Joyce Ladner | |
---|---|
Born | Joyce Ann Ladner October 12, 1943 Battles, Mississippi, U.S. |
Education | Tougaloo College (BA) Washington University (MA, PhD) |
Occupation(s) | Civil rights activist, author, civil servant, and sociologist |
Spouse | Walter Carrington (1973–1984) |
Relatives | Dorie Ladner (sister) |
Joyce Ann Ladner (born October 12, 1943) is an American civil rights activist, author, civil servant, and sociologist.
Ladner was born in Battles, Wayne County, Mississippi, on October 12, 1943, and grew up in Hattiesburg, Mississippi. She was raised with four brothers and four sisters. Ladner graduated high school in 1960 with her older sister, Dorie Ladner. She earned her B.A. in sociology in 1964 from Tougaloo College, before earning her Ph.D at Washington University in St. Louis in 1968. [1] During college, Ladner and her sister Dorie organized civil rights protests alongside Medgar Evers and other students from the Student Nonviolent Coordinating Committee. She and her sister were arrested and jailed for their activism. She told PBS of her activism in Mississippi:
It was very, very difficult to continue because the local police and all the towns had almost crushed us. They were closing in like… They murdered people, they beat people, arrest was about the least harmful thing to occur. [2]
In 1968, she was appointed assistant professor of sociology and curriculum specialist at the Southern Illinois University at East St. Louis. In 1969, she became a senior research fellow at the Martin Luther King Center for Nonviolent Social Change in Atlanta, Georgia. Other major research positions that followed include transracial adoption work funded by the Cummins Engine Foundation, and a visiting fellowship at the Metropolitan Applied Research Center.
In 1970, Ladner conducted postdoctoral work as a research associate at the University of Dar es Salaam, Tanzania. In Tanzania, she completed research on "The Roles of Tanzanian Women in Community Development." In 1977, she embarked on a study of "The Impact of the Civil Rights Movement on the Career Patterns of Ex-Activists," which was funded by the Ford Foundation. The next year she served on the committee on Evaluation of Poverty Research at the National Academy of Sciences.
Ladner taught at colleges and universities in places such as Illinois, Connecticut, Tanzania and Washington, D.C. [3] She first joined Howard University in 1973, then left for Hunter College, and then returned to Howard in 1981. At Howard she worked for the academic affairs office, served as vice president of academic affairs, and in 1994, was made interim president, [3] becoming the first woman to hold the position at the university. She said she liked the job and was disappointed to be passed over for the full presidency.
In 1995, President Bill Clinton appointed her to the District of Columbia Financial Responsibility and Management Assistance Authority to oversee the financial restructuring of the D.C. public school system. [3] She has been a member on the board of directors of the American Sociological Association, of the review committee of the Minority Center for the National Institute of Mental Health, the Society for the Study of Social Problems, on the board of directors of the 21st Century Foundation, on the board of directors of the Caucus of Black Sociologists, the Association for the Study of Afro-American Life and History, the Woman's Forum, the Washington Urban League, Coalition of 100 Black Women, a senior fellow (1969–71) at the Institute of the Black World, a senior fellow in government at the Brookings Institution, [1] a fellow at the Social Science Research Council, has sat on the U.S. Department of Justice's Advisory Council on Violence Against Women, and the Council on Foreign Relations.
Ladner has written numerous reports on children's issues and has often been consulted for her expertise. In 1998, she provided congressional testimony on the "District of Columbia Public School Academic Plan," before the U.S. House of Representatives Committee on Government Reform and Oversight Subcommittee of the District of Columbia. [4]
Ladner has served on a number of editorial boards and as a reviewer for grants institutions. In 1983, she was a guest editor of the special edition of the Western Sociological Review. She has reviewed manuscripts for major presses, including Cambridge University Press, Greenwood Press, University of California Press, Simon & Schuster and the Brookings Press. Ladner has also reviewed grants for the National Institute of Mental Health, the Ford Foundation, the Carnegie Foundation and the 21st Century Foundation.
Ladner has served as a key commentator on national social issues. She has appeared on such news programs as the CBS Evening News , NBC Evening News , CBS Sunday Morning , ABC's Nightline and the MacNeil/Lehrer NewsHour .
