Herzog & de Meuron

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Herzog & de Meuron Basel Ltd.
Hamburg, HafenCity, Elbphilharmonie (und Mahatma-Gandhi-Brucke) -- 2016 -- 3054.jpg
Elbphilharmonie, Hamburg, Germany
Practice information
Partners Jacques Herzog
Pierre de Meuron
Christine Binswanger
Ascan Mergenthaler
Stefan Marbach
Jason Frantzen
Robert Hösl
Andreas Fries
Wim Walschap
Simon Demeuse
Olga Bolshanina
Santiago Espitia Berndt
Steffen Riegas
Christoph Röttinger
Martin Knüsel
Tobias Winkelmann
Founders Jacques Herzog
Pierre de Meuron
Founded1978
Location Basel, Switzerland
Berlin, Germany
Munich, Germany
New York City, USA
San Francisco, USA
London, UK
Hong Kong, China
Significant works and honors
Projects Tate Modern
Allianz Arena
Beijing National Stadium
M+ Museum
Elbphilharmonie
Awards Pritzker Prize (2001)
Prix de l'Équerre d'Argent (2001)
Royal Gold Medal (2007)
Schock Prize (1999)
Stirling Prize (2003)
Website
www.herzogdemeuron.com

Herzog & de Meuron Basel Ltd. is an international architecture firm headquartered in Basel, Switzerland, with additional offices in Berlin, Hong Kong, London, Munich, New York City, Paris, and San Francisco. [1] Founded in 1978 by Jacques Herzog and Pierre de Meuron, the practice's portfolio includes more than 600 projects in 40 countries. The company is led by the founding partners along with senior partners Christine Binswanger, Ascan Mergenthaler, Stefan Marbach, Jason Frantzen, Andreas Fries, Wim Walschap, and the CEO, Adrian Keller, who collectively oversee the firm's direction and management. [2] [3] Its staff comprises over 500 employees representing more than 50 nationalities. [1]

Contents

History and international recognition

Herzog & de Meuron Basel Ltd. was founded in 1978 in Basel, Switzerland, by Jacques Herzog and Pierre de Meuron, graduates of the Swiss Federal Institute of Technology (ETH Zurich) in 1977. [4] [5] The firm initially gained recognition for minimalist designs and innovative use of materials, such as the Blue House in Oberwil (1980) [6] and the Ricola Storage Building in Laufen (1987). [7] [8] Their international reputation grew in the 1990s with projects like the Goetz Collection in Munich (1992), [9] [8] which featured glass cladding to diffuse natural light, and the Dominus Winery in Napa Valley (1997), notable for its gabion walls of local stones that integrate the structure with its surroundings. [10] [11] [12]

The transformation of London’s Bankside Power Station into the Tate Modern (2000) marked a turning point, blending industrial history with contemporary design. [13] The New York Times praised it as "an example of how architecture can breathe new life into old structures." [14] In 2001, Herzog & de Meuron received the prestigious Pritzker Architecture Prize, commended for their refined and innovative designs. [15]

High-profile projects in the 2000s included the Beijing National Stadium (2008), known as the "Bird’s Nest," created in collaboration with artist Ai Weiwei for the Summer Olympics. [16] [17] [18] Other notable works included the REHAB Basel Clinic (2002), emphasizing light and openness for therapeutic recovery, and the Allianz Arena in Munich (2005), known for its dynamic ETFE façade. [19] The Prada Aoyama store in Tokyo (2003) showcased experimental glass architecture. [20] [21]

In the 2010s, Herzog & de Meuron continued delivering landmark projects like the Vitra-Haus in Weil am Rhein (2010) [22] [23] and the Elbphilharmonie in Hamburg (2017), blending a wave-like glass structure with a historic brick warehouse. [24] [25] In New York, 56 Leonard Street (2017) featured a "Jenga-like" design, [26] while the Powerhouse Arts building in Brooklyn (2023) highlighted their expertise in adaptive reuse. [27]

