Hot Dogma | ||||
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Studio album by | ||||
Released | 1 October 1990 | |||
Recorded | 1989, April–July 1990 | |||
Studio | Platinum Studios, Sing Sing Studios | |||
Genre | Alternative rock | |||
Length | 50:38 70:41 (CD/MC versions) | |||
Label | Phonogram/PolyGram | |||
Producer | Peter Blyton and Laurence Maddy | |||
TISM chronology | ||||
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Singles from Hot Dogma | ||||
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Hot Dogma is the second studio album by the Australian alternative rock band TISM. It was released on 1 October 1990 and peaked at number 86 on the ARIA Charts. The title comes from a joining of the two phrases hot dog, a food, and dogma, a specific religious belief.[ citation needed ] An additional disc, Hot Dogma - The Interview Disc was added to initial sales copies and contains live responses by TISM to an unheard DJ’s questions.
In a review of TISM’s sixth studio album The White Albun , Anton S Trees of FasterLouder compared it to Hot Dogma, where the latter is "filled with moments of introspection and reflection on the nature of self, existence and mortality – TISM examine the value of life. Most prominent amongst the examinations of mortality and the cyclical nature of existence is 'Life Kills'." [1]
Steve Bell of theMusic.com.au website noticed it "quickly became a fan favourite but didn't set the world on fire commercially nor bother the charts, so TISM were soon unceremoniously dumped by Phonogram during 1991 and found themselves homeless." [2]
The cover of the album features what appear to be Chinese Red Guards carrying a large banner with “TISM” written across it and carrying what, on first look, appears to be Mao Zedong's Little Red Book , but is on closer inspection The TISM Guide To Little Aesthetics . The artwork closely resembled posters of the time of Mao's reign.[ citation needed ]
The Chinese on the cover translates into "The unification of the proletariat under the banner of TISM".[ citation needed ]
The back cover of the album has the track lists in Chinese, however the Asian division of Polygram released a version with the track titles in English. [3] The titles are listed in English in the liner notes.
No. | Title | Length |
---|---|---|
1. | "The TISM Boat Hire Offer" | 2:54 |
2. | "ExistentialTISM" | 3:31 |
3. | "While My Catarrh Gently Weeps" | 5:18 |
4. | "They Shoot Heroin, Don’t They?" | 2:49 |
5. | "Kevin Borich Expressionism Part 1" | 0:23 |
6. | "Whinge Rock" | 2:34 |
7. | "(I’m Gonna Sit Right Down and) Whittle Away My Furniture" | 2:13 |
8. | "The TISM Finance Plan Offer" | 2:29 |
9. | "Leo’s Toltoy" | 4:04 |
No. | Title | Length |
---|---|---|
10. | "The History of Western Civilisation" | 3:00 |
11. | "Kevin Borich Expressionism Part 2" | 0:22 |
12. | "My Generation" | 4:06 |
13. | "Kevin Borich Expressionism Part 4" | 0:25 |
14. | "Let’s Club It To Death" | 2:46 |
15. | "Let's form a Company" | 4:07 |
16. | "Life Kills" | 5:53 |
17. | "Pus of the Dead" | 2:31 |
18. | "It's Novel! It's Unique!! It's Shithouse!!!" | 1:46 |
No. | Title | Length |
---|---|---|
1. | "The TISM Boat Hire Offer" | 2:54 |
2. | "ExistentialTISM" | 3:31 |
3. | "While My Catarrh Gently Weeps" | 5:18 |
4. | "They Shoot Heroin, Don’t They?" | 2:49 |
5. | "Dazed And Confucious" | 5:33 |
6. | "Kevin Borich Expressionism Part 1" | 0:23 |
7. | "I'll 'Ave Ya" | 2:14 |
8. | "Whinge Rock" | 2:34 |
9. | "The TISM Nightsoil Cart And Horse Blues" | 2:53 |
10. | "I’m Gonna Sit Right Down and Whittle Away My Furniture" | 2:13 |
11. | "The TISM Finance Plan Offer" | 2:29 |
12. | "Leo’s Toltoy" | 4:04 |
No. | Title | Length |
---|---|---|
13. | "The History of Western Civilisation" | 3:00 |
14. | "Kevin Borich Expressionism Part 2" | 0:22 |
15. | "My Generation" | 3:20 |
16. | "I Don't Want TISM, I Want a Girlfriend" | 4:06 |
17. | "Kevin Borich Expressionism Part 4" | 0:25 |
18. | "Get Thee in My Behind, Satan" | 3:02 |
19. | "We Are the Champignons" | 2:13 |
20. | "Let’s Club it to Death" | 2:46 |
21. | "Let's Form a Company" | 4:07 |
22. | "Life Kills" | 3:35 |
23. | Untitled (unlisted Life Kills/Pus of the Dead segue) | 2:15 |
24. | "Pus of the Dead" | 2:34 |
25. | "It's Novel! It's Unique! It's Shithouse!" | 1:46 |
No. | Title | Length |
---|---|---|
26. | "The Ball that Doesn't Turn, but Goes Straight on with the Arm" | 1:44 |
27. | "The TISM Finance Plan Offer" (From the rehearsal tapes) | 2:46 |
28. | "Put Your Dog to Sleep" (From the rehearsal tapes) | 3:16 |
29. | "Naked Movie Star" | 2:36 |
30. | "I’m Gonna Sit Right Down and Whittle Away My Furniture" (From the rehearsal tapes) | 2:10 |
The unlisted segue and "Life Kills" are indexed as one 5:52-long track on the iTunes and Spotify releases.
LP copies of Hot Dogma were bundled with a pack-in 7" single, containing a humorous open-ended interview with TISM and blank spaces for a DJ to insert the questions. Both sides contain the same interview.
The last four tracks on the disc are questions from TISM to the DJ.
Hot Dogma (Sing Sing Sessions) | |
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Studio album by | |
Released | 18 August 2023 |
Recorded | 17-18 March 1990 |
Studio | Sing Sing Studios |
Genre | Alternative rock |
Length | 76:27 |
Label | genre b.goode |
Producer | TISM |
On 17 and 18 March 1990, TISM recorded demos for what eventually became Hot Dogma at Sing Sing Studios. Six tracks from the session were released in 1995 on Collected Recordings 1986-1993 , while the whole set of demos was eventually released on 18 August 2023, as part of the ongoing reissue campaign of TISM's discography, and hit #14 on the ARIA Australian Artist charts. [4]
Notable inclusions are the first known studio recording of "Opium is the Religion of the Masses", a song previously only known from live recordings from the Great Truckin' Songs of the Renaissance era, and "Greece is Still Greece", which provided the backing music for the album version of "The TISM Finance Plan Offer".
Chart (1990) | Peak position |
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Australian Albums (ARIA) [5] | 86 |
Region | Date | Format(s) | Edition | Label | Catalogue |
---|---|---|---|---|---|
Australia | October 1990 | Standard | Phonogram Records | 846901-1/ 846901-2/ 846901-4 | |
1994 | Re-issue | 846 901-2 | |||
October 2009 | Genre B.Goode | — |
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