The John McCaughey Prize, [1] [2] also known as the John McCaughey Memorial Art Prize, [3] [4] McCaughey Prize, McCaughey Art Prize or McCaughey Art Award, is an Australian art prize awarded to an artist or artists, under which the National Gallery of Victoria and the Art Gallery of New South Wales acquire work by the winning artist.
The John McCaughey Memorial Prize was instituted by Mona McCaughey in 1957, to commemorate her father John, an Irish-born pastoral industry investor who had died in Sydney on 20 June 1928. John was the younger brother of Sir Samuel McCaughey, also a pastoralist. [5]
Two prizes were established, one in Melbourne (administered through the National Gallery of Victoria) and one in Sydney (administered through the Art Gallery of New South Wales). It is awarded periodically, typically every few years. As an acquisitive prize, it enables the National Gallery of Victoria to acquire works from each of the winning artists. [5]
The prize fund is held by the John McCaughey Memorial Prize Trust. [6]
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
William Beckwith McInnes was an Australian portrait painter, winner of the Archibald Prize seven times for his traditional style paintings. He was acting-director at the National Gallery of Victoria and an instructor in its art school.
Sir Arthur Ernest Streeton was an Australian landscape painter and a leading member of the Heidelberg School, also known as Australian Impressionism.
Sir George Russell Drysdale, also known as Tass Drysdale, was an Australian artist. He won the prestigious Wynne Prize for Sofala in 1947, and represented Australia at the Venice Biennale in 1954. He was influenced by abstract and surrealist art, and "created a new vision of the Australian scene as revolutionary and influential as that of Tom Roberts".
Sir John Campbell Longstaff was an Australian painter, war artist and a five-time winner of the Archibald Prize for portraiture. Longstaff was one of the most prolific portraitists of the Edwardian period, painting many high society figures in both Australia and Britain.
Frederick Ronald Williams was an Australian painter and printmaker. He was one of Australia’s most important artists, and one of the twentieth century's major landscapists. He had more than seventy solo exhibitions during his career in Australian galleries, as well as the exhibition Fred Williams - Landscapes of a Continent at the Museum of Modern Art in New York in 1977.
John de Burgh Perceval AO was a well-known Australian artist. Perceval was the last surviving member of a group known as the Angry Penguins who redefined Australian art in the 1940s. Other members included John Reed, Joy Hester, Sidney Nolan, Arthur Boyd and Albert Tucker. He was also an Antipodean and contributed to the Antipodeans exhibition of 1959.
Rover Thomas Joolama, known as Rover Thomas, was a Wangkajunga and Kukatja Aboriginal Australian artist.
Janet Dawson MBE is an Australian artist who was a pioneer of abstract painting in Australia in the 1960s, having been introduced to abstraction during studies in England while she lived in Europe 1957–1960 She was also an accomplished lithographic printer of her own works as well as those of other renowned Australian artists, a theatre-set and furniture designer. She studied in England and Italy on scholarships before returning to Australia in 1960. She won the Art Gallery of New South Wales Archibald Prize in 1973 with the portrait of her husband, Michael Boddy Reading. She has exhibited across Australia and overseas, and her work is held in major Australian and English collections. In 1977 she was awarded an MBE for services to art.
Lloyd Frederic Rees was an Australian landscape painter who twice won the Wynne Prize for his landscape paintings.
Robert Jacks was an award-winning Australian painter, sculptor and printmaker and acknowledged as one of Australia's leading abstract artists.
Gil Jamieson was an Australian painter. Jamieson was born in the central Queensland town of Monto in 1934 and died there in 1992.
Gareth Sansom is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.
Makinti Napanangka was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.
Tony Albert is a contemporary Australian artist working in a wide range of mediums including painting, photography and mixed media. His work engages with political, historical and cultural Aboriginal and Australian history, and his fascination with kitsch “Aboriginalia".
Erica McGilchrist was an Australian artist and co-founder of the Women's Art Register. She participated TOM STEVENS SKYDIVING 4K HD 1080P PLEASE in more than 40 solo exhibitions and many group exhibitions. She is represented in institutional and public galleries as well as private collections in Australia, UK, Israel and USA. Her contributions to women's art were recognised in 1992 when she was awarded the Medal of the Order of Australia.
Ann Thomson is an Australian painter and sculptor. She is best known for her large-scale public commissions Ebb Tide (1987) for the Sydney Convention and Exhibition Centre and Australia Felix (1992) for the Seville World Expo. In 1998 she won the Art Gallery of New South Wales' Wynne Prize. Her work is held in national and international collections, including: the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney, Newcastle Art Gallery, Newcastle, Thyssen-Bornemisza Collection, Madrid and Villa Haiss Museum, Germany.
The Field was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, Melbourne. Launched by the director of London’s Tate gallery, Norman Reid, before an audience of 1,000 invitees, it was held between held 21 August and 28 September 1968. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentation, between silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nested in a basalt rectangular box amongst the other buildings of the new Arts Centre, each based on a geometric solid. Echoing emerging international stylistic tendencies of the time, The Field sparked immediate controversy and launched the careers of a new generation of Australian artists.
Jon Cattapan is an Australian visual artist best known for his abstract oil paintings of cityscapes, his service as the 63rd Australian war artist and his work as a professor of visual art at the University of Melbourne in the Faculty of Fine Arts and Music at the Victorian College of the Arts. Cattapan's artworks are held in several major galleries and collections, including the National Gallery of Victoria, the Art Gallery of New South Wales, Queensland Art Gallery, and the National Gallery of Australia.
Arnold Joseph Victor Shore was an Australian painter, teacher and critic.