Shape notes are a musical notation designed to facilitate congregational and social singing. The notation, introduced in late 18th century England, became a popular teaching device in American singing schools. Shapes were added to the noteheads in written music to help singers find pitches within major and minor scales without the use of more complex information found in key signatures on the staff.
Melisma is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as melismatic, as opposed to syllabic, in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run.
The "Battle Hymn of the Republic", also known as "Mine Eyes Have Seen the Glory" outside of the United States, is a popular American patriotic song by the abolitionist writer Julia Ward Howe.
Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South of the United States. The name is derived from The Sacred Harp, a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ever since. Sacred Harp music represents one branch of an older tradition of American music that developed over the period 1770 to 1820 from roots in New England, with a significant, related development under the influence of "revival" services around the 1840s. This music was included in, and became profoundly associated with, books using the shape note style of notation popular in America in the 18th and early 19th centuries.
"Away in a Manger" is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols; a 1996 Gallup Poll ranked it joint second. Although it was long claimed to be the work of German religious reformer Martin Luther, the carol is now thought to be wholly American in origin. The two most-common musical settings are by William J. Kirkpatrick (1895) and James Ramsey Murray (1887).
"How Can I Keep From Singing?" is an American folksong originally composed as a Christian hymn by American Baptist minister Robert Wadsworth Lowry. The song is frequently, though erroneously, cited as a traditional Quaker or Shaker hymn. The original composition has now entered into the public domain, and appears in several hymnals and song collections, both in its original form and with a revised text that omits most of the explicitly Christian content and adds a verse about solidarity in the face of oppression. Though it was not originally a Quaker hymn, Quakers adopted it as their own in the twentieth century and use it widely today.
"Angels We Have Heard on High" is a Christmas carol to the hymn tune "Gloria" from a traditional French song of unknown origin called Les Anges dans nos campagnes, with paraphrased English lyrics by James Chadwick. The song's subject is the birth of Jesus Christ as narrated in the Gospel of Luke, specifically the scene in which shepherds outside Bethlehem encounter a multitude of angels singing and praising the newborn child.
"The Preacher and the Slave" is a song written by Joe Hill in 1911. It was written as a parody of the hymn "In the Sweet By-and-By". Copying or using the musical style of the hymn was also a way to capture the emotional resonance of that style of music and use it for a non-religious purpose. The Industrial Workers of the World (IWW) concentrated much of its labor trying to organize migrant workers in lumber and construction camps. When the workers returned to the cities, the Wobblies faced the Salvation Army, and were said to have tried to drown out IWW with their religious music. Hill had first encountered the Salvation Army in Sweden when he was a child.
"Ding-Dong! The Witch Is Dead" is the centerpiece of several individual songs in an extended set-piece performed by the Munchkins, Glinda and Dorothy Gale in the 1939 film The Wizard of Oz. It was also sung by studio singers and represented as being sung by the Winkie soldiers. It was composed by Harold Arlen, with the lyrics written by E. Y. Harburg. The group of songs celebrate the death of the Wicked Witch of the East when Dorothy's house is dropped on her by the tornado and the death of the Wicked Witch of the West after being splashed with water.
"Ding Dong, Ding Dong" is a song by English musician George Harrison, written as a New Year's Eve singalong and released in December 1974 on his album Dark Horse. It was the album's lead single in Britain and some other European countries, and the second single, after "Dark Horse", in North America. A large-scale production, the song incorporates aspects of Phil Spector's Wall of Sound technique, particularly his Christmas recordings from 1963. In addition, some Harrison biographers view "Ding Dong" as an attempt to emulate the success of two glam rock anthems from the 1973–74 holiday season: "Merry Xmas Everybody" by Slade, and Wizzard's "I Wish It Could Be Christmas Everyday". The song became only a minor hit in Britain and the United States, although it was a top-twenty hit elsewhere in the world.
Hymns are an important part of the history and worship of The Church of Jesus Christ of Latter-day Saints.
"The Fountain in the Park", also known as "While Strolling Throughthe Park One Day", is a song by Ed Haley (1862–1932), published in 1884 by Willis Woodward & Co. of New York, but dating from about 1880. It is best known for the being the source of the tune that contains the lyric "While strolling through the park one day, in the merry merry month of May," and has been featured in numerous films, including Strike Up the Band (1940), in which it was sung by Judy Garland.
A song book is a book containing lyrics for songs. Song books may be simple composition books or spiral-bound notebooks. Music publishers also produced printed editions for group singing. Such volumes were used in the United States by piano manufacturers as a marketing tool.
Harry Barris was an American popular singer and songwriter, and is one of the earliest singers to use "scat singing" in recordings. Barris, one of Paul Whiteman's Rhythm Boys, along with Bing Crosby and Al Rinker, scatted on several songs, including "Mississippi Mud," which Barris wrote in 1927.
The songs from the 1939 musical fantasy film The Wizard of Oz have taken their place among the most famous and instantly recognizable American songs of all time, and the film's principal song, "Over the Rainbow", is perhaps the most famous song ever written for a film. Music and lyrics were by Harold Arlen and E.Y. "Yip" Harburg, who won an Academy Award for Best Song for "Over the Rainbow."
Katherine Kennicott Davis was an American former teacher, who was a classical music composer, pianist, and author of the famous Christmas tune "The Little Drummer Boy".
"There's a Long, Long Trail" is a popular song of World War I. The lyrics were by Stoddard King (1889–1933) and the music by Alonzo "Zo" Elliott, both seniors at Yale. It was published in London in 1914, but a December, 1913 copyright for the music is claimed by Zo Elliott.
During the American Civil War, music played a prominent role on both sides of the conflict: Union and Confederate. On the American Civil War battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers. Singing was also employed not only as a recreational activity but as a release from the inevitable tensions that come with fighting in a war. In camp, music was a diversion away from the bloodshed, helping the soldiers deal with homesickness and boredom. Soldiers of both sides often engaged in recreation with musical instruments, and when the opposing armies were near each other, sometimes the bands from both sides of the conflict played against each other on the night before a battle.
"Down by the Riverside" is a Negro spiritual. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as “Ain' go'n' to study war no mo'”, “Ain't Gwine to Study War No More”, “Down by de Ribberside”, “Going to Pull My War-Clothes” and “Study war no more”. The song was first recorded by the Fisk University jubilee quartet in 1920, and there are at least 14 black gospel recordings before World War II.
"Goodnight, Ladies" is a folk song attributed to Edwin Pearce Christy, originally intended to be sung during a minstrel show. Drawing from an 1847 song by Christy entitled "Farewell, Ladies", the song as known today was first published on May 16, 1867.
1. "America"
3. "Speed Our Republic"
6. "Hail, Columbia"
8. "Old Folks at Home"
10. "My Old Kentucky Home"
11. "Home! Sweet Home!"
12. "Old Black Joe"
28. "Row, Row, Row Your Boat"
30. "Are you sleeping"
34. "A Merry Life"
38. "Goodnight, Ladies"
39. "Come Thou Almighty King"
