Keith Harris | |
---|---|
Born | October 1951 (age 72–73) Newcastle, England |
Nationality | British |
Alma mater | University of Dundee |
Occupation(s) | Music industry consultant, artist manager |
Awards | MMF Music Industry Champion, 2014 |
Website | keithharrismusic |
Keith Harris OBE (born October 1951) is an English music industry consultant and artist manager, who is the former chair of UK Music's Diversity & Equality Taskforce. [1] Harris has worked in the music industry on both sides of the Atlantic for more than four decades as a promotions manager, including for such major companies as Transatlantic Records, EMI and Motown, and he is one of the most high-profile black executives in the business, with artists he has represented including Stevie Wonder (with whom he has worked since the 1970s), Junior Giscombe, Omar, and Lynden David Hall. [2] Harris serves in non-executive director and board positions across multiple music charities and companies, while regularly giving talks, seminars and workshops to aiming to change perceptions and help to give young people the tools to enter the industry. [3] [4]
Harris was elected Rector of the University of Dundee in 2021.
Born in Newcastle, [3] Harris grew up in Wigan, in the north of England. [5] He was "fascinated by the world of pop music since the age of nine or 10", [6] and learned to play the guitar, [3] although by the time he attended Dundee University he realised that his way into the industry lay not in making the music himself: "Becoming entertainment convenor in Dundee was perfect, as in those days the university circuit was very important for bands. I would regularly book bands like Yes, Supertramp and Thin Lizzy, who all went on to global success." [6]
Harris began working in the record industry in the mid-1970s, first employed by a UK independent label called Transatlantic Records, which represented mainly British folk musicians and also distributed the jazz labels Blue Note and Milestone Records. [7]
He joined EMI Records in 1976 as Head of Promotions, becoming the label's General Manager in 1978. He worked for several of EMI's in-house labels, including Rocket (working on Elton John's 1976 album Blue Moves ), Fantasy Records, Ariola Records, and EMI International. [7] He then worked for two years at Motown, becoming General Manager for the label, and during this time worked with artists such as Marvin Gaye, Diana Ross, Smokey Robinson, The Commodores, Rick James, The Supremes, Thelma Houston and Stevie Wonder. [7] Leaving Motown in 1978, he moved to Los Angeles, where he was Operations Manager for Stevie Wonder's companies. [3]
In 1982, Harris returned to the UK and formed his own management company, managing artists including Junior Giscombe, Omar, Junior Tucker, Paul Johnson, and Lynden David Hall, while continuing to represent Stevie Wonder, with whom he has worked since 1977. [3] [8]
Among other roles in which Harris has served are as Chair of the Arts Council's African and Caribbean Music Circuit, Director of Performer Affairs for PPL (2006–2015), [9] former Chair of the Music Managers Forum (MMF), as founding Chair of the European Music Managers Alliance, Chair of MusicTank, [10] and as Chair of the Equality and Diversity Taskforce for the Music Industry. [7] [11] He was Senior Fellow of the University of Westminster school of music, film and fashion, lecturing there from 1993. [12]
His trusteeships include the Universal Music Sound Foundation (formerly known as EMI Music Foundation), [13] MIDI Music Company, [14] the British Music Experience, and English Folk Expo. [15] In 2007 Harris received an honorary doctorate from the University of Westminster [16] [17] and he was appointed an Officer of the Order of the British Empire (OBE) in the 2015 Queen's Birthday Honours for services to the music industry. [7] [18] [19]
Described by Billboard magazine as a "tireless advocate for artists and campaigner for equal opportunity", Harris in June 2020 wrote an open letter on equality and racism, in response to Blackout Tuesday – the collective protest action originally organized within the music industry following the murder of George Floyd; after discussing the barriers due to prejudice that he himself had faced, Harris stated: "I would like to remind you all that this awareness of racism in the industry should not last for one day, or one week, or one year. This should last forever. I would like to see other young black people in the industry rise to the positions of authority and seniority that their talent merits. We have had many false dawns in terms of equality in the industry, let's make sure that this is not another one." [18] [20] [21]
In 2021, Harris was elected Rector of the University of Dundee. [22] [23]
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. He is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
The University of Dundee is a public research university based in Dundee, Scotland. It was founded as a university college in 1881 with a donation from the prominent Baxter family of textile manufacturers. The institution was, for most of its early existence, a constituent college of the University of St Andrews alongside United College and St Mary's College located in the town of St Andrews itself. Following significant expansion, the University of Dundee gained independent university status by royal charter in 1967 while retaining elements of its ancient heritage and governance structure.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
American musician Stevie Wonder has released 23 studio albums, three soundtrack albums, four live albums, 11 compilations, one box set, and 91 singles. His first album, The Jazz Soul of Little Stevie, was released in 1962 when he was 12 years old, and his most recent, A Time to Love, was released in 2005.
