The Crackdown | ||||
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Studio album by | ||||
Released | 18 August 1983 | |||
Recorded | December 1982 | |||
Studio | Trident Studios, London, England | |||
Genre | ||||
Length | 43:33 | |||
Label | ||||
Producer |
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Cabaret Voltaire chronology | ||||
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The Crackdown is the fifth studio album by English electronic band Cabaret Voltaire, released in August 1983 jointly through record labels Some Bizzare and Virgin. It was produced by the band themselves and Flood. Mixing their earlier experimental sound with more conventional dance rhythms, the album received positive reviews and was listed on NME's "Albums of the Year" in 1983.
The Crackdown was Cabaret Voltaire's first full studio album following founding member Chris Watson's departure, and their first release for Virgin Records via Some Bizzare. This album marks a turning point in the band's discography, straddling their early experimental work with their later more conventional electronic dance-funk output. It was recorded and mixed at Trident Studios, London, England in late 1982.
AllMusic wrote that the album "features the band working a number of menacing electronic textures into a basic dance/funk rhythm".
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Encyclopedia of Popular Music | [4] |
Record Mirror | [5] |
The Rolling Stone Album Guide | [6] |
Smash Hits | 8/10 [7] |
Sounds | [8] |
Spin Alternative Record Guide | 8/10 [9] |
Upon its release, the album was given a 8 out of 10 rating by Smash Hits reviewer Peter Martin who wrote that The Crackdown put the band's earlier experimental sound into practice: "Dense, hard-edged sequencer pulsebeats now swamp a strange strangled voice. The sound is panic-stricken and the effect is hypnotic." [7]
It was ranked at number 11 in NME 's "Albums of the Year" list for 1983. [10] Trouser Press , meanwhile, was less enthusiastic, accusing the album of being "rather staid-sounding" while clarifying that their indifference "shouldn't be taken as a blanket panning." [11]
Retrospectively, The Quietus reviewer Albert Freeman wrote: "The production is noticeably cleaner than their underfinanced independent recordings, but it’s hardly less dark, and the added clarity serves to show off the diverse, layered productions, which draw equally from dub, funk, and early electro. Mallinder’s vocals are easier to cipher than they had been before, but the pop tones they would later take on are evident on a few tracks from the album: the title track, ‘Taking Time’, ‘Animation’ and the cynically comical ‘Why Kill Time (When You Can Kill Yourself)’." [12]
AllMusic described The Crackdown as "one of Cabaret Voltaire's strongest albums" and "one of their most distinctive, challenging records." [3]
All tracks are written by Richard H. Kirk and Stephen Mallinder
No. | Title | Length |
---|---|---|
1. | "24-24" | 5:55 |
2. | "In the Shadows" | 4:36 |
3. | "Talking Time" | 5:25 |
4. | "Animation" | 5:33 |
No. | Title | Length |
---|---|---|
1. | "Over and Over" | 4:30 |
2. | "Just Fascination" | 4:04 |
3. | "Why Kill Time (When You Can Kill Yourself)" | 3:56 |
4. | "Haiti" | 3:20 |
5. | "Crackdown" | 6:31 |
No. | Title | Length |
---|---|---|
1. | "Diskono" | 5:49 |
2. | "Double Vision" | 4:15 |
3. | "Moscow" | 5:28 |
4. | "Badge of Evil" | 4:53 |
The original LP came with a bonus 12" of four tracks, comprising the EP Doublevision.
Cabaret Voltaire were an English music group formed in Sheffield in 1973 and initially composed of Stephen Mallinder, Richard H. Kirk, and Chris Watson. Named for the Zürich nightclub that fostered the early Dada movement, the band are often characterized as among the most innovative and influential electronic acts of their era.
Clock DVA are a musical group from Sheffield, England, whose style has touched on industrial, post-punk, and EBM. They formed in 1978 by Adi Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat language of Anthony Burgess's novel A Clockwork Orange. Dva is Russian for "two".
Stephen William Mallinder is an English artist and musician who was a founding member of Cabaret Voltaire, and went on to work as Sassi & Loco, the Ku-Ling Bros., Hey, Rube!, Wrangler, and Creep Show.
