International Language | ||||
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Studio album by | ||||
Released | 8 October 1993 | |||
Recorded | Western Works Studios, Sheffield | |||
Genre | IDM | |||
Length | 75:06 | |||
Label | Plastex | |||
Producer | Cabaret Voltaire | |||
Cabaret Voltaire chronology | ||||
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International Language is the twelfth studio album by English electronic band Cabaret Voltaire, released in October 1993 on the band's own label, Plastex.
Electronic music is music that employs electronic musical instruments, digital instruments and circuitry-based music technology. In general, a distinction can be made between sound produced using electromechanical means, and that produced using electronics only. Electromechanical instruments include mechanical elements, such as strings, hammers, and so on, and electric elements, such as magnetic pickups, power amplifiers and loudspeakers. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar, which are typically made loud enough for performers and audiences to hear with an instrument amplifier and speaker cabinet. Pure electronic instruments do not have vibrating strings, hammers, or other sound-producing mechanisms. Devices such as the theremin, synthesizer, and computer can produce electronic sounds.
Cabaret Voltaire are an English music group formed in Sheffield in 1973 and initially composed of Stephen Mallinder, Richard H. Kirk, and Chris Watson. The group was named after the Cabaret Voltaire, the Zürich nightclub that served as a centre for the early Dada movement.
AllMusic wrote that the album "tones down the Chicago house elements which had creeped into [Cabaret Voltaire's previous album] Plasticity, replacing them with sublime acid-electro, tribal elements on several tracks". [1]
AllMusic is an online music database. It catalogs more than 3 million album entries and 30 million tracks, as well as information on musical artists and bands. It launched in 1991, predating the World Wide Web.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the first ever house music productions, which were by Chicago-based artists in the 1980s.
Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer. Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles.
International Language was released on 8 October 1993 on the band's own label, Plastex.
Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
The Encyclopedia of Popular Music |
AllMusic wrote that, while "the melodies and chord progressions sometimes verge on the obvious", and "the same emphasis on samples [...] occasionally distorts the value of the underlying music", the album is "a worthy addition to CV's mammoth discography". [1]
All tracks composed by Richard H. Kirk and Stephen Mallinder.
Industrial music is a genre of music which draws on harsh, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, concentrations of artists and labels vital to the genre also emerged in America, namely in Chicago.
Young Marble Giants were a post-punk band formed in Cardiff, Wales in 1978. Their music was based around the vocals of Alison Statton along with the minimalist instrumentation of brothers Philip and Stuart Moxham. Their early sound was a sharp contrast with the more aggressive punk rock that dominated the underground at the time. Young Marble Giants have only released one full-length studio album, Colossal Youth, in 1980.
Front Line Assembly (FLA) is a Canadian electro-industrial band formed by Bill Leeb in 1986 after leaving Skinny Puppy. Influenced by early electronic and (post-)industrial acts such as Cabaret Voltaire, Portion Control, D.A.F., Test Dept, SPK, and Severed Heads, FLA has developed its own sound while combining elements of electronic body music (EBM). The band's membership has rotated through several members over the years, including Rhys Fulber and Michael Balch who are both associated with several other acts.
Jesus Jones are a British alternative rock band from Bradford-on-Avon in Wiltshire, formed in late 1988, who recorded and performed from the late 1980s to the 2000s. Their track "Right Here, Right Now" was an international hit, and was subsequently globally licensed for promotional and advertising campaigns. They also achieved chart success with the songs "Real Real Real", "International Bright Young Thing" and "Info Freako".
Fluke is an English electronic music group formed in the late 1980s by Mike Bryant, Jon Fugler and Mike Tournier. The band's conception was influenced by the members' interest in the burgeoning acid house music scene and particularly the work of Cabaret Voltaire and Giorgio Moroder.
Billie Ray Martin is a German singer-songwriter, known for her single "Your Loving Arms", which reached the Top 10 of both the UK Singles Chart (#6) and the Irish Singles Chart (#8) in 1995, and reached number one on the US Dance Club Chart. She was also one of the vocalists on the S'Express UK Top 10 hit single "Hey Music Lover" (1989), and had UK Top 40 hits as lead vocalist of Electribe 101 with "Tell Me When the Fever Ended" (1989) and "Talking with Myself" (1990), and as a solo singer with "Running Around Town" (1995) and "Imitation of Life" (1996).
Twitch is the second studio album by American rock band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was produced by the band's frontman Al Jourgensen and On-U Sound Records owner Adrian Sherwood. It stepped away from the synthpop-oriented form of their debut studio album With Sympathy (1983) and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
Stephen William Mallinder is an English artist/musician who was a founding member of Cabaret Voltaire, and went on to work as Sassi & Loco, the Ku-Ling Bros Hey, Rube! Wrangler and Creep Show.
Code is the ninth studio album by English electronic band Cabaret Voltaire, released in October 1987.
Mix-Up is the debut studio album by English band Cabaret Voltaire. It was released on 23 October 1979, through record label Rough Trade.
The Crackdown is the fifth studio album by English electronic band Cabaret Voltaire, released in August 1983 jointly through record labels Some Bizarre and Virgin. It was produced by the band themselves and Flood.
Red Mecca is the third studio album by English band Cabaret Voltaire. It was released in September 1981, through record label Rough Trade.
The Voice of America is the second studio album by English band Cabaret Voltaire. It was released in July 1980, through record label Rough Trade.
The Covenant, The Sword, and the Arm of the Lord is the seventh full-length studio album by the Electronic band Cabaret Voltaire. The album was released on Some Bizarre Label in November 1985. The album's title was shortened to The Arm of the Lord for the United States.
Groovy, Laidback and Nasty is the ninth studio album by English electronic band Cabaret Voltaire, released in April 1990 by record label Parlophone.
Some Bizzare [sic] Records was a British independent record label owned by Stevo Pearce. The label was founded in 1981, with the release of Some Bizzare Album, a compilation of unsigned bands including Depeche Mode, Soft Cell, The The, Neu Electrikk and Blancmange.
Body and Soul is the tenth studio album by English electronic band Cabaret Voltaire, released in March 1991 by Belgium-based label Les Disques du Crépuscule.
Hey, Rube! is an electronica collaboration from Kingston upon Hull, East Riding of Yorkshire, England. It was formed by Stephen Mallinder, a founder of Cabaret Voltaire, and Steve Cobby, of The Cutler, The Heights of Abraham, Chieftain and J*S*T*A*R*S and half of Fila Brazillia. They play electronica and dub.
Sweet Exorcist was a British music duo consisting of Richard Barratt and Richard H. Kirk. Their sound is usually categorized as techno and IDM.
Discogs is a website and crowdsourced database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc., and are located in Portland, Oregon, US. While the site lists releases in all genres and on all formats, it is especially known as the largest online database of electronic music releases, and of releases on vinyl media. Discogs currently contains over 11 million releases, by over 5.4 million artists, across over 1.1 million labels, contributed from over 456,000 contributor user accounts — with these figures constantly growing as users continually add previously unlisted releases to the site over time.
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