Company type | Private (1931–1969) Brand (1969–present) |
---|---|
Industry | Musical instruments |
Predecessor | Groeschel Mandolin Co. (1890-1921), Stromberg-Voisinet (1921-1931) |
Founded | 1931 |
Founder | Henry "Kay" Kuhrmeyer |
Successor | Weiss Musical Instruments (1969-1980), The Kay Guitar Company (1980-present) |
Key people | Sidney M. Katz Tony Blair |
Products | Electric, lap steel and acoustic guitars, double basses, violins, cellos, banjos, amplifiers |
Brands | List
|
Parent | Valco (1967–68) [3] |
Kay Musical Instrument Company (often referred to simply as Kay) is an American musical instrument manufacturer established in 1931 by namesake Henry "Kay" Kuhrmeyer and based in Chicago, Illinois. It was formed when Kuhrmeyer bought out his financial backers in the instrument manufacturer Stromberg-Voisinet. They produced guitars, mandolins, banjos, ukuleles and were known for their use of lamination in the construction of arched top instruments. [4]
The company operated independently until 1965 when they were purchased by the Seeburg Corporation, a jukebox manufacturer. [5] In 1967, the company was sold to Valco citing decreasing profits due to imported Japanese instruments. [6] [7] In 1969, rights to name "Kay" was acquired by Weiss Musical Instruments (WMI) . The brand has been used by several manufacturers since then, mainly attached to Asian import guitars. [8] [3]
Kay offered their first electric guitar in 1936 — five years after the Rickenbacker Frying pan , and the same year as the Gibson ES-150. However, Kuhrmeyer with Stromberg-Voisinet had announced the "Stromberg Electro" even earlier, in 1928, possibly making the short-lived model the first commercial electric guitar. [9] [10] [11] [12] However, no copies exist, and there is speculation that the Electro was never produced. [13]
The Kay Musical Instrument Company grew from the Andrew Groehsl Company (or Groehsl Mandolin Company [14] ) in Chicago, established in 1890. [15] In 1921, Groehsl's company was purchased by Henry "Kay" Kuhrmeyer, Frank Voisinet, and Charles Stromberg and renamed to Stromberg-Voisinet. In 1928, with the help of an investor, [15] Kuhrmeyer bought out his partners, renamed the company, and started producing electric guitars and amplifiers. [16]
The new company, "Kay Musical Instruments" was formally established in 1931. [3] As its predecessor had primarily commercialized its products under its own brand as well as a large number of other brands, Kay Musical Instruments would continue that practice. [3]
The company initially manufactured only traditional folk instruments such as mandolins, tenor guitars and banjos, [3] but eventually grew to make a wide variety of stringed instruments, including violins, cellos, double basses and a variety of different types of guitars, including electric, classical, lap steel and semi-acoustic models.
In addition to manufacturing instruments for sale under its own brands (like Kay Kraft and Kamico), Kay was also a prolific manufacturer of guitars for retailers across the nation who would order instruments with custom branding to be resold as "house brand" instruments. [17]
Kay also made guitar amplifiers, beginning with designs carried over from the old Stromberg company. Kay eventually subcontracted its amplifier production to Chicago music industry rival Valco in the 1950s.
