With Friends Like These | ||||
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Studio album by | ||||
Released | 1979 | |||
Recorded | July 8, 11 and 17, 1979 | |||
Studio | Mobius Music, San Francisco | |||
Genre | Experimental music, free improvisation, noise | |||
Length | 42:10 | |||
Label | Metalanguage (US) | |||
Producer | Fred Frith and Henry Kaiser | |||
Fred Frith and Henry Kaiser chronology | ||||
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Fred Frith chronology | ||||
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With Friends Like These is a 1979 studio album of improvised experimental music by Fred Frith and Henry Kaiser. It was recorded in July 1979, and was released on LP by Metalanguage Records later that year. It was Frith and Kaiser's first collaborative album, and was followed in 1983 by Who Needs Enemies?
In 1987 SST Records released With Enemies Like These, Who Needs Friends?, a CD with five tracks from With Friends Like These, seven tracks from Who Needs Enemies?, and four additional tracks from an unreleased live album by Frith and Kaiser. In 1999 Cuneiform Records released Friends & Enemies , a double-CD containing all the tracks from With Friends Like These and Who Needs Enemies?, plus unreleased live and studio material. [1]
Frith and Kaiser began working together when English avant-rock group Henry Cow, with whom Frith played guitar, lost their bass player. Frith decided to switch to bass guitar and recruited Kaiser to play guitar for the band. [2] [3] While Kaiser never joined the band permanently, he played guitar at several of their European concerts. [4] Frith and Kaiser's work together resulted in a partnership that gave rise to two collaborative albums, With Friends Like These and Who Needs Enemies? , [3] and several concert performances. [5] [1]
Review scores | |
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Source | Rating |
AllMusic |
In a review in AllMusic, Dean McFarlane called With Friends Like These "[a]n extraordinary collaboration between two of avant-garde's most respected guitarists". [6] He described much of the album as "chaotic experimental noise", but added that "traditional virtuosity" also features prominently. [6] McFarlane concluded that With Friends Like These showcases some of Frith and Kaiser's "most striking performances", and demands repeated listening, which, he said, is unusual for this type of music. [6]
Also writing in AllMusic, Rick Anderson described With Friends Like These as "one of the defining documents of the downtown avant-garde scene". [5] He said Frith and Kaiser's improvised duets "essentially redefined the sound of the guitar". [5]
All music by Fred Frith and Henry Kaiser.
No. | Title | Length |
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1. | "It Moves ..." | 2:00 |
2. | "The Changing of Names" | 5:45 |
3. | "It Sings" | 5:40 |
4. | "Believing What We Read" | 3:00 |
5. | "...But Does It Swing?" | 3:30 |
No. | Title | Length |
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6. | "Twisted Memories Give Way to the Angry Present" | 3:50 |
7. | "Black Glass" | 5:30 |
8. | "Third Rail" | 3:25 |
9. | "Three Languages" | 9:30 |
Tracks 2, 6 and 7 are guitar duets recorded with no overdubbing.
Sources: Liner notes, [7] Discogs, [8] Fred Frith discography. [1]
Sources: Liner notes, [7] Discogs, [8] Fred Frith discography. [1]
Sources: Liner notes, [7] Discogs, [8] Fred Frith discography. [1]
Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improvisor.
Henry Kaiser is an American guitarist and composer, known as an idiosyncratic soloist, a sideman, an ethnomusicologist, and a film score composer. Recording and performing prolifically in many styles of music, Kaiser is a fixture on the San Francisco Bay Area music scene. He is considered a member of the "second generation" of American free improvisers. He is married to Canadian artist Brandy Gale. He is the son of Henry J. Kaiser Jr. and the grandson of industrialist Henry J. Kaiser.
Guitar Solos 3 is the third in a series of three albums of improvised guitar solos by various musicians, and was released in the United States by Rift Records in 1979. Fred Frith coordinated and produced the series, which began with his 1974 debut solo album, Guitar Solos.
Gravity is a 1980 solo album by English guitarist, composer and improviser Fred Frith from Henry Cow and Art Bears. It was Frith's second solo album and his first since the demise of Henry Cow in 1978. It was originally released in the United States on LP record on The Residents's Ralph record label and was the first of three solo albums Frith made for the label.
Speechless is a 1981 solo album by English guitarist, composer and improviser Fred Frith of the group Henry Cow. It was Frith's third solo album, and was originally released in the United States on LP record on The Residents' Ralph record label. It was the second of three solo albums Frith made for the label.
Fred Frith appears on over 400 recordings. This is a selection from bands he was/is a member of, collaborations with other bands and musicians, and his solo recordings. The year indicates when the album was first released. For a comprehensive discography, see the Discography of Fred Frith by Michel Ramond, Patrice Roussel and Stephane Vuilleumier.