In the 2020s, Herzog & de Meuron’s work reflected a continued focus on innovation, sustainability, and cultural context. The M+ Museum in Hong Kong (2021) integrated LED lighting within a minimalist façade, [28] [29] [30] and the Roche pRED Innovation Center in Basel (2023) showcased modular, sustainable design principles for interdisciplinary collaboration. [31] Their healthcare projects include the Kinderspital in Zurich (2024), [32] [33] prioritizing natural materials, light, and healing environments, and ongoing facilities such as Hillerød Hospital in Denmark [34] [35] and UCSF Health Helen Diller Hospital in San Francisco. [36] [37]

Herzog & de Meuron have been recognized globally, receiving the Royal Gold Medal from the Royal Institute of British Architects (RIBA) in 2015 for their "profound contributions to architecture." [38] Critic Jonathan Glancey summarized their impact: "Their work combines the physical and poetic, the robust and refined." [39]

Firm structure and governance

Jacques Herzog and Pierre de Meuron established Herzog & de Meuron in Basel in 1978. [40] Over the decades, the firm has expanded through the inclusion of new partners and leadership roles. The first partner, Harry Gugger, joined in 1991 (he left the practice in 2009), [41] followed by Christine Binswanger in 1994. [42] Additional partners have since joined the practice: Robert Hösl and Ascan Mergenthaler in 2004, Stefan Marbach in 2006, Andreas Fries in 2011, Jason Frantzen and Wim Walschap in 2014, Simon Demeuse in 2019, Santiago Espitia Berndt in 2020, and Martin Knüsel in 2021. [43] [44]

The firm has also introduced Associate Partners, with Christoph Röttinger, Olga Bolshanina, and Steffen Riegas taking on the role in 2020, followed by Tobias Winkelmann in 2021. [45] [46]

In 2017, Adrian Keller joined Herzog & de Meuron as CEO, contributing to the firm’s continued organizational and operational development. [47]

Academia

Herzog & de Meuron have been actively involved in academia, contributing to architectural education internationally. Jacques Herzog and Pierre de Meuron served as professors at the Swiss Federal Institute of Technology (ETH Zurich) from 1999 to 2018, where they co-founded the now discontinued ETH Studio Basel: Contemporary City Institute, focusing on urban studies and research. [48] [49] [50] They have also held teaching roles as visiting professors at the Harvard University Graduate School of Design, with Jacques Herzog having served as a visiting tutor at the Cornell University College of Architecture, Art, and Planning. [51] Although they are no longer teaching full-time, they continue to give lectures at various institutions.

The firm has produced several publications that contribute to architectural discourse. "Herzog & de Meuron: Natural History" (2002), co-authored with Philip Ursprung, explores the interplay between architecture and art through essays and detailed project analyses. [52] "Herzog & de Meuron 1978–2007" (2008) is a comprehensive monograph that documents the firm's projects over nearly three decades, providing insights into their design processes and philosophies. [53] Another notable work is "The Complete Works" series, which offers in-depth examinations of their projects, emphasizing conceptual approaches and material innovations. [54]

Partners and associates of Herzog & de Meuron actively engage in architectural education and discourse through participation in studio reviews and lectures at various academic institutions. For example, senior partner Ascan Mergenthaler has been involved in studio critiques and has lectured at the Royal College of Art in London, sharing insights on contemporary architectural practice. [55] Senior partner Christine Binswanger has given talks at the Massachusetts Institute of Technology (MIT), discussing the firm's approach to integrating environmental and social considerations in design. [56] These activities allow the firm's contributition to the education of emerging architects and to engage with current academic dialogues in architecture.

