K. G. Jayan | |
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Born | Kodapully Gangadharan Jayan Thiruvananthapuram, Kerala, India |
Alma mater | FTII |
Occupations |
Kodapully Gangadharan Jayan is an Indian cinematographer who works predominantly in Malayalam cinema. He has won a National Film Award, two Kerala State Film Awards, a Kerala Film Critics Award and a Kerala State Television Award. He is a member of Indian Society of Cinematographers (ISC).
Jayan was born and brought up in Thiruvananthapuram, Kerala. His father Gangadharan was a radiologist. His uncle Velappan Alappad was a renowned film critic. He did his schooling from Government Model Boys Higher Secondary School. He pursued his bachelor's degree and master's degree from Mar Ivanios College and Government Arts College, Thiruvananthapuram. Jayan went to Film and Television Institute of India for pursuing diploma in cinematography, in where Santosh Sivan was his classmate and Venu was his senior. [1]
Jayan began his career in Malayalam cinema with Harikumar's Jaalakam after taking over from Venu, who had to withdraw from the shoot after a couple of days. He continues to work in parallel cinema with directors like T. V. Chandran and Priyanandanan.
Jayan has shot over 1000 documentaries. His work in K. R. Mohanan's documentary Oru Vanavyavasthayude Sheshippukal won him the Kerala State Television Award for Best Videography, the first ever for a documentary in Kerala, and The 18th Elephant, in which he worked with P. Balan, won him the National Film Award for Best Cinematography in non-feature film section. He has also shot 197 episodes for Asianet's landmark travelogue Ente Keralam. [1]
Jayan also worked as a deputy director at the Centre for Development of Imaging Technology from 1990 to 2014. He is currently working as the head of department of cinematography at L. V. Prasad College of Media Studies, Thiruvananthapuram. [2]
In 2016, he made his directorial debut with the short film Chennikuthu. [3]
Year | Film | Director | Ref(s) |
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1987 | Jaalakam | Harikumar | [1] |
1988 | Rugmini | K. P. Kumaran | |
1989 | Jaathakam | Suresh Unnithan | |
1990 | Marupuram | Viji Thampi | |
1999 | Saree | Suma Josson | |
2000 | Susanna | T. V. Chandran | [1] |
Kattu Vannu Vilichappol | Sashi Paravoor | ||
2001 | Pularvettam | Harikumar | |
Dany | T. V. Chandran | [1] | |
2003 | Paadam Onnu: Oru Vilapam | ||
2004 | Pravasam | Kalidas Puthumana | |
Kathavaseshan | T. V. Chandran | ||
Chithariyavar | Lalji George | ||
2006 | Pulijanmam | Priyanandanan | [4] |
Nottam | Sashi Paravoor | [5] | |
Drishtantham | M. P. Sukumaran Nair | ||
2007 | Paradeshi | P. T. Kunju Muhammed | [1] |
2009 | Raamanam | M. P. Sukumaran Nair | |
Boomi Malayalam | T. V. Chandran | [1] | |
2010 | Sufi Paranja Katha | Priyanandanan | [6] |
2012 | Ithramathram | K. Gopinathan | [7] |
2014 | Nayana | K. N. Sasidharan | |
Chayilyam | Manoj Kana | [8] | |
Jalamsham | M. P. Sukumaran Nair | ||
2015 | Vidooshakan | T. K. Santhosh | |
2016 | Amoeba | Manoj Kana | [3] |
2017 | Crossroad - Lake House | Sashi Paravoor | |
2022 | Gramavrikshathile Kuyil | K. P. Kumaran | [9] |
Year | Film | Director | Ref(s) |
---|---|---|---|
1994 | Oru Vanavyavasthayude Sheshippukal | K. R. Mohanan | |
2003 | The 18th Elephant: Three Monologues | P. Balan | [3] |
2013 | In Search of our Lost Rice Seeds | Suma Josson | [10] |
2016 | In Return: Just a Book | Shiny Benjamin | [11] |
2020 | Maythil | K. Gopinathan |
Year | Film | Director | Ref(s) |
---|---|---|---|
2016 | Chennikuthu | Himself | [3] |
Year | Award | Category | Work | Ref(s) |
---|---|---|---|---|
1994 | Kerala State Television Awards | Best Videography | Vanavyavasthayude Sheshippukal | [1] |
2000 | Kerala Film Critics Association Awards | Best Cinematographer | Susanna , Kattu Vannu Vilichappol | [12] |
2001 | Kerala State Film Awards | Best Cinematography | Dany | |
2003 | National Film Awards | Best Cinematography (non-feature film) | The 18th Elephant: Three Monologues | [13] |
2009 | Kerala State Film Awards | Best Cinematography | Sufi Paranja Katha | [14] |