| God of Thunder | ||||
|---|---|---|---|---|
 | ||||
| EP by | ||||
| Released | 1989 | |||
| Recorded | October 1989 | |||
| Studio | Chung King House of Metal, New York City | |||
| Genre | Groove metal [1] | |||
| Length | 14:15 | |||
| Label | Caroline | |||
| Producer | Daniel Rey | |||
| White Zombie chronology | ||||
| ||||
God of Thunder EP by White Zombie It was the band's first release with Jay Yuenger on guitar. [2]
The release continued the band's shift to a more groove-oriented sound that had already begun on Make Them Die Slowly , released the same year, and was ultimately established on 1992's La Sexorcisto: Devil Music, Vol. 1
Re-released on CD for Let Sleeping Corpses Lie & It Came from N.Y.C. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| Chicago Tribune | [4] |
| Pitchfork | 7.6/10 [5] |
In an interview on Loudwire, Rob Zombie denied making the album cover to provoke Gene Simmons in order to gain press coverage. In fact, Simmons never filed any sort of lawsuit or complaint against the band for the cover art of the album. [6] On May 31, 2006, Zombie fronted a supergroup which performed "God of Thunder" at the VH1 Rock Honors.
Everett True of Melody Maker magazine gave the EP an enthusiastic and unconventional review, stating, "THIS one kicks some serious ass. I think that's all you need to know." [7] The record has remained popular with fans of the band's later work due to it being stylistically similar to La Sexorcisto .
All lyrics are written by Rob Zombie; all music is composed by White Zombie, except God of Thunder written by Paul Stanley
| No. | Title | Length |
|---|---|---|
| 1. | "God of Thunder" (Kiss cover) | 3:52 |
| No. | Title | Length |
|---|---|---|
| 1. | "Love Razor" | 5:22 |
| 2. | "Disaster Blaster 2" | 5:01 |
| # | Title | Samples [8] |
|---|---|---|
| 1 | "God of Thunder" |
|
| 2 | "Love Razor" | -- |
| 3 | "Disaster Blaster 2" |
|
Adapted from the God of Thunder liner notes. [9]
|
|
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| United States | 1989 | Caroline | LP | CAROL 1457 |
White Zombie was an American heavy metal band that formed in 1985. Based in New York City, they started as a noise rock band, releasing three EPs and one studio album in that style before changing to a heavy metal-oriented sound that broke them into the mainstream. The albums La Sexorcisto: Devil Music Volume One (1992) and Astro-Creep: 2000 (1995) established them as an influential act in groove metal and industrial metal, respectively. Their best-known songs include "Thunder Kiss '65", "Black Sunshine" and "More Human than Human". The group officially disbanded in 1998. In 2000, White Zombie was included on VH1's 100 Greatest Artists of Hard Rock, ranking at No. 56. As of October 2010, the band has sold six million albums, according to Nielsen SoundScan.
Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head, known more commonly as Astro-Creep 2000 is the fourth and final studio album by American heavy metal band White Zombie, released on April 11, 1995, by Geffen Records. The album proved to be their most commercially successful recording, peaking at number six on the Billboard 200 with the aid of the popular hit singles "More Human than Human" and "Super-Charger Heaven". It was the band's only studio album to feature John Tempesta on drums.
Rob Zombie is an American singer, songwriter, record producer, filmmaker, and actor. His music and lyrics are notable for their horror and sci-fi themes, and his live shows have been praised for their elaborate shock rock theatricality. He has sold an estimated 15 million albums worldwide. He rose to fame as a founding member and the frontman of heavy metal band White Zombie, with whom he released four albums.
La Sexorcisto: Devil Music Volume One is the third studio album by American heavy metal band White Zombie, released on March 30, 1992, through Geffen Records. The album marked a major artistic and commercial turning point for the band. After the recruitment of guitarist Jay Noel Yuenger, White Zombie was able to successfully embrace the metal sound they had pursued since Make Them Die Slowly (1989), while incorporating groove-based elements into their sound as they evolved away from their roots in punk rock and noise rock. The album was the band's last to feature drummer Ivan de Prume.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Make Them Die Slowly is the second studio album by American rock band White Zombie, released on March 22, 1989, by Caroline Records. It is named after the 1981 horror film Cannibal Ferox, which was originally released in the US as Make Them Die Slowly. There is a printing error on the CD's side saying "Let Them Die Slowly" instead of the album's correct title. Produced by composer Bill Laswell and featuring John Ricci on guitar, the album represented a transition from the noise rock influenced sound of White Zombie's previous releases to heavy metal, which informed much of their later work.
