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The House of Marcus Lucretius Fronto (Italian: Casa di Marco Lucrezio Frontone [1] , V.4.a) is a Roman house in Pompeii with well-preserved wall paintings in both the late Third Style as well as the Fourth Style.
Several rooms are decorated in the late Third Style including the atrium , tablinum and bedroom 5. [2] Roger Ling considers these to be the locus classicus of the late Third Style. [3]
The atrium is the simplest [3] with black fields divided by golden yellow bands. Each field has a small figural detail in the centre, including a bird, a dog chasing a deer and a dog catching a hare. The upper zone of the wall has insubstantial architectural elements typical of Third Style.
The tablinum's two main walls have very elaborate decoration including perspectival architecture in the upper zone, perspectival gardens in the dado, and aediculae with figural paintings at their centre in the main zone. [3] The north wall's central panel shows Mars courting Venus. [4]
Bedroom 5 has perspectival architecture with a fairly complicated arrangement of background fields in red, black, and yellow, featuring small ornamental figures such as caryatids and sphinxes. [3] [5]
Bedroom 6 is painted in the Fourth Style [5] with a bright golden yellow background. It contains two central figural panels. The first shows Narcissus gazing into his reflection. The second shows Xanthippe (sometimes called Pero) breastfeeding her father Mykon. [5] On either side of the entrance are two tondos, one depicting Hermes.
Two walls of the house's garden have fourth style large-scale paintings of animals, mostly chasing each other, including a lion and a bear. [5] [6]
Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes.
Lucius Caecilius Iucundus was a banker who lived in the Roman town of Pompeii around AD 14–62. His house still stands and can be seen in the ruins of the city of Pompeii which remain after being partially destroyed by the eruption of Vesuvius in AD 79. The house is known both for its frescoes and for the trove of wax tablets discovered there in 1875, which gave scholars access to the records of Iucundus's banking operations.
In ancient Rome, the domus was the type of town house occupied by the upper classes and some wealthy freedmen during the Republican and Imperial eras. It was found in almost all the major cities throughout the Roman territories. The modern English word domestic comes from Latin domesticus, which is derived from the word domus. Along with a domus in the city, many of the richest families of ancient Rome also owned a separate country house known as a villa. Many chose to live primarily, or even exclusively, in their villas; these homes were generally much grander in scale and on larger acres of land due to more space outside the walled and fortified city.
Cavaedium or atrium are Latin names for the principal room of an ancient Roman house, which usually had a central opening in the roof (compluvium) and a rainwater pool (impluvium) beneath it. The cavaedium passively collected, filtered, stored, and cooled rainwater. It also daylit, passively cooled and passively ventilated the house.
The House of the Vettii is a domus located in the Roman town Pompeii, which was preserved by the eruption of Mount Vesuvius in 79 AD. The house is named for its owners, two successful freedmen: Aulus Vettius Conviva, an Augustalis, and Aulus Vettius Restitutus. Its careful excavation has preserved almost all of the wall frescos, which were completed following the earthquake of 62 AD, in the manner art historians term the Pompeiian Fourth Style. The House of Vetti is located in region VI, near the Vesuvian Gate, bordered by the Vicolo di Mercurio and the Vicolo dei Vettii. The house is one of the largest domus in Pompeii, spanning the entire southern section of block 15. The plan is fashioned in a typical Roman domus with the exception of a tablinum, which is not included. There are twelve mythological scenes across four cubiculum and one triclinium. The house was reopened to tourists in January 2023 after two decades of restoration.
The House of the Faun, constructed in the 2nd century BC during the Samnite period, was a grand Hellenistic palace that was framed by peristyle in Pompeii, Italy. The historical significance in this impressive estate is found in the many great pieces of art that were well preserved from the ash of the eruption of Mount Vesuvius in 79 AD. It is one of the most luxurious aristocratic houses from the Roman Republic, and reflects this period better than most archaeological evidence found even in Rome itself.
The House of the Tragic Poet is a Roman house in Pompeii, Italy dating to the 2nd century BC. The house is famous for its elaborate mosaic floors and frescoes depicting scenes from Greek mythology.
The House of Loreius Tiburtinus is renowned for well-preserved art, mainly in wall-paintings as well as its large gardens.
The House of Menander is one of the richest and most magnificent houses in ancient Pompeii in terms of architecture, decoration and contents, and covers a large area of about 1,800 square metres (19,000 sq ft) occupying most of its insula. Its quality means the owner must have been an aristocrat involved in politics, with great taste for art.
The House of Julia Felix, also referred to as the praedia of Julia Felix, is a large Roman property on the Via dell'Abbondanza in the city of Pompeii. It was originally the residence of Julia Felix, who converted portions of it to apartments available for rent and other parts for public use after the major earthquake in 62 AD, a precursor to the eruption of Mount Vesuvius in 79 AD that destroyed Pompeii.
