The Lords of the Underground (L.O.T.U.G.) is an American hip-hop trio based in Newark, New Jersey. The group is composed of Dupré Kelly, Al'Terik Wardrick and Bruce A. Colston.
Mama Said Knock You Out is the fourth studio album by American rapper LL Cool J. It was produced mostly by Marley Marl and recorded at his "House of Hits" home studio in Chestnut Ridge and at Chung King House of Metal in New York City. After the disappointing reception of LL Cool's 1989 album Walking with a Panther, Mama Said Knock You Out was released by Def Jam Recordings on September 14, 1990 to commercial and critical success.
14 Shots to the Dome is the fifth studio album by American hip hop recording artist LL Cool J. It was released on March 30, 1993, via Def Jam Recordings. Recording sessions took place at Marley's House Of Hits, at Cove City Sound Studios and at Unique Recording Studios in New York, and at QDIII Soundlab in Los Angeles, at Bobcat's House in Palmdale, and at Encore Studio in Burbank. Production was handled by Marley Marl, DJ Bobcat, Quincy Jones III, Andrew Zenable and Chris Forte. It features guest appearances from Lords of the Underground and Lieutenant Stitchie.
Hip Hop Lives is the collaborative studio album by American rapper KRS-One and record producer Marley Marl. It was released on May 22, 2007 via Koch Records. Recording sessions took place at House Of Hits in New York and at Westlake Recording Studios in Los Angeles. Production was handled by Marley Marl himself, except for one track produced with 88 Fingers. It features guest appearances from Blaq Poet, Busy Bee Starski and Magic Juan. The album's title is a response to Nas's 2006 album Hip Hop Is Dead.
John P. Kelly is the debut solo studio album by American rapper Mr. Cheeks. It was released on October 16, 2001 through Universal Records. Production was handled by Mr. Sexxx, Stephen Marley, DJ Sage, Bink!, Caspa, Dejah, Easy Mo Bee, J.J. Brown, Mas, Rated R, Terence Dudley, and Mr. Cheeks himself. It features guest appearances from Stephen Marley, Big Gipp, Horace Brown and W. Walt.
This Is the Shack is the debut studio album by American G-funk trio The Dove Shack. It was released on August 22, 1995 via G-Funk Entertainment/Def Jam Recordings. The album peaked at #68 on the US Billboard 200 and #13 on the Top R&B/Hip-Hop Albums.
In Control, Volume 1 is the debut studio album by American hip hop record producer Marley Marl of the Juice Crew. It was released on September 20, 1988 through Cold Chillin' Records with distribution via Warner Bros. Records.
K-Def is an American, New Jersey based, hip hop producer/DJ who has been actively involved in the music industry since the early 1990s. He has recently produced music for artists such as Ghostface Killah and Puff Daddy. K-Def earned critical praise early in his career for his work with Marley Marl on the album Here Come the Lords by the hip hop group Lords of the Underground. Among the songs from that album that benefited from K-Def's production work include the hits "Funky Child" and "Chief Rocka".
Take a Ride is the debut album by San Diego–based American rapper Jayo Felony. It was released on October 24, 1995, via Jam Master Jay's JMJ Records label and distributed by Rush Associated Labels, a PolyGram circulation of Def Jam Recordings. Audio production of the sixteen-track record was handled by Tony "T-Funk" Pearyer, Prodagee Productions, Marlin Wiggins, Randy Allen and Jam Master Jay, who also served as executive producers. The album peaked at number 65 on the Top R&B/Hip-Hop Albums chart.
Here Come the Lords is the debut studio album by American hip hop group Lords of the Underground. It was released in 1993 by Pendulum and Elektra Records. It was produced by Marley Marl and K-Def.
Ass, Gas or Cash is the only solo studio album by the American rapper K-Dee. It was released on November 15, 1994, via Lench Mob Records. Recording sessions took place at Lench Mob Studios in Los Angeles, California, with producers Ice Cube, Madness 4 Real, Vic C., 88 X Unit, Shaquille, D Mac and Laylaw. It features guest appearances from Bootsy Collins, Morris Day, Ice Cube, Ayana Anderson and Snow. The album peaked at number 33 on the Top R&B/Hip-Hop Albums chart and number 20 on the Heatseekers Albums chart in the United States. It spawned three singles: "Thought I Saw a Pussy Cat", "The Freshest MC in the World" and "Hittin' Corners".
