Go Ahead! | ||||
---|---|---|---|---|
Studio album by | ||||
Released | December 20, 1978 | |||
Studio | CBS/Sony | |||
Genre | ||||
Length | 42:15 54:05 (2002 reissue) | |||
Label |
| |||
Producer | Tatsuro Yamashita | |||
Tatsuro Yamashita chronology | ||||
| ||||
Singles from Go Ahead! | ||||
|
Go Ahead! is the third studio album by Japanese singer-songwriter Tatsuro Yamashita, released in December 1978.
"A masterpiece third solo album that marked the creativity of Yamashita's brilliant and versatile writing style which determined his subsequent path." [1]
In commercial music, etc., there was a high demand for Yamashita as a musician who works under anonymity, but Yamashita's evaluation as a contract musician for a record company, was favorable, but he wasn't meeting the sales figures RCA wanted. Yamashita himself felt that the world of rock and folk that he had lived in had entered a new stage at that time, and thought that if he went on like this, he would probably have to give up his records and live activities. So he had a pessimistic prediction that this album would probably be the last. The album was criticized by critics and listeners for being disorganized, but it can be said that the writer's principle, which began to suffer, was the sprout of the album production policy that followed. [2] However Tatsuro Yamashita was told that one of his songs in the Go Ahead! album "Bomber" was a hit song in a disco in Osaka. Therefore, in 1979, a promotional single was released under the title of "Bomber".
The songs "Let's Dance Baby", "Bomber" & "潮騒 (The Whispering Sea)" would've be featured in his 1982 greatest hits album "Greatest Hits! of Tatsuro Yamashita". Meanwhile, the song "This Could Be The Night" would get re-recorded in 1984 as part of his soundtrack album "Big Wave".
In 2002, a remastered reissue (BVCR-17015) was released as part of The RCA/AIR Years 1976–1982 series. The reissue would include remastered tracks and three additional tracks that were previously unreleased before. It would enter the Oricon charts, peaking in at number twenty-five.
All lyrics are written by Minako Yoshida (ja); all music is composed by Tatsuro Yamashita, except where noted [3]
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Overture" | — | 0:48 | |
2. | "Love Celebration" | James Ragan | 4:26 | |
3. | "Let's Dance Baby" | Osamu Yoshioka | 4:12 | |
4. | "Monday Blue" | Tatsuro Yamashita | 7:12 | |
5. | "ついておいで (Follow Me Along)" | 4:48 | ||
Total length: | 21:26 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Bomber" | 5:58 | ||
2. | "潮騒 (The Whispering Sea)" | 4:23 | ||
3. | "Paper Doll" | Tatsuro Yamashita | 3:27 | |
4. | "This Could Be The Night" | Harry Nilsson | Harry Nilsson | 3:56 |
5. | "2000トンの雨 (2000t Of Rain)" | Tatsuro Yamashita | 3:05 | |
Total length: | 20:49 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Overture" | — | 0:47 | |
2. | "Love Celebration" | James Ragan | 4:25 | |
3. | "Let's Dance Baby" | Osamu Yoshioka | 4:14 | |
4. | "Monday Blue" | Tatsuro Yamashita | 7:12 | |
5. | "ついておいで (Follow Me Along)" | 4:51 | ||
6. | "Bomber" | 5:56 | ||
7. | "潮騒 (The Whispering Sea)" | 4:22 | ||
8. | "Paper Doll" | Tatsuro Yamashita | 3:28 | |
9. | "This Could Be The Night" | Harry Nilsson | Harry Nilsson | 3:55 |
10. | "2000トンの雨 (2000t Of Rain)" | Tatsuro Yamashita | 3:09 | |
11. | "潮騒 [英語ヴァージョン-English Version-]" | Eddie de Joy | 4:21 | |
12. | "2000トンの雨 [カラオケ-Karaoke-]" | — | 3:06 | |
13. | "潮騒 [カラオケ-Karaoke-]" | — | 4:19 | |
Total length: | 54:05 |
• Tatsuro Yamashita: All Voices [3]