Phonographic Performance Limited (PPL) is a British music copyright collective. It is a private limited company that is registered in the UK. PPL was founded by Decca Records and EMI and incorporated on 12 May 1934, and undertakes collective rights management of sound recordings on behalf of its record-company members, and distributes the fees collected to both its record company members and performer members. As of 2022, PPL collected royalties for over 140,000 performers and recording rightsholders.
Ronald Norman Miller was an American popular songwriter and record producer who wrote for Motown artists in the 1960s and 1970s and attained many Top 10 hits. Some of his songs, such as "For Once in My Life", have become pop standards.
"Fingertips" is a 1963 hit single recorded live by "Little" Stevie Wonder for Motown's then Tamla label.
"For Once in My Life" is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965.
"Boogie On Reggae Woman" is a 1974 funk song by American Motown artist Stevie Wonder, released as the second single from his seventeenth studio album, Fulfillingness' First Finale, issued that same year. Despite the song's title, its style is firmly funk/R&B and neither boogie nor reggae. It continued Wonder's successful Top Ten streak on the pop charts, reaching number three and also spent two weeks at number one on the soul charts. Billboard ranked it as the No. 26 song for 1975. At the 17th Grammy Awards, Stevie Wonder won the Best R&B Vocal Performance, Male for this song.
The Woman in Red: Original Motion Picture Soundtrack is the second soundtrack album released by American musician Stevie Wonder on the Motown label. Also featuring Dionne Warwick, the album was released in 1984 for the film of the same name. It features Wonder's biggest hit, "I Just Called to Say I Love You", which hit number one internationally and won the Academy Award for Best Original Song, and also features the follow-up hit, "Love Light in Flight" and "Don't Drive Drunk", the song and the accompanying music video for which were used in the Ad Council and the US Department of Transportation's Drunk Driving Prevention public service announcement the following year.
The rector of the University of Dundee is elected by the matriculated students of the University of Dundee. From 1967 to 2010, the rector was automatically a full member of the University Court. The rector also had the right to appoint an assessor, who was also a full member of the University Court. Following changes made to the university charter in August 2010, the rector must choose to take up full membership of the University Court or appoint an assessor who has full voting rights.
Looking Back, also later known as Anthology, is a triple LP anthology by American soul musician Stevie Wonder, released in 1977 on Motown Records. Since its release in 12-inch triple LP format, it has not been reissued and is considered a limited edition. The album chronicles 40 songs from Wonder's first Motown period, which precedes the classic period of his critically acclaimed albums.
Alvin "Skip" Miller was an American recording industry executive. He worked for 17 years at Motown Records (1971–1988) and served as the label's last president before the company was sold to MCA. While at Motown, he was credited with developing Rick James, DeBarge and the Commodores. After the sale of Motown, Miller worked for a decade at RCA Records, where he was credited with rejuvenating the label's black music division and helping to develop the rap genre. He later worked as the manager of Lionel Richie's solo career.
Ewart Gladstone Abner, Jr. was a major American record company executive who was President of Motown Records from 1973 to 1975 and was personal and business manager for Stevie Wonder for 10 years. In his executive roles at Motown, he helped direct careers for Marvin Gaye, Smokey Robinson and the Miracles, The Temptations, and the Jackson 5.
The Music Managers Forum (MMF) is the world's largest professional membership organisation representing music managers. At present the MMF membership stands at over 950 managers based in the UK with global businesses and a wider network of 2700 managers in the USA.
The McCrarys are an American family gospel and R&B group best known for the songs "You", "Lost in Loving You," "Love on a Summer Night" and "Any Ol' Sunday". In 2014, they founded The McCrary Foundation, a nonprofit to help those in need through the healing powers of music.
Philip Michael Quartararo was an American music industry executive. He was the president and chairman of The Hello Group, and held positions as CEO at Virgin Records, Warner Bros. Records, and EMI, and was involved in the careers of recording artists such as Linkin Park, Josh Groban, Spice Girls, U2, and Yoshiki. Quartararo was known as a defender of artist rights. He spoke out on the fight against music piracy and restoring the value of music. Quartararo was regarded as one of the most promotion-minded executives in the music business and was regarded as a thought leader on the subject of partnership between brands and artists.
"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song has been varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.
Ji is the debut studio album by English singer Junior, released in May 1982 by Mercury Records. The album was recorded with producer Bob Carter after the pair initiated their collaboration with the single "Mama Used to Say" (1981), which was remixed for Ji and became a transatlantic hit. A Britfunk record, the album mixes styles of soul and funk, with expansive synthesised production and a funk backing group. Giscombe and Carter's lyrics were based on realist stories. Music critics compared the singer's voice and melodic style to Stevie Wonder.
"Can't Put It in the Hands of Fate" is a song by American singer-songwriter Stevie Wonder, featuring American rappers Rapsody, Chika, Cordae and Busta Rhymes. Released on October 13, 2020, it is a funk track with lyrics addressing institutional racism, and associated issues such as police brutality and the Black Lives Matter movement.