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Alma Mahler-Werfel was an Austrian composer, author, editor, and socialite. Musically active from her early years, she was the composer of nearly fifty songs for voice and piano, and works in other genres as well. 17 songs are known to have survived. At 15, she was mentored by Max Burckhard.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Jerome Robbins was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television.
Brandenburg is a neoclassical ballet choreographed by Jerome Robbins to compositions by Johann Sebastian Bach. Danced by a cast of twenty, the plotless ballet is set to Bach's Brandenburg Concerto No. 3, as well as individual movements from Brandenburg Concertos Nos. 1, 2 and 6. The ballet premiered on January 22, 1997, at the New York State Theater, danced by the New York City Ballet. Brandenburg is Robbins' last work.
Afternoon of a Faun is a neoclassical ballet choreographed by Jerome Robbins to Claude Debussy's Prélude à l'après-midi d'un faune. The ballet features two young dancers meeting at a rehearsal studio. Robbins was influenced by Stéphane Mallarmé's poem L'après-midi d'un faune, the inspiration for Debussy's score, as well as Vaslav Nijinsky's 1912 ballet to the same score, and his own observation of dancers.
West Side Story Suite is a ballet suite choreographed by Jerome Robbins. Robbins conceived, directed and choreographed the 1957 musical West Side Story, then co-directed its 1961 film adaptation, before including parts of the choreography in the anthology Jerome Robbins' Broadway. Robbins developed the latter to the ballet West Side Story Suite for the New York City Ballet, which premiered on May 18, 1995, at the New York State Theater.
Moves is a ballet choreographed by Jerome Robbins. The ballet was made for Robbins's troupe Ballet: USA's 1959 tour, with Aaron Copland brought in to write the music. However, he struggled with the score, and Robbins ultimately decided to have the ballet performed in silence instead. The ballet premiered at the Festival of Two Worlds held in Spoleto, Italy, on July 3, 1959. It has since been revived by other dance companies, including the New York City Ballet. Copland's score was later published as Dance Panels.
Andantino, originally titled Pas de Deux, is a ballet choreographed by Jerome Robbins to the second movement of Tchaikovsky's Piano Concerto No. 1. The ballet was made for the New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater, originated by Darci Kistler and Ib Andersen.
In the Night is a ballet choreographed by Jerome Robbins to four nocturnes by Frédéric Chopin. It premiered on January 29, 1970 at the New York State Theater, performed by the New York City Ballet.
The Goldberg Variations is a ballet choreographed by Jerome Robbins to Bach's Goldberg Variations. A plotless ballet, it starts with two performers dancing to the Theme, followed by the variations divided into two parts, with variations repeated as Bach had intended in the score. Robbins made the ballet for the New York City Ballet, and premiered on May 27, 1971, at the New York State Theater.
Dances at a Gathering is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin, with costumes designed by Joe Eula. The ballet premiered on May 22, 1969, at the New York State Theater, performed by the New York City Ballet.
Other Dances is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin. It was created on Natalia Makarova and Mikhail Baryshnikov, and premiered on May 9, 1976, at a gala benefitting the New York Public Library for the Performing Arts, held at Metropolitan Opera House. It was originally made as a pièce d'occasion, but after receiving critical acclaim, it was soon added to American Ballet Theatre and New York City Ballet's repertories.
The Cage is a ballet choreographed by Jerome Robbins to Stravinsky's Concerto in D. The ballet depicts a tribe of female insects that preys on their male counterparts, in which the Novice falls in love with a male intruder, before being overcome by her animal instincts to kill him. The Cage was made for the New York City Ballet, and premiered on June 10, 1951, at the City Center of Music and Drama, with Nora Kaye as the Novice.
Fanfare is a one-act ballet choreographed by Jerome Robbins to Benjamin Britten's The Young Person's Guide to the Orchestra, in celebration of the Coronation of Queen Elizabeth II. The ballet premiered on June 2, 1953, the night of the coronation, at the City Center of Music and Drama, danced by the New York City Ballet.
A Suite of Dances is a ballet choreographed by Jerome Robbins to Johann Sebastian Bach's Cello Suites. The ballet was created for Mikhail Baryshnikov and premiered on March 3, 1994, at the New York State Theater.
Susan Coxe Hendl was an American ballet dancer and répétiteur. She danced with the New York City Ballet between 1963 and 1983, then staged and coached works by George Balanchine and Jerome Robbins for both NYCB and other companies.
Glass Pieces is a ballet choreographed by Jerome Robbins to music by Philip Glass, costumes designed by Ben Benson, lighting designed by Ronald Bates and production designed by Robbins and Bates. The ballet was premiered on May 12, 1983, at the New York State Theater, performed by the New York City Ballet.
Mathieu Ganio is a French danseur étoile of the Paris Opera Ballet.
Stéphane Bullion is a retired French Étoile dancer of the Paris Opera Ballet.
The Song of the Earth is a ballet based on Das Lied von der Erde, a symphonic work written by the Austrian composer Gustav Mahler in 1908–1909. It is scored for two voices and orchestra, and has been used for ballets by several well-known choreographers, including Antony Tudor (1908–1987), Kenneth MacMillan (1929–1992), Heinz Spoerli, and John Neumeier.
References
- ↑ "In Memory of... A Ballet By Jerome Robbins" . Retrieved April 11, 2021.
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