After the retirement of Kuhrmeyer in 1955, the company was taken over by Sidney M. Katz. The product line of Kay was shifted toward electric musical instruments on demands, and in 1964, the company moved to a new factory in Elk Grove Village, Illinois. In 1965 Katz sold Kay to Seeburg Corporation, and he became the head of Seeburg's musical instrument division. In 1967, Kay was resold and merged with Valco, but dissolved in 1968 due to financial problems. [15]
The assets of Kay/Valco were auctioned off in 1969. The upright bass and cello lines were sold to Engelhardt-Link, a new company formed by a previous Valco member, which has continued production (see #Kay basses for details). The Kay name (and some of its trademarks, such as Knox were acquired by Teisco importer, Weiss Musical Instruments (WMI, by Sylvain Weindling and Barry Hornstein), [1] who put the Kay name on the Teisco products beginning in 1973, and continued on through the 1970s. [19] [20]
In 1980, A.R. Enterprises (Tony Blair) purchased the Kay trademark. [20] In 2008–2009, The "Kay Guitar Company" of California reissued 12 models of vintage Kay guitars and basses [21] manufactured by Fritz Brothers Guitars. [22] As of 2013, production and sales of these guitars have continued. [23]
Kay is best known for their large production of student-grade, budget instruments but also built higher quality instruments that were used by professional artists of the time including a line of electric guitars endorsed by Barney Kessel. Kay sold guitars under their own name as well as a plethora of brand names such as Silvertone for Sears, Sherwood and Airline for Montgomery Ward, Old Kraftsman for Spiegel, Rex for Gretsch, Custom Kraft for St. Louis Music Supply Company, [1] Truetone for Western Auto, [2] 'Penncrest' for JC Penney, etc. [26]
The current line of Kay instruments sold by A.R. Enterprises include low-priced acoustic, electric and bass guitars, and moderately priced banjos, ukuleles, mandolins and resonators. All imported from China.
One of the best known Kay electric guitars during the 1950s was the K-161 Thin Twin, most visibly used by blues artist Jimmy Reed. This instrument debuted in 1952, and featured a single cutaway body, a distinctive "fire stripe" tortoiseshell pickguard, and a pair of thin blade-style pickups.
Also in 1952, Kay introduced the matching K-162 "Electronic" Bass, which was the first commercially available thinline-hollowbody electric bass guitar, and the second production electric bass guitar after the Fender Precision Bass debuted in 1951. Due to the use of K-162 by a bassist of Howlin' Wolf, Andrew "Blueblood" McMahon, it is commonly known as the "Howlin Wolf" bass. These instruments[ clarification needed ] are believed to be the first semi-hollow electrics[ citation needed ] (i.e., thinline-hollowbody electric with solid center-block), predating the Gibson ES-335 by six years. Their unique design[ clarification needed ] featured a flat top with no f-holes, a free-floating arched back, and two braces running along the top. The result was a semi-acoustic instrument that was feedback-resistant while retaining natural acoustic resonances. In 1954, Kay added the K-160 bass to its catalog with baritone tuning, according to the catalog,[ citation needed ] "tuned like the first four guitar strings but one octave lower." Structurally this bass was basically same as K-162 bass, except for the higher pitched tuning and the addition of a white pickguard.
In the late 1950s, various guitars in the Kay line were assigned new model numbers; according to the 1959 catalog, the Thin Twin became K5910 and the Electronic Bass became K5965. [27] Both instruments remained in Kay's catalog offerings with only minor cosmetic variations until 1966, when Kay revamped its entire guitar line to only feature budget instruments. Kay also manufactured versions of the Thin Twin guitar under the Silvertone (Sears) and Old Kraftsman (Spiegel) brands.
In 1957, president Sydney Katz introduced the Gold "K" line of archtop and solid body electric guitars [22] to compete with major manufacturers like Fender, Gibson, and Gretsch. The gold "K" Line featured the Jazz Special, Artist, Pro, Upbeat, [27] Jazz II, and Jazz Special Bass. Gold "K" guitars used the same hardware as top manufacturers. However, there were truss rod and neck issues. [28] Kay's "Thin Lite" truss rods introduced on mid-tier instruments in the 1960s often become dislodged and inoperable. They may be repaired by a luthier.
Gold models had single coil pickups with clear silver plastic covers and phillips head bolt adjustable pole pieces. The Upbeat model came with an optional transparent black plastic cover. The Jazz Special Bass has a single blade pickup as used on the K-161 and K-162 (tilted slightly towards the neck at the treble side), as well as a distinctive, oversized headstock.
Valued among collectors, the headstocks from 1957 to 1960 featured a reverse painted plastic overlay similar to the Kelvinator logo. The guitars featured art deco patterns. It was difficult to get players to take Kay's high end entry seriously, and Kay discontinued the Gold line in 1962.
