In a Sentimental Mood: Mathis Sings Ellington | ||||
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Studio album by | ||||
Released | October 9, 1990 [1] | |||
Recorded | February–June 1990 [2] | |||
Studio | Petersham Church, Petersham, London, Evergreen Studios, Burbank, California [3] | |||
Genre | Vocal [4] | |||
Length | 54:42 | |||
Label | Columbia | |||
Producer | Mike Berniker [3] | |||
Johnny Mathis chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [4] |
In a Sentimental Mood: Mathis Sings Ellington is an album by American pop singer Johnny Mathis that was released on October 9, 1990, [1] by Columbia Records and continues the studio album pattern that began with The Hollywood Musicals and In the Still of the Night in which the song selections adhere to a specific theme or focus.
In 1992 this project earned Mathis a Grammy nomination in the category of Best Traditional Pop Vocal Album, [5] his first nod from the National Academy of Recording Arts and Sciences in over 30 years. His only previous nomination was for "Misty" in the category of Best Male Pop Vocal Performance. [6]
This is the first Mathis album whose release did not include the LP record format, which was discontinued earlier in the year. [7]
As Mathis looked back at the vocalists that he admired the most, such as Nat King Cole and Lena Horne, he felt that some of their best performances were evoked by the music of Duke Ellington. "'I wanted,'" he said, "'to make an intimate, close, hands-on portrait of this great man and his great music. And I wanted to get it right -- to keep that feeling alive in a way that was completely honest and true.'" [3]
Several elements came together to provide that feeling that Mathis was seeking for this project, one of the more blatant examples being the trumpet work of Bill Berry, a one-time member of the Duke Ellington Orchestra. There were, however, production factors to work around, especially with regard to the fact that the vocal track was not going to be recorded separately. "The London Symphony players that we wanted were only available to us five days in the morning at 10 o'clock." [8] This created a different type of recording schedule for Mathis. "I had to get up at 5 or 6 AM just to get my voice in some kind of shape to sing that early. But there was such a warm, wonderful feeling... even at that hour of the morning -- that I knew we were making the right decision." [3]
The original takes from these sessions were used for about half [3] [8] of the tracks on the finished product. Mathis explained, "'I wanted to get some first, second and third takes with the orchestra because of the wonderful sound from this church in Petersham.'" [8] The latest technology allowed him to complete the vocal tracks back in the US. "'I sang four or five back here. They use an amazing computer that can match the sound and the timbre of the room.'" [8] The greatest challenge of this particular music, however, was left to the singer. "'I've sung Ellington's music in the past,'" he said. "'It was hard to sing then, and to this day it's still very difficult music. But it rewards the effort–oh, does it ever reward the effort.'" [3]
Although the album did not make it onto Billboard magazine's Top Pop Albums chart, Allmusic's Dave Nathan writes in his retrospective review that "the music remains as absorbing and enticing as if it were arranged by Ellington himself." [4] He says regarding Mathis that "he has lost none of that special taste and phrasing which made his records consistently favored by a wide segment of the listening public," [4] and, "He still delivers each song with emotional intensity and personal intimacy." [4]
From the liner notes for the original album: [3]
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band.
The Ella Fitzgerald Song Books were a series of eight studio albums released in irregular intervals between 1956 and 1964, recorded by the American jazz singer Ella Fitzgerald, supported by a variety of orchestras, big bands, and small jazz combos.
Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
Bennett Sings Ellington: Hot & Cool is an album by Tony Bennett, released in 1999 to commemorate the centenary of Duke Ellington's birth.
We'll Be Together Again is a 1994 album by Lena Horne. At the 1995 Grammy Awards, Horne was nominated for a Grammy for Best Jazz Vocal Performance for this album.
Johnny Mathis is the first studio album by vocalist Johnny Mathis that was released by Columbia Records in 1956. The subtitle A New Sound in Popular Song can be found on the back cover but not on the front of the album or the disc label; in fact, this Mathis LP has been referred to as "the jazz album".
Duke Elegant is a 1999 studio album by New Orleans keyboard player and vocalist Dr. John. The album was produced by the artist under his real name, Mac Rebennack, and is a collection of songs written or performed by Duke Ellington. It features musical support from "The Lower 9-11", Ronnie Cuber, and Cyro Baptista.
Satin Doll is an album by organist Shirley Scott recorded in 1961 and released on the Prestige label in 1963. It was Scott's second album of Duke Ellington compositions after Scottie Plays the Duke (1959).
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Duke with a Difference is an album by American jazz trumpeter Clark Terry featuring tracks recorded in 1957 for the Riverside label.
Unforgettable – A Musical Tribute to Nat King Cole is a soundtrack album released in the UK in 1983 by the CBS Records division of Columbia in conjunction with the broadcast of American pop singer Johnny Mathis's BBC television concert special of the same name that featured Cole's daughter Natalie. The front of the original album jacket credits the concert performers as "Johnny Mathis and Natalie Cole", whereas the CD booklet reads, "Johnny Mathis with special guest Natalie Cole".
Homage to Duke is an album by American pianist Dave Grusin released in 1993, recorded for GRP Records, and is Grusin's interpretation of Duke Ellington's music.
Sending You a Little Christmas is the sixth Christmas album by American pop singer Johnny Mathis that was released on October 29, 2013, by Columbia Records. In addition to piano accompaniment on the title track by its composer Jim Brickman, this particular holiday release of original recordings is distinguished by duets with guest vocalists Susan Boyle, Natalie Cole, Gloria Estefan, Vince Gill, Amy Grant, Billy Joel, and The Jordanaires.
Gold: A 50th Anniversary Celebration is a compilation album by American pop singer Johnny Mathis that was released on November 21, 2006, by Columbia Records and takes the first 13 of its 18 tracks from the first four years of his recording career. The collection then jumps ahead 27 years for the remaining five songs, two of which had not been released elsewhere: "So Many Stars" comes from the recording date of an unfinished Sergio Mendes project, and "The Shadow of Your Smile" was later featured on the 2007 Dave Koz album At the Movies.
Ellington Suite is an album by drummer and bandleader Chico Hamilton's Quintet featuring multi-instrumentalist Buddy Collette released on the World Pacific label. Hamilton recorded the album to replace recordings from 1958 which were originally shelved and issued as The Original Ellington Suite in 2000.
Sonny Stitt with Strings: A Tribute to Duke Ellington is an album by American jazz saxophonist Sonny Stitt featuring performances of compositions associated with Duke Ellington recorded in 1977 for the Catalyst label.
Joya Sherrill Sings Duke is a 1965 album by Joya Sherrill recorded in tribute to the bandleader and composer Duke Ellington. Several members of the Duke Ellington Orchestra accompany Sherrill on the album.
All Star Road Band is a live album by American pianist, composer and bandleader Duke Ellington recorded at Sunset Ballroom in Carrolltown, Pennsylvania for radio broadcast and first released as a double LP on Bob Thiele's Doctor Jazz label in 1983. The album was rereleased on CD under the title All Star Road Band Volume One.
The Duke at Tanglewood is a live album by American pianist, composer and bandleader Duke Ellington fronting the Boston Pops Orchestra conducted by Arthur Fiedler which was recorded at Tanglewood and released on RCA Victor's classical Red Seal label.