1978 P.M.P.
•Tatsuro Yamashita: Electric Guitar (Left), Hammond organ & Vibraphone
•Yutaka Uehara: Drums
•Akihiro Tanaka: Bass
•Kazuo Shiina: Electric Guitar (Right)
• Hiroyuki Namba: Electric Piano
• Shigeharu Mukai: Trombone
•Tadanori Kogawa: Trombone
•Takeru Muraoka: Tenor Sax
•Shunzo Sunahara: Baritone Sax
•Tadaaki Ohno: Strings Concert Master
© 1977 ALFA MUSIC LTD.
•Tatsuro Yamashita: Electric Guitar (Left), Percussion, Bang! & Background Vocals
•Yutaka Uehara: Drums & Percussion
•Hiroyuki Namba: Electric Piano
•Akihiro Tanaka: Bass & Percussion
•Kazuo Shiina: Electric Guitar (Right) & Percussion
•Hiroyuki Namba: Keyboards & Percussion
•Tomoo Okazaki: Alto Sax Solo
•Minako Yoshida: Background Vocals
•Ryuzo Kosugi: Background Vocals
© 1978 J&K MUSIC PUB.
• Shuichi "Ponta" Murakami: Drums
•Akira Okazawa: Bass
•Tsunehide Matsuki: Electric Guitar
• Hiroshi Sato: Keyboards
•Keiko Yamakawa: Harp
•Tadaaki Ohno: Strings Concert Master
© 1978 P.M.P.
•Tatsuro Yamashita: Electric Guitar (Left) & Background Vocals
•Yutaka Uehara: Drums
•Akihiro Tanaka: Bass
•Kazuo Shiina: Electric Guitar (Right)
•Hiroyuki Namba: Electric Piano
•Motoya Hamaguchi: Percussion
•Shigeharu Mukai: Trombone Solo
•Minako Yoshida: Background Vocals
© 1978 P.M.P.
•Tatsuro Yamashita: Electric Guitar & Background Vocals
•Yutaka Uehara: Drums
•Akihiro Tanaka: Bass
•Kazuo Shiina: Electric Guitar Solo
•Hiroyuki Namba: Keyboards
•Minako Yoshida: Background Vocals
© 1978 P.M.P.
(Same personnel for the English version)
•Tatsuro Yamashita: Electric Guitar, Arp Odyssey Synthesizer (Bass), Percussion & Background Vocals
•Yutaka Uehara: Drums
•Akihiro Tanaka: Bass
•Hiroyuki Namba: Acoustic Piano
• Chuei Yoshikawa: Acoustic Guitar
• Ryuichi Sakamoto: KORG PS-3100 Synthesizer
•Motoya Hamaguchi: Percussion
•Minako Yoshida: Background Vocals
© 1978 P.M.P.
•Tatsuro Yamashita: Electric Guitar, Percussion & Background Vocals
•Yutaka Uehara: Drums
•Akihiro Tanaka: Bass
•Ryuichi Sakamoto: Keyboards
•Minako Yoshida: Background Vocals
© 1978 P.M.P.
•Tatsuro Yamashita: Drums, Bass, Electric Guitar, Acoustic Piano, Glockenspiel, Percussion, & Background Vocals
•Chuei Yoshikawa: Acoustic Guitar
•Ryuichi Sakamoto: Poly Moog Synthesizer
•Motoya Hamaguchi: Percussion
© ROCK MUSIC
•Tatsuro Yamashita: Electric Guitar, Percussion & Background Vocals
•Yutaka Uehara: Drums
•Akihiro Tanaka: Bass
•Ryuichi Sakamoto: Acoustic Piano
•Tomoo Okazaki: Alto Sax Solo
•Ryuzo Kosugi: Percussion
•Minako Yoshida: Background Vocals
•Tadaaki Ohno: Strings Concert Master
© 1978 P.M.P.
