"High Times" | ||||
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Single by Jamiroquai | ||||
from the album Travelling Without Moving | ||||
B-side | "High Times" (remix) | |||
Released | 1 December 1997 [1] | |||
Genre | ||||
Length |
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Label | Sony Soho Square | |||
Songwriter(s) |
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Producer(s) | Rick Pope | |||
Jamiroquai singles chronology | ||||
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Music video | ||||
"High Times" on YouTube |
"High Times" is a song by British funk/acid jazz band Jamiroquai, released as the fourth and final single from their third studio album, Travelling Without Moving (1996). Released on 1 December 1997, the song peaked at number 20 on the UK Singles Chart, and reached the top 10 on both the American and Canadian dance charts.
The song was written by Jason Kay. The song begins with the quote "You don't need a name in bright lights, you're a rock star. In some tinfoil, with a glass pipe, is your guitar." This refers to crack cocaine. Cocaine and many other drugs are referenced in the song, all in a negative light, but it is jet lag that is the main reference during the chorus: "Last night, turned to daylight, and a minute became a day", a desynchronosis that is often caused when travelling around the world during the tours. The radio edit of the song is widely ridiculed among fan circles for its poor editing. There are some abrupt cuts in the song, and some words are cut out in an odd manner, such as the word "this" from the "This twisted, crystal kingdom" line. The radio edit was featured on the group's greatest hits compilation, High Times: Singles 1992-2006. Some releases of Travelling Without Moving include a version of the song without the sample "Last Night Changed It All" as sung by Esther Williams and written by Joe Wheeler. [2]
Larry Flick from Billboard wrote, "If you're a fan Jamiroquai's recent MTV hits, ya ain't heard nothin' yet. "High Times" shows the band at its funky best. The track jiggles with a classic soul sound, juiced with enough electronic flavor to keep it from sounding quaint. Frontman Jay Kay has perfected his Stevie Wonder inflections while also honing an individual style that demands to be heard in a live setting." [3]
The accompanying music video for "High Times" is filmed like a documentary with an inexpensive digital camera by the band manager of the band during the Latin American tour. In the video, the group is shown landing in a city airport, happy and excited. The remainder of the video shows candid scenes of Jamiroquai laughing at jokes, television, and having general fun. Chilean fans appreciated this music video for lead singer Jay Kay's cultural jacket throughout the video. The last few seconds were censored in some countries due to the usage of cannabis.
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Jamiroquai are an English funk and acid jazz band from London. Formed in 1992, they are fronted by vocalist Jay Kay, and were prominent in the London-based funk and acid jazz movement of the 1990s. They built on their acid jazz sound in their early releases and later drew from rock, disco, electronic and Latin music genres. Lyrically, the group has addressed social and environmental justice. Kay has remained as the only original member through several line-up changes.
Travelling Without Moving is the third studio album by English funk and acid jazz band Jamiroquai, released on 28 August 1996 in Japan, then on 9 September 1996 in the United Kingdom under Sony Soho Square. Front-man Jay Kay intended for the album to have a more universal style, revolving around "cars, life and love". Critics have generally praised the album for being more focused and refined than the band's previous work while others panned its lyrics and found the album too derivative. Kay also faced backlash from the press for his use of sports cars in this period despite his environmental beliefs.
"Feels Just Like It Should" is the first single from British funk and acid jazz band Jamiroquai's sixth studio album, Dynamite (2005). Mike Spencer and Jay Kay produced the song. The track was built on a bass line created by Kay as a human beatbox. This bassline initially formed part of an interlude intended to feature on the band's 2001 album, A Funk Odyssey. Still, it was dropped for the album's final version, only appearing on the test pressing. The song was their fourth number-one on the US Dance Chart and peaked at eight on the UK Singles Chart. It was nominated for a Grammy Award for Best Short Form Music Video at the 48th Grammy Awards.
"Blood on the Dance Floor" is a song by American singer-songwriter Michael Jackson, released as the first single from the remix album Blood on the Dance Floor: HIStory in the Mix (1997). Jackson and Teddy Riley created the track in time for the 1991 release of Dangerous. However, it did not appear on that record and was worked on further for its commercial release in 1997. One interpretation of the song describes a predatory woman named Susie who seduces Jackson before plotting to stab him with a knife. The composition explores a variety of genres ranging from funk to new jack swing.
"Deeper Underground" is a single by British funk and acid jazz band Jamiroquai from the soundtrack to the 1998 film Godzilla. The song was also included as a bonus track on the group's fourth studio album, Synkronized, as well as on the special edition of the group's fifth album, A Funk Odyssey (2001). Released in Japan in May 1998 and in the United Kingdom two months later, "Deeper Underground" became a hit in several countries, giving Jamiroquai their only number-one single on the UK Singles Chart, selling over 339,100 copies in the UK as of March 2017.
"Canned Heat" is the second single from British funk group Jamiroquai's fourth studio album, Synkronized (1999). Released on 24 May 1999, it became their second number-one single on the US Dance Club Songs chart and peaked at number four on the UK Singles Chart. The music video was directed by Jonas Åkerlund.
"Virtual Insanity" is a song by British funk band Jamiroquai, released on 19 August 1996 as the second single from their third studio album, Travelling Without Moving (1996). The song interpolates parts of Jocelyn Brown's post-disco hit "Somebody Else's Guy" (1984), and its award-winning music video was released in September 1996, garnering ten nominations and winning four, including for "Video of the Year", at the 1997 MTV Video Music Awards.
