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Stephen Mallinder | |
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 Mallinder in 2022 | |
| Background information | |
| Born | 1 January 1955 Sheffield, Yorkshire, England |
| Genres | Electronic |
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| Years active | 1973–present |
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| Formerly of | |
Stephen William Mallinder (born 1 January 1955) is an English artist and musician who was a founding member of Cabaret Voltaire, and went on to work as Sassi & Loco, the Ku-Ling Bros., Hey, Rube!, Wrangler, and Creep Show.
Mallinder co-founded Cabaret Voltaire in 1973. [1]
Mallinder recorded as a solo artist in the 1980s, including the Pow-Wow album, released in 1983. [1] In 1988, he recorded with members of Soft Cell in the band Love Street, and in 1989, he was a member of Acid Horse, a band which also featured Al Jourgensen of Ministry. [1] [2]
Mallinder, alongside Richard H. Kirk, established the Western Works Studio (with Chris Watson until 1982) and subsequently produced in excess of 30 albums, working alongside producers and engineers including Flood, Adrian Sherwood, and Marshall Jefferson. He worked as producer, remixer, and live performer.
In 1982, Mallinder was one of the founders of Doublevision, which was the UK's first independent video label with an associated record label, Plastex Records in 1990. He is also the founder of the Off World Sounds label (Australia), releasing material under the names Ku-Ling Bros. and Sassi & Loco. Mallinder established Off World Productions in 1998.
He is a former journalist, including as a music journalist for Australian publications Ministry Magazine, Sunday Times and The West Australian , working also as a radio presenter and producer for RTRFM.
Stephen Mallinder wrote a chapter for the publication Resonances: Noise and Contemporary Music ( ISBN 9781441159373), edited by Benjamin Halligan, Nicola Spelman and Michael Goddard for Continuum International Publishing Group (2013). The book is a collection of essays, proposing new critical approaches and inquiries regarding debate and analysis of noise – from postpunk to shoegaze and beyond. Punk and Post-Punk Noise, Chapter 5 by Stephen Mallinder, 'Sounds Incorporated: Dissonant Sorties into Popular Music'.
He wrote the Preface for Assimilate: A Critical History of Industrial Music, S. Alexander Reed Oxford University Press, 2013 and introductory chapter "Straight Connection back to Dusseldorf City" for German Pop Music: A Companion (editor Uwe Scutte) Penguin (2016).
He wrote "Live or Memorex: Artists and Producers Perceptions of Changing Music Practices" in The Digital Evolution of Live Music (Chandos 2015).
Mallinder contributed "Remix Chapter" for Total State Machine: Test Dept. (PC Press 2015).
Mallinder has published numerous academic papers, and gained his PhD in music and popular culture from Murdoch University in Australia in 2011 with his thesis Movement: Journey of the Beat. [3] He now lives in Brighton and has been researching at the Art Design Media Centre and teaches on Digital Music & Sound Art at the University of Brighton.
Keynote addresses include "Life in Music" at the Red Bull Music Academy (Melbourne, 2006), "Signal to Noise (1973–83) Music Technology" (Sydney International Festival of the Arts 2010) and the first academic Kraftwerk conference: "Music, Modernity and Movement" (Aston University, 2015).
He has recorded with Steve Cobby – one half of Fila Brazillia – under the name Hey, Rube!. Can You Hear Me Mutha?, their debut album (on Steel Tiger Records), was released in October 2012. [4] A series of further Hey, Rube! recordings were made for an anticipated 2013 release.
The debut Ku-Ling Bros. album Creach (2001) was reissued in the United States through dPulse, and was followed by the album, Here Come the Astronauts (2010).
In February 2014, he collaborated with producer/remixer Dub Mentor on the single "Obsession" – which included three versions of a Cabaret Voltaire track. The single was released on the alternative/minimalist independent music label EnT-T.
A new single, recorded with Steve Cobby, was scheduled for release in April 2016. [5]
Mallinder worked with Phil Winter of Tunng and Benge (Expanding Records) under the name Wrangler, for the Memetune Label. They have released three albums LA Spark (2012), Sparked (2014), and White Glue (2016). Wrangler also worked with American artist John Grant under the name Creep Show, releasing the album Mr. Dynamite on the Bella Union label in 2018.
In 2014, members of Sheffield bands Clock DVA and In the Nursery joined Mallinder in a performance under the name IBBERSON. The performance took place at the newly built John Pemberton Lecture Theatres in the School of Health and Related Research at the University of Sheffield, which was constructed in the approximate location of Cabaret Voltaire's original Western Works studio. The name "IBBERSON" is a reference to a sign which used to hang outside the studio building. [6]
He has worked with actress Jane Horrocks, writing music and performing, for the theatre production Cotton Panic, which debuted at Manchester International Festival in 2017.
