Kim Carnes | ||||
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Studio album by | ||||
Released | November 1975 | |||
Recorded | 1975 | |||
Studio | A&M (Hollywood) | |||
Genre | Country | |||
Length | 38:10 | |||
Label | A&M | |||
Producer | Mentor Williams | |||
Kim Carnes chronology | ||||
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Singles from Kim Carnes | ||||
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Kim Carnes is the second studio album by Kim Carnes, released in 1975 (see 1975 in music).
The album gave Carnes her first hit, with "You're a Part of Me" (solo version) peaking in 1976 at #34 on the Billboard Adult Contemporary charts. Although this album hasn't been released on CD, eight of the album's eleven songs can be found on the European CD "Master Series".
After releasing her debut album Rest on Me through Amos Records in 1971, Carnes signed to A&M Records in early 1975. [1] She described Kim Carnes as a "much more even" record than her debut, owing to her increased experience with writing and recording demos. [2] "You're a Part of Me" was released as the lead single, having originally been recorded by Susan Jacks in 1974. Carnes' version reached number 32 on the Billboard Adult Contemporary chart in February 1976. [3] Two years later, a re-recording of the song in duet with Gene Cotton reached number 36 on the Billboard Hot 100 chart, [4] and number 6 on the Adult Contemporary chart. [3]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
In a positive review, Cash Box commended the "soul" in Carnes' voice, stating that "an aura of feel and sensitivity between singer and song predominates throughout". [7] In a review of the single, Billboard likened "You're a Part of Me" to the music of Olivia Newton-John, describing it as a "pretty ballad". [8]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "You're a Part of Me" | Kim Carnes | 3:32 |
2. | "Bad Seed" |
| 4:30 |
3. | "And Still Be Loving You" |
| 4:45 |
4. | "Hang On to Your Airplane (Honeymoon)" |
| 3:00 |
5. | "Do You Love Her" | Carnes | 3:48 |
No. | Title | Writer(s) | Length |
---|---|---|---|
6. | "Somewhere in the Night" | 3:40 | |
7. | "Nothing Makes Me Feel as Good as a Love Song" | Carnes | 2:55 |
8. | "It Could Have Been Better" |
| 2:28 |
9. | "Waiting for the Pain to Go Away" |
| 3:10 |
10. | "What Good Is Love (Later on the Equator)" |
| 3:22 |
11. | "Good Old Days" |
| 3:00 |
Total length: | 38:10 |
Adapted from the album liner notes. [9]
Kim Carnes is an American singer and songwriter. Born and raised in Los Angeles, California, she began her career as a songwriter in the 1960s, writing for other artists while performing in local clubs and working as a session background singer with the famed Waters sisters. After she signed her first publishing deal with Jimmy Bowen, she released her debut album Rest on Me in 1971. Carnes' self-titled second album primarily contained self-penned songs, including her first charting single "You're a Part of Me", which reached No. 35 on the Billboard Adult Contemporary chart in 1975. In the following year, Carnes released Sailin', which featured "Love Comes from Unexpected Places". The song won the American Song Festival and the award for Best Composition at the Tokyo Song Festival in 1976.
"Bette Davis Eyes" is a song written and composed by Donna Weiss and Jackie DeShannon in 1974. It was originally recorded by DeShannon in that year for her album New Arrangement but it was made popular by American singer Kim Carnes in 1981 when it spent nine non-consecutive weeks on top of the U.S. Billboard Hot 100. The song was #1 for five weeks, interrupted for just one week by "Stars on 45" before it returned to the top spot for another four weeks and became Billboard's biggest hit of the year. The single also reached No. 5 on Billboard's Top Tracks charts and No. 26 on the Dance charts. It was also a No. 1 hit in 21 countries and peaked at No. 10 in the United Kingdom, to date her only Top 40 hit in that country. It also reached No. 2 in Canada for twelve consecutive weeks, and was the No. 2 hit of 1981 in that country after "Stars on 45".
Boys in the Trees is the seventh studio album by American singer-songwriter Carly Simon, released by Elektra Records, in April 1978.
"I'm Not in Love" is a song by British group 10cc, written by band members Eric Stewart and Graham Gouldman. It is known for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album, The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK Singles Chart for two weeks. "I'm Not in Love" became the band's breakthrough hit outside the United Kingdom, topping the charts in Canada and the Republic of Ireland as well as peaking within the top ten of the charts in several other countries, including Australia, Germany, New Zealand, Norway and the United States.