"From the inner sleeve notes of the album (RVL-8037)."
PRODUCED BY TATSURO YAMASHITA FOR P.M.P. INC
ALL SONGS ARRANGED BY TATSURO YAMASHITA
Directed by Ryuzo "Junior" Kosugi (RCA)
Engineered by Tamotsu Yoshida
Session Co-odinater – Ryuzo Kosugi
Disk Mastering Engineer – Tohru Kotetsu
Assistant Engineer – Toshihiro Itoh (Onkio Haus)
Recording Studios: |
|
Mastering Studio: Nihon Victor Yokohama Mastering Studio
Art Direction – Kenkichi Satoh
Cover Design – Kenkichi Satoh, Akira Sugiyama
Special thanks to Akira Ikuta, Kunio Muramatsu for their assistance
ALL SONGS PUBLISHED BY 1978 P.M.P., 1977 P.M.P., EXCEPT; "LOVE CELEBRATION" BY 1977 ALFA MUSIC LTD.,
"LET'S DANCE BABY" BY 1978 J&K MUSIC PUB., "THIS COULD BE THE NIGHT" BY ROCK MUSIC, THE RIGHTS FOR JAPAN ASSIGNED TO TOSHIBA MUSIC PUB.
Year | Album | Country | Chart | Position | Weeks | Sales |
---|---|---|---|---|---|---|
1978 | Go Ahead! | Japan | Oricon Weekly LP Albums Chart (top 100) | 75 | 5 | 7,000 [4] |
2002 | Go Ahead! [Remastered edition] | Oricon Weekly Albums Chart | 25 | 3 | 17,000 [4] | |
Country | Date | Label | Format | Catalog number [3] |
---|---|---|---|---|
Japan | December 20, 1978 | RCA/RVC | LP | RVL-8037 |
CT | RCJ-1602 | |||
February 21, 1985 | CD | RHCD-513 | ||
March 15, 1987 | R28H-2803 | |||
November 21, 1989 | RCA/BMG Victor | B25D-13005 | ||
August 21, 1990 | BVCR-7003 | |||
June 4, 1997 | RCA/BMG Japan | BVCR-1030 | ||
May 21, 1999 | BVCK-37008 | |||
February 14, 2002 | RCA/BMG Funhouse | BVCR-17015 | ||
February 20, 2002 | LP | BVJR-17005 |
Change is the 12th studio album by Japanese singer-songwriter Miyuki Nakajima. It was released in April 1985. The album comprises nine tracks originally written for other singers, including "Kamome wa Kamome," which is known as one of the signature songs for Naoko Ken, and "Sparrow (Suzume)", which became the sole top-ten charting solo single for ex-Pink Lady member Keiko Masuda.
Sneaker Dancer (スニーカーダンサー) is the seventh studio album by Japanese singer-songwriter Yosui Inoue, released in September 1979.
36.5 °C is the 14th studio album by a Japanese singer-songwriter Miyuki Nakajima, released in November 1986.
Handsome Boy is the 14th studio album by a Japanese singer-songwriter Yōsui Inoue, released in 1990.
Every Night is the 8th studio album by a Japanese singer-songwriter Yōsui Inoue, released in December 1980.
Ride on Time is the fifth studio album by Japanese singer-songwriter Tatsuro Yamashita, released by AIR/RVC on September 19, 1980. It is best known for its title track, which was used in the television commercial for Maxell cassette tapes starring Yamashita, and released as a single in May 1980. The song became his first charting single, peaking at No. 3 on Oricon's weekly singles chart with sales of 417,000 copies. In 2003, the song was featured on the television drama Good Luck!! starring Takuya Kimura, and entered the top 20 on the chart again.
Melodies is the eighth studio album recorded by Japanese singer-songwriter Tatsuro Yamashita, released in June 1983. It was his first LP issued under the Moon Label which was distributed by Alfa Records at the time.
