| Code | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | October 1987 | |||
| Studio | Western Works (Sheffield) | |||
| Genre | ||||
| Length | 40:16 48:24 (UK CD issue) | |||
| Label | EMI | |||
| Producer |
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| Cabaret Voltaire chronology | ||||
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Code (stylized as C O D E) is the eighth studio album by the English electronic band Cabaret Voltaire, released in October 1987 by EMI Records.
Two singles, "Don't Argue" and "Here to Go", were released from the album.
The lyrics and title of "Don't Argue" incorporate verbatim a number of sentences from the narration of the 1945 short film Your Job in Germany , directed by Frank Capra. The film was aimed at American soldiers occupying Germany and strongly warned against trusting or fraternizing with German citizens. [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| Rolling Stone | [4] |
AllMusic wrote that Code "finds Cabaret Voltaire at their loosest and most accessible", calling it "the closest thing CV ever made to a party record" and adding that it "[achieves] a genuine mechanistic funkiness reminiscent of late-'70s Kraftwerk". [3] J. D. Considine, writing in Musician , contrasted Code with Kraftwerk's "elegant electronics," claiming that "Cabaret Voltaire processes sound the way a mainframe crunches numbers" before backing up to say: "cybernetic as the Cabs' sound may be, their sensibility is surprisingly pop." [5]
Rolling Stone wrote that Code "finds the ideal balance between accessibility and menace", calling it "perhaps the duo's most exhilirating work". [4]
Bonus tracks on UK CD issue
Cabaret Voltaire
with:
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Autobahn is the fourth studio album by German electronic music band Kraftwerk, released in November 1974 by Philips Records. The album marked several personnel changes in the band, which was initially a duo consisting of Florian Schneider and Ralf Hütter; later, the group added Klaus Röder on guitar and flute, and Wolfgang Flür on percussion. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines. Recording started at the group's own Kling Klang facility, but was predominantly made at Conny Plank's studio. Autobahn also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter.
In My Tribe is the third studio album from the American alternative rock band 10,000 Maniacs. Released on July 27, 1987 by Elektra Records, it was their second major-label album and their first to achieve large-scale success. John Lombardo, Natalie Merchant's songwriting partner on previous albums, had left the band in 1986, and In My Tribe saw Merchant begin to collaborate with the other members of the band, most notably with Rob Buck.
Trans-Europe Express is the sixth studio album by German band Kraftwerk. Recorded in 1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance.
Cabaret Voltaire were an English music group formed in Sheffield in 1973 and initially composed of Stephen Mallinder, Richard H. Kirk, and Chris Watson. Named for the the Zürich nightclub that fostered the early Dada movement, the band are often characterized as among the most innovative and influential electronic acts of their era.
Electric Café is the ninth studio album by German electronic band Kraftwerk, released on 10 November 1986. The initial 1986 release came in versions sung in English and German, as well as a limited Edición Española release, featuring versions of "Techno Pop" and "Sex Object" with only Spanish lyrics. It was the first Kraftwerk LP to be created using predominantly digital musical instruments, although the finished product was still recorded onto analog master tapes.
Next Position Please is the seventh studio album by American rock band Cheap Trick, produced by Todd Rundgren and released in 1983.
Stephen William Mallinder is an English artist and musician who was a founding member of Cabaret Voltaire, and went on to work as Sassi & Loco, the Ku-Ling Bros., Hey, Rube!, Wrangler, and Creep Show.
Your Job In Germany is a short film made for the United States War Department in 1945 just before Victory in Europe Day (VE). It was shown to US soldiers about to go on occupation duty in Germany. The film was made by the military film unit commanded by Frank Capra and was written by Theodor Geisel, better known by his pen name Dr. Seuss.
Troublizing is an album by Ric Ocasek, released in 1997.
Mix-Up is the debut studio album by English band Cabaret Voltaire. It was released on 23 October 1979, through record label Rough Trade.
Live at the Y.M.C.A 27-10-79 is a live album by industrial/post-punk band Cabaret Voltaire, recorded in 1979 and originally released in 1980 by Rough Trade. It was re-released on CD in 1990 on Mute Records in the UK and on Restless Records in the US. The album contains a cover of The Velvet Underground's "Here She Comes Now" from their album White Light/White Heat.
The Crackdown is the fifth studio album by English electronic band Cabaret Voltaire, released in August 1983 jointly through record labels Some Bizzare and Virgin. It was produced by the band themselves and Flood.
Red Mecca is the third studio album by English band Cabaret Voltaire. It was released in September 1981 through record label Rough Trade.
A Factory Sample is a 7-inch double sampler EP released in January 1979 by Factory Records of Manchester, England. Funded by a small inheritance which had recently been bequeathed to Tony Wilson, it was the first vinyl recording to be released by the label. The cover of the EP is made of rice paper, dyed silver and sealed inside a thin plastic bag.
The Voice of America is the second studio album by English band Cabaret Voltaire. It was released in July 1980, through record label Rough Trade.
Radiation is a collection of recordings from Cabaret Voltaire during their most accessible period. They were also made in the BBC's studios with in-house producers and engineers rather than the usual self-produced material at Western Works studios.
The Covenant, The Sword and the Arm of the Lord is the seventh full-length studio album by the electronic band Cabaret Voltaire. The album was released through Some Bizzare Records in November 1985. The album's title was shortened to The Arm of the Lord for the United States.
Body and Soul is the tenth studio album by English electronic band Cabaret Voltaire, released in March 1991 by Belgium-based label Les Disques du Crépuscule. Music historian Colin Larkin wrote that the album was "well-received" and "consolidated Cabaret Voltaire's pivotal position on the UK's dance scene". Martin Aston in Q Magazine called the album "nothing radical but by their own standards, a rewarding leap sideways."
Droppin' Bombs is a double-compilation album released on August 25, 1998 by the Washington, D.C.-based go-go band Trouble Funk.
The haunted urban soul of Cabaret Voltaire's "Don't Argue", the opening track on the 1987 Code album (EMI), suddenly seemed out of place. Using stentorian words of advice lifted from a 1945 US army training film, Your Job in Germany, designed to teach GIs how to behave in occupied territory, "Don't Argue" ran counter to the prevailing mood of loved-up euphoria. "You will not be friendly," commanded this new voice of negative authority. "You will be aloof... watchful... suspicious." Blissed out and ready to hug anything in sight, the Stepford Ravers would have a hard time getting their heads around a message like that.
cabaret voltaire code.