He and Wrangler created the sci-fi film The Tourist (2017), with director Tash Tung performing a live soundtrack, for the Unfilmables project, which was conceived by Colm McAuliffe and produced by Live Cinema UK, alongside Mica and Francesca Levi. [7]
As part of Cabaret Voltaire, Mallinder has had video work exhibited at MoMA in New York, [8] [9] and with Wrangler in the Turbines (Tate Modern, 2010).
On 2019, Mallinder was featured on a spoken word version of Anna Domino's "Lake" – done by Dub Mentor. The single was also released on EnT-T. In February 2020, he guest featured on "Hysteria (Wuhan Fight Dub)" by producer Dub Mentor, a track that was conceived on the way back from China.
Industrial music is a genre of music that draws on harsh, mechanical, transgressive, or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation." The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Cabaret Voltaire were an English music group formed in Sheffield in 1973 and initially composed of Stephen Mallinder, Richard H. Kirk, and Chris Watson. Named for the Zürich nightclub that fostered the early Dada movement, the band are often characterized as among the most innovative and influential electronic acts of their era.
Richard Harold Kirk was an English composer, musician and producer. Kirk is best known for his work in electronic music, and for co-founding the influential music group Cabaret Voltaire in 1973. As a solo artist, Kirk released music under his own name as well as under more than 30 aliases. He also collaborated with other artists in a range of groups such as Sweet Exorcist and Acid Horse.
Three Mantras is the second studio album by English band Cabaret Voltaire. It was released in May 1980 by Rough Trade.
Micro-Phonies is the sixth full-length studio album by British electronic band Cabaret Voltaire. Released 29 October 1984, the album was the group's most mainstream release to date, with the singles "Sensoria" and "James Brown" gaining popularity, especially the former, due to the music video finding MTV airplay. The album sees Cabaret Voltaire continuing to change, pursuing the more electro and synthpop-oriented direction they had started shifting towards on The Crackdown.
Steel Tiger Records is a record label based in Yorkshire, England. The label was founded in late 2006 by Steve Cobby and Sim Lister.
Steve Cobby is a British producer, musician, composer, and DJ based in Kingston upon Hull, Yorkshire. He is best known for being part of Fila Brazillia.
Drinking Gasoline is a 1985 EP release by Cabaret Voltaire, originally released on the Some Bizzare label and distributed through Virgin Records. All four tracks are featured on the band's "Gasoline in Your Eye" videocassette, also issued in 1985. All known copies of the original UK pressing had labels on the wrong discs It peaked at #71 in the UK.
Code is the eighth studio album by the English electronic band Cabaret Voltaire, released in October 1987 by EMI Records.
International Language is the twelfth studio album by English electronic band Cabaret Voltaire, released in October 1993 on the band's own label, Plastex.
Mix-Up is the debut studio album by English band Cabaret Voltaire. It was released on 23 October 1979, through record label Rough Trade.
The Crackdown is the fifth studio album by English electronic band Cabaret Voltaire, released in August 1983 jointly through record labels Some Bizzare and Virgin. It was produced by the band themselves and Flood. Mixing their earlier experimental sound with more conventional dance rhythms, the album received positive reviews and was listed on NME's "Albums of the Year" in 1983.
The Voice of America is the third studio album by English band Cabaret Voltaire. It was released in July 1980, through record label Rough Trade.
Radiation is a collection of recordings from Cabaret Voltaire during their most accessible period. They were also made in the BBC's studios with in-house producers and engineers rather than the usual self-produced material at Western Works studios.
Johnny Yesno: The Original Soundtrack from the Motion Picture is an album by industrial band Cabaret Voltaire. It was made as a soundtrack to Peter Care's film of the same title, which in turn led to Peter Care directing the video for Cabaret Voltaire's hit song "Sensoria". This started a music video-making career for Peter Care, who has since then directed videos for R.E.M., Bruce Springsteen, Roy Orbison, and Depeche Mode, amongst others.
The Covenant, the Sword and the Arm of the Lord is the seventh full-length studio album by the electronic band Cabaret Voltaire. The album was released through Some Bizzare Records in November 1985. The album's title was shortened to The Arm of the Lord for the United States.
Groovy, Laidback and Nasty is the ninth studio album by English electronic band Cabaret Voltaire, released in April 1990 by record label Parlophone.
Julie Campbell, known as LoneLady, is a music artist from Manchester, England, influenced by the post-punk era, but later integrating dance and funk influences. She first started making music on a 4-track cassette recorder in her towerblock flat in Manchester while completing a Fine Art degree. Her stark, early first gigs featured Campbell alone playing electric guitar along to a drum machine. She would later have a 4-piece live band, however.
Body and Soul is the tenth studio album by English electronic band Cabaret Voltaire, released in March 1991 by Belgium-based label Les Disques du Crépuscule.
Hey, Rube! is an electronica collaboration from Kingston upon Hull, East Riding of Yorkshire, England. It was formed by Stephen Mallinder, a founder of Cabaret Voltaire, and Steve Cobby, of The Cutler, The Heights of Abraham, Chieftain and J*S*T*A*R*S and half of Fila Brazillia. They play electronica and dub.
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