Discogs, [9] Fred Frith discography. [10]
Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improviser.
Unrest is an album by British avant-rock group Henry Cow, recorded at Virgin Records' Manor studios in February and March 1974. It was their second album and was released in May 1974. It was their first album including oboe and bassoon player Lindsay Cooper, who replaced saxophonist Geoff Leigh. American critic Glenn Kenny said Cooper's presence on the album grounded the band in European art music.
Concerts is a live double album by English avant-rock group Henry Cow, recorded at concerts in London, Italy, the Netherlands and Norway between September 1974 and October 1975. Sides one and two of the LP record consist of composed material while sides three and four contain improvised pieces.
Guitar Solos 3 is the third in a series of three albums of improvised guitar solos by various musicians, and was released in the United States by Rift Records in 1979. Fred Frith coordinated and produced the series, which began with his 1974 debut solo album, Guitar Solos.
Speechless is a 1981 solo album by English guitarist, composer and improviser Fred Frith of the group Henry Cow. It was Frith's third solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the second of three solo albums Frith made for the label.
Volume 6: Stockholm & Göteborg is a live album by English avant-rock group Henry Cow, and is disc 6 of the 10-disc 40th Anniversary Henry Cow Box Set. It was released in September 2008 by RēR Megacorp as a free-standing album in advance of the box set release in January 2009.
The 40th Anniversary Henry Cow Box Set is a nine-CD plus one-DVD limited edition box set by English avant-rock group Henry Cow, and was released by RēR Megacorp in January 2009. It consists of almost 10 hours of previously unreleased recordings made between 1972 and 1978 from concerts, radio broadcasts, one-off projects, events and the studio. Included are new compositions, over four hours of free improvisation, and live performances of some of Henry Cow's original LP repertoire.
Live Improvisations is a 1992 collaborative live album of improvised music by English experimental musicians Fred Frith and Tim Hodgkinson. It was recorded in May 1990 in England and was released on Woof Records in the United Kingdom and Megaphone Records in the United States.
Another Day in Fucking Paradise is a 2016 studio album by the Fred Frith Trio, a San Francisco Bay Area based experimental music and free improvising group featuring Fred Frith, Jason Hoopes and Jordan Glenn. It is their debut album and was recorded in Oakland, California in January 2016, and released in June 2016 by Intakt Records in Switzerland.
Angels on the Edge of Time is a 2015 collaborative live album of musical improvisations by Lindsay Cooper, Fred Frith, Gianni Gebbia and Lars Hollmer. It was recorded on 30 May 1992 at the AngelicA Festival Internazionale di Musica in Bologna, Italy, and released by I Dischi di Angelica in January 2015. This is the only album released by the quartet.
Ironic Universe is a 2006 double album of prepared guitar music by Janet Feder and Fred Frith. It comprises a studio CD of solo tracks by Feder and duo improvisations by Feder and Frith, and a live DVD of solo performances by Frith and Feder filmed in Colorado. It was released by Dave Kerman's Ad Hoc Records on January 1, 2006.
The Stone: Issue Two is a 2007 live album of improvised experimental music by Fred Frith and Chris Cutler. It was recorded at The Stone in New York City on 15 December 2006 and was one of four CDs released between 2006 and 2010 by Tzadik Records to raise funds for The Stone. It was Frith and Cutler's fourth collaborative album.
Live in Trondheim, Berlin & Limoges, Vol. 2 is a 1994 live album of improvised experimental music by Chris Cutler and Fred Frith. It was recorded in Limoges, France on 13 December 1979; at the Nordlydd Contemporary Music Festival in Trondheim, Norway on 16 October 1991; and in Tacheles, Berlin, Germany on 2 November 1991. The album was released by Recommended Records in 1994. It was Frith and Cutler's second collaborative album.
Live in Prague and Washington is a live album of improvised experimental music by Chris Cutler and Fred Frith. It was recorded at the 8th Prague "Jazz Days" Festival in Prague in former Czechoslovakia on 25 May 1979, and at the DC Space in Washington, D.C., on 20 December 1979. The album was released by Recommended Records in 1983 on a 45 rpm 12" LP. It was Frith and Cutler's first collaborative duo album.
The Compass, Log and Lead is a 2006 studio album of improvised acoustic experimental music by Fred Frith, Carla Kihlstedt and Stevie Wishart. It was recorded in October 2003 in Oakland, California, and released by Intakt Records in 2006.
Duo (Victoriaville) 2005 is a 2006 live album of improvised music by Anthony Braxton and Fred Frith. It was recorded on May 20, 2005 at the 22nd Festival International de Musique Actuelle de Victoriaville in Quebec, Canada, and released in May 2006 by Les Disques Victo, the festival's record label.
Dalaba Frith Glick Rieman Kihlstedt, also stylized as DalabaFrithGlickRiemanKihlstedt, is a 2003 studio album of improvised experimental music by Lesli Dalaba, Fred Frith, Eric Glick Rieman and Carla Kihlstedt. It was recorded at Guerrilla Recording in Oakland, California, and was released by Accretions Records in San Diego, California in 2003.
With Friends Like These is a 1979 studio album of improvised experimental music by Fred Frith and Henry Kaiser. It was recorded in July 1979, and was released on LP by Metalanguage Records later that year. It was Frith and Kaiser's first collaborative album, and was followed in 1983 by Who Needs Enemies?
Friends & Enemies is a 1999 double-CD compilation album of studio and live material by Fred Frith and Henry Kaiser. It contains the complete collaborative recordings of Frith and Kaiser from 1979 to 1999, namely their two studio albums With Friends Like These (1979) and Who Needs Enemies? (1983), an unreleased live album recorded in 1984, and new studio tracks recorded in 1999. The album was released by Cuneiform Records in June 1999.
The Henry Cow Box Redux: The Complete Henry Cow is a seventeen-CD plus one-DVD box set by English avant-rock group Henry Cow; it was released by RēR Megacorp in November 2019. The box set comprises the previously released 2006 Henry Cow Box and the 2009 40th Anniversary Henry Cow Box Set, totalling over sixteen hours. A bonus CD: Ex Box – Collected Fragments 1971–1978 was given to advance subscribers of the 2019 Box Redux, and contains newly recovered and previously unreleased recordings, plus the contents of the 2006 box set bonus CD-single: "Unreleased Orckestra Extract". The 2019 Box Redux plus the Ex Box bonus CD contains all the officially released studio and live recordings of Henry Cow, excluding "Bellycan" as released on the 1991 East Side Digital version of Legend, and the complete version of "The Glove" from the 1991 East Side Digital version of Unrest.