Heide Fehrenbach | |
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Occupation | Historian |
Spouse | David Buller |
Awards | Guggenheim Fellow (2007) |
Academic background | |
Alma mater | Rutgers University |
Thesis | Cinema in democratizing Germany: the reconstruction of mass culture and national identity in the West, 1945-1960 (1990) |
Doctoral advisor |
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Academic work | |
Discipline | History |
Sub-discipline | |
Institutions |
Heide Fehrenbach is an American historian. A 2007 Guggenheim Fellow, she studies the history of Germany, and she has authored the books Cinema in Democratizing Germany (1995), Race after Hitler (2005), and After the Nazi Racial State (2009) and co-edited the volumes Transactions, Transgressions, Transformations (1999) and Humanitarian Photography: A History (2015). She is Board of Trustees Professor and Distinguished Research Professor at the Northern Illinois University (NIU) Department of History. [1]
Fehrenbach was born to Verizon worker Gladys Lucia ( née Kieselat) and sheet metal mechanic Herbert Frank Fehrenbach. [2] [3] She was raised in Pequannock Township, New Jersey, [4] where she became a New Jersey State Scholar in 1975. [5] She studied at Rutgers University, where she obtained her PhD in modern European history; [6] her thesis Cinema in democratizing Germany: the reconstruction of mass culture and national identity in the West, 1945-1960 was supervised by Victoria de Grazia and Harold Poor. [7]
In 1990, Fehrenbach started worked at Colgate University, [1] where she later became assistant professor of history. [8] In 1998, she left Colgate and became Associate Professor of History at Emory University, remaining there until 2001. [1] [9] She later moved to Northern Illinois University (NIU) after her time at Emory. [1] In 2012, she was appointed a Board of Trustees Professor at NIU. [10]
Fehrenbach won the Conference Group for Central European History's 1997 award for best first book for her 1995 book Cinema in Democratizing Germany , [11] which focuses on the history of film in Germany after the end of World War II. [12] In 1999, she and Uta Poiger co-edited Transactions, Transgressions, Transformations , a volume on the global impact of Americanization. [13] In 2003, she wrote an article for Long Island newspaper Newsday drawing comparisons between the Western Allied invasion of Germany and the United States' then-ongoing invasion of Iraq, particularly the idea of post-war cultural identity in these countries. [14] She later published two books on race in Germany after World War II: Race after Hitler (2005) and, as one of four co-authors, After the Nazi Racial State (2009). [15] [16] In 2007, she was awarded a Guggenheim Fellowship. [17] [6] She and Davide Rodogno co-edited the 2015 volume Humanitarian Photography: A History , part of the Cambridge University Press series Human Rights in History . [18]
At NIU, Fehrenbach teaches courses in areas such as history of Europe (particularly Germany) and film history. [1] In 2007, The Pantagraph reported that her books "were taught at universities around the world". [6]
Fehrenbach is married to philosopher David Buller, who is also a professor at NIU. [2] She lived in DeKalb, Illinois, as of 2020. [2] In September 2004, she participated in a rally protesting the George W. Bush 2004 presidential campaign nearby Dick Cheney's appearance at the NIU's Convocation Center. [19]
A propaganda film is a film that involves some form of propaganda. Propaganda films spread and promote certain ideas that are usually religious, political, or cultural in nature. A propaganda film is made with the intent that the viewer will adopt the position promoted by the propagator and eventually take action towards making those ideas widely accepted. Propaganda films are popular mediums of propaganda due to their ability to easily reach a large audience in a short amount of time. They are also able to come in a variety of film types such as documentary, non-fiction, and newsreel, making it even easier to provide subjective content that may be deliberately misleading.
From Caligari to Hitler: A Psychological History of the German Film is a book by film critic and writer Siegfried Kracauer, published in 1947.
Die Mörder sind unter uns, a German film known in English as Murderers Among Us in the United States or The Murderers Are Among Us in the United Kingdom was one of the first post-World War II German films and the first Trümmerfilm. It was produced in 1945/46 in the Althoff Studios in Babelsberg and the Jofa-Ateliers in Johannisthal. The film was written and directed by Wolfgang Staudte.
Brown Babies is a term used for children born to black soldiers and white women during and after the Second World War. Other names include "war babies" and "occupation babies." In Germany they were known as Mischlingskinder, a term first used under the Nazi regime for children of mixed Jewish-German parentage. As of 1955, African-American soldiers had fathered about 5,000 children in the American Zone of Occupied Germany. In Occupied Austria, estimates of children born to Austrian women and Allied soldiers ranged between 8,000 and 30,000, perhaps 500 of them biracial. In the United Kingdom, West Indian members of the British military, as well as African-American soldiers in the US Army, fathered 2,000 children during and after the war. A much smaller and unknown number, probably in the low hundreds, was born in the Netherlands, but the lives of some have been followed into their old age and it is possible to have a better understanding of the experience that would unfold for all of the Brown Babies of World War II Europe.
Rolf Meyer was a German screenwriter, film producer and director.
Pauline Chaponnière-Chaix was a Swiss nurse, feminist and suffragette. She was one of four employees of the International Committee of the Red Cross after World War I, and served as president of the International Council of Women during the period of 1920–22.
Elfie (Elfriede) Fiegert - born April 1946, in Freising, Bavaria, West Germany - is an Afro-German film actor who became famous as a child actor for playing the lead role in the film Toxi (1952) filmed when she was five years old. This was followed in 1955 with the film The Dark Star which has erroneously been described as sequel. At the age of seventeen she had a small role in The House in Montevideo (1963).
Mabel Grammer was an African-American journalist. Her "Brown Baby Plan" led to the adoption of 500 mixed race German orphans after World War II.
Klaus Eyferth was a German psychologist. He was educated at the University of Hamburg, from which he received his diploma in 1954, his doctorate in 1957, and his habilitation in 1964. While at the University of Hamburg, he conducted a study on the IQ scores of the German-raised children of black and white American soldiers stationed in Allied-occupied Germany. This study has since become known as the Eyferth study. In 1973, he joined the faculty of Technische Universität Berlin, where he went on to help establish the Institute for Psychology. A member of the German Psychological Society, he hosted its 1988 conference in Berlin. In 1995, he retired from TU Berlin; he became an emeritus professor there the following year. He died on 19 July 2012, at the age of 83.
Robert Meyn was a German stage, film and television actor.
The Major and the Bulls is a 1955 West German comedy film directed by Eduard von Borsody and starring Fritz Tillmann, Christiane Hörbiger and Attila Hörbiger. It is based on the 1953 novel of the same title by Hans Venatier. It was shot at the Bavaria Studios in Munich and in Wiesbaden. The film's sets were designed by the art director Ernst Schomer.