Anne Boleyn was Queen of England from 1533 to 1536, as the second wife of King Henry VIII. The circumstances of her marriage and of her execution by beheading for treason and other charges made her a key figure in the political and religious upheaval that marked the start of the English Reformation.
Jane Seymour was Queen of England as the third wife of King Henry VIII from their marriage on 30 May 1536 until her death the next year. She became queen following the execution of Henry's second wife, Anne Boleyn. She died of postnatal complications less than two weeks after the birth of her only child, the future King Edward VI. She was the only wife of Henry to receive a queen's funeral; and he was later buried alongside her remains in St George's Chapel, Windsor Castle.
Le Cid is an opera in four acts and ten tableaux by Jules Massenet to a French libretto by Adolphe d'Ennery, Louis Gallet and Édouard Blau. It is based on the play of the same name by Pierre Corneille.
Le Mage is an opera in five acts by Jules Massenet to a French libretto by Jean Richepin. It was first performed at the Paris Opéra in Paris on 16 March 1891 in costumes by Charles Bianchini and sets by Auguste Alfred Rubé, Philippe Chaperon and Marcel Jambon, Amable and Eugène Gardy, Alfred Lemeunier, and Jean-Baptiste Lavastre and Eugène Carpezat.
Véronique Gens is a French operatic soprano. She has spent much of her career recording and performing Baroque music.
Christophe Rousset is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European music of the 17th and 18th centuries and is the founder of the French music ensemble Les Talens Lyriques.
Ariodant is an opéra comique in three acts by the French composer Étienne Méhul first performed at the Théâtre Favart in Paris on 11 October 1799. The libretto, by François-Benoît Hoffman is based on the same episode in Ariosto's Orlando Furioso that also inspired Handel's opera Ariodante. The work had a profound influence on the development of Romantic opera, particularly in Germany.
Tarare is an opéra composed by Antonio Salieri to a French libretto by Pierre Beaumarchais. It was first performed by the Paris Opera at the Théâtre de la Porte Saint-Martin on 8 June 1787. Salieri also reworked the material into an Italian version retitled Axur, re d'Ormus with libretto by Lorenzo Da Ponte, which opened in Vienna in January 1788.
The French musical ensemble Les Talens Lyriques was created in 1991 in Paris, France, by the harpsichordist and orchestral conductor Christophe Rousset. This instrumental and vocal formation derives its name from the subtitle of Les fêtes d'Hébé (1739) an opera by Jean-Philippe Rameau.
Events from the 1530s in England.
Henry VIII and his reign have frequently been depicted in art, film, literature, music, opera, plays, and television.
Le roi Arthus is an opera in three acts by the French composer Ernest Chausson to his own libretto. It was composed between 1886 and 1895, and first performed 30 November 1903 at the Théâtre de la Monnaie, Brussels, after long delays. The musical style is heavily influenced by the works of Richard Wagner, particularly Tristan und Isolde and Parsifal, as well as César Franck. The scenery at the premiere was designed by Albert Dubosq and the symbolist painter Fernand Khnopff; it was executed by Dubosq's atelier together with Chausson's brother-in-law Henry Lerolle and under the supervision of Chausson's widow.
Ascanio is a grand opera in five acts and seven tableaux by composer Camille Saint-Saëns. The opera's French libretto, by Louis Gallet, is based on the 1852 play Benvenuto Cellini by French playwright Paul Meurice which was in turn based on the 1843 historical novel by Alexandre Dumas, père. The name was changed to Ascanio to avoid confusion with the Berlioz opera Benvenuto Cellini. The opera premiered on March 21, 1890, at the Académie Nationale de Musique in Paris, in costumes designed by Charles Bianchini and sets by Jean-Baptiste Lavastre and Eugène Carpezat, Auguste Alfred Rubé and Philippe Chaperon and Marcel Jambon.
Renaud is an opera by Antonio Sacchini, first performed on 28 February 1783 by the Académie Royale de Musique at the Théâtre de la Porte Saint-Martin in Paris. It takes the form of a tragédie lyrique in three acts. The French libretto, by Jean-Joseph Lebœuf, is based on Cantos XVII and XX of Torquato Tasso's epic poem Gerusalemme liberata and, more directly, on the five-act tragedy by Simon-Joseph Pellegrin, Renaud, ou La suite d'Armide, which had been set to music by Henri Desmarets in 1722 and was intended as a sequel to Lully's famous opera Armide. According to Théodore Lajarte, Lebœuf was helped by Nicolas-Étienne Framery, the regular translator of Sacchini's libretti.
Eugène Louis Carpezat was an acclaimed French scenographer in the Belle Époque.
Les barbares is a 1901 tragédie lyrique in 3 acts by Camille Saint-Saëns to a libretto by Victorien Sardou and Pierre-Barthélemy Gheusi. The opera was originally intended for the Roman theatre of Orange, in Provence, but instead premiered at the Paris Opéra Palais Garnier in October 1901.
Frédégonde is an 1895 French opera in five acts with music by Ernest Guiraud, Camille Saint-Saëns, and Paul Dukas and a libretto by Louis Gallet based on Augustin Thierry's Récits des temps mérovingiens [Tales from the time of the Merovingians] (1840).
Six is a British musical comedy with music, book, and lyrics by Toby Marlow and Lucy Moss. It is a modern retelling of the lives of the six wives of Henry VIII, presented in the form of a pop concert. In the show, each of the wives take turns telling their story to determine who suffered the most from their common husband.
Marie-Antoinette Willemsen called Meyrianne Héglon was a Belgian opera singer. After her marriage to the composer Xavier Leroux, she was known as Madame Héglon-Leroux.
Armida Parsi-Pettinella (1868–1949) was an Italian mezzo-soprano who is remembered for her performances in Italy, especially from 1895 at La Scala, where she was repeatedly successful in the title role of Samson et Dalila until 1910. She also performed in Paris, Madrid, Buenos Aires and Monte-Carlo.
![Fragment of the sheet music as depicted in Saint-Saens (1914) by Lucien Auge de Lassus [fr] Saint-Saens (1914) (14771058731).jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/1/16/Saint-Sa%C3%ABns_%281914%29_%2814771058731%29.jpg/290px-Saint-Sa%C3%ABns_%281914%29_%2814771058731%29.jpg)
