| Three Mantras | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | May 1980 | |||
| Recorded | January 1980 | |||
| Studio | Western Works, Sheffield | |||
| Genre | Industrial, post-punk | |||
| Length | 40:50 | |||
| Label | Rough Trade | |||
| Producer | Cabaret Voltaire | |||
| Cabaret Voltaire chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Select | 3/5 [2] |
Three Mantras is the second studio album by English band Cabaret Voltaire. It was released in May 1980 by Rough Trade.
Record Mirror originally publicised Three Mantras as, '..what's been described as "the world's longest single"..', evidently referring to a press release supplied by the group's label, Rough Trade. [3] The album was packaged in an intentionally confusing manner, with the 'Eastern' and 'Western' titles reversed on the cover, the same label on both sides and a sticker on early pressings apologizing for there only being two mantras (despite the title) and explaining that the album was being priced as a single to make up for it. The reversed vocal that runs all the way through 'Eastern Mantra' is the name of another Sheffield electronic band - The Human League.
According to Trouser Press , Three Mantras is "the group's first explicit venture into non-Western musical forms". It further commented, "The record also marks a shift in technique, as musical demands take precedence over production to strange and beautiful effect." [4]
| No. | Title | Length |
|---|---|---|
| 1. | "Western Mantra" | 20:39 |
| No. | Title | Length |
|---|---|---|
| 2. | "Eastern Mantra" | 20:11 |
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Young Marble Giants were a Welsh post-punk band formed in Cardiff, Wales, in 1978. Their music was based around the vocals of Alison Statton along with the minimalist instrumentation of brothers Philip and Stuart Moxham. Their early sound was a sharp contrast with the more aggressive punk rock that dominated the underground at the time. Young Marble Giants released just one studio album, Colossal Youth, in 1980. They also released two EPs and recorded a John Peel session.
SPK were an Australian industrial music and noise music group formed in 1978. They were fronted by mainstay member, Graeme Revell on keyboards and percussion. In 1980 the group travelled to the United Kingdom where they issued their debut album, Information Overload Unit. In 1983 Sinan Leong joined on lead vocals. The group disbanded in 1988. Two years later Revell and Leong relocated to the United States, where Revell works as a Hollywood film score composer. According to Australian rock music historian Ian McFarlane, SPK were "at the forefront of the local post-punk, electronic/experimental movement of the late 1970s ... [their] music progressed from discordant, industrial-strength metal noise to sophisticated and restrained dance-rock with strange attributes".
Cabaret Voltaire were an English music group formed in Sheffield in 1973 and initially composed of Stephen Mallinder, Richard H. Kirk, and Chris Watson. Named for the Zürich nightclub that fostered the early Dada movement, the band are often characterized as among the most innovative and influential electronic acts of their era.
Clock DVA are a musical group from Sheffield, England, whose style has touched on industrial, post-punk, and EBM. They formed in 1978 by Adolphus "Adi" Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat language of Anthony Burgess's novel A Clockwork Orange. Dva is Russian for "two".
Chris & Cosey, sometimes known as Carter Tutti, are a musical duo formed in 1981, consisting of couple Chris Carter (electronics) and Cosey Fanni Tutti, both previously members of industrial music pioneers Throbbing Gristle. Since the release of their 1981 debut album Heartbeat, the group have expanded on the rhythmic ideas of Throbbing Gristle while adding synthesized pop elements to their sound.
Richard Harold Kirk was an English musician who specialised in electronic music. His career began as a co-founder of the influential industrial music band Cabaret Voltaire, formed in 1973. He subsequently released projects under his own name and a number of aliases, and was a member of various groups such as Sweet Exorcist. Kirk was considered a major figure in the creation of industrial music.
Extended Play is an extended play and the debut release by English industrial band Cabaret Voltaire. It was released in November 1978, through record label Rough Trade.
Micro-Phonies is the sixth full-length studio album by British electronic band Cabaret Voltaire. Released 29 October 1984, the album was the group's most mainstream release to date, with the singles "Sensoria" and "James Brown" gaining popularity, especially the former, due to the music video finding MTV airplay. The album sees Cabaret Voltaire continuing to change, pursuing the more electro and synthpop-oriented direction they had started shifting towards on The Crackdown.
2x45 is the fourth studio album by English band Cabaret Voltaire. It was released in May 1982 through Rough Trade. This was the last studio album by the band to feature founding member Chris Watson, who had departed during its recording.
Daniel Otto Joachim Miller is a British music producer and founder of Mute Records.
Mix-Up is the debut studio album by English band Cabaret Voltaire. It was released on 23 October 1979, through record label Rough Trade.
Live at the Y.M.C.A 27-10-79 is a live album by industrial/post-punk band Cabaret Voltaire, recorded in 1979 and originally released in 1980 by Rough Trade. It was re-released on CD in 1990 on Mute Records in the UK and on Restless Records in the US. The album contains a cover of The Velvet Underground's "Here She Comes Now" from their album White Light/White Heat.
The Crackdown is the fifth studio album by English electronic band Cabaret Voltaire, released in August 1983 jointly through record labels Some Bizzare and Virgin. It was produced by the band themselves and Flood.
Red Mecca is the third studio album by English industrial band Cabaret Voltaire, released in September 1981 through Rough Trade Records.
A Factory Sample is a 7-inch double sampler EP released in January 1979 by Factory Records of Manchester, England. Funded by a small inheritance which had recently been bequeathed to Tony Wilson, it was the first vinyl recording to be released by the label. The cover of the EP is made of rice paper, dyed silver and sealed inside a thin plastic bag.
The Voice of America is the second studio album by English band Cabaret Voltaire. It was released in July 1980, through record label Rough Trade.
Hai! is a 1982 live album by the U.K. industrial band Cabaret Voltaire. It was recorded at the Tsubaki House in Tokyo, Japan on 23 March 1982, and was released on CD in 1991 by Mute Records Ltd. The original master tapes being lost, the CD was transferred from a vinyl copy.
The Covenant, The Sword and the Arm of the Lord is the seventh full-length studio album by the electronic band Cabaret Voltaire. The album was released through Some Bizzare Records in November 1985. The album's title was shortened to The Arm of the Lord for the United States.
Groovy, Laidback and Nasty is the ninth studio album by English electronic band Cabaret Voltaire, released in April 1990 by record label Parlophone.
