Konstantinos Paliatsaras is a Greek operatic tenor.
Born in Athens, Greece, Paliatsaras was attracted to Opera immediately after hearing Maria Callas at the age of 7. He was taught at the National Concervatoire in Athens by Professor Maggie Karatza and at the Royal Academy of Music in London by Professor Constance Shacklock. He also studied with Maestro Andreas Paridis . [ when? ]
Paliatsaras debuted in 1987 at the National Greek Opera, as Alfredo in La Traviata followed by many leading roles, including Macduff (Macbeth), Don Carlos, Don Ottavio in Don Giovanni, Alfred and Prince Orlovsky in die Fledermaus, Rossillon in Die Lustige Witwe (1992, 2000), Die Hexe in Hansel und Gretel (1990), Almaviva in Il Barbiere di Siviglia, Nicias in Thais, Shober in Dreimadelhaus, Jimmy in the Rise and Fall of the City of Mahagonny (1999), Prince Shuisky and the fool in Boris Godunov, the fisherman in Die Kluge, La Vie parisienne, Les contes d'Hoffmann, Ariadne auf Naxos, Salome, Fadinard in Il cappello di paglia di Firenze (2001 and 2003), the latest in Mozart's Die Entfuhrung aus dem Serail (2007).
He was in a partnership with the baroque ensemble Capriccio Stravagante, directed by Skip Sempé, first at the inauguration opening of the Dimitri Mitropoulos hall, part of the Athens Megaron Concert Hall. At the Athens Megaron he also appeared as Apollo in Monteverdi's L'Orfeo with I Solisti Veneti, Carmen with Agnes Baltsa and Mahagonny.
A major landmark in his career was the tour in 30 cities and towns in France as Macheath in Kurt Weill's The Threepenny Opera with opera Eclate culminating in Paris 1990. In France he sang Verdi's Requiem at Angoulêmes, Cognac and Ruffec cathedrals (1990). Paliatsaras also presented Yiannis Markopoulos Liturgy of Orfeus in Vienna (1993), Brussels, Buenos Aires (2005), Ephesus (2004), Limassol, Athens and Ancient Marathon (2006). In the city of Thessaloniki, Paliatsaras sang Paris in Offenbach's La belle Hélène, Don Ottavio in Don Giovanni, and Le Nozze di Figaro. He recorded Monteverdi's Il Combattimento di Tancredi e Clorinda for DHM, BMG with Capriccio Stravagante, a performance that was honored with the Diapason d'Or 1992 reissued in 2004, giving a world tour in Cologne, Monaco, Paris, Normandy (1998), New York, and Seattle, U.S. At the Teatro Olympico, Vicenza, he sang the role of Apollo in Marco da Gagliano's opera La Dafne .
With the composer Vangelis, he recorded the CD El Greco with soprano Montserrat Caballé for Warner Bros. Has also appeared in many films, notably the Greek version of Disney's The Hunchback of Notre Dame singing the role of Clopin in Greek with great success. His most recent appearance in 2009 was as Alfredo in La Traviata at the municipal Theater of Kalamata, Greece in May and a concert in October at the Alexandria Opera House in Egypt. In April 2010, Haendel's Acis and Galatea with the Athens singers Theatro Tehnis Karolos Koun Athens.
Stile concitato or "agitated style" is a Baroque style developed by Claudio Monteverdi with effects such as having rapid repeated notes and extended trills as symbols of bellicose agitation or anger. Kate Van Orden points out a precedent in Clément Janequin's "La Guerre" (1528). Agathe Sueur points out similarities and ambiguities between Monteverdi's genere concitato and stile concitato in rhetoric and poetry. Examples of stile concitato can be found in these works:
Rolando Villazón Mauleón is a Mexican operatic tenor and opera director. He now lives in France, and in 2007 became a French citizen.
Clorinda or Clorinde may refer to:
Il combattimento di Tancredi e Clorinda, SV 153, is an operatic scena for three voices by Claudio Monteverdi. The libretto is drawn from Torquato Tasso's La Gerusalemme Liberata. It was first performed in Venice in 1624, and printed in 1638 in Monteverdi's eighth book of madrigals. Monteverdi used musical features here for the first time to enhance the dramatic depiction of a battle in stile concitato, such as pizzicato and tremolo.
Sandrine Piau is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018.
Fiorenza Cedolins is an Italian soprano.
Union Avenue Opera is an opera company based in St. Louis, Missouri. The company was founded in 1994 by Scott Schoonover, the music director of Union Avenue Christian Church, which serves as the company's venue in St. Louis' Visitation Park neighborhood.
Opera Quotannis (OQ) was a New York-based opera company which was founded in 1990, with conductor Bart Folse as Music Director and stage director Brian Morgan serving as Artistic Director. It specialized in experimental productions of both ancient and contemporary opera.
Henry Price III is a well-known American operatic tenor, who was a pupil of the tenor Eugene Conley. He made his formal debut with the Goldovsky Opera Theater in 1970, as Alfredo Germont in La traviata.
Clorinda is a fictional character appearing in Torquato Tasso's poem Jerusalem Delivered, first published in 1581. She is a warrior woman of the Saracen army.
Il ballo delle ingrate is a semi-dramatic ballet by the Italian composer Claudio Monteverdi set to a libretto by Ottavio Rinuccini. It was first performed in Mantua on Wednesday, 4 June 1608 as part of the wedding celebrations for Francesco Gonzaga and Margaret of Savoy. Both Vincenzo and Francesco Gonzaga took part in the dancing. Monteverdi also composed the opera L'Arianna and the music for the prologue to Guarini's play L'idropica for the occasion.
Tancredi is an opera by the composer Gioachino Rossini, based on the character in Torquato Tasso's Jerusalem Delivered.
The Italian composer Claudio Monteverdi (1567–1643), in addition to a large output of church music and madrigals, wrote prolifically for the stage. His theatrical works were written between 1604 and 1643 and included operas, of which three—L'Orfeo (1607), Il ritorno d'Ulisse in patria (1640) and L'incoronazione di Poppea (1643)—have survived with their music and librettos intact. In the case of the other seven operas, the music has disappeared almost entirely, although some of the librettos exist. The loss of these works, written during a critical period of early opera history, has been much regretted by commentators and musicologists.
Péter Halász, is a Hungarian conductor.
Wolf Matthias Friedrich is a classical singer of baritone and bass roles, especially of Early music and Baroque music.
Kathryn Day is an American opera singer who has had an active international career spanning five decades. She began her career as a leading soprano under the name Kathryn Bouleyn in the 1970s and 1980s with companies like the New York City Opera, the San Francisco Opera, and the Opera Theater of Saint Louis. With the latter institution she created the role of Cora in the world premiere of Stephen Paulus' The Postman Always Rings Twice (1982).
Stefano Trespidi is an Italian opera stage director.
Patricia Lavail is a French recorder player.