Soul-Crusher is the debut studio album by American rock band White Zombie, released independently in November 1987 by Silent Explosion. It was the band's second and final release with Tom "Five" Guay on guitar. Building off the sound established on Psycho-Head Blowout, the band matured its sound while placing further emphasis on the individual roles of its players. The album caught the attention of major labels and in 1988 was adopted and re-issued by Caroline Records.
Gods on Voodoo Moon is the first recording and release by American rock band White Zombie, released independently as an EP in November 1985. It was their only release with Paul "Ena" Kostabi on guitar and Peter Landau on drums.
Let Sleeping Corpses Lie is a 1974 zombie horror film directed by Jorge Grau, and starring Cristina Galbó, Ray Lovelock and Arthur Kennedy. It focuses on two protagonists who are harassed by a local police investigator in the English countryside and are implicated in murders committed by zombies who have been brought to life by a farming tool designed to kill insects via ultra-sonic radiation.
Pig Heaven/Slaughter the Grey is the second EP by American rock band White Zombie, independently released in May 1986. Two different pressings of this album were created, both of which were limited to 500 copies each. By this time, drummer Peter Landau was replaced by Ivan de Prume, who would remain with the band until Astro-Creep: 2000, and guitarist Paul "Ena" Kostabi by Tim Jeffs.
"Thunder Kiss '65" is a song by American heavy metal band White Zombie, released in 1992 from the band's third studio album, La Sexorcisto: Devil Music Volume One (1992). The song was released as their first official single and was later included on compilations, such as Rob Zombie's Past, Present & Future (2003) and The Best of Rob Zombie (2006).
Psycho-Head Blowout is the third EP by American rock band White Zombie, released in May 1987 by Silent Explosion. The album was recorded with producer and composer Kramer and was the band's first to feature guitarist Tom Guay, who had a pivotal influence on the band's sound. It was also the debut release of the band's short-lived label Silent Explosion. The record was the band's first release to receive critical notice and garnered them notice in underground circles.
Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
"Move (You Make Me Feel So Good)" is a song by American electronic musician Moby, with a chorus sampling from Loleatta Holloway's 1980 song "Love Sensation". It was first released as the title track on Moby's extended play Move, which was issued on August 31, 1993, as his first release on Mute Records in the United Kingdom and on Elektra Records in the United States. It hit number one on the US Billboard Hot Dance Music/Club Play chart and number 21 on the UK Singles Chart.
Thunder Up is the fifth and final studio album by English post-punk band the Sound, released in 1987 on Belgian record label Play It Again Sam.
The Young Gods is the debut studio album by the Swiss industrial rock band the Young Gods, released in 1987 by Play It Again Sam, Organik and Wax Trax! Records. The album employs a sample-based approach to rock music: the tracks are composed from samples from metal guitar riffs and classical compositions. The Young Gods was produced by Roli Mosimann, who went on to become a frequent collaborator of the band. It is the band's only record to feature their original drummer, Frank Bagnoud.
Let Sleeping Corpses Lie is a career-spanning five-disc box set by American rock band White Zombie. It is named after the 1974 Italian horror film of the same name.
Zombie Kiss is a live EP by the band White Zombie.
Black Spring is the third extended play by the English alternative rock band Lush. It was released on 7 October 1991 on 4AD. The opening track, "Nothing Natural", was released as a single with the B-side "God's Gift". Several other songs were included on the EP, including a cover version of "Lady" by Dennis Wilson.
It Came from N.Y.C. is a three-disc or five-LP anthology by American rock band White Zombie, released on June 3, 2016, by The Numero Group. It collects all the material the group officially released between 1985 and 1989, including previously unreleased tracks from the Pig Heaven/Slaughter the Grey sessions. The audio was remastered by guitarist Jay Yuenger and the box set includes a one-hundred and eight page book comprising unpublished photos, anecdotes by the band and a twenty-thousand-word essay written by Pitchfork contributor Grayson Currin.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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