Lady L | |
---|---|
Directed by | Peter Ustinov |
Screenplay by | Peter Ustinov |
Based on | Lady L 1963 novel by Romain Gary |
Produced by | Carlo Ponti |
Starring | Sophia Loren Paul Newman David Niven |
Cinematography | Henri Alekan |
Edited by | Roger Dwyre |
Music by | Jean Françaix |
Distributed by | Metro-Goldwyn-Mayer |
Release dates |
|
Running time | 117 minutes |
Countries | France Italy United Kingdom |
Language | English |
Box office | $2.7 million (est. US/ Canada rentals) [1] |
Lady L is a 1965 comedy film based on the novel by Romain Gary and directed by Peter Ustinov. Starring Sophia Loren, Paul Newman, David Niven and Cecil Parker, [2] the film focuses on an elderly Corsican lady as she recalls the loves of her life, including an anarchist and an English aristocrat. The ending of the film is very different from the ending of the novel. [3]
As she approaches her 80th birthday, the sophisticated and still attractive Lady Lendale (widely known as "Lady L") recounts to her biographer, Sir Percy, the story of her life.
Fleeing her humble origins in Corsica, she travels to Paris, where she finds work in a brothel. There she falls in love with a thief and anarchist, Armand, and becomes pregnant by him. But before he can use a bomb to assassinate a Bavarian prince, she meets the wealthy Lord Lendale, who is so enchanted by the young woman that he offers to help her and Armand escape if she will agree to marry him. He explains that several of his high society relatives are mad and he wants new blood in his family.
Lady L becomes a woman of means, moving in high society, and together she and Lord Lendale raise a large family and many of their children achieve high class positions. In the end, however, she reveals her secret: with Lord Lendale's help, she has continued to be the lover of Armand, who has fathered all their children while posing as the family's chauffeur.
MGM spent $2 million on pre-production for the film before cancelling the project. [4]
It was later restarted as an international co-production between France, Italy and the United Kingdom. Castle Howard in Yorkshire was used for the shooting of some scenes. Interiors were shot at the Victorine Studios in Nice.
In a January 24, 1965 article in The New York Times , headlined “At Home with Lady L,” Ustinov and the cast discuss various aspects of the production, while filming in France. Ustinov explains that one of reasons for the years-long delay in bring the story to the screen was the grim ending. “ On paper, this scene, the book's climax, has the proper macabre touch,” Ustinov says, but it was feared that theater audiences would burst out laughing. After years of debate, Ustinov himself produced the solution: Cut it. [5]
The film had its world premiere at the Empire, Leicester Square in the West End of London on 25 November 1965. [6]
On Rotten Tomatoes, the film holds a rating of 29% based on 7 contemporary and modern reviews. The New York Times is a notable exception, rating it 4 out of 5 fresh. [7] .
In that May 19, 1966 review in The New York Times, Eliot Fremont-Smith called it “a film of great wit, urbane elegance, and fast-paced nuttiness, a charming romantic fantasy shot through with comedy. But it is also a shocking and disturbing film, oddly demented and macabre….” Fremont-Smith lavishes high praise on the “virtuoso” Peter Ustinov in his multiple responsibilities, but finds other cast members to be miscast, with the exception of Niven as Lord Lendale, a role “that combines manliness, sophistication and unselfish charm with terrible suspicions of impotence and gnawing loneliness—and that Mr. Niven performs without a flaw…” Thanks to Ustinov, he says, “The pacing is fast, the wit is sure, the scenes are gorgeous and the use, or control, of color is nothing less than breath-taking.…reasons enough for going to see this imperfect, droll, rewarding and technically very interesting entertainment.” [8]
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