| Labret | |
|---|---|
 | |
| Nicknames | Mao |
| Location | Labrum (below bottom lip, above chin) |
| Healing | Ranging from 3–6 weeks |
A labret is a form of body piercing. Taken literally, it is any type of adornment that is attached to the lip (labrum). However, the term usually refers to a piercing that is below the bottom lip, above the chin. It is sometimes referred to as a "tongue pillar" or a "soul patch piercing".
The traditional pronunciation of labret in anthropology is /ˈleɪbrət/ LAY-brət. It derives from the Latin labrum "lip" and the diminutive suffix -et. However, many in the body-piercing industry give it the pseudo-French pronunciation /lɒˈbreɪ/ lo-BRAY, though the French word is in fact borrowed from the English. [1] [2]
The labret was a traditional piercing among the American Northwest Coast Indians, where it was related to status:
"access to labrets. After 3,000 BP, a divergence in labret wear in north and south coasts. In the north from 1500 - 3500 BP, more labrets worn by males. After 1500 BP, labrets worn by females. In the south, between 2000 - 3500 BP, worn by males and females, but from 2000 BP on, labrets generally disappear and are replaced by cranial deformation by free males and females of whatever class (e.g. elite or commoner). So, for 4,000 years on the northwest coast, it was important to distinguish certain individuals in a very direct manner; either by cranial deformation or by labret wear. Gender and geographical region may also be identified by these methods." [3]
When a mask was being made to represent someone of high status, that mask would likewise have a labret.
The wearing of labrets was widely observed among Tlingit women of high status at the time of European and American arrivals in Southeast Alaska. The Russian term for the Tlingit, Koloshi, derived from an Alutiiq word for labret. [4]
Based on analysis of the history and social context of the labret (lip plug) on the Northwest Coast of British Columbia over the last 5,000 years, Marina LaSalle asserts that "while simple correlations of the labret with 'status' and 'gender' are not wrong, nonetheless they betray the complexity of body ornamentation which, though manifested materially, is highly contextual" and that "the labret is a symbol and expression of social identity that continues to hold significant meaning for the descendants of this heritage." [5] [6]
In contemporary styles, there are several different labret variations based on precisely where the piercing is positioned on the lower lip. These include a vertical labret (pierced with a curved barbell through the top of the lower lip rather than in front of the lip tissue), snake bites (dual piercings close together reminiscent of fangs), spiderbites (dual piercings very close together on the same side of the face), and a lowbret, which is placed as low as possible toward the chin. [7] The initial piercing is usually done at 1.2, 1.6 or 2.0 mm diameter. After initial healing, the piercing can be (gradually) further stretched. Some people choose to stretch to sizes over 10 mm, and the jewelry worn at these larger sizes is usually a round or oval 'labret plug'. [8]
The Tlingit are indigenous peoples of the Pacific Northwest Coast of North America. Their language is the Tlingit language, in which the name means 'People of the Tides'. The Russian name Koloshi or the related German name Koulischen may be encountered referring to the people in older historical literature, such as Grigory Shelikhov's 1796 map of Russian America.
Haida are an indigenous group who have traditionally occupied Haida Gwaii, an archipelago just off the coast of British Columbia, Canada, for at least 12,500 years.
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
An adornment is generally an accessory or ornament worn to enhance the beauty or status of the wearer. They are often worn to embellish, enhance, or distinguish the wearer, and to define cultural, social, or religious status within a specific community. When worn to show economic status, the items are often either rare or prohibitively expensive to others. Adornments are usually colourful, and worn to attract attention.
Nose piercing is the piercing of the skin or cartilage which forms any part of the nose, normally for the purpose of wearing jewelry, called a nose-jewel. Among the different varieties of nose piercings, the nostril piercing is the most common.
An earring is a piece of jewelry attached to the ear via a piercing in the earlobe or another external part of the ear. Earrings have been worn by people in different civilizations and historic periods, often with cultural significance.
A nipple piercing is a type of body piercing, centered usually at the base of the nipple. It can be pierced at any angle but is usually done horizontally or, less often, vertically. It is also possible to place multiple piercings on top of one another.
Stretching, in the context of body piercing, is the deliberate expansion of a healed piercing for the purpose of wearing certain types of jewelry. Ear piercings are the most commonly stretched piercings, with nasal septum piercings, tongue piercings and lip piercings/lip plates following close behind. While all piercings can be stretched to some degree, cartilage piercings are usually more difficult to stretch and more likely to form hypertrophic scars if stretched quickly. Dermal punching is generally the preferred method for accommodating larger jewelry in cartilage piercings.
The lip plate, also known as a lip plug, lip disc, or mouth plate is a form of body modification. Increasingly large discs are inserted into a pierced hole in either the upper or lower lip, or both, thereby stretching it. The term labret denotes all kinds of pierced-lip ornaments, including plates and plugs.