When Love Comes Calling is an album by American singer Deniece Williams, released in June 1979 on ARC/Columbia Records. The album peaked at No. 27 on the Billboard Top Soul LPs chart.
My Melody is the fifth studio album by American singer Deniece Williams, released in March 1981 by ARC/Columbia Records. The album reached No. 13 on the Billboard Top Soul LPs chart. My Melody was certified Gold in the US by the RIAA.
The following is a discography of production credited to Marley Marl.
"Chief Rocka" is the third single released from the Lords of the Underground's debut album, Here Come the Lords. The song was produced and featured scratches by K-Def, with K-Def and Marley Marl mixing it. "Chief Rocka" became the group's most successful single and has become their signature song. It peaked at #55 on the Billboard Hot 100, the group's highest appearance on that chart, and went to #1 on the Hot Rap Singles. The song has been sampled several times, including on The Notorious B.I.G.'s song "Machine Gun Funk" from his 1994 album Ready to Die, and on Kanye West's "Guilt Trip" from his 2013 album Yeezus, which contains an interpolation of "Chief Rocka" chorus.
"Faith" is the third and final single released from the Lords of the Underground's second album, Keepers of the Funk. The song was produced by the Lords of the Underground themselves and featured singer, Deniece Williams, as well as sampling her 1976 song, "Free". "Faith" has thus far been the group's final charting single, peaking at 49 on the Hot Rap Singles and 31 on the Dance/Maxi-Singles chart. It was also the group's only charting single not to be produced by either Marley Marl or K-Def.
Let's Hear It for the Boy is the eighth studio album by American recording artist Deniece Williams, released on April 16, 1984, by Columbia Records. The album reached No. 26 on the US Billboard 200 Albums chart and No. 10 on the US Billboard Top R&B/Hop-Hop Albums chart.
Thief in the Night is the eighteenth studio album by American keyboardist and record producer George Duke. It was released in 1985 through Elektra Records, making it his first release on the label. Recording sessions for the album took place at Le Gonks West in West Hollywood, California. Duke played various keyboard instruments on the album, including Synclavier II, Memorymoog, Fender Rhodes, Sequential Circuits Prophet-5, clavinet, Yamaha P F15 and Minimoog. The album features contributions from Lynn Davis, Paul Jackson Jr, Paulinho da Costa, Robert Brookins and Deniece Williams among others.
Snapshot is a studio album by American keyboardist George Duke released in 1992 on Warner Bros Records. The album reached No. 1 on the Billboard Top Contemporary Jazz Albums chart and No. 36 on the Billboard Top R&B Albums chart. Duke dedicated the album to his mother, Beatrice Burrell Duke, "who brought the camera and showed me how to use it".
In Control Volume II (For Your Steering Pleasure) is the second studio album by American hip hop record producer Marley Marl. It was released on October 1, 1991, via Cold Chillin' Records. Recording sessions took place at Marley's House Of Hits in Chestnut Ridge, New York. Production was handled by Marley Marl himself, with Benny Medina, Francesca Spero and Tyrone Williams serving as executive producers. It features guest appearances from Tragedy Khadafi, Big Daddy Kane, Craig G, Heavy D, Kool G Rap and Masta Ace, who contributed on In Control, Volume 1, as well as Big Money Wiz, Chubb Rock, Chuck D, Def Jef, Eclipse, Grand Puba, Kev-E-Kev & AK-B, King Tee, Little Daddy Shane, LL Cool J, MC Amazing, MC Cash, Mike Nice, Nexx Phase, Perfection, Portia Kirkland, Pure Cane Sugar, Rap Industry For Social Evolution and The Flex. Action, Biz Markie, MC Shan and Roxanne Shanté did not appear on this album.