In 1937, Kay began to produce a 3/4 size upright bass, which is widely believed to be their Concert or C-1 bass. Like their guitar manufacturing, the basses were hand crafted by skilled craftsmen using special ordered machinery. They even had a hot stamping machine that could emboss the trademark KAY cursive script.
After the dissolve of Kay/Valco in 1968, the Engelhardt-Link Company bought the upright bass and cello lines at the asset auction in 1969, and continue to produce the same instrument lines until today. Manufactured in Elk Grove Village, Illinois, Engelhardt basses and cellos are sturdy instruments, widely used by students and touring professionals. The ES9 Swingmaster bass (formerly the Kay S9 Swingmaster), is highly thought-of by jazz, swing, and bluegrass musicians. In August of 2019 Upton Bass String Instrument Company purchased the bass and cello-making equipment, formerly owned by Kay, from Engelhardt-Link.
The bass guitar, electric bass or simply bass is the lowest-pitched member of the guitar family. It is a plucked string instrument similar in appearance and construction to an electric or acoustic guitar, but with a longer neck and scale length. The bass guitar most commonly has four strings, though five- and six-stringed models are also relatively popular, and bass guitars with even more strings or courses have been built. Since the mid-1950s, the bass guitar has largely come to replace the double bass in popular music due to its lighter weight, the inclusion of frets in most models, and, most importantly, its design for electric amplification. This is also because the double bass is acoustically compromised for its range in that it is scaled down from the optimal size that would be appropriate for those low notes.
An electric guitar is a guitar that requires external electric sound amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock and heavy-metal guitar-playing. Designs also exist combining attributes of electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a combo amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Epiphone is an American musical instrument brand that traces its roots to a musical instrument manufacturing business founded in 1873 by Anastasios Stathopoulos in İzmir, Ottoman Empire, and moved to New York City in 1908. After taking over his father's business, Epaminondas Stathopoulos named the company "Epiphone" as a combination of his own nickname "Epi" and the suffix "-phone" in 1928, the same year it began making guitars. From the 1930s through to the early 1950s, Epiphone produced a range of both acoustic and (later) electrified archtop guitars that rivalled those produced by Gibson and were the instruments of choice of many professionals; a smaller range of flat-top guitars were also produced, some designations of which were later continued during the Gibson-owned era for the company.
The Fender Musical Instruments Corporation is an American manufacturer and marketer of musical instruments and amplifiers. Fender produces acoustic guitars, bass amplifiers and public address equipment; however, it is best known for its solid-body electric guitars and bass guitars, particularly the Stratocaster, Telecaster, Jaguar, Jazzmaster, Precision Bass, and the Jazz Bass. The company was founded in Fullerton, California, by Clarence Leonidas "Leo" Fender in 1946. Andy Mooney has served as the chief executive officer (CEO) since June 2015.
An archtop guitar is a hollow acoustic or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players.
Univox was a musical instrument brand of Unicord from the early 1960s, when they purchased the Amplifier Corporation of America of Westbury, New York, and began to market a line of guitar amplifiers. Univox also distributed guitars by Matsumoku, effects units by Shin-Ei Companion, and synthesizers by Crumar and Korg.
Silvertone is a brand created and promoted by Sears for its line of consumer electronics and musical instruments from 1916 to 1972.
Teisco was a Japanese musical instrument manufacturing company from 1948 until 1967, when the brand "Teisco" was acquired by Kawai. The company produced guitars as well as synthesizers, microphones, guitar amplifiers and drum kits. Teisco products were widely exported to the United States and the United Kingdom.
A solid-body musical instrument is a string instrument such as a guitar, bass or violin built without its normal sound box and relying on an electromagnetic pickup system to directly detect the vibrations of the strings; these instruments are usually plugged into an instrument amplifier and loudspeaker to be heard. Solid-body instruments are preferred in situations where acoustic feedback may otherwise be a problem and are inherently both less expensive to build and more rugged than acoustic electric instruments.