Metalanguage Records was a record label in Berkeley, California, founded in 1978 by Henry Kaiser and Larry Ochs. It showcased Rova as well as many independent artists and produced the Rova Arts Festival in 1980.
Live Improvisations is a 1992 collaborative live album of improvised music by English experimental musicians Fred Frith and Tim Hodgkinson. It was recorded in May 1990 in England and was released on Woof Records in the United Kingdom and Megaphone Records in the United States.
Ironic Universe is a 2006 double album of prepared guitar music by Janet Feder and Fred Frith. It comprises a studio CD of solo tracks by Feder and duo improvisations by Feder and Frith, and a live DVD of solo performances by Frith and Feder filmed in Colorado. It was released by Dave Kerman's Ad Hoc Records on January 1, 2006.
The Stone: Issue Two is a 2007 live album of improvised experimental music by Fred Frith and Chris Cutler. It was recorded at The Stone in New York City on 15 December 2006 and was one of four CDs released between 2006 and 2010 by Tzadik Records to raise funds for The Stone. It was Frith and Cutler's fourth collaborative album.
2 Gentlemen in Verona is a 2000 live album of improvised experimental music by Chris Cutler and Fred Frith. It was recorded Verona, Italy on 16 April 1999 and released by Recommended Records in April 2000. It was Frith and Cutler's third collaborative album.
Live in Prague and Washington is a 1983 live album of improvised experimental music by Chris Cutler and Fred Frith. It was recorded at the 8th Prague "Jazz Days" Festival in Prague in former Czechoslovakia on 25 May 1979, and at the DC Space in Washington, D.C. on 20 December 1979. The album was released by Recommended Records in 1983 on a 45 rpm 12" LP. It was Frith and Cutler's first collaborative album.
The Compass, Log and Lead is a 2006 studio album of improvised acoustic experimental music by Fred Frith, Carla Kihlstedt and Stevie Wishart. It was recorded in October 2003 in Oakland, California, and released by Intakt Records in 2006.
Storytelling: Live at Theater Gütersloh is a 2017 live album by English guitarist Fred Frith. It was performed by Frith in a trio with Danish saxophonist Lotte Anker and Swiss percussionist Samuel Dühsler on 18 March 2017 at the Theater Gütersloh in North Rhine-Westphalia, Germany. The recording was released on 18 August 2017 by Intuition in Germany as Volume 12 of its European Jazz Legends series.
Who Needs Enemies? is a 1983 studio album of improvised experimental music by Henry Kaiser and Fred Frith. It was recorded in October 1983, and was released on LP by Metalanguage Records later that year. It was Kaiser and Frith's second collaborative album, following on from their first, With Friends Like These in 1979.
Friends & Enemies is a 1999 double-CD compilation album of studio and live material by Fred Frith and Henry Kaiser. It contains the complete collaborative recordings of Frith and Kaiser from 1979 to 1999, namely their two studio albums With Friends Like These (1979) and Who Needs Enemies? (1983), an unreleased live album recorded in 1984, and new studio tracks recorded in 1999. The album was released by Cuneiform Records in June 1999.
French Gigs is a 1983 live collaborative album of improvised experimental music by Lol Coxhill and Fred Frith. It was recorded live in France in Limoges and Poitiers in October 1978, and in Reims in 1981. The album was released on LP by AAA in 1983, on CD by AYAA in 1991, and again on CD by Klanggalerie in 2020. The 1991 release includes a new track recorded via correspondence in 1991–92 by Coxhill in London and Frith in Munich, while the 2020 release includes the extra 1991 track, plus another new track recorded in Aubervilliers, France in 1999, the last performance by Coxhill and Frith. The 2020 release was re-mastered by Myles Boison.
Ayaya Moses is a 1997 studio album by the Fred Frith Guitar Quartet, a United States-based contemporary classical and experimental music guitar quartet comprising Fred Frith, René Lussier, Nick Didkovsky and Mark Stewart. It is their debut album and was recorded in Radio-Canada's Studio 12 at Maison Radio-Canada in Montreal, Quebec, Canada, seven years after the ensemble was formed in 1989. It was released by Canadian record label, Ambiances Magnétiques.
Fear No Love is the fourth studio album by Bob Ostertag, released on February 18, 1995 by Avant Records. The album's concept deals with the phobias surrounding queer love including fear of intimacy, fear of gender, fear of stereotypes, fear of AIDS, fear of rejection and fear of fear.
Still Urban is a 2009 avant-garde jazz studio album by English guitarist and composer Fred Frith and the Swiss-based ARTE Quartett. It was recorded in January 2008 at Swiss Radio DRS2 in Zürich, Switzerland, and was released in 2009 by Intakt Records, together with Frith and the ARTE Quartett's second collaborative album, The Big Picture, which was also recorded in January 2008 at Swiss Radio DRS2.