Kaz Oshiro is a Japanese-American artist based in Los Angeles, CA. His work resides between painting and sculpture, creating uncannily realistic objects that have ranged from a full-size replica of a dumpster to a mini fridge adorned with stickers, however, through the use of stretcher bars, canvas, and paint.
Salomón Huerta is a painter based in Los Angeles, California. Huerta was born in Tijuana, Mexico, and grew up in the Boyle Heights neighborhood of Los Angeles. Huerta received a full scholarship to attend the Art Center College of Design in Pasadena and completed his MFA at UCLA in 1998.
Casey Edwin Barker Reas, also known as C. E. B. Reas or Casey Reas, is an American artist whose conceptual, procedural and minimal artworks explore ideas through the contemporary lens of software. Reas is perhaps best known for having created, with Ben Fry, the Processing programming language.
Christiane Paul is Curator of Digital Art at the Whitney Museum of American Art and professor emerita in the School of Media Studies at The New School. She is the author of the book Digital Art, which is part of the 'World of Art' series published by Thames & Hudson.
Maxwell Hendler is an American painter. In 1975, he became the first contemporary artist to have pictures in the collection of the Metropolitan Museum of Art in New York.
The Rosamund Felsen Gallery is one of the longest-running art galleries in Los Angeles, California, involved in and influencing the broader American art community since its establishment in 1978. The gallery has operated four locations since its inception: first on La Cienega Boulevard in Los Angeles, then on Santa Monica Boulevard in West Hollywood, later at Bergamot Station in Santa Monica, and finally in the Arts District, Los Angeles in Downtown Los Angeles.
Lita Albuquerque is an American installation, environmental artist, painter and sculptor. She is a part of the core faculty in the Graduate Fine Art Program at Art Center College of Design.
Karl Haendel, is an American artist who lives and works in Los Angeles, California. Haendel is represented by Vielmetter Los Angeles, Mitchell-Innes & Nash, New York and Wentrup Gallery, Berlin.
Renée Petropoulos, is an American contemporary artist, and educator. She lives in the Venice neighborhood of Los Angeles, California.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
Eileen Cowin is a Los Angeles–based artist known for photography, video and mixed-media installations that draw on the language of mass media and art history and explore the relationship between narrative, fiction and non-fiction, memory and experience. Associated with the 1970s Los Angeles experimental photography scene and the Pictures Generation artists, her work combines familiar human situations and carefully chosen gestures, expressions and props to create enigmatic images whose implied, open-ended stories viewers must complete. Cowin has exhibited in more than forty solo shows in the United States and abroad, including at the Los Angeles County Museum of Art (LACMA), Museum of Contemporary Photography, Armory Center for the Arts and Contemporary Arts Center. Her work is included in more than forty institutional collections, including LACMA, the J. Paul Getty Museum, Brooklyn Museum, Art Institute of Chicago, San Francisco Museum of Modern Art (SFMOMA), and Smithsonian American Art Museum. She has been recognized with awards and commissions from the National Endowment for the Arts, LACMA, the City of Los Angeles (COLA), Public Art Fund, and the Sundance and USA film festivals. New York Times critic Andy Grundberg wrote that her multi-image work "sets up a tension between the familiar and the mysterious, creating a climate of implied danger, sexual intrigue and violence" in which clues abound to intimate various narratives. Jody Zellen observed that Cowin "manipulates the conventions of photography, film, and video to tell a different kind of story—one that explores where truth and fiction merge, yet presents no conclusions. Cowin's work provokes."
Andrea Chung is an American artist born in Newark, NJ and currently works in San Diego, CA. Her work focuses primarily on island nations in the Indian Ocean and the Caribbean Sea; specifically on how outsiders perceive a fantastic reality in spaces deemed as “paradise”. In conjunction, she explores relationships between these cultures, migration, and labor - all within the context of colonial and postcolonial regimes. Her projects bring in conscientious elements of her own labor and incorporate materials significant to the cultures she studies. This can be seen in works such as, “Bato Disik”, displayed in 2013 at the Helmuth Projects, where the medium of sugar represents the legacy of sugar plantations and colonial regime.