"Cosmic Girl" is the second single from British funk and acid jazz band Jamiroquai's third studio album, Travelling Without Moving (1996). The song was released in the United Kingdom on 25 November 1996 via Sony Soho Square and in the United States in 1997 via Work Group. It achieved great chart success, peaking at No. 6 on the UK Singles Chart. The song also reached No. 3 in Italy, No. 4 in Iceland, and No. 10 in Finland. The accompanying music video was directed by Adrian Moat and filmed in Spain. The B-side to the single is an instrumental, "Slipin' 'N' Slidin'", a song originating from another Jamiroquai track called "Mr Boogie", which was a live-only song. "Slipin 'N' Slidin'", just like "Mr Boogie", also has a vocal version.
"Runaway" is the only single taken from British acid jazz band Jamiroquai's greatest hits compilation, High Times: Singles 1992–2006. The single was released on 30 October 2006. It was their fifth #1 on the U.S. Dance Chart and peaked at #18 on the UK Singles Chart.
"When You Gonna Learn" is a song by British funk/acid jazz band Jamiroquai, released as their debut single. It was originally released in October 1992 by Acid Jazz Records before being re-released on Sony Records in September 1993 as the lead single from the band's debut studio album, Emergency on Planet Earth (1993). The lyrical themes, like many of Jamiroquai's early songs, speak of environmental awareness and unfettered capitalism. Its music video was directed by Morgan Lawley.
"Too Young to Die" is a song by British funk and acid jazz band Jamiroquai, released in March 1993 by Sony Soho Square as the second single from their debut studio album, Emergency on Planet Earth (1993). The song was written by lead singer Jason Kay and Toby Smith, and produced by Kay. The original version of the track runs at 10:18; however, both the single and album versions were cut, running at 3:22 and 6:05, respectively. The single received positive reviews from music critics, who compared Jay Kay to Stevie Wonder.
"Space Cowboy" is the international lead single from British funk and acid jazz band Jamiroquai's second studio album, The Return of the Space Cowboy (1994). Released on 26 September 1994 by Sony Soho Square, the single peaked at number 17 on the UK Singles Chart, number six in Italy, and number three in Iceland. In the United States, it gave the band their first number one on the Billboard Hot Dance Club Play chart. In June 2006, it re-entered the UK Dance Chart at number one. Its music video was directed by Vaughan Arnell and Anthea Benton. The single contains remixes by David Morales, which further put the single in club circulation.
"Little L" is the lead single from British funk and acid jazz band Jamiroquai's fifth studio album, A Funk Odyssey (2001). The song was written by Jay Kay and Toby Smith and was inspired by the break-up between Kay and his former girlfriend Denise van Outen, which occurred due to conflicting work commitments and which led to Kay's cocaine problem. Kay quit his habit in 2003.
"Corner of the Earth" is the fourth and final single from British funk and acid jazz band Jamiroquai's fifth studio album, A Funk Odyssey (2001). The song was written by Jason Kay and Rob Harris and is a bossa nova–type track, reflecting on the problems that people of the Earth have to suffer. The song peaked at number 31 on the UK Singles Chart and was the last Jamiroquai single to use the DVD format. The video consists of Jay Kay sitting and dancing in a forest, wearing his trademark feather headdress. He does several other things, such as creating balls of light and making the moon come out.
"Emergency on Planet Earth" is a song by British funk/acid jazz band Jamiroquai, released by Sony Soho Square as the fourth and final single from the band's debut studio album of the same name (1993). The song was written by Jay Kay, and has an environmentalist tone, urging the listener to "stop modernisation going on." The track peaked at number 14 on the UK Singles Chart and at number four on the US Dance Chart.
"Alright" is a song by British funk and acid jazz band Jamiroquai, released as the third single from their third studio album, Travelling Without Moving (1996). The song, written by Jamiroquai, contains samples from Eddie Harris' "It's All Right Now" and Idris Muhammad's "Could Heaven Ever Be Like This". "Alright" was released on 28 April 1997 via Sony Soho Square in the United Kingdom, peaking at number six on the UK Singles Chart and at number two in Iceland. It is the group's only single to chart on the US Billboard Hot 100, peaking at number 78. The music video, directed by Vaughan Arnell, features the band performing the song at a party.
"Light Years" is a song by the British funk and acid jazz band Jamiroquai, originally released in 1994 as a song from their second studio album, The Return of the Space Cowboy (1994). It was released as a single on 12 February 1995 by Sony Soho Square and Work, but failed to chart on the UK Singles Chart due to little promotion of the track.
"Stillness in Time" is a song by British funk and acid jazz band Jamiroquai, released in 1994 on their second studio album, The Return of the Space Cowboy (1994), and the year after as a single by Sony Soho Square. The track was written by Jay Kay and Toby Smith, and peaked at number nine on the UK Singles Chart, making it the group's highest-charting release to that date. It also reached number one on the UK Dance Chart and number 14 in Scotland.
"Half the Man" is a song by British funk/acid jazz band Jamiroquai, released in November 1994 by S2 Records as a single from their second studio album, The Return of the Space Cowboy (1994). The song peaked at number 15 on the UK Singles Chart. Its music video was directed by Paul Boyd. "Half the Man" is in the key of D major.
"Supersonic" is the third single from British funk/acid jazz band Jamiroquai's fourth studio album, Synkronized (1999). The song was written by Jay Kay, Toby Smith, Derrick McKenzie, Sola Akingbola, Wallis Buchanan, and Simon Katz while Jay Kay and Al Stone produced it. The track peaked at No. 22 on the UK Singles Chart and became Jamiroquai's third No. 1 on the US Hot Dance Club Play chart.