Maya society concerns the social organization of the Pre-Hispanic Maya, its political structures, and social classes. The Maya people were indigenous to Mexico and Central America and the most dominant people groups of Central America up until the 6th century.
Artificial cranial deformation or modification, head flattening, or head binding is a form of body alteration in which the skull of a human being is deformed intentionally. It is done by distorting the normal growth of a child's skull by applying force. Flat shapes, elongated ones, rounded ones, and conical ones are among those chosen or valued in various cultures. Typically, the shape alteration is carried out on an infant, as the skull is most pliable at this time. In a typical case, headbinding begins approximately a month after birth and continues for about six months.
Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The Indigenous peoples of the Pacific Northwest Coast are composed of many nations and tribal affiliations, each with distinctive cultural and political identities. They share certain beliefs, traditions and practices, such as the centrality of salmon as a resource and spiritual symbol, and many cultivation and subsistence practices. The term Northwest Coast or North West Coast is used in anthropology to refer to the groups of Indigenous people residing along the coast of what is now called British Columbia, Washington State, parts of Alaska, Oregon, and Northern California. The term Pacific Northwest is largely used in the American context.
A plug, in the context of body modification, is a short, cylindrical piece of jewelry commonly worn in larger-gauge body piercings. Modern western plugs are also called flesh tunnels. Because of their size—which is often substantially thicker than a standard metal earring—plugs can be made out of almost any material. Acrylic glass, metal, wood, bone, stone, horn, glass, silicone or porcelain are all potential plug materials.
Body piercing, which is a form of body modification, is the practice of puncturing or cutting a part of the human body, creating an opening in which jewelry may be worn, or where an implant could be inserted. The word piercing can refer to the act or practice of body piercing, or to an opening in the body created by this act or practice. It can also, by metonymy, refer to the resulting decoration, or to the decorative jewelry used. Piercing implants alter body and/or skin profile and appearance. Although the history of body piercing is obscured by popular misinformation and by a lack of scholarly reference, ample evidence exists to document that it has been practiced in various forms by multiple sexes since ancient times throughout the world. Body piercing can be performed on people of all ages, although most minors are only permitted to have earlobe piercings.
Chilkat weaving is a traditional form of weaving practiced by Tlingit, Haida, Tsimshian, and other Northwest Coast peoples of Alaska and British Columbia. Chilkat robes are worn by high-ranking tribal members on civic or ceremonial occasions, including dances.
Kwakwaka'wakw art describes the art of the Kwakwaka'wakw peoples of British Columbia. It encompasses a wide variety of woodcarving, sculpture, painting, weaving and dance. Kwakwaka'wakw arts are exemplified in totem poles, masks, wooden carvings, jewelry and woven blankets. Visual arts are defined by simplicity, realism, and artistic emphasis. Dances are observed in the many rituals and ceremonies in Kwakwaka'wakw culture. Much of what is known about Kwakwaka'wakw art comes from oral history, archeological finds in the 19th century, inherited objects, and devoted artists educated in Kwakwaka'wakw traditions.
Yup'ik doll is a traditional Eskimo style doll and figurine form made in the southwestern Alaska by Yup'ik people. Also known as Cup'ik doll for the Chevak Cup'ik dialect speaking Eskimos of Chevak and Cup'ig doll for the Nunivak Cup'ig dialect speaking Eskimos of Nunivak Island. Typically, Yup'ik dolls are dressed in traditional Eskimo style Yup'ik clothing, intended to protect the wearer from cold weather, and are often made from traditional materials obtained through food gathering. Play dolls from the Yup'ik area were made of wood, bone, or walrus ivory and measured from one to twelve inches in height or more. Male and female dolls were often distinguished anatomically and can be told apart by the addition of ivory labrets for males and chin tattooing for females. The information about play dolls within Alaska Native cultures is sporadic. As is so often the case in early museum collections, it is difficult to distinguish dolls made for play from those made for ritual. There were always five dolls making up a family: a father, a mother, a son, a daughter, and a baby. Some human figurines were used by shamans.
Aztec body modification was practiced by the members of the Aztec Empire in Mesoamerica. Many times the body modification was used in ritual or ceremonial practices. It was also a crucial part of movement between major life stages.
The Chinchorro culture of South America was a preceramic culture that lasted from 9,100 to 3,500 years BP. The people forming the Chinchorro culture were sedentary fishermen inhabiting the Pacific coastal region of current northern Chile and southern Peru. Presence of fresh water in the arid region on the coast facilitated human settlement in this area. The Chinchorro were famous for their detailed mummification and funerary practices. The area of the Chinchorro culture started to receive influences from the Andean Plateau around 4,000 BP, which led to the adoption of agriculture. Much later, it came under the influence of the Tiwanaku Empire.
Media related to Labret at Wikimedia Commons