Cindy Bernard is a Los-Angeles based artist whose artistic practice comprises photography, video, performance, and activism. In 2002, Cindy Bernard founded the Society for the Activation of Social Space through Art and Sound, which presents site-relational experimental music. Her numerous Hitchcock references have been discussed in Dan Auiler's Vertigo: The Making of a Hitchcock Classic (1998), essays by Douglas Cunningham and Christine Spengler in The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage and Commemoration (2012) and Spengler's Hitchcock and Contemporary Art (2014).
Jeff Colson is an American artist.
Tam Van Tran is a visual artist born in Vietnam who lives and works in Los Angeles, California. His primary materials for paintings and sculptures include clay and paper, and extend to chlorophyll, glass, algae, staples, crushed eggshells, Wite-out eraser liquid, beet juice, gelatin, and other diverse ingredients which lend texture and intricacy to his organically-molded abstractions.
Elena Manferdini is an Italian architect based in Venice, California, where she is the principal and owner of Atelier Manferdini. She is the Graduate Programs Chair at the Southern California Institute of Architecture (SCI-Arc). She has over fifteen years of professional experience that span across architecture, art, design, and education.
Anthony Hernandez is an American photographer who divides his time between Los Angeles, his birthplace, and Idaho. His photography has ranged from street photography to images of the built environment and other remains of civilization, particularly those discarded or abandoned elements that serve as evidence of human presence. He has spent most of his career photographing in Los Angeles and environs. "It is L.A.'s combination of beauty and brutality that has always intrigued Hernandez." La Biennale di Venezia said of Hernandez, "For the past three decades a prevalent question has troubled the photographer: how to picture the contemporary ruins of the city and the harsh impact of urban life on its less advantaged citizens?" His wife is the novelist Judith Freeman.
Sherin Guirguis is a visual artist based in Los Angeles, California. Guirguis has had solo exhibitions of her work at 18th Street Art Center, The Third Line Gallery (Dubai), Shulamit Nazarian Gallery, and LAXART. In 2012, Guirguis received the California Community Foundation Fellowship for Visual Artists and the 2014–15 City of Los Angeles Individual Artist Fellowship.
Amir Zaki is an American artist based in Southern California. He is best known for "hybridized" photographs using digital and analog technologies that explore the rhetoric of authenticity, vocabulary of documentary, and acts of looking and constructing images. His work often focuses on the iconography and landscape of Southern California, simultaneously celebrating the banal and vernacular and subverting its related mythology. Zaki has exhibited nationally and internationally, and been featured in shows at the Whitney Museum of American Art, Orange County Museum of Art, California Museum of Photography, and San Jose Museum of Art. His work is held in the public collections of the Los Angeles County Museum of Art, Hammer Museum, New Museum, and Whitney Museum, among many, and appears in the anthologies Vitamin Ph (2006), Photography is Magic and Both Sides of Sunset: Photographing Los Angeles (2015).
Lynn Aldrich is an American sculptor whose diverse works draw on a wide range of high and low cultural influences and materials. Her work can range from what art writers describe as "slyly Minimalist meditations" on color, light and space to whimsical "Home Depot Pop" that reveals and critiques the excesses—visual, formal and material—of unbridled consumption. Critics Leah Ollman and Claudine Ise of the Los Angeles Times have described Aldrich's art, respectively, as a "consumerist spin on the assemblage tradition" and a "witty and inventive brand of kitchen-sink Conceptualism" LA Weekly critic Doug Harvey calls her "one of the most under-recognized sculptors in L.A.," whose hallmarks are the poetic transformation of found/appropriated materials, formal inventiveness and restless eclecticism. Aldrich has exhibited at the Museum of Contemporary Art, Los Angeles (MOCA), Los Angeles County Museum of Art (LACMA), Hammer Museum, Santa Monica Museum of Art, and venues throughout the United States and Europe. She has been recognized with a Guggenheim Fellowship (2014) and public art collection acquisitions by LACMA, MOCA Los Angeles and the Portland Art Museum, among others.