Villa Boscoreale is a name given to any of several Roman villas discovered in the district of Boscoreale, Italy. They were all buried and preserved by the eruption of Mount Vesuvius in 79 AD, along with Pompeii and Herculaneum. The only one visible in situ today is the Villa Regina, the others being reburied soon after their discovery. Although these villas can be classified as "rustic" rather than of otium due to their agricultural sections and sometimes lack of the most luxurious amenities, they were often embellished with extremely luxurious decorations such as frescoes, testifying to the wealth of the owners. Among the most important finds are the exquisite frescoes from the Villa of Publius Fannius Synistor and the sumptuous Boscoreale Treasure of the Villa della Pisanella, which is now displayed in several major museums.
The House of the Surgeon is one of the most famous houses in the ancient Roman city of Pompeii and is named after ancient surgical instruments that were found there. Along with the rest of the city, it was buried and largely preserved under 4 to 6 m of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD.It was excavated in 1770 by Francesco La Vega.
The House of Sallust was an elite residence (domus) in the ancient Roman city of Pompeii and among the most sumptuous of the city.
The House of the Centenary was the house of a wealthy resident of Pompeii, preserved by the eruption of Mount Vesuvius in 79 AD. The house was discovered in 1879, and was given its modern name to mark the 18th centenary of the disaster. Built in the mid-2nd century BC, it is among the largest houses in the city, with private baths, a nymphaeum, a fish pond (piscina), and two atria. The Centenary underwent a remodeling around 15 AD, at which time the bath complex and swimming pool were added. In the last years before the eruption, several rooms had been extensively redecorated with a number of paintings.
The conservation and restoration of Pompeian frescoes describes the activities, methods, and techniques that have historically been and are currently being used to care for the preserved remains of the frescoes from the archeological site of Pompeii, Italy. The ancient city of Pompeii is famously known for its demise in A.D. 79 after the fatal eruption of Mount Vesuvius wiped out the population and buried the city beneath layers of compact lava material. In 1738, King Charles III or Charles of Bourbon, began explorations in Portici, Resina, Castellammare di Stabia, a Civita, where it was believed that the ancient cities of Pompeii, Stabiae, and Herculaneum were buried beneath. The first phase of the excavations at Pompeii started in 1748, which led to the first conservation and restoration efforts of the frescoes since their burial, and in 1764, open-air excavations began at Pompeii. Pompeii has a long history of excavation and restoration that began without a strong foundation or strategy. After centuries of cronyism, recurring financial shortages, and on-again-off-again restoration, the city's frescoes and structures were left in poor condition. In 1997, Pompeii was added to the UNESCO List of World Heritage Sites.
Luigi Bazzani, also called Il Bazzanetto, was an Italian painter, illustrator, and watercolorist. He was born November 8, 1836, in Bologna, Italy. Bazzani studied at Bologna's Accademia di Belle Arti then traveled to France, Germany and, eventually, Rome where he settled down in 1861 and began to specialize in genre and landscape subjects as well as set designs for theaters. Many of his paintings featured the remains of the city's monuments from classical antiquity.
The House of the Prince of Naples is a Roman domus (townhouse) located in the ancient Roman city of Pompeii near Naples, Italy. The structure is so named because the Prince and Princess of Naples attended a ceremonial excavation of selected rooms there in 1898.
The House of the Greek Epigrams is a Roman residence in the ancient town of Pompeii that was destroyed by the eruption of Mount Vesuvius in 79 CE. It is named after wall paintings with inscriptions from Greek epigrams in a small room (y) next to the peristyle.
The House of the Small Fountain, aka House of the Second Fountain or House of the Landscapes, is located in the Roman city of Pompeii and, with the rest of Pompeii, was preserved by the eruption of Mount Vesuvius in or after October 79 CE. It is located on the Via di Mercurio, a street running north from the Arch of Caligula, at its crossroads with Via delle Terme, and Via della Fortuna, to Pompeii's fortification tower XI in the northwest part of the city. The street is named after a public fountain at VI.8.24 with a relief of the god, Mercury. Insula 8 is on the west side of the street. The house is named after a mosaic fountain adorned with shells at the rear of its peristyle. The property is immediately adjacent to the House of the Large Fountain, a structure with an even larger mosaic fountain adorned with shells and marble sculptures of theatrical masks excavated earlier in 1826. So the size difference between the fountains was used to distinguish the two structures.
Pompeian red refers to the color of iron oxide-based mineral pigment with a hue close to red ochre, so named because of its common use in ancient Roman painting and the fact that it is abundant in the murals of Pompeii. Studies have shown that walls with Pompeian red backgrounds were painted in various ways, of which the use of cinnabar was the most expensive.
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