Batik is an Indonesian technique of wax-resist dyeing applied to the whole cloth. This technique originated from the island of Java, Indonesia. Batik is made either by drawing dots and lines of wax with a spouted tool called a canting, or by printing the wax with a copper stamp called a cap. The applied wax resists dyes and therefore allows the artisan to colour selectively by soaking the cloth in one colour, removing the wax with boiling water, and repeating if multiple colours are desired.
A sarong or a sarung is a large tube or length of fabric, often wrapped around the waist, worn in Southeast Asia, South Asia, Western Asia, Northern Africa, East Africa, West Africa, and on many Pacific islands. The fabric often has woven plaid or checkered patterns, or may be brightly colored by means of batik or ikat dyeing. Many modern sarongs have printed designs, often depicting animals or plants. Different types of sarongs are worn in different places in the world, notably the lungi in the Indian subcontinent and the izaar in the Arabian Peninsula.
A baby sling or baby carrier is generally made of soft fabrics that wrap around the chest. They provide comfort and support for the baby and allow the parent or carer to keep their hands free as they go about their everyday tasks.
The lungi is a type of sarong that originated in modern day Bangladesh but is now found throughout the Subcontinent. The lungi, which usually multicoloured, is a men's skirt usually tied around the lower waist below the navel. It can be worn as casual wear and night wear. It is favoured in hot and humid climates where the airflow it allows makes it more comfortable than alternatives. It is mostly worn in Bangladesh & West Bengal.
The malong is a traditional Filipino-Bangsamoro rectangular or tube-like wraparound skirt bearing a variety of geometric or okir designs. The malong is traditionally used as a garment by both men and women of the numerous ethnic groups in the mainland Mindanao and parts of the Sulu Archipelago. They are wrapped around at waist or chest-height and secured by tucked ends, with belts of braided material or other pieces of cloth, or are knotted over one shoulder. They were traditionally hand-woven, with the patterns usually distinctive to a particular ethnic group. However, modern malong are usually machine-made or even imported, with patterns that mimic the traditional local designs.
Huipil is the most common traditional garment worn by indigenous women from central Mexico to Central America.
The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.
Swahili culture is the culture of the Swahili people inhabiting the Swahili coast. This littoral area encompasses Tanzania, Kenya, and Mozambique, as well as the adjacent islands of Zanzibar and Comoros along with some parts of Malawi and the eastern part of Democratic Republic of Congo. They speak Swahili as their native language, which belongs to the Bantu language family. Graham Connah described Swahili culture as at least partially urban, mercantile, and literate.
The kanga is a colourful fabric similar to kitenge, but lighter, worn by women and occasionally by men throughout the African Great Lakes region. It is a piece of printed cotton fabric, about 1.5 m by 1 m, often with a border along all four sides, and a central part (mji) which differs in design from the borders. They are sold in pairs, which can then be cut and hemmed to be used as a set.
African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
Resist dyeing (resist-dyeing) is a traditional method of dyeing textiles with patterns. Methods are used to "resist" or prevent the dye from reaching all the cloth, thereby creating a pattern and ground. The most common forms use wax, some type of paste made from starch or mud, or a mechanical resist that manipulates the cloth such as tying or stitching. Another form of resist involves using a dye containing a chemical agent that will repel another type of dye printed over the top. The best-known varieties today include tie-dye, batik, and ikat.
A kikoi is a traditional rectangle of woven cloth originating from Africa. Considered a part of Swahili culture, the kikoi is mostly worn by the coastal men but now includes the Maasai people of Kenya as well as men from Tanzania and Zanzibar. It is most commonly viewed a type of sarong.
Hmong Textile Art consists of traditional and modern textile arts and crafts produced by the Hmong people. Traditional Hmong textile examples include hand-spun hemp cloth production, basket weaving, batik dyeing, and a unique form of embroidery known as flower cloth or Paj Ntaub in the Hmong language RPA. The most widely recognized modern style of Hmong textile art is a form of embroidery derived from Paj Ntaub known as story cloth.
The kofia is a brimless cylindrical cap with a flat crown, worn mainly by some men in East Africa.
A kanzu is a white or cream coloured robe worn by men in the African Great Lakes region. It is referred to as a tunic in English, and as the Thawb in Arab countries. The kanzu is an ankle or floor length garment. It serves as the national costume of Tanzania as well as the Comoros, where it is called/pronounced 'Kandu' as well as thawb. The robe is also worn in some coastal Muslim regions of Tanzania and Kenya. The men of Uganda consider it their most important dress. Kanzu is a Ganda word of Swahili origin, which means "robe" or "tunic". In Tanzania, the term is used interchangeably with kaftan.
A lamba is the traditional garment worn by men and women that live in Madagascar. The textile, highly emblematic of Malagasy culture, consists of a rectangular length of cloth wrapped around the body.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
African wax prints, Dutch wax prints or Ankara, are omnipresent and common materials for clothing in West Africa and Central Africa. They were introduced to West and Central Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian designs. They began to adapt their designs and colours to suit the tastes of the African market. They are industrially produced colourful cotton cloths with batik-inspired printing. One feature of these materials is the lack of difference in the colour intensity of the front and back sides. The wax fabric can be sorted into categories of quality due to the processes of manufacturing. The term "Ankara" originates from the Hausa name for Accra, the capital of what is now Ghana. Initially used by Nigerian Hausa tradesmen, it was meant to refer to "Accra," which served as a hub for African prints in the 19th century.
The Vlisco Group designs, produces and distributes fashion fabrics, especially of the African wax print style, for the West and Central African market and African consumers in global metropolitan cities. Founded in Helmond, the Netherlands, in 1846, the Vlisco Group and their fabrics have grown into an essential part of African culture, receiving widespread attention from the art, design and fashion worlds. Vlisco Group's brand portfolio consists of four brands: Vlisco, Woodin, Uniwax and GTP. The company's head office, as well as the design and production facilities for the Vlisco brand, are located in Helmond. For the other brands these facilities are based in Ghana and Ivory Coast. The Vlisco Group has eight sales offices in numerous African countries and around 2,700 employees.
Yoruba women’s clothing is the traditional attire worn by women of the Yoruba ethnic group in parts of Nigeria, Benin and Togo in a region called Yorubaland. The clothing reflects the rich culture, history and aesthetic preferences of the Yoruba people.