"Little Jeannie" is a song written by English musician Elton John and Gary Osborne recorded by John, and released as a single in 1980 from John's album 21 at 33. It reached number three on the Billboard pop chart in the United States, becoming the singer's biggest U.S. hit since 1976's "Don't Go Breaking My Heart", and his highest-charting solo hit since 1975's "Island Girl".
Making a Good Thing Better is the ninth studio album by British-Australian singer Olivia Newton-John, released on June 1977.
Baby It's Me is the eighth studio album by American singer Diana Ross, released on September 16, 1977 by Motown Records. It peaked at No. 18 on the Billboard Top 200 and No. 7 on the R&B album chart. The album was produced by producer Richard Perry. The LP yielded one top 40 hit, "Gettin' Ready for Love", reaching number 27 on the US Billboard Hot 100. Other charting singles released from the album include "You Got It" and "Your Love Is So Good for Me", the latter receiving a Grammy nomination.
"(I've Been) Searchin' So Long" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VII (1974). The first single released from that album, it reached number 9 on the U.S. Billboard Hot 100. It also hit number 8 on the Adult Contemporary chart. In Canada, the song peaked at number 5.
View from the House is the eleventh studio album by American singer-songwriter Kim Carnes. It was released on July 25, 1988 by MCA Records. The album marked a return to her early country music roots. Carnes recorded the album in Nashville, Tennessee, and co-produced the album with Jimmy Bowen.
Barking at Airplanes is the ninth studio album by American singer-songwriter Kim Carnes. It was released on May 5, 1985 by EMI America.
Rest on Me is the first studio album by Kim Carnes. It was released in 1971 on Amos Records and reissued on A&M Records in the late 1970s. The album was also released on CD on many European budget labels in the early 1990s - but with all tracks remixed and, rather curiously, running at a markedly low speed. Most tracks were also lengthened, simply by repeating parts of the tracks. In 2012, the original album was re-mastered and made available, complete and at the correct speed, as an internet download in 2012 and on CD on the Essential Media Group label the following year.
"More Love" is a 1967 hit single recorded by the American soul group The Miracles for Motown Records' Tamla label. The single, included on the group's 1967 album Make It Happen, later reissued in 1970 as The Tears of a Clown. Kim Carnes' husky 1980 cover of the song hit the Top 10 of Billboard's Adult Contemporary and Hot 100 charts.
Wet is the twenty-first studio album released by Barbra Streisand in 1979. The album is a concept album of sorts with all the songs referring to, or expressing different interpretations of, water. Wet is also the first and the last word sung on the album.
"Only Yesterday" is a song recorded by the Carpenters. Released on March 14, 1975, the song was composed by Richard Carpenter, Kōji Makaino and John Bettis. "Only Yesterday" peaked at number four on the Billboard Hot 100 and number one on the Adult Contemporary (AC) charts, The Carpenters' eleventh number one on that chart.
Ego Is Not a Dirty Word is the second studio album released by Australian pop rock band, Skyhooks, in July 1975. The album was the follow-up to their highly successful debut album, Living in the 70's (1974). As with the former album, it was also produced by Ross Wilson.
"Touch Me When We're Dancing" is a song written by Terry Skinner, J. L. Wallace and Ken Bell. Skinner and Wallace headed the Muscle Shoals, Alabama session group Bama, who first recorded this song and released it as a single in 1979 reaching number 42 on the Billboard Easy Listening chart and number 86 on the Billboard Hot 100 chart. The song was later recorded by The Carpenters in 1981 for their Made in America album. In 1984, it was recorded by country music artists Mickey Gilley and Charly McClain for their 1984 duet album It Takes Believers and in 1986 by the country music group Alabama.
Emotion is the twenty-third studio album of pop singer Barbra Streisand, issued in October 1984 by Columbia Records. The album has been certified Platinum in the US by the RIAA and Gold in the UK by the BPI.
"You Belong to Me" is a song written by American singer-songwriters Carly Simon and Michael McDonald. Originally recorded by McDonald's rock group The Doobie Brothers for their seventh studio album, Livin' on the Fault Line (1977), the song was made famous by Simon when she recorded it for her seventh studio album, Boys in the Trees (1978). A live version of the song from The Doobie Brothers' 1983 album Farewell Tour would later chart on the Pop Singles chart at No. 79 in August 1983.
"Biggest Part of Me" is a song by American band Ambrosia, from the album One Eighty. Released as a single in 1980, the song reached number one on the Radio & Records chart and number 3 on both the US Billboard Hot 100 and Adult Contemporary charts. The song was written by band member David Pack. Pack re-recorded the song on his 2005 album, The Secret of Movin' On.
"How Sweet It Is " is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
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