Ladner authored Tomorrow's Tomorrow: The Black Woman, The Ties That Bind: Timeless Values For African American Families and Mixed Families: Adopting Across Racial Boundaries. She also has co-author of The New Urban Leaders and editor of The Death Of White Sociology. [1]
Ladner has been named among distinguished alumni by Tougaloo College and by Washington University. She received first fellowship in 1970–71 to the Black Women's Community Development Foundation for the study of "Involvement of Tanzanian Women in Nation Building." She received the Russell Sage Foundation grant and the Cummins Engine Foundation grant for 1972–73. In 1986, the Howard University School of Social Work awarded her the Most Inspiring Teacher Award and followed that in 1991 with the Outstanding Achievement Award. In 1997, Ladner was named Washingtonian of the Year by The Washingtonian . [1] In 2000, Ladner was inducted into the Hall of Fame at Tougaloo College.
Ladner retired in 2003 and moved to a lakeside home in Sarasota, Florida, to be an abstract painter. She subsequently moved back to Washington, D.C., where she now resides. In January 2008, Ladner started a blog called The Ladner Report, for which she commented on the 2008 United States presidential race and openly supported the campaign and presidency of Barack Obama. Ladner also frequently posts news articles, posts from other blogs or other media that relate to Obama, national politics and the black community.
Ladner married Walter Carrington in 1973 and divorced him in 1984.
She is mentioned in poet Robert Pinksy's "The Poem of Names," which appeared in the October 14, 2019, issue of The New Yorker .
Bernice Johnson Reagon is a song leader, composer, scholar, and social activist, who in the early 1960s was a founding member of the Student Non-violent Coordinating Committee's (SNCC) Freedom Singers in the Albany Movement in Georgia. In 1973, she founded the all-black female a cappella ensemble Sweet Honey in the Rock, based in Washington, D.C. Reagon, along with other members of the SNCC Freedom Singers, realized the power of collective singing to unify the disparate groups who began to work together in the 1964 Freedom Summer protests in the South.
"After a song", Reagon recalled, "the differences between us were not so great. Somehow, making a song required an expression of that which was common to us all.... This music was like an instrument, like holding a tool in your hand."
The Student Nonviolent Coordinating Committee was the principal channel of student commitment in the United States to the civil rights movement during the 1960s. Emerging in 1960 from the student-led sit-ins at segregated lunch counters in Greensboro, North Carolina, and Nashville, Tennessee, the Committee sought to coordinate and assist direct-action challenges to the civic segregation and political exclusion of African Americans. From 1962, with the support of the Voter Education Project, SNCC committed to the registration and mobilization of black voters in the Deep South. Affiliates such as the Mississippi Freedom Democratic Party and the Lowndes County Freedom Organization in Alabama also worked to increase the pressure on federal and state government to enforce constitutional protections.
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Doris Adelaide Derby was an American activist and documentary photographer. She was the adjunct associate professor of anthropology at Georgia State University and the founding director of their Office of African-American Student Services and Programs. She was active in the Mississippi civil rights movement, and her work discusses the themes of race and African-American identity. She was a working member of the Student Nonviolent Coordinating Committee (SNCC) and co-founder of the Free Southern Theater. Her photography has been exhibited internationally. Two of her photographs were published in Hands on the Freedom Plow: Personal Accounts by Women in SNCC, to which she also contributed an essay about her experiences in the Mississippi civil rights movement.
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The Freedom Singers originated as a quartet formed in 1962 at Albany State College in Albany, Georgia. After folk singer Pete Seeger witnessed the power of their congregational-style of singing, which fused black Baptist a cappella church singing with popular music at the time, as well as protest songs and chants. Churches were considered to be safe spaces, acting as a shelter from the racism of the outside world. As a result, churches paved the way for the creation of the freedom song. After witnessing the influence of freedom songs, Seeger suggested The Freedom Singers as a touring group to the SNCC executive secretary James Forman as a way to fuel future campaigns. Intrinsically connected, their performances drew aid and support to the Student Nonviolent Coordinating Committee (SNCC) during the emerging civil rights movement. As a result, communal song became essential to empowering and educating audiences about civil rights issues and a powerful social weapon of influence in the fight against Jim Crow segregation. Rutha Mae Harris, a former freedom singer, speculated that without the music force of broad communal singing, the civil rights movement may not have resonated beyond of the struggles of the Jim Crow South. Their most notable song “We Shall Not Be Moved” translated from the original Freedom Singers to the second generation of Freedom Singers, and finally to the Freedom Voices, made up of field secretaries from SNCC. "We Shall Not Be Moved" is considered by many to be the "face" of the Civil Rights movement. Rutha Mae Harris, a former freedom singer, speculated that without the music force of broad communal singing, the civil rights movement may not have resonated beyond of the struggles of the Jim Crow South. Since the Freedom Singers were so successful, a second group was created called the Freedom Voices.
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