"Does It Make You Remember" | ||||
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Single by Kim Carnes | ||||
from the album Voyeur | ||||
B-side | "Take It on the Chin" | |||
Released | October 1982 | |||
Recorded | 1982 | |||
Genre | Rock | |||
Length | 5:10 | |||
Label | EMI America | |||
Songwriter(s) |
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Producer(s) | Val Garay | |||
Kim Carnes singles chronology | ||||
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Licensed audio | ||||
"Does It Make You Remember" on YouTube |
"Does It Make You Remember" is a song by American singer-songwriter Kim Carnes and the second single from her seventh studio album, Voyeur (1982). It was written by Carnes and her husband, David Ellingson, and produced by Val Garay.
The single peaked at No. 36 on the Billboard Hot 100. Critics praised the song for its fusion of ballad and rock styles.
Billboard described "Does It Make You Remember" as "a striking example of the use of harder rock textures in a ballad setting". [1] Cash Box favored "Does It Make You Remember" over its predecessor, "Voyeur", calling it a more "natural-feeling" follow-up to her hit "Bette Davis Eyes" in the previous year. They opined that Val Garay's production "allows the sadness in Carnes' rasp to predominate". [2]
The music video for "Does It Make You Remember" was directed by Simon Milne. [3]
Chart (1983) | Peak position |
---|---|
US Billboard Hot 100 [4] | 36 |
US Cash Box Top 100 [5] | 38 |
Credits adapted from the liner notes of Voyeur. [6]
Kim Carnes is an American singer and songwriter born and raised in Los Angeles. A veteran writer of many of her own hits, as well as those for numerous other artists, she began her career in 1966 as a member of folk group the New Christy Minstrels, before embarking on a solo career as a songwriter and performer in the early 1970s, playing in local clubs. She also worked for several years as a session background singer with the famed Waters Sisters, Maxine Waters Willard and Julia Waters Tillman, who were later featured in the acclaimed 2013 documentary, 20 Feet from Stardom). In 1971, after she signed her first publishing deal with Jimmy Bowen, Carnes released her debut album Rest on Me. Released in 1975, Carnes' self-titled second album primarily contained self-penned songs, including her first charting single "You're a Part of Me," which reached No. 32 on the Billboard Adult Contemporary chart. In the following year, Carnes released Sailin', produced by the legendary Jerry Wexler, which featured "Love Comes from Unexpected Places." The song won the American Song Festival and the award for Best Composition at the Tokyo Song Festival in 1976.
"Bette Davis Eyes" is a song written and composed by Donna Weiss and Jackie DeShannon in 1974. It was recorded by DeShannon that year but made popular by Kim Carnes in 1981 when it spent nine non-consecutive weeks at the top of the U.S. Billboard Hot 100. It won the 1982 Grammy Awards for Song of the Year and Record of the Year. The music video was directed by Australian film director Russell Mulcahy.
Mistaken Identity is the sixth studio album by American singer Kim Carnes, released in April 1981 by EMI America Records. The album spent four weeks at number one on the Billboard 200, and was subsequently certified platinum by the Recording Industry Association of America (RIAA). It was nominated for the Grammy Award for Album of the Year.
Romance Dance is the fifth studio album by American singer-songwriter Kim Carnes. It was released on June 2, 1980, by EMI America. It became Carnes' first charting album, peaking at no. 57 on the Billboard 200. Nine tracks were produced by George Tobin in association with Mike Piccirillo, and one track was produced by Daniel Moore, who worked with Carnes on her previous album, St. Vincent's Court.
"Hurts So Good" is a song by American singer-songwriter John Mellencamp, then performing under the stage name "John Cougar". The song was a number two hit on the Billboard Hot 100 for the singer/songwriter. It was the first of three major hit singles from his 1982 album American Fool. The others were "Jack & Diane" and "Hand to Hold on To," which were all released in 1982. The song was also a critical success with Mellencamp, winning the Best Rock Vocal Performance, Male at the 25th Grammy Awards on February 23, 1983.
"Shame on the Moon" is a song written and recorded by Rodney Crowell on his 1981 self-titled album. It was covered by Bob Seger & the Silver Bullet Band as the lead single from their 1982 album The Distance.
Voyeur is the seventh studio album by American singer-songwriter Kim Carnes, released on September 8, 1982, by EMI America Records. Carnes began writing material for Voyeur while touring her previous album Mistaken Identity (1981).
Café Racers is the eighth studio album by American singer Kim Carnes, released in October 1983 by EMI.
Light House is the tenth studio album by Kim Carnes, released in 1986 through EMI. The album reunited Carnes with Val Garay, who produced her albums Mistaken Identity and Voyeur in the early 80s.
View from the House is the eleventh studio album by American singer-songwriter Kim Carnes. It was released on July 25, 1988, by MCA Records. The album marked a return to her early country music roots. Carnes recorded the album in Nashville, Tennessee, and co-produced the album with Jimmy Bowen.
Barking at Airplanes is the ninth studio album by American singer-songwriter Kim Carnes, released on May 29, 1985, by EMI America Records.
Sailin' is the third studio album by Kim Carnes, released in 1976. The record was recorded, in part, in Muscle Shoals, Alabama with the famed Muscle Shoals Rhythm Section. Although this album hasn't been released on CD, all of the album's songs can be found on the European CD "Kim Carnes - Master Series" released by A&M in 1999.
Kim Carnes is the second studio album by Kim Carnes, released in 1975.
Rest on Me is the first studio album by Kim Carnes. It was released in 1971 on Amos Records and reissued on A&M Records in the late 1970s. The album was also released on CD on many European budget labels in the early 1990s - but with all tracks remixed and, rather curiously, running at a markedly low speed. Most tracks were also lengthened, simply by repeating parts of the tracks. In 2012, the original album was re-mastered and made available, complete and at the correct speed, as an internet download in 2012 and on CD on the Essential Media Group label the following year.
All Four One is the third studio album by new wave band the Motels, released in 1982. It features the Top 10 hit "Only the Lonely", and the follow-up hit "Take the L". Both songs were assisted by popular MTV music videos. The album was recorded and mixed digitally.
"Crazy in the Night (Barking at Airplanes)" is a song by American singer-songwriter Kim Carnes and the lead single from her ninth studio album, Barking at Airplanes (1985). Written by Carnes, and co-produced with Bill Cuomo, the track was inspired by her eldest son's struggles with nightmares and fear of the dark as a child. It was released as a single in April 1985 by EMI America.
"Voyeur" is a song by American singer-songwriter Kim Carnes from her seventh studio album of the same name (1982). Written by Carnes, her husband Dave Ellingson, and Duane Hitchings, the song is an uptempo synth-pop track. It is the first track from the album, and its lead single.
"Draw of the Cards" is a 1981 single, the second released from Kim Carnes's Platinum-plus Mistaken Identity album.
Live at Savoy, 1981 is a live album by American singer-songwriter Kim Carnes, recorded at the Savoy nightclub in New York on August 25, 1981, as part of her Mistaken Identity tour. The album was released in 1999 by King Biscuit Flower Hour Records, a label owned by the American radio program King Biscuit Flower Hour.
Andy is the thirty-sixth studio album by American pop singer Andy Williams, released in the fall of 1976 by Columbia Records. Williams is not as focused on covering pop hits and standards on this album and instead relies mainly on original or lesser-known songs. In the liner notes for the album's 2002 CD release, writer Richard M. Erickson explains that the album "was recorded at six different studios to accommodate Andy's touring schedule. One recording session was at a portable studio set up at a Marriott hotel."
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