Love and Dancing is a remix album by English synth-pop band The Human League, released in July 1982 by Virgin Records. Issued under the band name "The League Unlimited Orchestra" as a nod to Barry White's disco-era Love Unlimited Orchestra, the album was principally the idea and work of producer Martin Rushent and contains dub-style, largely instrumental remixes of songs from the band's multi-platinum selling album Dare (1981), along with a version of the track "Hard Times", which had originally been the B-side of the single "Love Action ". Rushent was inspired by hip hop turntablist Grandmaster Flash and created Love and Dancing on a mixing board. He created vocal effects by cutting up portions of the Dare tape and manually gluing them together. In total, over 2,600 edits feature on the album.
Three Mantras is the second studio album by English band Cabaret Voltaire. It was released in May 1980 by Rough Trade.
Micro-Phonies is the sixth full-length studio album by British electronic band Cabaret Voltaire. Released 29 October 1984, the album was the group's most mainstream release to date, with the singles "Sensoria" and "James Brown" gaining popularity, especially the former, due to the music video finding MTV airplay. The album sees Cabaret Voltaire continuing to change, pursuing the more electro and synthpop-oriented direction they had started shifting towards on The Crackdown.
Drinking Gasoline is a 1985 EP release by Cabaret Voltaire, originally released on the Some Bizzare label and distributed through Virgin Records. All four tracks are featured on the band's "Gasoline in Your Eye" videocassette, also issued in 1985. All known copies of the original UK pressing had labels on the wrong discs It peaked at #71 in the UK.
2x45 is the fifth studio album by English band Cabaret Voltaire. It was released in May 1982 through Rough Trade. This was the last studio album by the band to feature founding member Chris Watson, who had departed during its recording.
Code is the eighth studio album by the English electronic band Cabaret Voltaire, released in October 1987 by EMI Records.
Mix-Up is the debut studio album by English band Cabaret Voltaire. It was released on 23 October 1979, through record label Rough Trade.
Live at the Y.M.C.A 27-10-79 is a live album by industrial/post-punk band Cabaret Voltaire, recorded in 1979 and originally released in 1980 by Rough Trade. It was re-released on CD in 1990 on Mute Records in the UK and on Restless Records in the USA. The album contains a cover of The Velvet Underground's "Here She Comes Now" from their album White Light/White Heat.
Red Mecca is the fourth studio album by English industrial band Cabaret Voltaire, released in 17 August 1981 through Rough Trade Records.
The Voice of America is the third studio album by English band Cabaret Voltaire. It was released in July 1980, through record label Rough Trade.
Hai! is a 1982 live album by the U.K. industrial band Cabaret Voltaire. It was recorded at the Tsubaki House in Tokyo, Japan on 23 March 1982, and was released on CD in 1991 by Mute Records Ltd. The original master tapes being lost, the CD was transferred from a vinyl copy.
The Covenant, the Sword and the Arm of the Lord is the seventh full-length studio album by the electronic band Cabaret Voltaire. The album was released through Some Bizzare Records in November 1985. The album's title was shortened to The Arm of the Lord for the United States.
Groovy, Laidback and Nasty is the ninth studio album by English electronic band Cabaret Voltaire, released in April 1990 by record label Parlophone.
Julie Campbell, known as LoneLady, is a music artist from Manchester, England, influenced by the post-punk era, but later integrating dance and funk influences. She first started making music on a 4-track cassette recorder in her towerblock flat in Manchester while completing a Fine Art degree. Her stark, early first gigs featured Campbell alone playing electric guitar along to a drum machine. She would later have a 4-piece live band, however.
Some Bizzare [sic] Records was a British independent record label owned by Stevo Pearce. The label was founded in 1981, with the release of Some Bizzare Album, a compilation of unsigned bands including Depeche Mode, Soft Cell, The The, Neu Electrikk and Blancmange.
Body and Soul is the tenth studio album by English electronic band Cabaret Voltaire, released in March 1991 by Belgium-based label Les Disques du Crépuscule.
Sky Yen is the first album recorded by English musician Pete Shelley, recorded in March 1974 and released by his label Groovy Records in April 1980. It is Shelley's earliest known recording, and was created when he was in college. After developing an interest in electronic music, Shelley created a single electronic oscillator with an added potentiometer, and recorded the album on the device in his living room while utilising a two-track stereo recorder. The entirely electronic album is experimental in style, and emphasises oscillations and drone characteristics.