Herzog & de Meuron have contributed to architectural discourse through several publications. The Inevitable Specificity of Cities (2015), co-authored among others by Jacques Herzog and Pierre de Meuron, presents urban research conducted at ETH Studio Basel. [57] The book explores the unique characteristics of cities worldwide, emphasizing the importance of local specificity in urban planning and development. [58] In MetroBasel. Ein Modell einer europäischen Metropolitan-Region (2009), Jacques Herzog, Pierre de Meuron, and Manuel Herz examine the Basel metropolitan area as a prototype for European metropolitan regions, discussing strategies for sustainable urban development and cross-border collaboration. [59]

Jacques Herzog und Pierre de Meuron Kabinett

The Kabinett is a charitable foundation established in Basel in 2015. It preserves and manages the extensive archives of the architects' works, including architectural drawings, sketches, models, and personal collections. The Kabinett is divided into three areas: architecture, art, and photography, encompassing a wide range of materials and collections, such as the photography archive of Ruth and Peter Herzog. Although the Kabinett is not open to the general public, it provides access to researchers and specialists by appointment. [60] [61] [62]

Awards

Among others Jacques Herzog and Pierre de Meuron have been awarded these prizes:

Jacques Herzog and Pierre de Meuron have received multiple Honorary Doctorates from:

Selected projects

National Library of Israel in Jerusalem, Israel NationalLibraryofIsraelJan052023 - 2.jpg
National Library of Israel in Jerusalem, Israel
Turbine hall at Tate Modern, London, United Kingdom The Turbine Hall at Tate Modern - geograph.org.uk - 2119888.jpg
Turbine hall at Tate Modern, London, United Kingdom
Roche Towers in Basel, Switzerland Basel, de Roche Turm Bau 1+2 IMG 1617 2022-05-15 14.19.jpg
Roche Towers in Basel, Switzerland
Elbphilharmonie, HafenCity in Hamburg, Germany Elbphilharmonie, Hamburg.jpg
Elbphilharmonie, HafenCity in Hamburg, Germany
Prada Aoyama Store facade in Tokyo, Japan Night out (14723259210).jpg
Prada Aoyama Store façade in Tokyo, Japan
Serpentine Gallery Pavilion with Ai Weiwei, London, United Kingdom Serpentine Gallery Pavilion 2012 and snack van - geograph.org.uk - 2974150.jpg
Serpentine Gallery Pavilion with Ai Weiwei, London, United Kingdom
Vitra Schaudepot in Weil am Rhein, Switzerland Vitra Schaudepot im Weil am Rhein.jpg
Vitra Schaudepot in Weil am Rhein, Switzerland

Since 2022

Completed

Exhibitions

Contributions to the Venice Biennale

Selected publications

Complete works (Birkhäuser)

Source: [100]

Portfolios (special editions on Herzog & de Meuron)

Single project monographs

Teaching/research

Exhibition catalogues, critical readings and focus statements

Style

There have been a lot of discussions about whether Herzog & de Meuron has a specific style. Even though people have tried to describe an 'H&dM style', the office always declines to have one: In an interview, founding partner Jacques Herzog stated that Herzog & de Meuron "never aspired to anything that might be called a typical style of our own. […] To this day, we do not want to [design a series] of iconic buildings that would instantly communicate "Herzog & de Meuron" – as opposed to the new, specific location that can be created and communicated by a building. In that respect it's not wise to represent a style or a certain taste. We say that over and over again not out of modesty or to castigate ourselves but because we want to maintain our independence and because we are curious about new possibilities." [101]

Their recent work at Prada Tokyo, the Barcelona Forum Building, and the Beijing National Stadium for the 2008 Olympic Games suggest a changing attitude. [102] The shapes and forms of some of the works suggest art glass and objects d'art that one would see on a coffee table, like an art deco ashtray or quirky container for chocolates – a building becomes a blown-up version of desk art because the computer can do it, mimic the plasticity of the medium, and make it possible as a feat of engineering.

Ethics

Herzog & de Meuron have faced criticism for their vision for migrant workers in Beijing during the construction of the Beijing National Stadium. In a July 2008 interview with the German magazine Der Spiegel , Jacques Herzog was criticised for not having done more to ensure the conditions under which migrant workers constructed the stadium by the interviewer, to which Jacques Herzog responded that the influence of the architect on the construction process is declining rapidly. [103]

On the other hand, some scholars, such as Deyan Sudjic, have stated that the very building of the stadium sent a signal from the Western architecture firm to the Chinese government to change societal norms. [104] However, others have argued that this statement would go with any stadium design, decreasing the potential of the signal. [105]

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References

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