A resonator guitar or resophonic guitar is an acoustic guitar that produces sound by conducting string vibrations through the bridge to one or more spun metal cones (resonators), instead of to the guitar's sounding board (top). Resonator guitars were originally designed to be louder than regular acoustic guitars, which were overwhelmed by horns and percussion instruments in dance orchestras. They became prized for their distinctive tone, and found life with bluegrass music and the blues well after electric amplification solved the problem of inadequate volume.
The Harmony Company is a former guitar manufacturing company that is currently a brand owned by Singapore-based BandLab Technologies. Harmony was, in its heyday, the largest musical instrument manufacturer in the United States. It made many types of string instruments, including ukuleles, acoustic and electric guitars and violins.
Airline was a store brand of consumer electronics and musical instruments originally marketed and sold by American retailer Montgomery Ward via their catalog and retail stores. Products included radios, televisions, record players, guitars and amplifiers. In the early 2000s, Eastwood Guitars acquired the rights to use the "Airline" brand-name.
Westone is a brand of musical instruments that has been used by various manufacturers of electric and acoustic guitars and basses. The name gained wide recognition in the mid-1970s when Matsumoku in Japan and St. Louis Music in Korea began marketing guitars under the brand. After production by Matsumoku ceased in 1987, the brand continued to be distributed by St. Louis Music in the United States and FCN Music for the UK and European markets, with guitars built in South Korea by Samick.
Supro is an American brand, currently owned by Bond Audio, a manufacturer of effects units. Formerly, Supro produced musical instruments as a subsidiary of Valco. The brand entered into disuse after the closure of Valco in 1968, being later revived in 2013.
Valco was a US manufacturer of guitar amplifiers from the 1940s through 1968.
A vintage guitar is an older guitar usually sought after and maintained by avid collectors or musicians. The term may indicate either that an instrument is merely old, or that is sought after for its tonal quality, cosmetic appearance, or historical significance.
Gulbransen Company was a musical instrument manufacturer of player pianos and home organs in the United States. It also made reed organs. It was originally established in 1904 by Axel Gulbransen as Gulbransen Piano Company.
Guyatone is a Japanese guitar brand and manufacturing company that produces electric guitars, guitar amplifiers, and effect pedals. In the 1930s, the predecessor company was established as the oldest electric guitar manufacturer in Japan, and produced guitars under Guya brand until 1940. In 1948 after WWII, the company was re-established to produce electric Hawaiian guitars. In 1951, Guyatone brand was established for electric guitars, and in 1955, their first solid-body guitar was introduced.
Vintage musical equipment is older music gear, including instruments, amplifiers and speakers, sound recording equipment and effects pedals, sought after, maintained and used by record producers, audio engineers and musicians who are interested in historical music genres. While any piece of equipment of sufficient age can be considered vintage, the term is typically applied to instruments and gear from the 1970s and earlier. Guitars, amps, pedals, electric keyboards, sound recording equipment from the 1950s to 1970s are particularly sought after, while musical equipment from the 1940s and earlier is generally far more expensive and sought out mainly by museums or collectors to preserve historical equipment, rather than to perform with.
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has generic name (help)This tone amplifier is electrically operated either by alternating or direct currents. It consists of two major units -- an electro-magnetic pick-up and amplifying unit. The electro-magnetic pick-up is built within the instrument and is attached to its sounding board. The unit is connected with the amplifier, which produces the tone and volume required of the instrument.
Operated from light socket alternating current. No batteries required.
In August '69, the Valco/Kay assets were auctioned off and W.M.I. purchased the rights to the Kay brand name. W.M.I. began to slowly transition Teisco del Rey guitars to the Kay brand name, which gave them greater credibility with dealers. This change was completed by around '73 and the Teisco del Rey name then disappeared. This explains why you will occasionally see a Teisco guitar with a Kay logo.