| Groovy, Laidback and Nasty | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 2 April 1990 | |||
| Genre | House [1] [2] | |||
| Length | 46:04 | |||
| Label | Parlophone | |||
| Producer | Cabaret Voltaire, James Reynolds, Robert Gordon, Mark Brydon, Marshall Jefferson | |||
| Cabaret Voltaire chronology | ||||
| ||||
Groovy, Laidback and Nasty is the ninth studio album by English electronic band Cabaret Voltaire, released in April 1990 by record label Parlophone.
Groovy, Laidback and Nasty was recorded in Chicago with veteran house producer Marshall Jefferson. [1]
John Bush of AllMusic wrote that the album "sounds more groovy than nasty, as Mallinder's vocals sound much more pop-oriented than before", despite "possessing a somewhat dated feel even soon after its release". [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Encyclopedia of Popular Music | [3] |
| Select | [4] |
Groovy, Laidback and Nasty was described as "triumphant" in Peter Buckley's compilation of rock music reviews, The Rough Guide to Rock. [5]
All tracks composed by Richard H. Kirk and Stephen Mallinder, except where indicated.
Cabaret Voltaire were an English music group formed in Sheffield in 1973 and initially composed of Stephen Mallinder, Richard H. Kirk, and Chris Watson. Named for the Zürich nightclub that fostered the early Dada movement, the band are often characterized as among the most innovative and influential electronic acts of their era.
Acid Horse was a one-off collaborative side project between two industrial music pioneers, Ministry and Cabaret Voltaire. Only one single, "No Name, No Slogan", was released in 1989 on Wax Trax! Records. The band name combines the slang terms for LSD (acid) and heroin (horse), and plays on the title of the then-popular acid house movement.
Richard Harold Kirk was an English composer, musician and producer. Kirk is best known for his work in electronic music, and for co-founding the influential music group Cabaret Voltaire in 1973. As a solo artist, Kirk released music under his own name as well as under more than 30 aliases. He also collaborated with other artists in a range of groups such as Sweet Exorcist and Acid Horse.
Stephen William Mallinder is an English artist and musician who was a founding member of Cabaret Voltaire, and went on to work as Sassi & Loco, the Ku-Ling Bros., Hey, Rube!, Wrangler, and Creep Show.
Three Mantras is the second studio album by English band Cabaret Voltaire. It was released in May 1980 by Rough Trade.
Extended Play is an extended play and the debut release by English industrial band Cabaret Voltaire. It was released in November 1978, through record label Rough Trade.
Micro-Phonies is the sixth full-length studio album by British electronic band Cabaret Voltaire. Released 29 October 1984, the album was the group's most mainstream release to date, with the singles "Sensoria" and "James Brown" gaining popularity, especially the former, due to the music video finding MTV airplay. The album sees Cabaret Voltaire continuing to change, pursuing the more electro and synthpop-oriented direction they had started shifting towards on The Crackdown.
Drinking Gasoline is a 1985 EP release by Cabaret Voltaire, originally released on the Some Bizzare label and distributed through Virgin Records. All four tracks are featured on the band's "Gasoline in Your Eye" videocassette, also issued in 1985. All known copies of the original UK pressing had labels on the wrong discs It peaked at #71 in the UK.
2x45 is the fourth studio album by English band Cabaret Voltaire. It was released in May 1982 through Rough Trade. This was the last studio album by the band to feature founding member Chris Watson, who had departed during its recording.
Code is the eighth studio album by the English electronic band Cabaret Voltaire, released in October 1987 by EMI Records.
International Language is the twelfth studio album by English electronic band Cabaret Voltaire, released in October 1993 on the band's own label, Plastex.
Mix-Up is the debut studio album by English band Cabaret Voltaire. It was released on 23 October 1979, through record label Rough Trade.
Live at the Y.M.C.A 27-10-79 is a live album by industrial/post-punk band Cabaret Voltaire, recorded in 1979 and originally released in 1980 by Rough Trade. It was re-released on CD in 1990 on Mute Records in the UK and on Restless Records in the US. The album contains a cover of The Velvet Underground's "Here She Comes Now" from their album White Light/White Heat.
The Crackdown is the fifth studio album by English electronic band Cabaret Voltaire, released in August 1983 jointly through record labels Some Bizzare and Virgin. It was produced by the band themselves and Flood.
Red Mecca is the third studio album by English industrial band Cabaret Voltaire, released in September 1981 through Rough Trade Records.
A Factory Sample is a 7-inch double sampler EP released in January 1979 by Factory Records of Manchester, England. Funded by a small inheritance which had recently been bequeathed to Tony Wilson, it was the first vinyl recording to be released by the label. The cover of the EP is made of rice paper, dyed silver and sealed inside a thin plastic bag.
The Voice of America is the second studio album by English band Cabaret Voltaire. It was released in July 1980, through record label Rough Trade.
Johnny Yesno: The Original Soundtrack from the Motion Picture is an album by industrial band Cabaret Voltaire. It was made as a soundtrack to Peter Care's film of the same title, which in turn led to Peter Care directing the video for Cabaret Voltaire's hit song "Sensoria". This started a music video-making career for Peter Care, who has since then directed videos for R.E.M., Bruce Springsteen, Roy Orbison, and Depeche Mode, amongst others.
The Covenant, The Sword and the Arm of the Lord is the seventh full-length studio album by the electronic band Cabaret Voltaire. The album was released through Some Bizzare Records in November 1985. The album's title was shortened to The Arm of the Lord for the United States.
Body and Soul is the tenth studio album by English electronic band Cabaret Voltaire, released in March 1991 by Belgium-based label Les Disques du Crépuscule. Music historian Colin Larkin wrote that the album was "well-received" and "consolidated Cabaret Voltaire's pivotal position on the UK's dance scene". Martin Aston in Q Magazine called the album "nothing radical but by their own standards, a rewarding leap sideways."
