In Conspectu Divinae Majestatis | ||||
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EP by | ||||
Released | September 1, 2010 | |||
Studio | De Bejaarde, Drachten, NL | |||
Genre | Black metal | |||
Length | 14:35 | |||
De Magia Veterum chronology | ||||
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Maurice de Jong chronology | ||||
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In Conspectu Divinae Majestatis is an EP by De Magia Veterum, independently released on September 1, 2010. [1] [2] The tracks were originally recorded with the intention of being placed on a split release alongside another band's work.
All music is composed by Maurice de Jong.
No. | Title | Length |
---|---|---|
1. | "Whirlwind of Fleeting Death" | 3:29 |
2. | "The Golden Throne" | 3:19 |
3. | "In Conspectu Divinae Majestatis" | 3:50 |
4. | "Empire of Emptiness" | 3:57 |
Adapted from In Conspectu Divinae Majestatis liner notes. [3]
Region | Date | Label | Format |
---|---|---|---|
Netherlands | 2010 | self-released | Digital |
Gnaw Their Tongues is an experimental musical project started by Dutch multi-instrumentalist and composer Maurice de Jong, otherwise known as Mories. It was founded in 2004 and produced a debut album in 2006 titled Spit at Me and Wreak Havoc on My Flesh. The output of Gnaw Their Tongues is extensive, with over seventy releases being attributed to its name. The name of the project is taken from passage 16:10-11 from the Book of Revelation: "The fifth angel, who poured out his vial upon the seat of the beast; and his kingdom was full of darkness; and they gnawed their tongues for pain, And blasphemed the God of heaven because of their pains and their sores, and repented not of their deeds."
Maurice de Jong, known by his moniker Mories, is a Dutch composer and musician. He is best recognized for his multiple music projects, namely Gnaw Their Tongues, Seirom, Aderlating, Cloak of Altering and De Magia Veterum. His compositions are informed by ambient music, black metal, drone music, electronic music and the avant-garde. His interests lie in invoking a disquieting and nightmarish atmosphere with his music, which often utilizes distortion and dissonance. Lauded as a most prolific composer, de Jong has recorded an upwards of three albums per year since 2007.
De Magia Veterum is an avant-garde metal musical project founded by Dutch multi-instrumentalist and composer Maurice "Mories" de Jong in 2003. In contrast to de Jong's other work, the music of De Magia Veterum is decidedly electric guitar-based and heavily indebted to black metal music. Allmusic credited the discography with "redefining the limits of extremism through pure sonic annihilation."
Spit at Me and Wreak Havoc on My Flesh is the debut full-length studio album of Gnaw Their Tongues, independently released in January 2006.
Horse Drawn Hearse is an EP by Gnaw Their Tongues, independently released in February 2006. The album would appear in its entirety on the compilation Collected Atrocities 2005–2008, released in 2015.
Migdal Bavel is the second studio album by De Magia Veterum, released on January 20, 2009 by Mistress Dance Records and Transcendental Creations. It was first issued on cassette, with the pressing limited to a hundred copies.
The Divine Antithesis is the third studio album by De Magia Veterum, released on February 7, 2011 by Transcendental Creations.
The Deification is the fourth studio album by De Magia Veterum, released on October 22, 2012 by Transcendental Creations.
Die Mutter wählt das Todtenkleidchen is an EP by Gnaw Their Tongues, released on August 7, 2007 by Corps-Morts Records. The 2009 re-release coupled the album with the EP Dawn Breaks Open Like a Wound That Bleeds Afresh and three additional previously unreleased tracks.
Reeking Pained and Shuddering is the second full-length studio album by Gnaw Their Tongues, released on September 8, 2007 by Paradigms Recordings.
My Womb Is Barren is an EP by Gnaw Their Tongues that was released on July 24, 2008 by At War With False Noise.
For All Slaves a Song of False Hope is an EP by Gnaw Their Tongues, released in September 2008 by Burning World. The title of the track "Aderlating" would serve as the name of de Jong's band. The album would appear in its entirety on the compilation Collected Atrocities 2005–2008, released in 2015.
Dimlit Hate Cellar is an EP by Gnaw Their Tongues, independently released on January 4, 2010. The album compiles some of Gnaw Their Tongues' earliest recordings.
Kaolo is an EP by Gnaw Their Tongues, independently released in January 2010.
Tsutomu Miyazaki is an EP by Gnaw Their Tongues, released on March 3, 2010 by Hell Lies in Others. The album takes its name from Tsutomu Miyazaki, a Japanese serial killer who abducted and murdered four young girls. The music is thematically similar to 2007's Issei Sagawa, which was also based on a Japanese criminal.
The Blotched and the Unwanted is a compilation album by Gnaw Their Tongues, released on March 3, 2010 by Hell Lies in Others. The album comprises previously unreleased compositions recorded between 2006 and 2010.
L'arrivée de la terne mort triomphante is the fifth full-length studio album by Gnaw Their Tongues, released on September 7, 2010 by Burning World, Crucial Blast and Candlelight Records. The album showcased a change in musical direction, with more emphasis on orchestration and lighter moods. The album also marked the last time Maurice de Jong recorded a Gnaw Their Tongues album using his old studio and computer setup. It received high marks from music critics, with PopMatters ranking it as one of the greatest heavy metal albums of the year.
Eschatological Scatology is the seventh full-length studio album by Gnaw Their Tongues, independently released on June 6, 2012.
Forest is an EP by Seirom, independently released on December 25, 2011.
Sulfur is an EP by Gnaw Their Tongues, independently released on February 20, 2013. The music centers around the theme of World War I and the album artwork is a photograph depicting three Canadian soldiers wounded by mustard gas.