Artisan is the thirteenth studio album recorded by the Japanese singer-songwriter Tatsuro Yamashita. It was released in June 1991, led by a string of hit singles he produced. Artisan became his first album that was not released on LP. Like his 1989 live album Joy, illustration for a front cover of Artisan was drawn by Andre Miripolsky, who painted a cover art of Bette Midler's 1983 No Frills album. It debuted at the No. 1 on the Oricon, and spent 20 weeks on chart with sales of over 710,000 copies in total. In December 1991, the album won the 33rd Japan Record Awards for "Best Pop/Rock Album" and "Excellent Albums" prizes.
Cobalt Hour, stylized as COBALT HOUR, is Yumi Arai's third studio album, released on June 20, 1975 by Toshiba EMI/Express. The album was also distributed by Alfa Records for a period of time, as Alfa also held ancillary rights to this and the other LPs Arai released during the time Alfa was still a publishing company; those rights later reverted to EMI Japan in 1994-thereabouts, when EMI regained distribution of Alfa's catalogue except for the artists who were published by Alfa and were distributed by other labels. On April 26, 2000, the recording was digitally remastered for re-release on CD by Bernie Grundman. Internet sales of the album began March 10, 2005.
Tropical Dandy is Haruomi Hosono's second solo album. This album continues the tropical style of Hosono House and also features performances from "Caramel Mama". This album was re-issued as part of a box set with bonus tracks taken from Tin Pan Alley albums by Crown decades later.
Bon Voyage co. is Haruomi Hosono's third solo album. This album continues the tropical style of Hosono House and Tropical Dandy while showing influence from the music of New Orleans and also features performances from Tin Pan Alley and Happy End. The album's Japanese title was influenced by a Nagasaki convenience store of the same name that Hosono met while on Tin Pan Alley's "First & Last Concert Tour". This album was re-issued as part of a box set with the single version of the Tropical Dandy song "Peking Duck" and an interview Hosono gave on a Tokyo Broadcasting System radio show.
Saravah! is Yukihiro Takahashi's first solo album. It is named after Pierre Barouh's record label of the same name. Takahashi conceived the album during his tenure on The Sadistics; he based his music on French pop music, this influence would later show up on early Yellow Magic Orchestra material. Besides Takahashi, this album features performances by members of The Sadistics, YMO and Tin Pan Alley. Due to the album being made before YMO members started using computers, Sakamoto got involved in arranging the music; all the keyboard parts on the album are dubbed instead of sequenced.
Summer Nerves is an album which recorded a so-called "Martial arts session" between Jazz fusion musicians and Japanese rock musicians, led by Ryuichi Sakamoto at the time of the formation of Yellow Magic Orchestra. "Martial arts session" of this album is regarded as a prototype of Kazumi Watanabe's "Kylyn session".
Moonglow is the fourth studio album by Japanese singer-songwriter Tatsuro Yamashita, released in October 1979.
Mirai no Theme/Uta no Kisha is the fifty-first single released by Japanese singer-songwriter Tatsuro Yamashita, released in July 2018. This work contains two songs by Tatsuro Yamashita for the film "Mirai".
Ride on Time is the sixth single by Japanese singer-songwriter Tatsuro Yamashita, released in May 1980. This was his first single to enter the Oricon Singles Chart, peaking in at number three. Some sources claim that this was the beginning of the genre called "City pop".
For You is the sixth studio album by Japanese singer-songwriter Tatsuro Yamashita, released in January 1982.
Amaku Kiken na Kaori is the ninth single by Japanese singer-songwriter Tatsuro Yamashita, released in April 1982. This was his last single under the AIR/RVC label.
Greatest Hits! of Tatsuro Yamashita is the first greatest hits album by Japanese singer-songwriter Tatsuro Yamashita, released in July 1982.
My Sugar Babe is the seventh single by Japanese singer-songwriter Tatsuro Yamashita, released on October 21, 1980.